Showing posts with label Geeky Stuff. Show all posts
Showing posts with label Geeky Stuff. Show all posts

24 May 2018

Versions Of Han Solo's Blaster Exist – And They're Way More Powerful Than Real Lightsabers Would Be

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Harrison Ford as Han Solo with his blaster in the old Star Wars triology.
Harrison Ford as Han Solo with his blaster in the old Star Wars triology.(BagoGamesFlickr, CC BY-SA)
People who think physics is boring couldn’t be more wrong. It can explain everything from spooky interactions on the tiny scale of atoms and particles to how the entire universe behaves. As if that wasn’t enough, it can also be used to assess how realistic futuristic technology in science fiction is. My area of expertise – plasma physics – can explain many aspects of both lightsabers and the Death Star within Star Wars lore, for example.

I’ve now worked out how feasible the blaster weapons used by, among others, the Star Wars character Han Solo are – and how they compare with lightsabers. In fact, real life versions of these weapons have already been developed. So with the prequel film Solo: A Star Wars Story being released, it seemed fitting to share this “research”.

The key to understanding Star Wars technology is plasmas – a so-called “fourth state of matter” (in addition to solids, liquids and gases). This comprises freely flowing electrically charged particles which naturally interact with electric and magnetic fields. Plasmas are common in space but they rarely exist naturally on Earth. However, it is possible to produce them in laboratories.

Powerful plasmoids
A common misconception about blasters is that they are laser weapons. But within the Star Wars canon, people realised that this wouldn’t make sense. Instead writers stated that a blaster wasany type of ranged weapon that fired bolts of intense plasma energy, often mistaken as lasers” and that it “converted energy rich gas to a glowing particle beam that could melt through targets”. This means that blaster bolts (glowing projectiles) are simply blobs of plasma – similar to a lightsaber flying through the air.


Han Solo’s BlasTech DL-44 heavy blaster pistol on display at Star Wars Launch Bay at Disney’s Hollywood Studios.
Han Solo’s BlasTech DL-44 heavy blaster pistol on display at Star Wars Launch Bay at Disney’s Hollywood Studios. (Quarax/wikipedia, CC BY-SA)

Coherent masses of plasma and their associated magnetic fields are known as plasmoids. Within the Earth’s protective shield in space – the magnetosphere – plasmoids are commonly generated by a poorly understood process called magnetic reconnection. This is an explosive reconfiguration of magnetic field lines that can take place wherever there is plasma present, in particular when plasmas are forced together. When this happens in our magnetosphere, charged particles are accelerated into the top of the atmosphere – causing the aurora, or northern lights. A huge amount of material is also ejected away from the Earth as plasmoids.

However, it isn’t easy to create plasmoids on Earth. Many of the demonstrations that we can do (unlike the ones in space) produce structures which quickly expand and dissipate in the air. The solution to this problem is to use magnets – their fields can contain the hot plasma.



However, blaster bolts are projectiles so it’s not possible to have an externally powered magnet present at all times during their rapid journey. Thankfully, though, there is a solution. As plasmas are highly conductive, it is possible to set up electrical currents within the plasmoid itself. These currents, like all currents, generate magnetic fields that can confine the plasma. Such arrangements are known as spheromaks and they have received renewed interest in plasma physics experiments over the last 20 years.

Real versions
One way to create a spheromak is to use a “plasma railgun”, a device which uses an external magnet to induce currents in the plasma as well accelerate it up to high speeds. In fact, speeds of 200 km/s have been achieved with these spheromaks lasting some hundreds of microseconds. This is very impressive and certainly within the realms of use as a weapon.

Indeed, from the 1970s onward, the SHIVA Star programme (named after the multi-limbed Hindu god) at the Air Force Research Laboratory in Albuquerque, New Mexico, conducted various “arms” of research into this kind of plasma physics. One of these, known as MARAUDER (magnetically accelerated ring to achieve ultrahigh directed energy and radiation), was one of several US government efforts to develop projectiles based on plasmas.

The weapon was able to produce doughnut-shaped rings of plasma and balls of lightning that exploded with devastating thermal and mechanical effects when hitting their target and produced a pulse of electromagnetic radiation that could scramble electronics. However, its status as of 1993 remains classified.

The temperatures achieved in such devices so far are up to a thousand times hotter than the surface of the sun. With enough plasma in each bolt these would cause huge amounts of damage, so the blaster as presented in the Star Wars films looks to be quite feasible indeed.



But how would these real life blaster weapons fare against the other iconic Star Wars weapon, the lightsaber? A blaster bolt is essentially equivalent to a lightsaber blade, just without the hilt. But as I’ve mentioned before, magnetic reconnection is unavoidable when two magnetically confined plasmas meet. This is the case when two lightsabers collide, causing explosive destruction of both the weapons and the people holding them. However, with a blaster you are far away from that explosion – leaving you totally unscathed.

So it turns out that Han Solo was right when he said “Hokey religions and ancient weapons are no match for a good blaster at your side.”

About Today's Contributor:
Martin Archer, Space Plasma Physicist, Queen Mary University of London


This article was originally published on The Conversation


Star Wars Related Stories:


25 April 2018

Holy Freebies, Batman!: National Free Comic Book Day Comes to Comic Book Specialty Shops on Saturday, May 5th

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Free Comic Book Day
Free Comic Book Day (PRNewsfoto/Diamond Comic Distributors)
On Saturday, May 5, over 2,300 comic book specialty shops across North America and around the world will give away over 5 million comic books free of charge on Free Comic Book Day (FCBD). 
The annual event is one of the most anticipated comic book celebrations of the year, as retailers prepare to welcome curious, first-time comic book readers and devout comic book fans into their stores for free comics and exciting events.
"Free Comic Book Day is a great event for everyone, from newcomers to long-time comic book fans. With the wide selection available this year, there's something for everyone to get excited about! This event is the perfect opportunity to discover a giant community of like-minded pop culture fans," said Free Comic Book Day spokesperson, Ashton Greenwood.

Free Comic Book Day: DC's Superhero Girls
Free Comic Book Day: DC's Superhero Girls
The 50 free comic book titles available this year are designed to appeal to a broad range of tastes. This year's diverse selection includes superhero stories, like Marvel's Avengers and Amazing Spider-Man as well as DC Super Hero Girls; popular kids titles such as SpongeBob SquarePants, Star Wars Adventures,and PokĆ©mon, and TV tie-ins featuring series like RiverdaleDoctor Who, and Bob's Burgers
Free Comic Book Day: The Avengers + Captain America
Free Comic Book Day: The Avengers + Captain America
Every major comic book publisher including BOOM!, Dark Horse, DC, Dynamite, IDW, Image, and Marvel Comics participates in the event.
"On May 5th, we encourage fans to use Free Comic Book Day as an opportunity to explore their local comic shop, and discover all it has to offer," said Greenwood. "Our hope is that everyone will walk away with comics they can't wait to read and share, and then return to their local shop to find more stories and adventures!
Free Comic Book Day: The Amazing Spider-Man
Free Comic Book Day: The Amazing Spider-Man
Along with giving out free comics, many comic shops host community events throughout the day, such as creator signings, character appearances, costume contests, plus great sales and deals on exclusive items.
To view all 50 Free Comic Book Day titles, and to find a participating comic shop, visit freecomicbookday.com.

Free Comic Book Day: 2000 AD
Free Comic Book Day: 2000 AD
About Free Comic Book Day: 
Free Comic Book Day is the comic book specialty market's annual event where participating comic book shops across North America and around the world give away comic books absolutely free to anyone who comes into their shops. 

The event is held the first Saturday in May every year and is founded on the belief that there's a comic out there for everyone!

Free Comic Book Day: Malika - Creed & Fury
Free Comic Book Day: Malika - Creed & Fury

SOURCE: Diamond Comic Distributors

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Free Comic Book Day: Shadowman
Free Comic Book Day: Shadowman
Free Comic Book Day: Riverdale
Free Comic Book Day: Riverdale
Free Comic Book Day: Transformers Unicron
Free Comic Book Day: Transformers Unicron


Free Comic Book Day: Disney's Princess Ariel
Free Comic Book Day: Disney's Princess Ariel
Free Comic Book Day: Doctor Who
Free Comic Book Day: Doctor Who
Free Comic Book Day: Pokemon
Free Comic Book Day: Pokemon
Free Comic Book Day: Howard Lovecraft
Free Comic Book Day: Howard Lovecraft
Free Comic Book Day: James Bond 007
Free Comic Book Day: James Bond 007


14 November 2017

World's First And Most Extensive Exhibition Celebrating Marvel's Visual And Cultural Impact To Premiere At Seattle's Museum Of Pop Culture In April 2018

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Michael Allred’s interpretation shows Spider-Man swinging from the Space Needle
MoPOP and SC Exhibitions commissioned several renowned Marvel artists to create a series of posters for the Seattle show which will be released over the months to come. Michael Allred’s interpretation shows Spider-Man swinging from the Space Needle
Marvel: Universe of Super Heroes will feature more than 300 original artifacts, including some of Marvel's most iconic and sought-after pages, costumes and props, many of which have never-before been seen by the public. These will be displayed in a major retrospective at the Museum of Pop Culture (MoPOP) in Seattle, opening on April 21, 2018.

  • The exhibition will tell the Marvel story through comics, film and other media, taking place as it celebrates 10 years of the Marvel Cinematic Universe, and ahead of the 80th anniversary in 2019.
Marvel Comics Exhibition
Rare artifacts and interactive set design creates a multifaceted and vivid experience for visitors. (Concept artwork by Studio TK)
"Our show takes us from the origins of the Marvel Universe to the present, providing a chance to see some of the rarest and most precious objects to have survived from the past 80 years of pop culture history," says curator Ben Saunders about the exhibition, which is being produced by MoPOP, SC Exhibitions and Marvel Entertainment.
Selfies with Spider-Man
Marvel statues invite visitors to interact and become part of the scenery with great photo opportunities throughout the exhibition. (Concept artwork by Studio TK.)
The exhibition will trace the story of the company and its influence on visual culture – including how it's responded to historical events and addressed wider issues such as gender, race and mental illness – as well as uncovering the narratives of individual characters such as Captain America, Spider-Man, Black Panther and Doctor Strange. It will honor the so-called "imaginauts" such as Stan Lee and Jack Kirby, who have made the Marvel saga one of the most expansive fictional universes ever created.
"Marvel transformed the idea of the Super Hero in the 1960s—and beyond—by ratcheting up the visual spectacle, emotional dynamism and philosophical sophistication of the action-adventure comics genre," says Brian Crosby, head of Marvel Themed Entertainment. "Marvel has always been a reflection of the world outside your own window and one of its most compelling messages has always been, that anyone—regardless of race, religion or gender—can be a Super Hero."
Immersive set pieces will bring the comic book world to life, and the exhibition will be accompanied by an immersive soundscape created by acclaimed composers Lorne Balfe and Hans Zimmer.

Visitors can stroll through the streets of New York City, catching a glimpse into artists’ studios to learn about the creators behind the comics and gaze at original props from Jessica Jones, Luke Cage, and more.
Visitors can stroll through the streets of New York City, catching a glimpse into artists’ studios to learn about the creators behind the comics and gaze at original props from Jessica Jones, Luke Cage, and more. (Concept artwork by Studio TK.)

The exhibition has been curated by an outstanding team that includes three scholars of comics – Benjamin Saunders, Matthew J. Smith and Randy Duncan, all of whom are university professors and experts in their field. MoPOP curators Brooks Peck and Jacob McMurray, as well as renowned comics writers and editors Ann Nocenti and Danny Fingeroth, have also contributed.
Tony Stark’s Lab is one of many different settings in which visitors can immerse themselves and interact with their favorite characters.
Tony Stark’s Lab is one of many different settings in which visitors can immerse themselves and interact with their favorite characters. (Concept artwork by Studio TK.)
"This is the largest exhibition ever staged at the Museum of Pop Culture," says Brooks Peck, curator, MoPOP. "We're thrilled to present more than 300 original artworks, props, costumes, and genuine relics of pop culture history, from the earliest incarnations of super heroes in comics to ground breaking movie moments reflecting the timeless appeal of the Marvel universe."
Marvel: Universe of Super Heroes - Logo
Marvel: Universe of Super Heroes - Logo (PRNewsfoto/Museum of Pop Culture)





Bonus Videos:



8 November 2017

Will Your Dog Eat Your Steak Dinner?

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hungry dog
If you tell your dog not to eat the steak, will he obey you?
You throw a perfectly cooked sizzling steak on your dining room table. Then you step away for a bottle of wine. As you head towards the cellar, you pause and look at your dog. You wag your finger and say, "Buster, do not eat this steak!" Buster looks back at you hungrily, eying your juicy hunk of sirloin.
"Buster will make a decision based on what he wants," says Perry Marshall, founder of Natural Code LLC. "And when you leave, he's going to decide whether to obey you or not. However, the situation turns out, he's doing something that no computer can do – which is to want something, then choose whether to take it or not."
This attribute, Marshall insists, is exclusive to living things. Computers don't do it. Rocks and molecules don't either. The aspect of will, which every pet owner and parent is all too familiar with, is what divides living from the nonliving.
Marshall seeks to unravel life's mystery with a $5-million Evolution 2.0 Prize. "If you trace life to its very beginnings, you'll find that information in DNA is the central mystery. It's the original set of choices. Nobody knows how we got from chemicals to code. But we intend to find out."
Marshall's private equity investment group, Natural Code LLC, suspects that the same physical principle that animates life today may have also given rise to the digital instructions in the very first cell.
"If we can solve this, Artificial Intelligence stands to make a giant forward leap. Because for the first time, we might be able to make computers that program themselves, much as living things do," says Marshall.
Evolution 2.0 Prize - Logo
Evolution 2.0 Prize, funded by Natural Code LLC
  • The Evolution 2.0 Prize takes its inspiration from Peter Diamandis and his Ansari X Prize for Space Flight. It was a $10-million challenge which resulted in a successful launch of a reusable manned space capsule into orbit, twice in two weeks.
"We all know that when you talk to Siri or Alexa, there's nobody 'in there.' Everyone knows Siri is just a hunk of silicon. But what if we had a living algorithm? What if your iPhone or computer could do what your dog does? That will transform everything," Marshall says. "It will spawn new billion-dollar industries."





The Video:

4 November 2017

Spider-Man Co-Creator Stan Lee Added To Star-Studded Lineup Of ACE Comic Con Arizona

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ACE Comic Con Arizona Poster
ACE Comic Con Arizona Poster (PRNewsfoto/ACE Universe)
Stan Lee, co-creator of Spider-Man, world-renowned comic book writer and former publisher of Marvel Comics; has been added to the star-studded lineup for ACE Comic Con Arizona, which will take place Jan. 13-15 at Gila River Arena in Glendale.

Lee is known as the creative force behind Marvel Comics and was a co-creator for numerous popular Marvel characters. He also is credited with re-launching Marvel's Captain America in the 1960s.

"We are committed to bringing fans the best of the best guests, and today's announcement reinforces this commitment," said Stephen Shamus, President of ACE Universe. "Stan Lee is an iconic figure, and having the opportunity to take a Photo Op with his superhero creations come to life - Captain America & Spider-Man (Chris Evans & Tom Holland), will create a unique, once-in-a-lifetime experience. Taking a Photo Op with all three will be a truly historic moment."
Lee will be available for dual photo opportunities with Captain America (Chris Evans) and Spider-Man (Tom Holland), as well as a triple photo opportunity with both characters together. Additionally, Lee will be doing solo photo opportunities and autograph sessions, and take part in a panel discussion which will be live streamed to fans around the world.

Lee also will participate in "Comic Con" night at the Arizona Coyotes – Edmonton Oilers game on Friday, Jan. 12, the night before the kickoff of ACE Comic Con Arizona. Lee will be on hand to drop the puck to start the game, and a variety of other ACE Comic Con Arizona artists and vendors will be available on the concourse for autographs signings and merchandise sales.

ACE Comic Con Arizona officials announced one additional change to the weekend lineup. Hayley Atwell (Agent Peggy Carter – Captain America), who was scheduled to appear both Saturday and Sunday, will now only appear on Sunday as she booked a role in a play. All Saturday ticket holders with VIP packages, photo ops or autographs including Hayley will be notified via email with instructions on how to exchange tickets for Sunday, or to get a refund.

Along with Evans and Holland, other confirmed guests include: 

  • Sebastian Stan (The Winter Soldier – Captain America
  • Anthony Mackie (The Falcon – Captain America
  • Hayley Atwell (Agent Peggy Carter – Captain America) 
  • Laura Harrier (Liz – Spider-Man: Homecoming)  
  • Jacob Batalon (Ned – Spider-Man: Homecoming
More guests will be announced soon, including superstars from World Wrestling Entertainment (WWE).
VIP Admissions, Photo Ops and Autographs can be purchased here, while General Admission Tickets can be purchased online at Ticketmaster Additional ticketing information also can be found at aceuniverse.com
ACE Comic Con Arizona is the second of the new ACE Comic Cons, with the debut event set to take place at NYCB Live: Home of the Veterans Memorial Nassau Coliseum in Long Island, NY, Dec. 8-10. In addition to these two shows, ACE Universe will announce more 2018 dates, cities and ticket information at aceuniverse.com and on the ACE Comic Con social channels at Facebook.com/acecomicon or @acecomiccon on Instagram and Twitter.

About Stan Lee:
Stan Lee  - Co-Creator - Spider-Man, The Hulk, X-Men, Fantastic Four, Iron Man, Thor, Daredevil, Dr. Strange, The Avengers, Loki, Dr. Doom
(Via aceuniverse.com)
Stan Lee, the chief creative force behind the rise of Marvel Comics, brought to life some of the world’s most famous heroes and infamous villains, including Spider-Man, The Hulk, X-Men, Fantastic Four, Iron Man, Thor, Daredevil, Dr. Strange, The Avengers, Loki, and Dr. Doom. His stories featured heroes and villains that were more psychologically complex than had ever been seen previously, inspiring legions of fans.

According to his autobiography, Excelsior, “Lee put the human in the superhuman.” 

As a producer, writer, editor, publisher, actor, host and executive, and idol to many, Stan ‘the Man’ Lee has left an indelible mark on the entertainment industry having created or co-created 90% of Marvel’s most recognized characters. These creations have spawned books, films, television series, video games, web series, Broadway shows and more, offering a steady stream of box office.

Spider-Man - Comic Book
Enter Spider-Man

Captain America and The Avengers - Comic Book
Captain America and The Avengers

27 October 2017

Royal Canadian Mint Launches Justice League Coin Collection at 2017 Central Canada Comic Con

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2018 25-Cent Lenticular Coin - The Justice League



The Royal Canadian Mint is celebrating pop culture with comic book fans from all over the country attending Central Canada Comic Con (C4) by introducing its new Justice League series of coloured coins, crafted in cupro-nickel, gold and silver, which feature artwork specially conceived by Canadians Justice League artists Jason Fabok and Brad Anderson

  • Comic book super hero fans attending C4 from October 27 to 29, 2017 can be among the first to get their hands on these finely crafted collectibles.
2018 $20 Fine Silver Coin - The Justice League - Complete packaging - The Flash and Wonder Woman
2018 $20 Fine Silver Coin - The Justice League - Complete packaging -
The Flash and Wonder Woman

This 2018-dated Justice League collection consists of the following:

  • a 25-cent cupro-nickel lenticular coin animating all six members of the Justice League
  • a trio of 1oz. fine silver coins with a $20 face value, each featuring a pairing of super heroes (Cyborg and Superman; Batman and Aquaman; The Flash and Wonder Woman)
  • a $30 fine silver coin celebrating "The World's Greatest Super Heroes"
  • a $100 14-Karat gold coin entitled "United We Stand".

2018 $20 Fine Silver Coin - The Justice League - Complete packaging - Batman and Aquaman
2018 $20 Fine Silver Coin - The Justice League - Complete packaging -
Batman and Aquaman
  • Mintages, pricing and full background information on each coin can be found on the "Shop" tab of www.mint.ca.

2018 $20 Fine Silver Coin - The Justice League - Complete packaging - Cyborg and Superman
2018 $20 Fine Silver Coin - The Justice League - Complete packaging -
Cyborg and Superman
Comic book super hero fans will be able to meet the artists at the Mint booth during the following times:
  • Friday October 27, from 3 pm to 6 pm
  • Saturday, October 28, from 10 am to noon
  • Sunday October 29, from 10 am to noon

2018 $30 Fine Silver Coin - The Justice League - The World's Greatest Super Heroes
2018 $30 Fine Silver Coin - The Justice League - The World's Greatest Super Heroes
2018 $100 14-Karat Gold Coin - The Justice League - United We Stand
2018 $100 14-Karat Gold Coin - The Justice League - United We Stand

The Cards:
Cyborg, Superman and Aquaman
Cyborg, Superman and Aquaman
The Flash, Batman and Wonder Woman
The Flash, Batman and Wonder Woman



SOURCE: Royal Canadian Mint



25 October 2017

Stranger Things: Inventiveness In The Age Of The Netflix Original

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Winona Ryder in Stranger Things - Netflix
Stranger Things. Netflix
By Arin Keeble, Edinburgh Napier University

The Netflix series Stranger Things, which shortly returns for a second season, was the surprise TV hit of summer 2016. Fans and critics revelled in its allusions to Hollywood hits from the American 1980s in which it is set. Every haircut, every rippling synth pattern, BMX chase and adolescent gesture of friendship seemed to come from an 80s movie. Its young protagonists communicated through references to Star Wars and Dungeons and Dragons and the first trailer for season 2 shows them trick-or-treating as the Ghostbusters.

So what made Stranger Things feel fresh and new? Was it somehow innovative in its referencing? It certainly wasn’t because of a new kind of aesthetic recycling, as JJ Abrams had already done an 80s Steven Spielberg pastiche with Super 8, and borrowing or referencing has long been prevalent in American cinema. From Film Noir’s adoption of German expressionist techniques in films like The Maltese Falcon or Touch of Evil to the postmodern genre-mashing of Pulp Fiction, Hollywood storytelling has a rich history of pastiche, allusion and homage.

But what happens when serial TV does this? Stranger Things featured eight hour-long episodes developing characters who inevitably cannot exist solely in the stylistic shoes of Spielberg or Stephen King. And though the referencing is there, the immediate pleasures of its clever nods to E.T. or The Goonies evolve into a more sophisticated meditation on the processes of allusion.
Nostalgia and trauma
The achievement of Stranger Things is twofold. It is not just highly referential – it is actually about referencing. The series explores the way people – especially young people – communicate through patterns of reference or allusion. The programme’s retro register is also paired with an ongoing discussion of what we can see as the opposite of nostalgia – traumatic memory.

The casting of Winona Ryder is integral to this convergence of nostalgia and trauma. Ryder’s star power was born in the 1980s, when she was a teenager, through films like Heathers and Beetlejuice. In the 1990s her screen successes were accompanied by extreme tabloid scrutiny of her personal life. This included high-profile coverage of her struggles with drugs and anxiety. Because of this public history, the casting of Ryder was itself referential, as is the casting of any “star”.

As Keith Reader argued in Intertextualty: Theories and Practice: “The concept of the film star is an intertextual one, relying as it does on correspondences of similarity and difference from one film to the next and on supposed resemblances between on and off-screen personae.” So while Stranger Things’ teen drama story, centring on Nancy Wheeler, evokes the high school world of Heathers, Ryder’s performance as Joyce Byers, draws on her real life experiences. Joyce is a loving, thoughtful, single mother and a sufferer of anxiety. This is exacerbated by the disappearance of her youngest son and for much of the first series she is upset and hysterical.

Stranger Things Season 2 -  Netflix
Stranger Things Season 2. Netflix
Ryder’s performance was widely acclaimed – including by Rolling Stone journalist, Noel Murray, who suggested Stranger Things “brought her back”. Murray notes that the performance is powerful because the show takes advantage of what we already know about Ryder: that she is a “likeable celebrity who’s fallen on hard times”. Joyce’s hysteria certainly carries the power and authenticity of experience and it sharply juxtaposes the nostalgic innocence of Eggo waffles and BMX chases.

Joyce’s experiences are also echoed by other strands of the story. We learn that Chief Hopper is still struggling with the traumatic loss of his daughter and it is inferred that mystery child Eleven, who is the subject of sinister experiments, was taken as an infant from her now-institutionalised mother. Ultimately, Stranger Things’ nostalgic frame magnifies the intensity of its traumatic realism and stories of loss and psychosis.

Navigating an ‘upside down’ world
But Stranger Things is also invested in how its characters communicate through allusion. The boys, Dustin Henderson, Mike Wheeler, Lucas Sinclair and the missing Will Byers use these references to map out and understand their world – and that of The Upside Down (a dark alternate dimension existing in parallel to the human world). In the first episode we learn that they have renamed the streets of their small Indiana town using references to The Hobbit and in episode three, puzzling over the mysterious Eleven, Dustin asks his friends: “I wonder if she was born with her powers like the X-Men or if she acquired them like Green Lantern?

Eleven - Stranger Things
Eleven by Aelini
Sometimes references serve as a code that adults and other kids won’t know – which is important as the boys are outsiders (geeks before geeks were cool). Sometimes references are charged with imaginative and emotional meaning. For example, Mike cites his missing friend’s boldness and bravery in a Dungeon’s and Dragons “campaign” as a reason for him and his friends to be brave in trying to find him in real life.

The ConversationLiterature academic and blogger Aaron Bady has pointed out that what makes Stranger Things’ allusions unique is that it has no “anxiety” over its gratuitous borrowing. This subverts the need “to play authenticity detective.” This is undoubtedly the case and it is striking in the world of “Netflix originals” where everything seems to be an adaptation or re-imagining, like House of Cards or Daredevil. But I believe what sets the show apart is its clever use of allusion to amplify the impact of its depictions of anxiety, trauma and loss and its exploration of allusion as a mode of communication.

About Today's Contributor:
Arin Keeble, Lecturer in Contemporary Literature and Culture, Edinburgh Napier University


This article was originally published on The Conversation

Bonus Pictures:
(via DeviantArt.com)
Stranger Things - Nancy and Jonathan
Stranger Things - Nancy and Jonathan (via JCLF88)
Upside Down, Downside Up - Stranger Things
Upside Down, Downside Up (via NuclearLoop)

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