[Blog Tour] "Blood Libel" By M Lynes #HistoricalFiction #Mystery

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The Book:

Blood Libel
By M Lynes

• Publication Date: 31st January 2021
• Publisher: Independently Published
• Page Length: 260 Pages
• Genre: Historical Mystery

The Blurb:

Seville, 1495

The mutilated body of a child is discovered behind a disused synagogue. The brutal Spanish Inquisition accuses the Jewish community of ritual child murder - the ‘blood libel’. The Inquisition will not rest until all heretics are punished.

Isaac Alvarez, a lawyer working for the royal estate, is a reluctant convert to Catholicism who continues to secretly practice Judaism. When his childhood friend is accused of the murder Isaac is torn between saving him and protecting his family. Isaac is convinced that solving the murder will disprove the blood libel, save his family, and protect his faith.

As the Inquisition closes in how far will Isaac go to protect both his family and his faith?

Buy Links: Amazon UK • Amazon US

"Blood Libel" By M Lynes - Front cover

Blood Libel - Excerpt:

The testimony of Friar Alonso de Hojeda

Seville, Torre del Oro, April 1495

Deep in the heart of the night and I am alone in my cell. Sleep will not grace me with its balm. A single candle sputters, its light flickering across this parchment where I transcribe the secrets I dare not share with anyone, except you. I began this testimony two months ago having no one to confide in. The confession stall is far too dangerous. I must finish this entry before Lauds; it might be my last. I’ll discover the verdict of my earthly masters in a few hours. Then I may not have much longer to wait for the heavenly father’s judgment.

If this testimony is discovered whilst I live, I will burn on the cross. Once I depart this benighted world, I hope my testimony is found and that whoever reads it will not judge me harshly. Some might deem my actions sins. I fervently believe they were justified to further the faith. If absolution is not granted me in this life it will come in the hereafter; from the Almighty or from the readers of this account. Perhaps from both Him and you.

Is there one of the seven cardinal sins I have not committed? Pride, greed and envy, surely - but gluttony, anger and sloth are not weaknesses of mine. A tendency to self-pity is. It might not be a sin, but perhaps it should be. To even think that is to put words into God’s mouth. Another sin.

I have not spared myself in this account. I hope it will be viewed as an honest counterweight to the version of the story I fear will be propagated by those with most to lose from the real truth.

I look up at the only adornment on these walls and wonder whether Jesus on the cross looking down upon me forgives my thoughts, let alone my actions. I will get down on my knees and pray on my threadbare mat that he does. And that the Lord will guide me through whatever is to befall me when the sun rises.

M Lynes

The Author Bio:

Michael is an author of historical mysteries who writes under the pen name of M Lynes. He has a particular interest in early 16th century Andalucia. He is fascinated by the interplay between cultures, globalization and religious intolerance of that period in Spain’s history. The ‘Isaac Alvarez Mysteries’ are set against this rich background. He won a prize for his fiction at the 2020 Emirates Literature Festival and is an alumna of the Faber Academy’s Writing a Novel course.

His debut novel ‘Blood Libel’, the first full-length Isaac Alvarez Mystery, was published in January 2021. Isaac, a lawyer working for the royal estate, must solve a brutal child murder to protect his family and his faith from the Spanish Inquisition.

Michael is hard at work on the second novel in the series and planning the third. He is originally from London but currently lives in Dubai with his family.

Connect with Michael: Website • Twitter • Facebook

"Blood Libel" - Tour schedule

The Hero's Journal Team Releases New Journal, Istoria Magic Academy, on Kickstarter [Video Included]

The Hero's Journal - A filled out journal

The team behind the popular The Hero's Journal today announced that its newest offering, The Hero's Journal: Istoria Magic Academy, is now live on Kickstarter, where they reached 100% of their funding goal in under 9 minutes.

The Hero's Journal launched in 2019 via a successful Kickstarter campaign. Over the past two years, a vibrant community of journalers has formed organically on social media to share stories and seek advice.

"Thanks to our first Kickstarter, The Hero's Journal quickly transformed from a simple idea to a community of 25,000 journalers," said Nick Vitellaro, the 27-year-old co-founder.

He added: "During the past year, we learned a lot about what our fans like about the Journal and how it helps them achieve their goals. Today, we're excited to go back to Kickstarter, where it all started, to release a new edition that incorporates feedback and suggestions from our amazing community."

During 2020, the team witnessed firsthand how the Journal is helping people cope during the pandemic. For example, one community member commented: "I've been feeling pretty scatterbrained since quarantine started, but this journal has really helped create more structure in my daily life, in the most fun and thoughtful way."

Daily Artwork Helps Inspire the Imagination and Make Every Day of Journaling Unique

The Hero's Journal: Istoria Magic Academy is based on a story about magic. The process of learning something new, working through failure, and discovering the ordinary magic of changing the world around you through words and actions.

"We expect that the new edition will resonate with our current community as well as with a new group of journalers who are looking to embark on a new adventure during a uniquely challenging time," said Nick.

The Video:

About The Hero's Journal:

Stories are the oldest form of human communication. From the earliest books ever written to the latest box office hit, humans are hardwired to communicate in the form of narrative. And there is no narrative more important to the core of each of us than the story we tell about ourselves. We set out to create a journal that would combine the power of self-narrative with the psychology of goal setting. The result? The Hero's Journal—now used by thousands of heroes around the world. From brainstorming the journal in 2018 to launching a kickstarter in 2019 to quitting our full-time jobs in the beginning of 2020, we've been blown away by the support of a community that keeps selling out every single one of our production runs. 

• To learn more, visit www.theherosjournal.co

SOURCE: The Hero's Journal

[Blog Tour] "The North Finchley Writers’ Group" by Richard Tearle, with Helen Hollick #ContemporaryRomance

The North Finchley Writers’ Group - Blog Tour banner

The Book: 

The North Finchley Writers’ Group
:By Richard Tearle, with Helen Hollick

• Publication Date: 2nd February 2021
• Publisher: Taw River Press
• Page Length: 142 pages
• Genre: Contemporary Romance

The Blurb:

When a group of north London writers meet each month for a chat, coffee, and cake – what else is on their agenda? Constructive criticism? New Ideas? An exciting project? And maybe, more than one prospective romance...?

Eavesdrop on the monthly meetings of the North Finchley Writers' Group, follow some ordinary people with a love of story writing, and an eagerness for success. Discover, along with them, the mysteries of creating characters and plot, of what inspires ideas, and how real life can, occasionally, divert the dream...

The North Finchley Writers’ Group - Front cover

Buy Links: Amazon

The North Finchley Writers’ Group - Excerpt:

LET ME INTRODUCE MYSELF

My name – my personal and professional name – is Rob Taylor and I'm a writer.

It is rather strange to state that as a fact after years of scribbling, despair at rejections tempered by moments of high elation when one of my stories was accepted by a respected magazine. But I can state it as a truth now, for I write regularly for several publications, and my first compilation has recently been published with a fixed contract for two more to follow. At the moment, I write short stories, but more than a few friends have encouraged me with prompts such as “You have a novel in you, you know,” and, “A short story has the potential to be a novel writ long.” I am working on the idea.

But enough of that.

About a year or so ago, I was unexpectedly made redundant. Jobless, but with a good-enough redundancy bank balance to keep me going for a bit, and a determination to do what I wanted to do – write – I took the plunge and converted the spare bedroom into a study. I started writing full time and joined the North Finchley Writers' Group, where I met some lovely people who, one way or another, gave me the encouragement to develop my ideas.

All to my satisfaction, but my wife's dismay.

The members of our writers’ group are a very mixed bunch, as you will find out. We meet every month at a different house and whoever is the host gets to provide tea and coffee – often with cake or ‘light snacks’ – and chooses a topic for discussion. We talk, voice opinions and yes, sometimes we argue. But it is all forgotten when we walk away into the night.

Mostly.

They've had quite a turnover of members over the years. Some who came for a couple of meetings and then disappear. Some who weren't really writers but 'dabble' and think that attending a writers' group meeting makes them one. They never last long. Some have moved along and, sadly, one or two have passed on to the great Library in the Sky. Nowadays we have about a dozen or so regulars. There are one or two who are deliberately obstructive. Outspoken. Single minded. Cantankerous.

Some are shy and introvert and, in truth, offer little. But they listen and learn, and that is what we are all there for. To learn from others, be they best sellers or unpublished writers. Because, whatever our differences, we stick together and, if anyone is down, we stand by them and offer encouragement. If someone is on a high, then we enthuse in their success.

Most of us, anyway.

We do have a few Best Sellers. Angela Knight, for example, and Zak Nichols. Charlotte Caroll is more than adept at Regency romances, (not my bag, but, well, credit where credit's due) and Jean Hart uses her history degree to good effect, as does Hilary Jackson, albeit covering a different period of time.

I'll introduce them all properly as we go along...

Richard Tearle

A Word From Richard Tearle:

“To the writing community, whether they be traditionally published, indie or aspiring.

You make the rocking world go round...Writers are such a wonderful community – supportive, helpful and ever willing to give their time and expertise to one humble chap such as I. Thank you all from the bottom of my heart. Thank you. Thank you. Thank you.”

Richard – December 2020

Helen Hollick

A Word From Helen Hollick:

It was with great enthusiasm that I encouraged Richard to write this, his first novel. His enjoyment of creating a good story, I felt, should be shared to readers and writers, everywhere. Unfortunately, at the editing stage, Richard became ill, involving hospitalisation. In discussion with his son, rather than abandon the project or put it on hold, we decided that the best course of action was for me to continue with getting this book published on his behalf. The characters, plot – the story – are all Richard’s immense talent, I merely tidied up and added the final polish, coming in as ‘painter and decorator’ to Richard’s main role as architect, designer, and builder.

• Connect with Richard: Website
• Connect with Helen: Twitter • Instagram

The North Finchley Writers’ Group - Tour Schedule

15th Annual Festival of the Arts Boca to Reach Global Audience with Star-Studded Virtual Performances & Interactive Discussions with Award-Winning Authors

15th Annual Festival of the Arts Boca to Reach Global Audience with Star-Studded Virtual Performances & Interactive Discussions with Award-Winning Authors

Festival of the Arts Boca will go forward in 2021, with virtual performances by Florida-based artists from iconic locations throughout Boca Raton from March 6 – 14, 2021. Each program will stream once only on the Festival of the Arts Boca website.

• Access is free with advance registration.

"Our 15th installment will celebrate the tremendous talent in South Florida, showcase the beauty of Boca from various venues and honor the legacy of our co-founder, Charlie Siemon," said Joanna Marie Kaye, Executive Director of Festival of the Arts Boca. "Charlie would have been thrilled to see that paradoxically, we have the opportunity to reach our biggest audience ever in 2021 with all of our events filmed and broadcast worldwide.

 Nadine Sierra

• The Festival will open on Saturday, March 6 with Boca native and Metropolitan Opera star soprano Nadine Sierra and friends, in concert at Signature Flight Services at the Boca Raton Airport.

James Ehnes

• On Sunday, March 7, the Festival will welcome Grammy Award-winning Florida-based violinist James Ehnes, from the Boca Raton Innovation Campus.

• On Saturday, March 13, tune in for an evening with the Festival All-Stars featuring Constantine Kitsopoulos, Festival Music Director, and musicians from the Festival Orchestra.

• The Festival will close on Sunday, March 14 with Grammy-Award winning South Florida favorite, jazz flautist Nestor Torres, and his band at the Boca Raton Resort and Club.

This season's Authors & Ideas program will include interactive discussions with three authors, Admiral James Stavridis, Sonia Shah and Bruce Feiler, via Zoom.

• On Monday, March 8 at 7 p.m., Admiral James Stavridis author and retired four-star U.S. Naval officer, will talk about leadership.

• On Tuesday, March 9 at 7 p.m., Bruce Feiler will discuss his latest book, a top 10 New York Times bestseller, Life Is In the Transitions: Mastering Change at Any Age, a collection of hundreds of life stories, exploring how we can navigate life's growing number of transitions to live with more meaning, purpose, and joy.

• On Thursday, March 11 at 7 p.m., the Festival will welcome Sonia Shah, science journalist and prize-winning author of the heavily lauded, The Next Great Migration: The Beauty and Terror of Life on the Move, that explores our centuries-long assumptions about migration through science, history, and reporting, predicting its lifesaving power in the face of climate change.

• For more information visit festivalboca.org or call (561) 571-5270

SOURCE: Festival of the Arts Boca

[Book Blast] 'The Fall of Kings' (Legend of the Cid, Book 3) By Stuart Rudge #HistoricalFiction

'
The Fall of Kings' (Legend of the Cid, Book 3) By Stuart Rudge - Book Blast banner

The Book:

The Fall of Kings
(Legend of the Cid, Book 3)
By Stuart Rudge

• Publication Date: February 5th 2021
• Publisher: Independently Published
• Page Length: 406 pages
• Genre: Historical Fiction

'The Fall of Kings' - Front cover

The Blurb:

Castile. 1071AD. Three kings. One crown.

After Sancho II of Castile dispatches his champion Rodrigo Diaz de Vivar to capture his brother, King Garcia of Galicia, he hopes it is a defining moment in his quest to reunite the lands of his father under one banner. But Alfonso VI of Leon is one step ahead, and has already added the lands of Galicia to his domain. When the only alternative is war, Sancho turns to Rodrigo to lead the armies of Castile, and he must use all his tactical acumen to defeat the Leonese in the field. Only one son of Fernando can claim victory and become the Emperor of Hispania.

Rodrigo and Antonio Perez, now a knight of the realm, find difficulty adjusting to the new regime. Dissent and unrest run rife throughout the kingdom, and the fear of a knife in the dark from enemies old and new hangs heavy upon the pair. But if it is allowed to fester, it threatens to undo all that has been achieved. Can Rodrigo and Antonio root out the enemies of the king, and prevent chaos reigning throughout the land?

• The Fall of Kings in the breath taking third instalment of the Legend of the Cid.

Buy Links:

• Amazon UK • Amazon US • Amazon CA • Amazon AU

Stuart Rudge

Author Bio:

Stuart Rudge was born and raised in Middlesbrough, where he still lives. His love of history came from his father and uncle, both avid readers of history, and his love of table top war gaming and strategy video games. He studied Ancient History and Archaeology at Newcastle University, and has spent his fair share of time in muddy trenches, digging up treasure at Bamburgh Castle.

He was worked in the retail sector and volunteered in museums, before working in York Minster, which he considered the perfect office. His love of writing blossomed within the historic walls, and he knew there were stories within which had to be told. Despite a move in to the shipping and logistics sector (a far cry to what he hoped to ever do), his love of writing has only grown stronger.

Rise of a Champion is the first piece of work he has dared to share with the world. Before that came a novel about the Roman Republic and a Viking-themed fantasy series (which will likely never see the light of day, but served as good practise). He hopes to establish himself as a household name in the mound of Bernard Cornwell, Giles Kristian, Ben Kane and Matthew Harffy, amongst a host of his favourite writers.

• Connect with Stuart Rudge: Website • Facebook

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COVID-19 Movie 'Songbird' is a Disaster – We Need Better Pandemic Stories [Trailer Included]

COVID-19 Movie 'Songbird' is a Disaster – We Need Better Pandemic Stories (Image via STX Films)

If the reality of COVID-19 were not enough, you can now watch Songbird, a new blockbuster movie which pictures the world in 2024 trying to deal with the ravages of COVID-23, a new mutation of the coronavirus. As one reviewer writes, the film combines “a Romeo & Juliet-lite love story with a sub-Contagion thriller”. Hailed as the first feature film about the pandemic, released during the pandemic, Songbird has not received the warm welcome its producers might have hoped for.

'Songbird' (screengrab)

One of the most generous reviews is from The Guardian, which described the film as “a fascinating historical document of how some creatives found their way around the rules during an impossible time for a struggling industry”. In contrast, Canada’s Globe and Mail, cautioned viewers to “physically distance” themselves from Songbird, which it described as “crass and gimmicky”. Other reviewers also saw the film as a “schlocky and opportunistic” production. Viewers, meanwhile, have criticised it as being in bad taste for trying “to bank on the current times and failing just about every step of the way”.

The range of these responses tellingly reveals the complexity of the bigger questions behind the film, namely: what role does culture play when it comes to disasters? This question is not new. Yet the seemingly never-ending current global health crisis gives it a sense of urgency.

Cultural representations of disasters can show ways to make sense of crises. Whether it’s the allegorical painting of the 1755 Lisbon earthquake, HBO’s Chernobyl, or Beasts of the Southern Wild (2012), a magical realist response to Hurricane Katrina, these cultural representations act as social commentaries. They anticipate political action, shape and express environmental ethics, and – most importantly – they can help us to imagine what a possible future could look like.

Not in the same boat

Films, TV series and books about disasters show, again and again, that there is no one way of experiencing any disaster. Zadie Smith’s recently published Intimations, an essay collection of pandemic reflections, describes this in clear terms: “The misery is very precisely designed, and different for each person.” As the disproportionate impact of COVID-19 clearly demonstrates, we are all not in the same boat. This has been captured by poetry, and confirmed by research.

The pandemic has not struck with the same force nor at the same time. What COVID-19 has revealed is ever-starker socioeconomic divides. The pandemic is having a disproportionate impact on certain demographic and labour groups. It has cut a swath through the most vulnerable populations, the elderly and those with pre-existing health conditions as well as the key workers who are keeping the cities, hospitals, and schools running. In short, the impact of the pandemic (and we’re only seeing the tip of the iceberg) is contingent on pre-existing, long-term, and sustained vulnerability.

'Songbird' (screengrab)

In response to the profound suffering and disruption to all aspects of our lives, many yearn for some, even small, return to “normal life”. Yet, it is precisely this “normal” – the reality of fatal inequalities, racial violence, injustice, and disenfranchisement – that is the problem.

No return to the pre-pandemic conditions is possible, nor should it be wished for. Rather, post-pandemic recovery has to work to address and repair these long-term structures of injustice, racism, and political, social and cultural marginalisation. Good artistic works aim to recover these hidden narratives and voices, voices that need to be central to any long-term recovery processes.

Starting slowly

The future starts slowly. How it will look depends on long-term community efforts and – even more so – on policy changes and political decisions. Yet waiting for these might mean waiting too long. In the meantime, artists, neighbourhood groups, mutual aid and solidarity groups forge their way through the crisis, start this slow labour of recovering, already pointing towards what alternative futures, in a small way, might look like.

The future starts with listening to the discordant experiences of those most affected by the impact of the pandemic. For Nobel Prize winner Svetlana Alexievich, reflecting on writing in the aftermath of the Chernobyl disaster, it soon became clear that “the book that I’m going to write will take years”. Indeed, her novel Chernobyl Prayer took ten years to complete. This “novel of voices”, as she calls it, captures precisely those discordant meanings, ongoing sense of irreparable loss and confusion.

Understanding what the current pandemic means and what its real impact is will also take years. Undoing long-term vulnerabilities will take even longer. Yet this work has to start now and continue day in, day out. For British philosopher Nigel Warburton, Albert Camus’s The Plague (1947) provides inspiration, with its depiction of “ordinary people rising to an occasion and doing extraordinary things”.

Whether an artistically uninspiring, ethically problematic contagion-themed love story where the pandemic is exploited as a jumping-off point can capture the many voices of the pandemic experience, sketch a horizon of post-COVID-19 life, or provide an inspiration for such ordinary work of slow healing and recovery, is highly unlikely. Tellingly, for one viewer of Songbird, in order to enjoy the film, one must “ignore what’s happening” in real life.

While seeking an escape might not in itself be bad, as film scholar Alfio Leotta reminds us: “The kind of escape we seek matters.” It is thanks to the other worlds offered by books, films, that we can gain a better, more critical, but also more courageous, imaginative, view of the present we are in and, not least, of what can the future hold.

About Today's Contributor:

Kasia Mika, Lecturer in Comparative Literature, Queen Mary University of London

This article is republished from The Conversation under a Creative Commons license. 

[Book Blast] 'The Danish King’s Enemy' (The Earls of Mercia, Book 2) By MJ Porter #HistoricalFiction

'The Danish King’s Enemy' (The Earls of Mercia, Book 2) - Book Blast Banner

The Book:

The Danish King’s Enemy

(The Earls of Mercia, Book 2)
By MJ Porter 

• Publication Date: 20th December 2020 (please note this is a rerelease of Viking Enemy, which was a rerelease of Ealdormen)
• Publisher: Independently Published
• Page Length: 211 Pages
• Genre: Historical Fiction

'The Danish King’s Enemy' (The Earls of Mercia, Book 2) - Front Cover

The Blurb:

Every story has a beginning.

Leofwine has convinced his king to finally face his enemies in battle and won a great victory, but in the meantime, events have spiralled out of control elsewhere.

With the death of Olaf Tryggvason of Norway, England has lost an ally, and Leofwine has gained an enemy. And not just any enemy. Swein is the king of Denmark, and he has powerful resources at his fingertips.

In a unique position with the king, Leofwine is either honoured or disrespected. Yet, it is to Leofwine that the king turns to when an audacious attack is launched against the king’s mother and his children. But Leofwine’s successes only bring him more under the scrutiny of King Swein of Denmark, and his own enemies at the king’s court.

With an increase in Raider attacks, it is to Leofwine that the king turns once more. However, the king has grown impatient with his ealdorman, blaming him for Swein’s close scrutiny of the whole of England. Can Leofwine win another victory for his king, or does he risk losing all that he’s gained?

The Danish King’s Enemy is the second book in the epic Earls of Mercia series charting the last century of Early England, as seen through the eyes of Ealdorman Leofwine, the father of Earl Leofric, later the Earl of Mercia, and ally of Lady Elfrida, England’s first queen.

Buy Links:

The Danish King’s Enemy is only 0.99 for a Limited Time Only.

• Amazon UK • Amazon US
• The Danish King’s Enemy is free to read with #KindleUnlimited subscription.

 'The Danish King’s Enemy' (The Earls of Mercia, Book 2) By MJ Porter - Sword

Author Bio:

I’m an author of fantasy (Viking age/dragon-themed) and historical fiction (Early English, Vikings and the British Isles as a whole before the Norman Conquest), born in the old Mercian kingdom at some point since AD1066.

I write A LOT. You’ve been warned!

• Connect With M J Porter:  Website • Twitter • Instagram

The Danish King’s Enemy' (The Earls of Mercia, Book 2) By MJ Porter - Tour Shedule

Poirot at 100: The Refugee Detective Who Stole Britain's Heart

David Suchet as Hercule Poirot.(ITV)

A hundred years ago, Agatha Christie introduced British readers to a small man with an impeccably maintained moustache who, with the help of his “little grey cells”, was very good at solving crimes. That man, of course, was Hercule Poirot, who made his debut in Christie’s first novel, The Mysterious Affair at Styles, in 1921.

Though potentially the second most famous detective in British culture (after Sherlock Holmes), Poirot is not British at all but a refugee. Coming to England as part of a group of Belgians displaced by the first world war, his origins lie in Brussels. Writing about this retired Belgian police officer solving cases around the UK and across the globe, Christie was able to explore (and at times poke fun at) the complexities of Englishness and its relationship to continental Europe.

European flair

On the surface, Christie’s novels resemble a nostalgic retreat to the pastoral and to the English stately home. They can be read as a possible turning-inwards thanks to an emphasis on closed rooms and detailed floor plans of grand buildings. But such appearances are deceptive.

The opening of borders, both literal and intellectual, shapes Christie’s England. It was her understanding of the work of European thinkers that gives her detective an edge. Where an English detective, like Sherlock Holmes, looks for external pieces of evidence that can be analysed, Poirot solves the case by realising the hidden implications of people’s behaviour – including his own. Poirot’s Freudian focus on the psychology of suspects enables him to see that simple mistakes and slips of the tongue can hide deeper meanings. In The Mysterious Affair at Styles, a crucial clue is revealed when Poirot realises the importance of his own almost unconscious instinct to tidy.

In Christie’s world, the typically English common sense of policemen is not enough to solve the mystery. Instead, a dash of continental theory sheds light on what lies beneath the surface.

Another of Poirot’s trademarks is his occasional struggle to find the correct English word or idiom. In The Mysterious Affair at Styles, he even misquotes Hamlet. Yet it would be a mistake to read these moments as simple errors. Instead, Poirot knowingly plays into the trope of the “funny foreigner”, using difficulties with language to disarm suspects and allay fears of suspicion (how could such a comic figure be so great a detective?). In the famous scenes where Poirot explains the truth, his English becomes markedly more fluent. In this, Poirot represents the outsider perfectly placed to see through English deceptions.

Little England

The success of the “funny foreigner” schtick with unsuspecting English plays into Christie’s larger exploration of Englishness in her books.

Poirot is an enthusiastic devotee of England. In The Murder of Roger Ackroyd he comments that England is “very beautiful, is it not?” But this enthusiasm is not always returned. A running joke of the Poirot novels and adaptations is that he is often mistaken as French. In Ackroyd, he is described as looking “just like a comic Frenchman in a revue”. But in a genre that demands close attention to detail, the joke here is at the expense of a particularly inward-looking type of Englishness, those who cannot tell the difference between the French and the Belgian.

Likewise, as literary scholar Alison Light notes, Poirot’s popularity coincides with the expansion in travel, as the English increasingly saw themselves as tourists abroad. Several of Poirot’s most famous cases occur on modes of transport and in exotic locations, like Death on the Nile. However, while the English in these stories might be abroad, class relations from home still manage to play out wherever they might be. England follows them, and that inward-looking Englishness runs deep.

While Christie might have poked fun at England and Englishness, she managed to capture the hearts of British readers with her small, smart Belgian. Poirot was so loved by readers that Christie wrote 33 novels, two plays, and more than 50 short stories about him between 1921 and 1975. ITV’s adaptation of many of these stories, Agatha Christie’s Poirot starring David Suchet, ran for 25 years (1989-2013) and is also now considered a classic of British TV. Few fictional detectives have had their complete adventures adapted for the screen. In this regard, Poirot makes a strong claim to being Britain’s most loved detective.

David Suchet as Hercule Poirot.(screengrab)

About Today's Contributor:

Christopher Pittard, Senior Lecturer in English Literature, University of Portsmouth

This article is republished from The Conversation under a Creative Commons license. 

[Blog Tour] 'Beneath Black Clouds and White' By Virginia Crow #HistoricalFiction

'Beneath Black Clouds and White' By Virginia Crow - Blog Tour Banner

The Book:

Beneath Black Clouds and White 

By Virginia Crow

• Publication Date: 11th April 2019
• Publisher: Crowvus
• Print Length: 637 Pages
• Genre: Historical Fiction/Military Fiction/Family Saga

The Blurb:

Despite adoring his family and enjoying frequenting gaming tables, Captain Josiah Tenterchilt’s true love is the British Army and he is committed to his duty. As such, he does not hesitate to answer the army’s call when King Louis XVI of France is executed.

Accompanied by his wife to Flanders, Josiah finds his path crosses with a man who could not be more different from him: an apprentice surgeon named Henry Fotherby. As these two men pursue their own actions, fate and the careful connivance of a mysterious individual will push them together for the rest of their lives.

But it is a tumultuous time, and the French revolutionaries are not the only ones who pose a threat. The two gentlemen must find their place in a world where the constraints of social class are inescapable, and ‘slavery or abolition’ are the words on everyone’s lips.

• Beneath Black Clouds and White is the prequel to Day's Dying Glory, which was published by Crowvus in April 2017.

'Beneath Black Clouds and White' By Virginia Crow - Front Cover

Beneath Black Clouds and White - Excerpt:

Major Tenterchilt nodded and walked into his study and, pulling open the top drawer, he looked down at the pistol that rested there. He lifted it up and studied it with a fascination but set it down quickly as the door opened and his wife walked in.

“Good lord, Josiah! What are you doing with that?”

“Sparing you from terrible news.”

“Surely you mean robbing me,” she continued, her usual measured approach returning to her tone. “Robbing me of an explanation.”

“Robbing you of your inheritance, my dear.”

“Major Tenterchilt,” she began, pushing the pistol beyond his reach and kneeling down beside where he sat on the chair. “You have claimed all that was mine since that day we met. Do you recall it? Meeting on the roadside. I still wonder what made me talk to you. It was most out of character.”

“You would have been better if you had not done.”

“What has happened?” she asked fearfully. “For I cannot imagine life without you.”

“You were wearing a yellow gown and wide brimmed bonnet,” he whispered, smiling sadly across at her. “I was more nervous than I had ever been in my life.”

“Thomas was horrified,” she replied as she leaned forward and kissed his cheek. “For a lady to talk to a soldier without introduction? It was unheard of. But I knew. I knew even then.”

“And you shared all that you had with me, and I have lost it.”

“Lost it?” she whispered as she leaned away from him and stared hard at his guilty face. “What have you lost?”

“Our home, my dear. I have lost it all to a man who, I am certain, sat at the table with the sole intention of humiliating me.”

“You gambled Chanter’s House?” she hissed, rising to her feet. “How could you?”

“And the estate. I had a certainty of winning,” he responded as he dropped his head into his hands. “I could not lose.”

“And yet you did.”

“Every day for the past fifteen years I have thanked God that your carriage wheel splintered. Until now. This night I lament it.” He reached across the table and picked up the pistol. “As you can see, my dear, it would have been better if you had left the door unopened and me with this.”

Mrs Tenterchilt stared at her husband, willing herself to hate him for taking this house and the land that had been her only gift from the mother she had lost so many years ago. But, as she watched him lift the pistol, she tried to imagine her life without him and she felt an emptiness seize her. She snatched the gun from him and threw it across the room.

“I cannot believe that you have lost the house and estate, and I cannot bear to consider what is to become of us and our daughters. But nor can I bear to face it alone. Do not leave me, Major Tenterchilt, for I do not think I shall survive without you.”

Rising to his feet, Major Tenterchilt embraced his wife, trying to find the strength to support her but feeling that, in truth, she was by far the stronger half of the couple. For her own part, she needed her husband and loved him far more than she could admit at this moment.

The following day Mrs Tenterchilt rose early and ensured that she had time to discuss matters with her husband before he departed for Horse Guards. She sat at the dressing table and watched his reflection as he came to stand behind her.

“I shall visit Mr Dermot today,” she said flatly. “He will be able to advise us on what is the correct course of action.”

“Thank you, my dear.” He leaned forward and kissed her hair.

“There is something more, Josiah,” she said sternly, turning to face him. “I cannot bear that this might ever be repeated. Therefore, you must make me a promise.”

“What is it?”

“I will not tolerate gambling of any kind. For I have lost greatly to it and gained so little. And know this,” she added, steeling herself to speak the words that she had tried to contrive through the sleepless hours. “If you should fail in this promise, I shall take our daughters and begin a new life for us, for I shall not have you lose all that is theirs as well as my own.”

Major Tenterchilt stared down at her, his face becoming hard and stern.

“I mean it, Josiah,” she continued. “I will not compromise my children for a roll of a dice or a turn of a card.”

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Virginia Crow

Author Bio:

Virginia Crow grew up in Orkney, using the breath-taking scenery to fuel her imagination and the writing fire within her. Her favourite genres to write are fantasy and historical fiction, sometimes mixing the two together such as her newly-published book "Caledon". She enjoys swashbuckling stories such as the Three Musketeers by Alexandre Dumas and is still waiting for a screen adaption that lives up to the book! When she's not writing, Virginia is usually to be found teaching music, and obtained her MLitt in "History of the Highlands and Islands" last year. She believes wholeheartedly in the power of music, especially as a tool of inspiration. She also helps out with the John O'Groats Book Festival which is celebrating its 3rd year this April. She now lives in the far flung corner of Scotland, soaking in inspiration from the rugged cliffs and miles of sandy beaches. She loves cheese, music and films, but hates mushrooms. 

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[Book Blast] She Sees Ghosts - The Story of a Woman Who Rescues Lost Souls (Part of the Adirondack Spirit Series) By David Fitz-Gerald #HistoricalFiction

She Sees Ghosts - The Story of a Woman Who Rescues Lost Souls (Part of the Adirondack Spirit Series) By David Fitz-Gerald

Book Title:: She Sees Ghosts―The Story of a Woman Who Rescues Lost Souls
(Part of the Adirondack Spirit Series) 
Author:: David Fitz-Gerald
Publication Date:: October 25, 2020
Publisher:: Outskirts Press
Page Length:: 270 pages
Genre: Historical/Supernatural
 

She Sees Ghosts - The Story of a Woman Who Rescues Lost Souls (book cover)

The Blurb:

A blazing fire killed her family and devoured her home. A vengeful demon haunted her. Ghosts of the Revolutionary War needed help that only she could provide. A young woman languished, desperate to survive, and teetered on the edge of sanity.

Mehitable grew up in a freshly tamed town, carved from the primeval forest. Family, friends, and working at the mercantile filled her days and warmed her heart. For Mehitable, life was simple and safe, until tragedy struck. When her family perished in their burning home, she retreated into a world of her own making.

As a young girl, she had seen glimmers, glimpses, and flickers of the spirit world. She closed her eyes. She turned her back. She ignored the apparitions that she never spoke of, desperately hoping they would leave her in peace. She was mistaken.

Grief-stricken, Mehitable withdrew from the human world. Ghosts were everywhere. They became bolder. She could no longer turn her back on the spirit world. Her friends feared for her survival. Nobody understood her. She would have to find her own way.

Fans of TV’s Ghost Whisperer and Long Island Medium will especially love She Sees Ghosts. This historical novel features memorable characters and delivers bone-tingling, spine chilling goosebumps. It stands on its own and it is the next installment in the Adirondack Spirit Series by the award-winning author of Wanders Far―An Unlikely Hero’s Journey. David Fitz-Gerald delivers a historical novel with a bittersweet ending that you won’t see coming.

Would she save the spirits’ souls, or would they save her? Only time would tell.

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David Fitz-Gerald

Author Bio:

David Fitz-Gerald writes fiction that is grounded in history and soars with the spirits. Dave enjoys getting lost in the settings he imagines and spending time with the characters he creates. Writing historical fiction is like making paintings of the past. He loves to weave fact and fiction together, stirring in action, adventure, romance, and a heavy dose of the supernatural with the hope of transporting the reader to another time and place. He is an Adirondack 46-er, which means that he has hiked all of the highest peaks in New York State, so it should not be surprising when Dave attempts to glorify hikers as swashbuckling superheroes in his writing. She Sees Ghosts―A Story of a Woman Who Rescues Lost Souls is the next instalment in the Adirondack Spirit Series.

She Sees Ghosts - The Story of a Woman Who Rescues Lost Souls (Part of the Adirondack Spirit Series) By David Fitz-Gerald

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