Showing posts with label Entertainment Related. Show all posts
Showing posts with label Entertainment Related. Show all posts

25 June 2021

China Is Using Mythology & Sci-Fi To Sell Its Space Programme To The World

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China Is Using Mythology & Sci-Fi To Sell Its Space Programme To The World
The Wandering Earth is a Chinese sci-fi film which the government promoted abroad. (Netflix)
On the morning of June 17, China launched its long-awaited Shenzhou-12 spacecraft, carrying three Chinese astronauts – or taikonauts – towards the Tianhe core module. The module itself was launched at the end of April, forming part of the permanent Tiangong space station, which is planned to remain in orbit for the next ten years.

China’s construction of its own space station stems from the nation’s exclusion from the International Space Station, a result of US concerns over technology transfers that could enhance China’s military capabilities. Undeterred by this, China has forged ahead with its own space programmes and alliances. Since, the country has demonstrated that the Chinese “brand” of space technology is reputable and can hold its own in the international arena.

An impressive track record of remarkable space endeavours is not the only thing that distinguishes China’s space brand from other national players. The government and related organisations have made concerted efforts to establish a unique “Chinese space culture” alongside the country’s advances in space technology. While the target audience for many of these cultural creations remains domestic, China’s space ambitions are directed at global audiences in a variety of ways.

Legendary beginnings

Perhaps the most obvious example of this is the naming of these programmes after China’s traditional roots.

The name Tiangong translates as “Heavenly Palace”. This was the residence of the deity who holds supreme authority over the universe in Chinese mythology, the Celestial Ruler. The name is particularly fitting for a Chinese space station, which acts as a home in the heavens for the country’s taikonauts. The meaning of Shenzhou, the missions that take taikonauts to space, is “Divine Vessel”, which is also a homophone for an ancient name for China, “Divine Land”.  

China Is Using Mythology & Sci-Fi To Sell Its Space Programme To The World
The Moon Goddess Chang'e. (Wikimeda)
China’s lunar exploration missions, meanwhile, are named after the legendary Moon goddess Chang’e. The tale goes that Chang’e flew from Earth to the Moon after stealing the elixir of immortality from her husband, Hou Yi.

According to Chinese mythology, Chang’e continues to live on the Moon with her rabbit companion, who spends its time pounding the elixir of immortality in a mortar for the goddess. The rabbit is known as Yutu, or “Jade Rabbit”. China’s two lunar rovers, the second of which became the first to land on the far side of the Moon in 2019, are named after it.

A key component of this lunar landing mission was Queqiao, a communication relay satellite. This was named after the myth of the “Magpie Bridge”, which joins the “Cowherd” and the “Weaver Girl” across the stretch of the Milky Way in a romantic folktale. The satellite acted as a vital bridge of communication between the Chang’e mission components and China’s mission control centre.

The linking of China’s traditional past to its forward-looking space activities serves to strengthen the identity of these space programmes as distinctly Chinese.

In connecting these achievements to the country’s cultural heritage, they are presented not as mere copies of their space power predecessors, but as having developed from national talents and progresses. They also serve as a reminder that while the programmes aim for the furthest reaches of space, China’s future will never be disconnected from its national and cultural roots.

Furthermore, these legendary names are a signal to the international community that space is not the exclusive domain of historical western figures such as Apollo or Artemis, but that it also belongs to the lineage of the Chinese people.

China’s future in fiction

Over the last few years, multiple corporations based in China have released space-themed commercial products and promotional campaigns in conjunction with China’s official space organisations, from upmarket fashion brands to KFC. But perhaps the most notable promotion of China’s space ambitions is in films.

In 2019, the blockbuster sci-fi film The Wandering Earth was released. The film was well received, and was publicised by the state’s international media platforms as a must-see.

Director Frant Gwo has spoken about the importance of the message behind the film, claiming that China’s way of thinking about space is vastly different from US ideologies. According to Gwo, while the US dreams of eventually leaving the Earth to move to other planets, the Chinese space dream is to improve life on Earth through the use of space resources. The film promotes the idea that we mustn’t try to flee our planet, but instead, we must strive to protect it. 


While most space-themed commercial products remain aimed at a domestic market, Chinese sci-fi is becoming increasingly popular abroad. Books such as The Three Body Problem by Liu Cixin, who wrote the short story which The Wandering Earth was adapted from, Folding Beijing by Hao Jingfang, which is also being adapted for the screen, and The Redemption of Time by Baoshu have all succeeded as translations.

Recognised by politicians as a potentially powerful tool for promoting state-approved narratives, government bodies have encouraged China’s sci-fi filmmakers to incorporate narratives that fit with the regime’s wider ideological and technological ambitions.

The fantasy aspect of sci-fi may explain why the genre is being internationally promoted first over other commercial products that feature imagery of actual Chinese space missions. Unlike China’s increasing capabilities in space, which are viewed as a threat by the US, the country’s fictional space developments pose no real-life risk. Able to incorporate the backdrop of a technologically powerful China into entertaining and compelling narratives, such stories allow foreign audiences to engage with the idea of China as a space power without the kind of political discourse that surrounds its real space activities.

Eventually, a foreign audience may begin to grow more comfortable with the notion of China as a technological world leader. And this, in turn, may cultivate an interest in the activities of the Chinese national space programme.

About Today's Contributor:

24 June 2021

[Blog Tour] 'Queen of Blood' (The Cross and the Crown, Book 4) By Sarah Kennedy #HistoricalFiction

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[Blog Tour] 'Queen of Blood'  (The Cross and the Crown, Book 4)  By Sarah Kennedy #HistoricalFiction
Queen of Blood - Blog Tour Banner

The Book: 

Queen of Blood
(The Cross and the Crown, Book 4)
By Sarah Kennedy

  • Publication Date: 26th March 2021
  • Publisher: Penmore Press
  • Page Length: 321 Pages
  • Genre: Historical Fiction

The Blurb:

Queen of Blood, Book Four of the Cross and the Crown series, continues the story of Catherine Havens, a former nun in Tudor England. It is now 1553, and Mary Tudor has just been crowned queen of England. Still a Roman Catholic, Mary seeks to return England to its former religion, and Catherine hopes that the country will be at peace under the daughter of Henry VIII. But rebellion is brewing around Thomas Wyatt, the son of a Tudor courtier, and when Catherine’s estranged son suddenly returns from Wittenberg amid circulating rumours about overthrowing the new monarch, Catherine finds herself having to choose between the queen she has always loved and the son who seems determined to join the Protestants who seek to usurp her throne.
'Queen of Blood' - Front Cover

'Queen of Blood' - Excerpt:

At dinner, Benjamin studied the young men who occupied one side of the long table. The four newcomers, guided by Robbie, helped themselves to the roast lamb and bread without assistance, and they finished off five bottles of French wine among them. They had been introduced simply as Tom, John, Edward, and Peter, and they laid into the custard with a vengeance, not waiting until the dirty plates had been taken away. Diana had taken a low seat, across from the newcomers and away from the others, and Veronica appraised the strangers more than she ate. Alice kicked at Catherine under the table until her shin could withstand no more abuse and she squeezed the girl’s knee. Old Moll peeked around the corner of the doorway once, and backed away.
“Have you brought your books home with you, Robbie?” Catherine finally asked.

“Books will be burned in England,” her son said. “And I am called Robert now.”

“Who has said anything of burning books?” said Catherine.

“Books. Men. It will be all the same. I have brought my necessities and no more.”

Benjamin said, “And what is necessary for a young man these days?”

The two at the end exchanged a sideways glance and dug into their sweets. Robert said, “Men will need their consciences more than anything else now.”

“Yours must be very heavy,” said Benjamin. He rose and turned his back to tend to the fire.

Robert spoke to his mother. “The reformed priests will be forced to divorce their wives. The lands will be seized for the Pope. Some of those lands are mine.”

Catherine coughed into her hand. She scanned the four feeders. “The lands are held in my name, Robbie. Robert. Until my death. The properties that will be yours were Overton land, never the Church’s. They’re safe enough.”

“The church lands will be mine, will they not, Mother?” added Veronica. She cast her brother a glare. “If anyone must worry, Brother, I am the one, not you.”

“Anyone who is the child of a priest should worry,” said Robert. “Anything owned by a person who holds old Church property will come under the scrutiny of this new court. That may mean my land.”

“You’re chasing ghosts, boy,” said Benjamin, sitting again. “England is ruled by law, and even the queen must follow it. Is this what you came back for? To raise a rabble like the drunks in the public houses?”

Again the furtive meetings of eyes.

“I’m not worried,” said Veronica. “The queen has always been a great friend to me. And the queen’s sister, as well.”

“The queen’s sister?” said one of the four. “She will need friends. She has had too few.”

“What do you mean by that?” demanded Benjamin. He leaned onto the table, and the daughters all leaned back.

“He means that the Lady Elizabeth is reformed and the new queen is not,” said Robert. “She has been ill-treated by this Roman Mary and someone must defend her rights.” He pushed himself away and stood. “This is no time for wrangling and debate. We are weary and will retire.” The others all shoveled in last bites and wiped their faces. They bowed stiffly at Catherine and crowded out.

“What a pack of hounds he’s gathered,” said Benjamin. “And what a large set of cases they carry about with them, for men who need nothing more than their consciences.”

“They’re young, and young men are often angry,” said Catherine. “They want the world to turn on them.”

“It will turn on them, in truth, if they don’t mind their mouths,” said Benjamin. “And if they are so angry, what are they doing here? Why didn’t they stay in Wittenberg, where they have allies?”

Catherine said, “He didn’t say that they came from Wittenberg. Did you not hear them speak? I think these friends of his are all Englishmen.”
[Blog Tour] 'Queen of Blood'  (The Cross and the Crown, Book 4)  By Sarah Kennedy #HistoricalFiction
Sarah Kennedy

Author Bio:

Sarah Kennedy is the author of the Tudor historical series, The Cross and the Crown, including The Altarpiece, City of Ladies, The King’s Sisters, and Queen of Blood. She has also published a stand-alone contemporary novel, Self-Portrait, with Ghost, as well as seven books of poems. A professor of English at Mary Baldwin University in Staunton, Virginia, Sarah Kennedy holds a PhD in Renaissance Literature and an MFA in Creative Writing. She has received grants from both the National Endowment for the Arts, the National Endowment for the Humanities, and the Virginia Commission for the Arts.

Connect with Sarah Kennedy:

[Blog Tour] 'Queen of Blood'  (The Cross and the Crown, Book 4)  By Sarah Kennedy #HistoricalFiction
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17 June 2021

Amazons And Warrior Princesses On Screen – The Legacy Of Xena 20 Years On

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Amazons And Warrior Princesses On Screen – The Legacy Of Xena 20 Years On
Lucy Lawless as the fierce Xena, the warrior princess (AF archive / Alamy)
Xena the warrior princess, played by Lucy Lawless, captivated audiences around the world for six series with her high kicks, sword skills and distinctive war cry. The series followed her as she fought her way through armies, monsters and gods, alongside her soul mate and moral compass, Gabrielle (Renee O'Connor).

Xena travelled across space and time, taking us from ancient Greece to Rome, Egypt, Britain, China, India, Scandinavia and finally to Japan, where it all came to an end 20 years ago on June 18 2001.

Starting life as an antagonist of Hercules in three episodes of Hercules: The Legendary Journeys, Xena was so popular as a character that she was given her spin-off series that ran from 1995 to 2001. At the time, Xena: Warrior Princess was considered groundbreaking as it started a strong female action heroine and was the only popular adventure, action, science fiction or fantasy show that featured female leads without male counterparts.

On the 20th anniversary of the final episode, it worth revisiting this great show and exploring why it was loved by a truly broad spectrum of viewers, from young girls drawn in by an active female role model and ancient history buffs to sci-fi fans and the LGBTQ community.

Xena and the Amazons

A reformed warlord from ancient Greece, Xena was not an Amazon but a friend to the tribes of warrior women. To ancient Greek writers, the Amazons were women who fought and behaved like men and were unnatural barbarians. They have since been adopted as positive female role models who break with misogynistic stereotypes of womanhood – they live in a self-sufficient, female-dominated society as warriors and intellects. The term Amazon feminism is now used to describe a branch of feminism that promotes female physical prowess as a way to achieve gender equality.

Before Xena, the Amazons featured in the 1970s Wonder Woman series. Not quite the feminist icons we expect today, these women wore pastel-coloured negligees as they adopted a peaceful life without men on Paradise Island.

In Xena, while the Amazons may also have been attired in revealing costumes made of furs and skins, their separatist society values martial as well as academic skills. An Amazon tells Gabrielle that the Amazon world is based on “truth and an individual woman’s strength”.

The Amazons from Greek mythology lived apart from men, at the edge of the known world, and fought bravely against male heroes such as Hercules, Theseus and Achilles. In Xena, the Amazons also live in a matriarchal society and are skilled fighters who can hold their own against men.

The Amazons in Wonder Woman (2017) can be seen as Xena’s big-screen descendants. The costumes and fighting prowess of Penthesilea (Nina Milner) in the BBC drama Troy: Fall of a City (2018) has tinges of Xena. While the leadership ability of the immortal Amazon Andy (Charlize Theron) in the Netflix film The Old Guard, can also be seen as inspired by Xena.

But while Troy: Fall of a City and The Old Guard are aimed at older audiences, Xena was popular across all age groups. For instance, episodes of Xena were broadcast in the UK on Channel Five’s Milkshake! Saturday morning slot in the 90s and early noughties for young viewers. This led many young girls to adopt Xena as their role model.

Amazons And Warrior Princesses On Screen – The Legacy Of Xena 20 Years On
Xena and Gabrielle (Screengrab)

The Xena subtext

Xena was also popular with gay and lesbian viewers. In the 1990s, openly gay relationships were mostly missing from popular US television series. However, Xena’s relationship with Gabrielle was interpreted as much as that of hero and sidekick as it was friends and lovers. Series producers began to play with this idea, for example, putting Xena and Gabrielle together in a sexy bath in season two fan-favourite episode A Day in the Life, so that for many, the subtext became the main text.

Although a lot of fans were dismayed that Xena died in the final episode they were treated to a long goodbye kiss between Gabrielle and Xena’s ghost. Series producers never openly made Xena and Gabrielle a lesbian couple. But LGBTQ+ fans championed their relationship, which is believed to have paved the way for openly gay relationships we see in television series today.

One of the joys of looking back at Xena 20 years on is its playfulness when compared with dark fantasy sci-fi fantasies like Game of Thrones. It features seriously badass female characters, and at times offers a serious message about female solidarity and feminism, but doesn’t take itself too seriously. Some of the special effects may now seem dated, but the storylines still ring true and the characters of Xena and Gabrielle can continue to be inspirational for a new generation of young female viewers.

About Today's Contributor:

Amanda Potter, Visiting Research Fellow, The Open University

This article is republished from The Conversation under a Creative Commons license.

16 June 2021

[Blog Tour] Discovery By Barbara Greig #HistoricalFiction

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[Blog Tour] Discovery By Barbara Greig #HistoricalFiction
discovery - tour banner

The Book:

Discovery
By Barbara Greig
  • Publication Date: 28th June 2020
  • Publisher: Matador (imprint of Troubador Publishing Ltd)
  • Page Length: 336 Pages
  • Genre: Historical Fiction

The Blurb:

Discovery: An epic tale of love, loss and courage When Elizabeth Gharsia’s headstrong nephew, Gabriel, joins Samuel Champlain’s 1608 expedition to establish a settlement at Quebec, he soon becomes embroiled in a complicated tribal conflict. As months turn into years, Gabriel appears lost to his family.

Meanwhile at home in France the death of her father, Luis, adds to Elizabeth’s anguish. Devastated by her loss, she struggles to make sense of his final words. Could her mother’s journals, found hidden among Luis’s possessions, provide the key to the mystery?

The arrival of Pedro Torres disrupts Elizabeth’s world even further. Rescued from starvation on the streets of Marseille by her brother, Pedro is a victim of the brutal expulsion of his people from Spain. Initially antagonistic, will Elizabeth come to appreciate Pedro’s qualities and to understand the complexity of her family?

Buy Links: 

Available on Kindle Unlimited ✔ Amazon UK ✔ Amazon US ✔: Amazon CA ✔: Amazon AU ✔: Waterstones ✔: Kobo ✔: Troubador ✔: WHSmith ✔: iBooks ✔: Google Play ✔ Book Depository ✔: 

[Blog Tour] Discovery By Barbara Greig #HistoricalFiction
Discovery - cover

Discovery - Excerpt:

Despite being weary, Elizabeth did not go to bed after she had taken her leave of Thomas. Waiting until she heard his heavy footsteps pass her chamber, she crept out of her room in the direction of her father’s. She paused momentarily outside Pedro’s door and wondered if he was asleep and if he had helped himself to some cold mutton from the kitchen before retiring for the night. Once again, she experienced a niggle of guilt as she had done earlier in the day; she should have invited him to eat some supper instead of acquiescing to Thomas’s demand.

On reaching Luis’s chamber, Elizabeth lifted the latch tentatively and was rewarded by the faintest of clicks as it was released. She eased the door open. Shafts of silvery light flooded the room and through the open shutters Elizabeth caught a glimpse of the full moon, riding high in a cloudless sky now that the storm had passed. Leaving the shutters open, she padded towards the bedside table and positioned the candle to give maximum light. Its yellow glow fused with the moonlight, producing an eeriness which somewhat unnerved her. Glancing around the room, to check that she was alone, Elizabeth chided herself for being fanciful.

The chest, one of two which held her father’s books, was locked. Thwarted, she took her time to think where he might have put the key. She scanned the room, puzzled over why the chest was locked, for the books had been freely available when her father was alive. The volumes, although valuable, many of which had been collected by her father’s grandfather, Hernando Gharsia, were only known to the family and to friends at the university. Her eyes alighted on the other chest in the room, the one where she had found the letter. It was worth a second look.

As before, she removed the items one by one except for the letter which was now concealed in her own jewellery casket: a piece of paper so momentous that no-one must see it, especially Thomas. However, unlike the previous occasion when she just laid it to one side, Elizabeth untied the bundle of silk. It rippled from her hands, a cascade of sea-green, the colour given depth by the ghostly light. The material was old and creased with dirt at the edges where the linen cover had slipped open but enough could be salvaged to fashion an exquisite dress. She ran her hand across the silk. Why did her father have it in his possession? Why had her mother never used it? Or told Elizabeth about it?

Returning to the task in hand, Elizabeth retrieved the candle from the table and held it low over the open chest, revealing the base and all four corners. There was no key. Disappointed, she returned her father’s treasures, ensuring that the silk was well-wrapped within the linen, and was about to take a last look around the chamber when Thomas’s deep bass boomed from the threshold. “What do you think you are doing?”

She swung round to face him, the candle-holder shaking in her hand. “You gave me such a fright!”

Thomas made a dismissive gesture. “It is your own fault – creeping like a thief in the night.”

Elizabeth did not retaliate, which immediately aroused her brother’s suspicions. Instead, she continued to stare at him, her eyes huge and defensive in the flickering flame. “Well?” he demanded.

“I wanted to look in Papa’s book-chest.”

“What for?”

“A book,” she replied lamely. She could tell he did not believe her, so she challenged him. “Why is the chest locked?”

“The contents are very valuable.”

“I know, but I can’t remember Papa ever locking it.”

“I am the head of the household now.”

“You have the key?”

“Yes.”

“Why have you locked the chest?”

“We have a guest in the house.”

Elizabeth surprised herself by rushing to the Castilian’s defence. “Pedro would never steal from us.”

“How can you be certain? I see you have given him access to the books in the parlour. He might wonder what others we have.”

“Pedro would not steal. I have come to know him while you have been away.”

“Perhaps that is so, but you know that our father has many books in his possession unsuitable for a faithful Roman Catholic.”

“Pedro would not betray us either. He is a Morisco. Papa gave him his Qur’an.”

“He did?”

“Yes.”

“True, I think it unlikely he would betray us, but we must protect ourselves, and our assets.”

“Assets?” Realisation dawned on Elizabeth. “You cannot think of selling some of Papa’s books!”

“I might if money is short.”

“But we have the vineyard, the saffron, and our trade.”

“I was not talking about us.”

“Oh Thomas,” Elizabeth warned. “You must not support the Huguenot cause now. It is too dangerous.”

“Nonsense! Now is the time to arm, to be ready for any attack from the new king. I plan to set off for Uzès the day after tomorrow to see what preparations that city is making. Then I will return to Montauban.”

There was no point in arguing, Thomas was, as he had said, the head of the family. Elizabeth walked towards the door. “I think I will go to bed.”

“What about the book you were looking for?”

“It can wait. I am tired.”

She reached the threshold, came to a halt and waited for Thomas to move. Raising the candle, she looked directly into his eyes but did not speak. He paused long enough to make her feel uncomfortable and then stepped to the side. “You can ask me for the key anytime.”
[Blog Tour] Discovery By Barbara Greig #HistoricalFiction
Barbara Greig

Author Bio:

Barbara Greig was born in Sunderland and lived in Roker until her family moved to Teesdale. An avid reader, she also discovered the joy of history at an early age. A last-minute change of heart, in the sixth form, caused her to alter her university application form. Instead of English, Barbara read Modern and Ancient History at Sheffield University. It was a decision she never regretted.

Barbara worked for twenty years in sixth form colleges, teaching History and Classical Civilisation. Eventually, although enjoying a role in management, she found there was less time for teaching and historical study. A change of focus was required. With her children having flown the nest, she was able to pursue her love of writing and story-telling. She has a passion for hiking, and dancing, the perfect antidotes to long hours of historical research and writing, as well as for travel and, wherever possible, she walks in the footsteps of her characters.

Discovery is Barbara’s second novel. Her debut novel Secret Lives was published in 2016 (Sacristy Press).

Connect with Barbara Greig:

Twitter ✔ Facebook ✔ Amazon Author Page ✔ Goodreads ✔

[Blog Tour] Discovery By Barbara Greig #HistoricalFiction
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10 June 2021

"Procession", An Augmented-Reality Artwork Of Our Not-So-Distant Future, Debuts At The Tribeca Festival [Trailer Included]

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"Procession", An Augmented-Reality Artwork Of Our Not-So-Distant Future, Debuts At The Tribeca Festival [Trailer Included]
Procession (Tribeca Festival Poster)
Dustin Yellin, in collaboration with the National Wildlife Federation, Droga5, Squint/Opera, Q Department, Mach1 and Vrai Pictures, has announced the launch of Procession, a new interactive artwork that lets anyone in the world place a Dustin Yellin sculpture in their immediate environment and bring the art to life through complete explorative immersion, revealing hundreds of narratives within the piece. 

Set to debut globally at this year's Tribeca Festival, Procession is a groundbreaking augmented-reality (AR) app experience set in a utopian world where human-created climate change wreaks havoc as you watch.
Procession is one of the first fine-art AR projects based on a realized sculpture to combine animation, collage and archival footage into an explorative interactive soundscape. It presents our near future, a period of global unrest and environmental destruction, spurred by raging flood waters and massive wildfires. Humanity is faced with a choice: living in ignorance or uniting to preserve what's left of our planet.

"Procession", An Augmented-Reality Artwork Of Our Not-So-Distant Future, Debuts At The Tribeca Festival [Trailer Included]
Procession (Screengrab)
"My goal has always been to democratize art and create a living, breathing canvas that can be affected by every participant who touches it. Procession presents our near future, a period of global unrest and environmental destruction, spurred by raging flood waters and massive wildfires," said Dustin Yellin.
Through the accessibility of its art, Procession unites people in taking action to preserve our natural environment. Through education, awareness and a directive that links to National Wildlife Federation's nonprofit climate initiatives, Procession joins the fight to preserve our delicate ecosystem before we lose it.

"Procession", An Augmented-Reality Artwork Of Our Not-So-Distant Future, Debuts At The Tribeca Festival [Trailer Included]
Procession (Screengrab)
"The experience of becoming part of Dustin's art makes it clear that each of us has an impact on our planet and when we choose to take the steps necessary to protect wildlife and the natural world, we will be able to create a more equitable and sustainable planet for everyone," said Carey Stanton, Head of Innovation Partnerships for the National Wildlife Federation. "We are thrilled to be the wildlife conservation partner for Procession."
  • Procession was created in a unique collaboration of established creative and production partners including global creative agency Droga5, creative studio Squint/Opera, music studios Q Department and Mach1, and immersive design studio Vrai Pictures.
"Procession", An Augmented-Reality Artwork Of Our Not-So-Distant Future, Debuts At The Tribeca Festival [Trailer Included]
Procession (Screengrab)
"We've been working on this collaboration for quite some time, and it's a pleasure to see the work of Dustin, Droga5 and our partners finally realized in such a pure, impactful way," said Director of Innovation at Droga5 Justin Durazzo. "We're really excited to deliver this interactive art piece in our rapidly evolving tech and climate landscape and hope everyone—regardless of their age, beliefs or background—will relate to it."
"The partnership was driven by our desire to make this world more intricate and immersive, more fun and educational. Technology allowed us to add animation and special effects, social interactions and gaming achievements to create a brand new artwork that truly leverages the medium it is made with," said Director of Technology at Squint/Opera Elie Zananiri. "We are very proud of this collaboration and how the AR experience turned out."

Procession - The Trailer:


  • Procession is available on Apple iOS and Android (listed as Procession AR). To download the experience, go to Procession.World.

About Dustin Yellin:

Dustin Yellin is an artist who lives in Brooklyn, New York, and is the founder and director of Pioneer Works, a multidisciplinary cultural center in Red Hook, Brooklyn. His work has been exhibited at Amorepacific Museum, Brooklyn Museum, City Museum, Colección Solo, Corning Museum of Glass, The Kennedy Center, Lincoln Center for the Performing Arts, Museo Del Palacio de Bellas Artes, SCAD Museum of Art, Tacoma Museum, and with Creative Time, amongst many others. Yellin is often featured in diverse media ranging from the New York Times, to Artforum, Vanity Fair, and TED. He holds an Honorary Doctor of Humane Letters from the Savannah College of Art and Design.

About National Wildlife Federation:

The National Wildlife Federation is America's largest and most trusted conservation organization, uniting all Americans to ensure wildlife thrive in a rapidly changing world. 

About Droga5:

Droga5, part of Accenture Interactive, is a creative agency with offices in New York, London and Tokyo. From integrated communications and experience innovation to business design, Droga5 exists to build and sustain the most influential brands of the 21st century through creativity. Droga5 was founded in 2006 and has been recognized as Agency of the Year more than 25 times and was named both Ad Age and Adweek's Agency of the Decade (2010–2019). Droga5 clients include Allstate, Amazon, Biofreeze, Chase, Essentia, The Hershey Company, IHOP, Kerrygold, Kimberly-Clark, lululemon, LVMH, Maserati, Mattress Firm, The New York Times and among others. 

About Squint/Opera:

Squint/Opera is a creative studio that brings together storytelling, media production, technology and design. The studio specialises in digital media and works with ambitious partners to communicate big ideas. With studios in London and New York, they have an international portfolio of clients, including the Empire State Building, V&A, The Metropolitan Museum, Battersea Power Station, Bordeaux Wine museum and Museum of Irish Literature.

About Q Department:

Q Department is an award winning sound production studio focused on bringing Hollywood production value to XR through our proprietary, patented Mach1 sound technology.

About Vrai Pictures:

Vrai Pictures is an XR design studio that seeks the truth in immersive media. We leverage emerging spatial computing technologies to explore the evolution of human-data interaction in order to build emotional, inclusive, and impactful experiences.
SOURCE Dustin Yellin LLC

9 June 2021

Pop and R&B Artist Darrell Kelley Visits Site of Tulsa Race Massacre on 100th Anniversary While On Tour [Video-Clips Included]

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Pop and R&B Artist Darrell Kelley Visits Site of Tulsa Race Massacre on 100th Anniversary While On Tour [Video-Clips Included]
Darrell Kelly on Tour Fighting to Stop Police Brutality, Systemic Racism and Spreading Love, Unity and Acceptance
Most of our favorite artists and celebrities are vocal about causes that are important to them. For Darrell Kelley social activism isn't a part of his brand, it is his brand.
Last week was the 100th anniversary of the horrific Tulsa Race Massacre (1921), where white citizens armed with weapons given to them by city officials, attacked black people and destroyed their businesses. 

  • Dozens of black residents were murdered, and over 800 were gravely injured.
Darrell visited the district where the massacre took place and met with renowned civil rights attorney Ben Crump, who has defended high profile cases such as Trayvon Martin, Michael Brown and George Floyd

Darrell and Ben spoke to the crowds in attendance about police brutality and issues affecting equality for African Americans today. Darrell also met and spoke with Dr. Malik Zulu Shabazz who is currently serving as the chairman for the New Black Panther Party

  • Dr. Shabazz instantly aligned with Darrell's message and made plans to help spread Darrell's music all over the country.
Darrell Kelly & Ben Crump (Screengrab)
Darrell Kelley is one of the hottest musicians out of Atlanta right now and has over 21.5 million streams worldwide on Spotify and Soundcloud. Hollywood is very excited about working with Darrell and it's rumored that Darrell is in talks for some massive collaborations to amplify his messages. At the 2020 Grammy's Darrell was spotted by paparazzi rubbing shoulders with A list stars and very influential producers at exclusive after parties.

Darrell has made international hit singles since 2018 like "Police Brutality" and "I'm So High". Some of his most popular hit singles are "Georgia Finally Went Blue", "Violence and Hate", and "Kamala". Darrell has also released two songs entitled "Corona Virus" and "Vaccine" this past year that have both taken off during the pandemic. Last week Darrell released "Systemic Racism" in response to the murder of Daunte Wright.

Pop and R&B Artist Darrell Kelley Visits Site of Tulsa Race Massacre on 100th Anniversary While On Tour [Video-Clips Included]
Darrell Kelly On Stage at the 100th Anniversary of the Tulsa, Oklahoma Massacre (Screengrab)
Currently Darrell is wrapping up a national tour. After Oklahoma Darrell brought his tour to Atlanta. On 6/19 Darrell is scheduled to perform in Washington, North Carolina and on 6/20 in Elizabeth, North Carolina where Darrell plans on sharing his music with the family of Andrew Brown, a local black resident who was shot in the back by police drawing national attention.

According to recent reports Darrell is gearing up to work with more influencers, celebrities and renowned activists to help promote his message of equality and justice for all religions, genders and orientations.

The Video-Clips:


To stay up to date about Darrell's music, upcoming performances and high profile collaborations follow him on Social Media or/and at his website:

SOURCE: Viral Records LLC

[Blog Tour] 'Sisters at War' By Clare Flynn #HistoricalFiction #WW2

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[Blog Tour] 'Sisters at War' By Clare Flynn #HistoricalFiction #WW2
Sisters at War - Tour Banner

The Book:

Sisters at War
By Clare Flynn
  • Publication Date: 1st May 2021
  • Publisher: Cranbrook Press
  • Page Length: 314 Pages
  • Genre: Historical Fiction

The Blurb:

1940 Liverpool. The pressures of war threaten to tear apart two sisters traumatised by their father’s murder of their mother.

With her new husband, Will, a merchant seaman, deployed on dangerous Atlantic convoy missions, Hannah needs her younger sister Judith more than ever. But when Mussolini declares war on Britain, Judith's Italian sweetheart, Paolo is imprisoned as an enemy alien, and Judith's loyalties are divided.

Each sister wants only to be with the man she loves but, as the war progresses, tensions between them boil over, and they face an impossible decision.

A heart-wrenching page-turner about the everyday bravery of ordinary people during wartime. From heavily blitzed Liverpool to the terrors of the North Atlantic and the scorched plains of Australia, Sisters at War will bring tears to your eyes and joy to your heart.
[Blog Tour] 'Sisters at War' By Clare Flynn #HistoricalFiction #WW2
Sisters at War - Front Cover 

'Sisters at War' - Excerpt:

At some point his luck was going to run out. As a merchant seaman, Will Kidd was only too aware of the heavy losses sustained by merchant ships and yet, so far, he had come through the first months of the war with barely a sight of a German vessel. On the way south through the Bay of Biscay, towards Gibraltar, just two weeks ago, they had spotted the periscope of a submarine, only to find on closer inspection that it was a piece of driftwood. They had also identified a German warship off the south coast of Ireland but either it was running low on fuel and heading for home, unwilling for an encounter with a convoy, or somehow it failed to spot them. Either way, it sailed on without engaging. Such good fortune could not last forever.

This morning, Will was keeping watch as they headed back to England. The Christina was straggling along, heavily laden with cargo. Being low in the water, they’d been unable to sustain the eight knots the rest of the convoy were keeping to, and Captain Palmer had requested permission for them to continue alone. They were following a course as far from the Spanish and Portuguese coast as possible, as the risk of being sighted was less the further out to sea they were.

Will scanned the dark water around him with a practised eye, all too aware that somewhere out there, danger was lurking. The stretches closer to home were always the most perilous.

The Christina was an ageing tramp steamer. Will knew the ship like the back of his hand, having served on her between African ports before the war. The vessel was slow, cumbersome and would have been all too easily picked off trailing at the rear of the convoy. Better to take their chances alone, rather than slow the other ships down. But the problem of leaving the shelter of the convoy was that they only had a four-inch, low-angle gun, a relic from the last war. If a torpedo struck, they could be heading to the bottom of the sea before they had a chance to fire a shot back.

Night was falling. Will was near the end of his watch and looking forward to a few hours’ sleep. At first, he thought he saw a pod of dolphins, then realised it was moving much too fast – a line of bubbles crossing the bows from starboard to port. Grabbing the voice pipe, he sounded the alarm whistle and within moments Captain Palmer was beside him on the bridge.

‘Bring her about!’ Palmer ordered and the helmsman swung the ship through ninety degrees. The captain ordered them to increase speed but, even at full throttle, the Christina was too slow for a U-boat, even a submerged one whose speed would be constrained by battery power.

As the captain reached for the steam whistle to alert the rest of his sleeping crew, Will saw the unmistakable phosphorescent trail of a torpedo as it narrowly missed the Christina’s bow, closely followed by another.

‘Send an SSS with our coordinates,’ the captain instructed the radio operator.

The first officer appeared on the bridge. ‘Torpedo near miss off the stern.’

‘Turn her again. To port, hard about ninety degrees.’

The Christina turned again so that the stern of the ship faced the attacker. Will was astonished. Three torpedoes and none of them on target. He could barely believe their luck. It couldn’t hold out.

‘Full steam ahead.’ The captain was holding them on a steady course, hoping to put some distance between them before the U-boat fired another torpedo.

Will was the first to see the sub as it surfaced on the port side. He sent out an alarm as shells began raining down.

The radio officer was frantically sending out signals that they were under submarine attack; the Germans were targetting the ship’s aerial masts. The only gun, better suited to anti-aircraft defence, was little use at the angle required to fire at a surfaced submarine.

Palmer continued to steer the Christina on a random zigzag path, to make aiming as difficult as possible for the German vessel, aided by the cover of darkness.

But the shelling had only just begun. The Christina shook and groaned under the onslaught of fire from close range. Shells exploded everywhere across the decks.

Will looked at Captain Palmer, awaiting instructions.

‘Bastards.’ Palmer’s voice was grim. He grabbed the megaphone and gave the order.

‘Abandon ship.’

The booming of exploding torpedoes continued. Water rushed down the companion ways. Steam shot up as a boiler exploded. Torchlights cut through the blackness of the night.

Everything was happening so fast. Will staggered along the deck to supervise the lowering of the port lifeboat, under the constant bombardment from shellfire.

Looking back, he saw the captain flinging the confidential books overboard, consigning them to the depths, safe from German hands.

As the bosun climbed into the port lifeboat to ready it for lowering, a shell exploded on the deck beside them. Will watched in horror. The explosion killed the first officer instantly and sent the bosun and the lifeboat plunging headlong into the roiling sea. Blinding lights, confusion, noise, pitching back and forth. Will looked over the side but there was no sign of the bosun. Just a mess of shattered timber floating on the black void of the sea.

The Germans must have known that they were abandoning ship, yet the U-boat had fired regardless. Will and the rest of the crew followed Captain Palmer over to the other side where they managed to lower the starboard lifeboat and clamber on board, fumbling in the dark, lit only by torchlight. The waves crashed against the Christina and buffeted the lifeboat as it went into the water.

The boat moved away from the ship and the men watched as the German U-boat continued to hammer shells into the now-blazing hull of the Christina. It was sport – like throwing balls at a fairground coconut shy. Shattering. Blasting. On and on, remorselessly.

The pounding of the old girl was painful to the whole crew. A slow noisy torture. They sat huddled in the lifeboat surrounded by the cold sea, watching transfixed.

It took a full hour before the Christina gave a few earsplitting creaks, roaring like an animal in the jaws of a lion, before she finally succumbed and slipped beneath the waves. No one spoke. But there was a collective sigh as the vessel that had been their home disappeared.

The silence was broken by Captain Palmer reciting the Lord’s Prayer. Thinking of their two lost comrades, the men joined in or bowed their heads respectfully, regardless of their religious beliefs.

Its brutal task complete, the U-boat slid away into the darkness. The destruction of the Christina had been performed with complete disregard for human life or the terms of the Geneva Conventions. The men, drenched with salt water, shivering from cold and shock, began to sing to keep their spirits up, before hoisting sail.

Will exchanged looks with Captain Palmer. They were the longest-serving on the Christina. Will could imagine what Palmer must be going through having lost his ship as well as one of his three officers and a valued crew member. Whilst not the fastest or most elegant of vessels, the Christina had been home to them for a long time and both men had many memories.

The lifeboat limped along, through mercifully calmer seas, in what the compass indicated was towards the north-west coast of Spain. Will sent up a silent prayer of thanks that his life had been spared in his first encounter with the enemy. He would be seeing Hannah again soon.
[Blog Tour] 'Sisters at War' By Clare Flynn #HistoricalFiction #WW2
Clare Flynn

Author Bio:

Clare Flynn is the author of thirteen historical novels and a collection of short stories. A former International Marketing Director and strategic management consultant, she is now a full-time writer.

Having lived and worked in London, Paris, Brussels, Milan and Sydney, home is now on the coast, in Sussex, England, where she can watch the sea from her windows. An avid traveler, her books are often set in exotic locations.

Clare is a Fellow of the Royal Society of Arts, a member of The Society of Authors, ALLi, and the Romantic Novelists Association. When not writing, she loves to read, quilt, paint and play the piano.

Connect with Clare Flynn:

Website ✔ Twitter ✔ Facebook ✔:Amazon Author Page ✔:Goodreads ✔

[Blog Tour] 'Sisters at War' By Clare Flynn #HistoricalFiction #WW2
Sisters at War - Tour Schedule

5 June 2021

Action Square's ANVIL Will Participate In The World's Largest Game Exhibition, #E32021 [Promotional Trailer Included]

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Action Square's ANVIL Will Participate In The World's Largest Game Exhibition, #E32021 [Promotional Trailer Included]
ANVIL by SK Telecom and Action Square will participate in the world's largest game exhibition, E3 2021
A new blockbuster shooting game, ANVIL by Action Square, will participate in the world's biggest game festival, 'E3 2021'.
E3 is the world's largest international game exhibition held in Los Angeles, USA, every year, and has been confirmed that it will be held online for this year. Since last year's E3 was canceled due to COVID 19, many gamers show tremendous interest in revived online E3. 

  • Although the fact that the festival will be held online seems quite risky; however, that can be counted as another opportunity because many more gamers all around the world can appreciate various contents of the E3 at their home.
Action Square's ANVIL Will Participate In The World's Largest Game Exhibition, #E32021 [Promotional Trailer Included]
 'ANVIL' (Screengrab)
ANVIL will participate in the E3 as one of the main line-up of SK Telecom, the game publisher of Xbox and 5GX cloud gaming. With SK Telecom in charge of distribution, the expectation of the industry and gamers having on ANVIL has significantly increased. Moreover, Action Square also indicates their strong confidence in ANVIL.

ANVIL is a top-down shooting action game with various characters that also supports multiplay. 'ANVIL', the game's main background, is an agency to search for a bolt, a legacy of an alien civilization scattered in space. 

The users will explore unknown galaxies by becoming 'breakers' who search for bolts. Each galaxy consists randomly, and various boss monsters are waiting for the gamers.

Action Square's ANVIL Will Participate In The World's Largest Game Exhibition, #E32021 [Promotional Trailer Included]
'ANVIL' (Screengrab)
One of the staff from ANVIL said, "it is our pleasure to introduce ANVIL through the world's largest game exhibition, E3. We are planning to release several information of ANVIL such as new trailers, play clips, and developer interviews in time for participation in E3. Not only that, but we are also planning to proceed with various aggressive promotion strategies, including open test via Xbox and Steam."

The Promotional Trailer:


  • ANVIL will be released on different platforms such as PC, consoles, and clouds for gamers worldwide, including South Korea, the USA, and Europe, within this year.
SOURCE: Action Square

4 June 2021

All-New Howl-O-Scream To Terrify SeaWorld Orlando, As The Nighttime #Halloween Event For Fright Seekers & Horror Fiends Arrives This Fall [Trailer Included]

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All-New Howl-O-Scream To Terrify SeaWorld Orlando, As The Nighttime #Halloween Event For Fright Seekers & Horror Fiends Arrives This Fall [Trailer Included]
Haunted Houses (Photo courtesy of SeaWorld Orlando)
A visit to SeaWorld Orlando will turn frightful on select evenings this fall when the park unleashes the ALL-NEW Howl-O-Scream. Guests will evade roaming haunts rampaging through scare zones and seek shelter indoors, only to find they have entered a house of horrors. 

Adventuresome guests can deepen the thrills with terrifying coaster rides in the dark, quench their thirst for fear at a fiendishly interactive bar and feel the monstrous electricity of a live show.
  • The separate-ticketed event goes on sale today including exclusive discounts for Annual Pass Members, with the lowest prices of the year for what promises to be an immediate fan-favorite terrifying Halloween event taking place with 27 fright-filled nights of haunted houses, scare zones, and terrifying shows on select nights Friday, September 10 through Sunday, October 31 from 7 p.m. to as late as 2 a.m.
Howl-O-Scream joins the park's already impressive fall line-up of events including the return of family-friendly Halloween Spooktacular which boasts daytime trick or treating for kids of all ages. Spooky fun for the entire family with Spooktacular during the day and terrifying thrills by night with the launch of Howl-O-Scream make SeaWorld Orlando the place to be this Halloween season.
"SeaWorld Orlando fans love our extensive event line-up which includes a special event taking place every weekend of the year. Adding Howl-O-Scream to the calendar provides the missing element of a fright-filled Halloween event that we know our guests will welcome. With this addition, we become the only theme park in Orlando to offer both a daytime family-friendly Halloween and a nighttime horror Halloween for thrill seekers," says SeaWorld Orlando Park President Kyle Miller. "We are very excited to announce Howl-O-Scream today and look forward to sharing all of the amazing details of the event over the next few months."

All-New Howl-O-Scream To Terrify SeaWorld Orlando, As The Nighttime #Halloween Event For Fright Seekers & Horror Fiends Arrives This Fall [Trailer Included]
Scare Zones and Roaming Haunts (Photo courtesy of SeaWorld Orlando)

Howl-O-Scream Elements:

  • Haunted Houses: Hear every bloodcurdling shriek. Feel every spine-tingling terror. Get ready for the haunted houses of SeaWorld's Howl-O-Scream. There's no turning back as guests brave dark passageways and round dimly lit corners, hoping they can avoid what's lurking in the depths. The legends are true, the fear is real, and the only way out is through the fear.
  • Scare Zones and Roaming Haunts: There are no safe zones. There are no places to hide. The scares are everywhere, and the roaming haunts never weaken. Get ready for immersive terror at every turn during SeaWorld's Howl-O-Scream. Guests should stay alert and be prepared for anything, because you never know what's waiting up ahead (or creeping up behind you).
  • Frightful Shows: Even amid so much mayhem, the show must go on. Duck inside and be mesmerized by a raucous, high-energy musical dance show. Or discover who's behind all the terror washing over the park at an outdoor show complete with special effects. Guests will also find DJs and party zones that are perfect for a dance break between frights.
  • Monster Coasters in the Dark and Haunting Experiences: It wouldn't be a SeaWorld visit without a ride or two, but it wouldn't be Howl-O-Scream without a dose of nighttime terror. Guests up to the challenge are invited to ride their favorite attractions in the dark. Meanwhile, sinister interactive surprises await at their favorite bar haunts. Keep watching to see how this once-peaceful park transforms with fear after nightfall.
High-Energy Entertainment (Photo courtesy of SeaWorld Orlando)
  • Fans of fear can sign-up at HowlOScream.com/Orlando to be the first to receive more dark details on new houses, experiences and more coming to Howl-O-Scream at SeaWorld Orlando as additional gruesome details are announced.

Fans can feed their appetite for fear by following Howl-O-Scream on Social Media:

Twitter: @howloscreamorl  ✔ Instagram: @howloscreamorlando  ✔ Facebook: @howloscreamorlando  ✔

The Promo/Trailer Video:

  • Howl-O-Scream is intended for a mature audience. This event contains intense adult content such as violence, gore, and blood. Howl-O-Scream 2021 is a separately-ticketed night event. No costumes are allowed.

About SeaWorld Entertainment, Inc.

SeaWorld Entertainment, Inc. (NYSE: SEAS) is a leading theme park and entertainment company providing experiences that matter, and inspiring guests to protect animals and the wild wonders of our world. The Company is one of the world's foremost zoological organizations and a global leader in animal welfare, training, husbandry and veterinary care. The Company collectively cares for one of the largest zoological collections in the world and has helped lead advances in the care of animals. The Company also rescues and rehabilitates marine and terrestrial animals that are ill, injured, orphaned or abandoned, with the goal of returning them to the wild. The SeaWorld rescue team has helped more than 38,000 animals in need over the Company's history. 

SeaWorld Entertainment, Inc. owns or licenses a portfolio of recognized brands including SeaWorld, Busch Gardens, Aquatica, Sesame Place and Sea Rescue. Over its more than 60-year history, the Company has built a diversified portfolio of 12 destination and regional theme parks that are grouped in key markets across the United States, many of which showcase its one-of-a-kind zoological collection. The Company's theme parks feature a diverse array of rides, shows and other attractions with broad demographic appeal which deliver memorable experiences and a strong value proposition for its guests.
All-New Howl-O-Scream To Terrify SeaWorld Orlando, As The Nighttime #Halloween Event For Fright Seekers & Horror Fiends Arrives This Fall [Trailer Included]
Themed Bars and Attractions (Photo courtesy of SeaWorld Orlando)

SOURCE: SeaWorld Parks & Entertainment

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