25 April 2020

Four Video Games To Boost Your Mood

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The video game Fortnite revels in silliness.
The video game Fortnite revels in silliness. (Epic Games/IGDB)
In her book How Games Move Us (2016), computer games researcher Katherine Isbister writes that her friends and colleagues believe that gaming might numb people’s emotions. Given the possible connection between games and violence, it may be understandable that they think this, but Isbister disagrees with them. She writes that “games can actually play a powerful role in creating empathy and other strong, positive emotional experiences”.

Designers want players to laugh, cry and extend empathy to the other characters and players within digital games. So whether you are looking for a welcome distraction or a mood boost, here are four games to try.

1. Kind Words

Ziba Scott’s Kind Words (Lo Fi Chill Beats to Write To) may seem like an odd game. All it involves is players writing and receiving encouraging letters in a cosy room that cocoons them in the relaxing sounds of of “lo fi chill beats”.

It takes its inspiration from the YouTube sensation lo fi hip hop radio - beats to relax/study to. A combination of chill electronic music that is looped over animation, the channel has a surprisingly active live chat that has become a space for heartfelt confession.
Kind Words expands on the spirit of the YouTube stream by allowing players to write a letter about something worrying them and read responses from an anonymous community. While it may be tempting to dismiss this game because of its simplicity, the exchange of messages may have an important role to play. In How Games Move Us, Katherine Isbister relates this type of communication to a note left by a parent in a child’s lunchbox – a small but heartfelt attempt to reach out.

2. Going Under

According to the game designer Dan Cook, humour in games is difficult due to the conflicting nature of video games and comedy. While comedy comes from unexpected violations of the expected, video games rely on the predictable to be playable.

Broadly speaking, even excellent comedic writing is doomed when placed within the context of a video game because the required repetition of a game means that players will come to expect what was once the unexpected. However, comedy and punk-culture scholar Krista Bonello contends that comedy in games can be successful when it comes from exploiting the player’s experience of (and nostalgia for) previous games.
In that vein, the game Going Under succeeds by twisting the familiar setting of the action-adventure into the world of crumbling startups. Instead of searching for buried treasure in mystical ruins, players must instead explore the remnants of failed tech companies and strip the buildings of assets. Perhaps most comically of all, we are expected to do this for free, because we’re only interns.

3. Fortnite

When life is as dark as it is right now, it’s important to remember the importance of “fun”. Johan Huizinga, a Dutch historian and cultural theorist, first wrote about the idea of fun in 1938, saying:
The fun of playing resists all analysis, all logical interpretation. As a concept, it cannot be reduced to any other mental category.
Huizinga argued that fun was something beyond rational capacities, something universal to humans and other animals alike. This was not to discount fun as irrelevant but to establish its importance among our emotional capacities.
As such, there’s never been a better time to log in to Epic Games’ Fortnite. Although a competitive shooting game at heart, Fortnite distances itself from similar games through its cartoon-like aesthetic that can be felt in its gameplay as well as its visual design. The game welcomes up to 100 players to indulge in the childlike play of building box forts and throwing snowballs together, all while dressed as a pink llama. The game’s devotion to fun has amassed over 250 million players so far.

4. Euro Truck Simulator

Finally, I’d like to suggest to anyone who just needs to relax – or to embrace, as we call it in game theory, abnegation. Popularised by the paper Mechanics, Dynamics, Aesthetics, abnegation is generally thought of as a synonym for that feeling of “zoning out” we can experience when playing games.
Euro Truck Simulator, an almost entirely pointless game, asks players to engage in the long, thankless job of driving a shipping truck through simulations of mainland Europe. In providing players with a straightforward goal and some simple but hard to master controls, some players can find themselves sucked into the game for hours at a time.The Conversation

About Today's Contributor:

Conor Mckeown, , King's College London

This article is republished from The Conversation under a Creative Commons license. 

19 April 2020

Five Classic Isolation Movies – Recommended By A Film Scholar

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James Stewart and Wendell Corey in Rear Window (1954)
James Stewart and Wendell Corey in Rear Window (1954) (Paramount Studios)
As a film scholar, I am constantly being asked if I am enjoying the lockdown because it has given me more time to watch films. My answer is not simple. Yes, it is good to catch up on some films I missed at the cinema, or finally get around to rewatching Berlin Alexanderplatz.

But, for someone like me, who finds social isolation very difficult, watching movies alone can be a painful reminder of what a communal activity cinema-going usually is, as this research from Essex University has found.

So I have started to watch films that reassure me that I am not the only one feeling lonely and going stir crazy. Here, then, are five great films about being stuck indoors or in forced isolation. Some of these may not be for the faint-hearted, but they are all well worth watching.

Rear Window (Alfred Hitchcock, 1954)

Rear Window may be the definitive lockdown movie. The story is simple: Jimmy Stewart’s adventure-seeking photographer finds himself trapped in his apartment with a broken leg. He begins to semi-innocently spy on his neighbours until he becomes convinced that one of them may have murdered their wife.
The film is both a mischievous examination of the voyeur in us all, and a cautionary tale about the devil making work for idle hands. It is also a testament to the power of imagination. We might not be able to have meals, complete with champagne, delivered to us by Grace Kelly, but we can make up stories about what that strange man across the street is up to. It will help pass the time. And you know he’s doing the same about you.

The Exterminating Angel (Luis BuƱuel, 1962)

BuƱuel’s surrealist masterpiece remains cinema’s definitive portrait of societal breakdown, and 90% of it takes place in one room. Following a lavish dinner party at one of their houses, a large group of aristocrats find themselves inexplicably unable to leave the drawing room. The longer they remain there together the more the thin veneer of civilisation cracks.
First the servants leave and the guests are reduced to using antique vases as toilets. Soon the food and water run out and precious medication is stolen. The elderly and frail start to die. Some respond by indulging their hedonistic desires, some resort to prayer and calls for sacrifice, others kill themselves in despair. This might sound unbearably bleak, but BuƱuel plays it all for the most mordant kind of comedy. Six decades have not blunted the fangs on this one.

This is Not a Film (Jafar Panahi, 2011)

In late 2010, Jafar Panahi, one of Iran’s greatest filmmakers, was sentenced by his government to six years in prison and a 20-year ban on making films for allegedly conspiring to produce “propaganda against the Islamic Republic”. Awaiting the final verdict under house arrest, Panahi did what any good dissident would do: he made a film.
Shot on an iPhone and a digital camcorder, This is Not a Film shows Panahi going about his daily routine, speaking to his lawyers, acting out scenes from a film he expects to never make, talking about his previous work, and interacting with a few neighbours and workmen.

The result is a powerful riposte to state censorship and a sly work of meta-cinema typical of its maker. But the film also has an incredible urgency about it. It is as if Panahi had to make the film simply to stay sane. A timely reminder that you don’t need expensive equipment or money to make great art, and that sometimes the best work comes out of crisis and restraint.

Housebound (Gerard Johnstone, 2014)

It is easy to see why Peter Jackson went out of his way to champion this low-budget effort by first-time writer-director Gerard Johnstone (the famed New Zealand director called it “bloody brilliant”). Like Jackson’s own early films, Housebound shoots for a difficult balance of irreverent comedy, suspense, and splatter, and somehow pulls it off.
The story revolves around a 20-something tearaway named Kylie who placed under house arrest in her childhood home, which her mother casually insists is haunted. At first Kylie thinks her mother is just dotty, but when she is also confronted by mysteriously opening doors, disappearing objects and noises in the night, she begins to wonder.

Essential viewing for people with old, noisy houses. Extra points for the probation officer who reveals himself to be an amateur ghost hunter, and the very plucky female protagonist whose response to encountering a creepy doll is to smash its face in.

Crowhurst (Simon Rumley, 2017)

Independent British filmmaker Simon Rumley’s retelling of Donald Crowhurst’s disastrous attempt to sail solo and non-stop around the world in 1968, which ended in his disappearance and probable suicide, offers a masterclass in low-budget filmmaking. A good deal of the movie consists of Crowhurst (played by the excellent Justin Salinger) alone on a very small trimaran. Rumley, however, puts the viewer squarely inside Crowhurst’s head as his loneliness, isolation and fear of failure slowly cause him to crack.
This is not a movie for everyone. It is intense to say the least, and the more unhinged Crowhurst gets, the more self-consciously raw the filmmaking becomes. The fact that it was championed by Nicolas Roeg, the late, great maestro of mind-bending British cinema, will be the ultimate recommendation for those looking for something more adventurous.

This list is hardly exhaustive. There are many more films about isolation to watch while in isolation: from Persona to Safe, from Repulsion to Right at Your Door. I just wanted to guide people to a few lesser-known films alongside a pair of classics that worth revisiting now more than ever.

Stay safe and happy viewing.The Conversation

About Today's Contributor:

Brian Hoyle, Senior Lecturer in Film Studies, University of Dundee
This article is republished from The Conversation under a Creative Commons license. 

18 April 2020

The Cranberries "Zombie" Video Hits 1 Billion YouTube Views Making History As First Irish Band Ever To Hit This Milestone

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The Cranberries' iconic video for "Zombie" has hit 1 billion views on YouTube, breaking records as the first Irish band to hit this milestone.
The Cranberries' iconic video for "Zombie" has hit 1 billion views on YouTube, breaking records as the first Irish band to hit this milestone.
Taken from their second album No Need To Argue and released in September 1994, the official video for The Cranberries track "Zombie" has just passed 1 billion views on YouTube, breaking records as the first Irish band to hit this milestone. 

The Cranberries now join a small club of iconic artists to reach this landmark and the video is the fifth most viewed rock video of all time globally according to Louder Sound.



Written by Dolores O'Riordan as a protest song after IRA bombings in Warrington killed two children and injured 56 others in March 1993, "Zombie" was recorded at Windmill Lane Studios in Dublin and was produced by long time Cranberries collaborator Stephen Street (The Smiths, Blur). Containing the lyrics "But you see, it's not me. It's not my family," the band were adamant "Zombie" should be the lead single from their new album and resisted the suggestion to go with a less political track, such was their commitment to the song. 

The official video directed by Samuel Bayer – who now notches his second billion viewed clip following Nirvana's 'Smells Like Teen Spirit' – shows original footage of Northern Irish street scenes with children playing war games during The Troubles, including the now famous political and historical murals. 

In the video a gilded Dolores O'Riordan stands before a giant cross wearing a crown of thorns surrounded by silver cherubs, with cutaway shots of the band performing live outdoors.

The Cranberries' iconic video for "Zombie" has hit 1 billion views on YouTube, breaking records as the first Irish band to hit this milestone.
The Cranberries' iconic video for "Zombie" has hit 1 billion views on YouTube, breaking records as the first Irish band to hit this milestone. (screengrab)
Fergal Lawler, The Cranberries drummer said of the achievement, "We are so delighted with the news that 'Zombie' has reached 1 billion views on YouTube. We are sure Dolores has a big, proud smile on her face too. Thank you so much to all our fans around the world for supporting us over so many years. Hopefully you are all safe and well and managing to find some hope and positivity in our music."
Noel Hogan, The Cranberries guitarist continues, "For 'Zombie' to reach 1 billion views has been a long road and another milestone for the band. Little did we think twenty something years ago that this song would stand the test of time and mean so much too so many. All we can say is thank you to the fans for all they have done for us."
Bassist Mike Hogan concludes, "I can still remember making such a great video and seeing the impact that it had - and still does - on people. Big shout out to all The Cranberries fans around the world - thanks so much."
Their most commercially successful single, "Zombie" went on to top the singles charts in Australia, Belgium, Denmark, France, Germany, Iceland and was #1 on the Billboard Modern Rock Tracks chart in the US. In 1995 it was awarded 'Best Song' at the MTV Europe Music Awards, and was voted #1 on Australia's Triple J Hottest 100 chart in 1994. 

On January 16th 2018, Colin Parry - father of Tim Parry, the twelve year old victim of the Warrington bomb - thanked Dolores O'Riordan for the 'majestic and (also) very real lyrics" in the track.

The Cranberries' iconic video for "Zombie" has hit 1 billion views on YouTube, breaking records as the first Irish band to hit this milestone.
The Cranberries' iconic video for "Zombie" has hit 1 billion views on YouTube, breaking records as the first Irish band to hit this milestone. (screengrab)
The Cranberries debut album Everybody Else Is Doing It, So Why Can't We? was released and charted at #1 on the UK album charts in March 1993. Their second and most commercially successful album No Need To Argue was released in October 1994 and stayed on the UK charts for 98 weeks after being certified multiple platinum, making the band global superstars. 

In April 2019, The Cranberries released their eighth and final album, In The End, the vocals for which had been recorded by Dolores prior to her tragic passing in 2018. Guitarist Noel Hogan confirmed its release would honor her memory. In The End reached top 10 in the UK, Ireland, Germany, France, Italy, and on the Billboard Independent Albums chart in the US. It was nominated for Best Rock Album at the 2020 Grammy Awards.

An expanded reissue of No Need To Argue is planned for release by UMe/Island later this year.

SOURCE: UMe/Island

16 April 2020

"Together We are One" - A Music Video With a Message of Inspiration and Hope During These Difficult Times [Video Included]

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"Together We are One" - A Music Video With a Message of Inspiration and Hope During These Difficult Times
"Together We are One" - A Music Video With a Message of Inspiration and Hope During These Difficult Times (screengrab)
Performance Solutions Worldwide has announced the release of Together We are One, a music video that offers hope and inspiration during these difficult times. Produced in the heartland of America, the video sends the message that if we work together, we can overcome anything.

The video is written and produced by Denny Drake and Gunnar Guenette, with audio and video production by Aaron Martin and Rob Campbell. Featured on guitar are John Rodgers and Gunnar Guenette, accompanied by Michael Fitzsimmons on percussion. 


Together We are One is a gift to the world, which inspires and offers hope to those looking for strength and guidance during an epic battle with an unseen enemy that has altered daily life as we know it.
"This anthem is a message of hope, a prayer for us all. It serves as a tribute to everyone that anything is possible if we work together," said Denny Drake, president and chief executive officer of Performance Solutions Worldwide.
Drake added, "As I look around during this time of great uncertainty, I see a nation and a world coming together as one to fight this great pandemic."
Drake encourages those who view the video to share it with friends and family as a message to not give up, and work together as a nation and throughout the world, regardless of race, religion, or political views. "We are all human beings who share the same pain, fears and emotions. Together, we are one." – Denny Drake.

Together We Are One - The Video:

Together We Are One - Lyrics:

When at all began with nothing but ourselves
in the vision of one god

through the eyes of the child and the spirit of the world
we are one, together we are one

has it changed since then with the shift of the wind
and challenges to great for some

we embrace the unknown rise above it all
we are one, together we are one

look around, feel your heart
we’re not that different after all
together we inspire, together we are strong

when we’re together we are one

language not the same different minds, hearts and souls
our dreams…they give us hope

waters of the Earth, the air, sky and sun
we are one, together we are one

look around, feel your heart
the universe hears

us all together we inspire

together we are strong to be more than our selves we are one

since the moment of change

and stand in line
the opportunity from adversity captures some

so on the road we travel and on mountains steep to climb

we are one, forever we are one

we are one, forever we are one


SOURCE: Performance Solutions

15 April 2020

4 Strategies for Embracing Obstacles

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4 Strategies for Embracing Obstacles
4 Strategies for Embracing Obstacles
If you’re facing some life challenges, it can be hard to remember that it’s normal to have obstacles crop up from time to time. Everyone has setbacks, disappointments, and tough times. But going through a rough patch doesn’t have to spoil your life. The key to thriving in the face of adversity is how you respond to the obstacles in your path.

Here are four strategies to help you ride through and come out on top.

Decide to embrace the obstacle

If you’re having a tough time, it can be easy to feel helpless, even that you’re a victim. But it’s up to you to rise to the challenge and decide that you won’t be overwhelmed. Choosing to take control and embrace your challenge is the first step in overcoming it. Look your obstacle square in the face and resolve to meet it.

Be okay with discomfort

The proof that you’re embracing your obstacle is acknowledging that it doesn’t feel good. It can feel uncomfortable, heavy, even painful. There are lots of life experiences that hurt at the time but end up being for your best and highest good. From marathon training to going to the dentist to public speaking, even facing your debtors, you feel so much better once you’ve faced the worst. Remember it won’t last forever. Don’t shrink from the bad feelings. You can ride them out!

4 Strategies for Embracing Obstacles
4 Strategies for Embracing Obstacles

Make sure you have a support team

You don’t have to face your obstacles alone. It can make all the difference to have people around you who are supportive, who’ll stick by you and cheer you on when you want to give up.

If you have a cheer squad, you’ll find that extra level of energy to help get you through. And you’ll be there for your friends and colleagues when they’re facing their challenges. Once you’re part of a team who have each other’s backs, none of you will have to face life’s ups and downs alone. You’ll fight together and celebrate success together.

Be grateful for your obstacles

Feeling gratitude for the challenges in life might sound counter-intuitive. But think about it. Accepting the challenge, resolving to meet it head-on, and overcoming it makes you a better, stronger person. Think of how good it feels to deal with a problem and solve it. To face fear and overcome it.

Without obstacles in your life, you would not grow and learn and become a better person. Obstacles are a natural, normal part of living an authentic life.

4 Strategies for Embracing Obstacles
4 Strategies for Embracing Obstacles

14 April 2020

Hip Hop Public Health Launches 20 Seconds or More Initiative Harnessing the Power of Music to Encourage Hand Washing and Other Safety Protocols Amongst Young People to Battle the COVID-19 Pandemic

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Rap Icon Doug E. Fresh and Songwriter Artie Green Collaborated on New Song and Video, 20 Seconds or More, Featuring 40 Recording Artists, Entertainers, Medical Workers, Athletes, and Business and Civic Leaders
Rap Icon Doug E. Fresh and Songwriter Artie Green Collaborated on New Song and Video, 20 Seconds or More, Featuring 40 Recording Artists, Entertainers, Medical Workers, Athletes, and Business and Civic Leaders PRNewsfoto/Hip Hop Public Health)
Hip Hop Public Health (HHPH) the national nonprofit organization dedicated to fostering positive health behavior change through the power of hip hop music since 2005, today launched 20 Seconds or More, a new initiative to encourage hand washing and other safety protocols among the nation's youth. 

The focal point of 20 Seconds or More is a lively, three-minute music video featuring pioneering rapper and community health advocate, Doug E. Fresh, along with more than 40 noted individuals from the entertainment, sports, medical, civic and business sectors. These include a range of talents such as rappers DMC, Monie Love and Chuck D, pop and R&B singers Ashanti and Jordin Sparks, along with Jamie Foxx, Cedric The Entertainer, UNC NBA prospect Cole Anthony, Olympian Benita Fitzgerald Mosley and many others

Dr. Olajide Williams, Chief of Staff, Department of Neurology, NewYork-Presbyterian/Columbia University Irving Medical Center, and Doug E. Fresh are the Co-Founders of HHPH and are spearheading the initiative with HHPH Executive Director and CEO, Lori Rose Benson. Philanthropic support for the initiative has been provided by the Bristol Myers Squibb Foundation and the Bristol Myers Squibb Black Organization for Leadership Development, an employee resource group.

Hip Hop Public Health produced the song 20 Seconds or More in response to messaging failures governing the pandemic in the US. The song was written by Artie Green, and features Doug E. Fresh and Gerry Gunn with medical oversight by Dr. Williams.

20 Seconds or More is available on Spotify and will be on additional streaming music platforms this week, with the hopes of inspiring dance/rapping challenges to share these resources widely. 

The song's catchy refrain, "Wash your hands everybody, and everybody just wash your hands," is inspired by the classic hip hop riff that began with Big Hank and has been adopted by MCs and hip hop fans of all ages and backgrounds as a global anthem.
"The main goal of 20 Seconds or More is to bring together art, science and social media innovation to help fight the COVID-19 health crisis plaguing our nation and the world today," says Doug E. Fresh. "As an artist and a health advocate, I have the responsibility of using my platform and my voice to make a change, beginning with young people, to help save lives and stop the spread of this virus."
"Without a doubt, COVID-19 is one of the most challenging health crises of modern times," says Dr. Olajide Williams. "Personal safety measures are important against the highly contagious Coronavirus, whose infectious profile includes a large number of silent 'asymptomatic' carriers (18-30%) capable of infecting others, and those with mild manifestations of the disease."
The few community defenses against the devastating effects of COVID-19 include home quarantine, social distancing, and proper frequent hand washing. Data shows that these practices mitigate the spread of the virus and have helped to reduce transmission and sickness in countries that have implemented them.
Adds Dr. Williams, "We now know that younger people are more likely to have mild manifestations or silent infection compared to older individuals, and that communities of color are disproportionately affected. These groups need targeted health communication solutions for improving compliance with hand washing, social distancing and home quarantine. 20 Seconds or More is such a campaign, designed to motivate young people and communities of color to engage in regular hand washing and social distancing, while also appealing to the general public."
"This is the era of personal responsibility, when the simple things we choose to do or not do have life and death consequences," says Lori Rose Benson, Executive Director and CEO of Hip Hop Public Health. "Personal responsibility is empowered by education, social conditioning, and cultural relevance. We could therefore think of no better way to get this message across than by launching 20 Seconds or More. This is a life-saving, action-oriented platform that enables young people and all of us to recognize and utilize our power for the collective good health of our communities, the nation and the world."
In addition to the song and video, HHPH has created multiple opportunities for the public to get involved in the 20 Seconds or More movement. Working in collaboration with OPEN, the Online Physical Education Network, HHPH created free lesson plans and other health educational materials to be shared with teachers, school leaders, parents and students to support remote learning and staying active at home.

 HHPH has also created opportunities for young people, educators and artists to serve as Ambassadors, or "HHPH MCs" charged with utilizing their social networks and platforms to inspire dance and rap challenges, while encouraging adherence to COVID-19 safety protocols. HHPH's network of MCs (Masters of Culture) helps to amplify key health messages to empower youth and teach them how to care for their physical and mental health.

HHPH is also sharing frequent updates and information regarding COVID-19 through a series of studies, papers and interactive sessions with Dr. Williams. These include the COVID-19 Industry Rapid Response Q&A with The Partnership for a Healthier America and HHPH's latest blog post with engaging resources for families to stay active at home.

20 Seconds or More - The Video:


The 20 Seconds or More video was produced by IDEKO, a New York based experiential production agency.

13 April 2020

Alight Announces #InOurHands Global Campaign To Create Unity and Share Messaging About COVID-19 [Video Included]

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Alight Announces #InOurHands Global Campaign To Create Unity and Share Messaging About COVID-19
Alight Announces #InOurHands Global Campaign To Create Unity and Share Messaging About COVID-19 (image via Alight)
Alight, formerly known as the American Refugee Committee, has announced the global launch of the IN OUR HANDS campaign. 

Developed in conjunction with leading nonprofit design studio, IDEO.org, the campaign aims to unite people during a time of social distancing while also sharing bite-sized, positive messaging derived from World Health Organization (WHO) guidelines as a means to simply and effectively offer uplifting messages. 

Alight is joining forces with influencers, community leaders and partners around the world to help raise awareness and demonstrate how together, hand-in-hand, we can help slow the staggering rate at which COVID-19 continues to spread.
"We work closely with refugees in camps and settlements who don't have the systems in place to be protected from the coronavirus and also haven't necessarily received much information about the virus," says Alight's East Africa Representative Bernad Ochieng Ojwang. "So, as we've been working to prepare the communities of refugees and displaced people we serve every day for COVID-19, we knew we also wanted to create a campaign that could both reach other remote and marginalized communities with information and unite the global community against this global pandemic."
"Designers are looking to apply their creativity and craft to COVID-19 related efforts in this moment where their skills are most needed. We are optimistic that these messages can really shift behaviors and prevent the further spread of COVID-19 in vulnerable communities in East Africa and around the world," says Jocelyn Wyatt, CEO of IDEO.org.
The campaign centers around influencers coming together to express love and solidarity with all of those doing their part to stop the spread of COVID-19 using #InOurHands. They are writing messages of love and solidarity on the palms of their hands, sharing it and encouraging others to do the same, with the hope to send love to more than 28.7 million people worldwide.

Influencers from all over the world are already participating and posting across their social channels, including international musician, K'naan, along with Natalia Tewa, Millard Ayo, Idris Sultan, Harmonize TZ, Benjamin Fernandes, George Kagwe, Aar Maanta and Ayaan Mohallim.

The Video:



About Alight:

Established in 1978 by founder Neal Ball, Alight, formerly known as American Refugee Committee, provides health care, clean water, shelter, protection and economic opportunities to more than 3.5 million people in 17 countries each year. 

Alight believes in the incredible creativity, potential, and ingenuity of the displaced and works to shine a light on their humanity, the tremendous amount of good that's already happening and the possibilities to do more. 

The organization exists to see and help every person make meaningful change in the world – from displaced and marginalized communities in Africa, Asia and the Americas to...anyone, anywhere. 

Learn more about Alight at www.wearealight.org.
SOURCE: Alight

12 April 2020

Coronavirus: Polling Shows British Public Values Compassion Over Economic Stability

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Coronavirus: Polling Shows British Public Values Compassion Over Economic Stability
Coronavirus: Polling Shows British Public Values Compassion Over Economic Stability (Ben Birchall/PA)

These are uncertain, anxious and unnerving times. The COVID-19 pandemic is affecting every one of us in some way, from physical and mental health to income, from routine and way of life to concern for others. There are, though, causes for hope and optimism in amongst the unease and discomfort. New polling shows the British public values the life and health of the nation’s older population over longer-term economic prosperity.

The UK government, like so many others, has had to weigh these issues against each other in its attempts to slow the spread of COVID-19. Difficult decisions have been taken in the interests of protecting public health that will inevitably hurt the economy. Businesses have been forced to close and people told to stay at home. Companies are placing staff on furlough leave in far greater numbers than the government first predicted, and yet these results suggest that the public is on board with an approach that focuses on keeping people alive rather than keeping businesses running.

Among 2,093 adults, we found that 55% agreed that the health of today’s older generations is more important than the long-term economic prosperity of future generations, and only 8% disagreed.

Respondents also said they valued “being compassionate” as a trait in others (68%) and in leaders and senior politicians (44%) above other character qualities, such as being reflective, courageous, resilient, or wise. This is not a million miles away from other research showing that junior and established professionals value honesty, fairness and kindness in the workplace. Such moral virtues enable us to act well in situations that demand ethical responses, none more so than the crisis that currently envelopes us. The crisis is real, and the situation stark.

The poll results reflect that people are consumed by the immediacy and urgency of the threat of COVID-19, and are finding it difficult to consider more abstract concepts such as future economic prosperity or when any semblance of “normality” will return.

Stockpiling turns to compassion

Respondents also place public services and being aware of those around us in high regard; “being of service to others” (42%) and “having community awareness” (40%) were also character qualities that we value in one another at this time of national and international crisis.

It is understandable that compassion is of the utmost value to us at the moment. The uniqueness of this current crisis has challenged everyone to respond in some way, be it ethically, socially, selfishly, or just by living differently. Over the past few weeks, we’ve seen examples of people behaving in ways that has both disappointed and inspired.

We seem to have come through an initial self-preservation response to the crisis, manifesting itself in long lines at supermarkets, with trolleys piled high with more goods than we need. More recently, we are now seeing and sharing scenes of people coming out of their homes to show their gratitude to key workers – which will surely be one of the enduring symbols of our shared compassion.

Billboards that normally display adverts in London’s Piccadilly Circus carry signs thanking key workers.
Billboards that normally display adverts in London’s Piccadilly Circus carry signs thanking key workers. (PA)

In the midst of such a unique and precarious crisis, the poll results reflect a human instinct to care for each another and ourselves.

That said, the findings show that there are differences between generations. While 58% of those aged 55 agreed that caring for lives was more important than economic prosperity, the figure dropped to 49% among those aged 34 and under.

Again, there were generational differences in how respondents valued other people, with younger people aged under 35 valuing compassion in others less (62%) than those aged over 55 (75%). Younger people also valued these traits slightly less in leaders and senior politicians than older people. So, while we are showing ourselves to be a nation that values compassion in this time of crisis, generally, there are degrees of compassion that differ by generation.

Asking such a potentially divisive question about short-term care for lives versus longer-term economic prosperity was designed to make respondents give a “false choice”. If we could protect both, then we would – but we can’t. While support for the short-term reality of protecting life over the more abstract notion of future economic prosperity is not a particularly surprising finding, the degree to which the public favour it is heartwarming.

The findings, overall, reflect the importance of recognising positive qualities in people around us, as well as the importance of character to our own well-being. We value the judgement and wisdom of our leaders, but recognise, at all ages, the need for care and compassion towards one another at this time of unprecedented crisis.The Conversation

About Today's Contributor:

James Arthur, Director of the Jubilee Centre for Character and Virtues, University of Birmingham

This article is republished from The Conversation under a Creative Commons license. 

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