[Blog Tour] 'The Cotillion Brigade' (A Novel of the Civil War and the Most Famous Female Militia in American History) By Glen Craney #HistoricalFiction

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The Book:

The Cotillion Brigade
(A Novel of the Civil War and the Most Famous Female Militia in American History)
By Glen Craney

• Publication Date: 15th March 2021
• Publisher: Brigid's Fire Press
• Page Length: 399 Pages
• Genre: Historical Fiction

The Cotillion Brigade - front cover

The Blurb:

Georgia burns.
Sherman’s Yankees are closing in.
Will the women of LaGrange run or fight?

Based on the true story of the celebrated Nancy Hart Rifles, The Cotillion Brigade is an epic novel of the Civil War’s ravages on family and love, the resilient bonds of sisterhood in devastation, and the miracle of reconciliation between bitter enemies.

“Gone With The Wind meets A League Of Their Own.” -- John Jeter, The Plunder Room

1856. Sixteen-year-old Nannie Colquitt Hill makes her debut in the antebellum society of the Chattahoochee River plantations. A thousand miles north, a Wisconsin farm boy, Hugh LaGrange, joins an Abolitionist crusade to ban slavery in Bleeding Kansas.

Five years later, secession and war against the homefront hurl them toward a confrontation unrivaled in American history.

• Buy Links: Amazon UK ✔ Amazon US ✔ Amazon CA ✔ Amazon AU ✔ Kobo ✔ IBooks ✔ Barnes & Noble ✔

Glen Craney

Author Bio:

A graduate of Indiana University School of Law and Columbia University Graduate School of Journalism, Glen Craney practiced trial law before joining the Washington, D.C. press corps to write about national politics and the Iran-contra trial for Congressional Quarterly magazine. In 1996, the Academy of Motion Pictures, Arts and Sciences awarded him the Nicholl Fellowship prize for best new screenwriting. His debut historical novel, The Fire and the Light, was named Best New Fiction by the National Indie Excellence Awards. He is a three-time Finalist/Honorable Mention winner of Foreword Magazine’s Book-of-the-Year and a Chaucer Award winner for Historical Fiction. His books have taken readers to Occitania during the Albigensian Crusade, the Scotland of Robert Bruce, Portugal during the Age of Discovery, the trenches of France during World War I, the battlefields of the Civil War, and the American Hoovervilles of the Great Depression. He lives in Malibu, California.

Connect with Glen Craney:

Website ✔ Facebook ✔ Twitter ✔ Pinterest ✔ Goodreads ✔ Amazon Author Page ✔

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[Blog Tour] 'The Usurper King' (The Plantagenet Legacy, Book 3) By Mercedes Rochelle #HistoricalFiction

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The Book:

The Usurper King
(The Plantagenet Legacy, Book 3)
By Mercedes Rochelle

• Publisher: Sergeant Press
• Page Length: 308 Pages
• Genre: Historical Fiction

The Blurb:

From Outlaw to Usurper, Henry Bolingbroke fought one rebellion after another.

First, he led his own uprising. Gathering support the day he returned from exile, Henry marched across the country and vanquished the forsaken Richard II. Little did he realize that his problems were only just beginning. How does a usurper prove his legitimacy? What to do with the deposed king? Only three months after he took the crown, Henry IV had to face a rebellion led by Richard's disgruntled favorites. Worse yet, he was harassed by rumors of Richard's return to claim the throne. His own supporters were turning against him. How to control the overweening Percies, who were already demanding more than he could give? What to do with the rebellious Welsh? After only three years, the horrific Battle of Shrewsbury nearly cost him the throne—and his life. It didn't take long for Henry to discover that that having the kingship was much less rewarding than striving for it.

• Buy Links: Amazon UK ✔ Amazon US ✔

'The Usurper King' - Front Cover

'The Usurper King' - Excerpt:

The Duke of York confronts Henry Bolingbroke:

York was waiting for them at the Church of St. Mary's. It was an old edifice hosting many generations of the Berkeley family within its humble vaulted nave. Accompanied by his nobles, Henry pushed open the door and slowly entered, looking over the silent effigies lining both sides of the church. The Duke of York stood before the altar, waiting in the gloom. At his side hovered John Beaufort and a handful of knights like so many ghosts.

Henry could just imagine that the king's regent wanted nothing more than to sit down; he knew his uncle suffered from severe arthritis, and this audience was undoubtedly a strain for him. The newcomers moved closer. York's face, usually so affable, was drawn and frowning. Despite himself, Henry felt a pang of guilt.

Putting his hands on his hips, the duke stuck out his chin. "You have much to answer for, Henry Bolingbroke. How dare you drag your horde of bandits across England, pillaging the good people who have done nothing to deserve this outrage?"

Henry extended his hands. "Uncle, uncle. Give me a chance to explain."

"Don't uncle me! You have been forbidden to return these six years, and here you are, just as soon as the king conveniently leaves the country. Surely you must know I speak for him."

"I do, your grace. And I trust your good judgment."

"My good judgment!" York sputtered. "My good judgment! I judge that you are outlawed."

Despite York's words, Henry felt his uncle spoke out of obligation rather than conviction. He took a step forward. "It was Bolingbroke who was outlawed. I speak for Lancaster."

Temporarily at a loss, Edmund opened and closed his mouth. The trembling of his thin white beard betrayed his inner conflict. Henry took advantage of his discomfiture.

"Uncle, listen to me. My poor father, whom I was not allowed to see even at the last, would have trusted you to look after my entitlements—just as he would have looked after your son's claims had they been challenged. I ask no less of you. You know I have been wronged..." He paused, waiting for an answer. None was forthcoming.

Percy stepped up next to Henry. "This issue touches all of us," he said in his gruff voice. "We stand united behind Lancaster. If such a great inheritance can be thus taken away, then none of us are safe."

Unresolved, York lowered his head.

"And what have I done to deserve this treatment?" Henry pleaded. "What treason have I committed? I only ask to be given what I was promised: the ability to sue for my inheritance. I have come to claim my own." He dropped to one knee. "I am prepared to swear to this, before the altar."

Throwing up his hands, Edmund turned toward the sepulcher. "Then do so, nephew." He crossed his arms, waiting.

Exchanging glances with Percy, Henry moved forward, kneeling under the great crucifix. "I swear, as God is my witness, I have come to claim my inheritance. That is all." He crossed himself.

"Hmm." York was unconvinced. "Why do you need such a large army to merely claim your inheritance?"

Considering his oath discharged, Henry stood. "I am well aware that if I fell into the king's hands, my life would be forfeit."

"So you will confront the king as well?"

"If I must, uncle. I believe he seeks to enrich himself with Lancaster's patrimony. Many would call King Richard a tyrant. Many feel he needs the guidance of wiser heads."

"Like yours, I suppose?" York's voice sounded shrill.

"And yours, uncle. We have had ruling councils before."

Snorting in disgust, Edmund turned his back on Henry.

"Surely you have heard the cries of the people," Bolingbroke pleaded. "The king is not satisfied with one pardon. He requires many. He demands surety from every side. No one knows whether he is safe from arrest. No one knows whether their possessions will fall prey to the king's cupidity. As Lord High Steward of England, I have sworn to right these wrongs." He paused; whether he should be acting High Steward was anyone's guess. So far, no one debated his right to it—even York, it seemed.

Turning again, Edmund balanced on legs spread wide. "You have sworn to right these wrongs? By deposing the king?"

"That is not my intent." Henry gestured to the others. "Ask them. They would not follow a usurper."

Setting his mouth, York glared at Henry's companions. They stared back at him, not giving an inch. The silence stretched uncomfortably.

Finally, Edmund gave in, shaking his head. "All right. So be it. I no longer have the means to oppose you." Pausing, he raised a finger threateningly. "But do not assume I give you a free hand in this. You are bound by your word."

Allowing himself a smile, Henry put on his gloves. "I hope to convince you we mean to do the best for England's sake."

Grunting again, Edmund sat heavily on the nearest pew. It was the dismissal Henry was waiting for. He knew that in time, he would be able to cozen his uncle. For the moment, however, it would probably be better to let him get used to his failure as regent. It wasn't York's fault. He had done the best he could, considering that the king had left him with very few resources. Luckily for Henry. Luckily for Lancaster. So far, things had gone amazingly well. Henry almost couldn't believe it.

Mercedes Rochelle

Author Bio:

Mercedes Rochelle is an ardent lover of medieval history, and has channeled this interest into fiction writing. Her first four books cover eleventh-century Britain and events surrounding the Norman Conquest of England. The next series is called The Plantagenet Legacy about the struggles and abdication of Richard II, leading to the troubled reigns of the Lancastrian Kings. She also writes a blog: HistoricalBritainBlog.com to explore the history behind the story. Born in St. Louis, MO, she received by BA in Literature at the Univ. of Missouri St.Louis in 1979 then moved to New York in 1982 while in her mid-20s to “see the world”. The search hasn’t ended! Today she lives in Sergeantsville, NJ with her husband in a log home they had built themselves

Connect with Mercedes Rochelle:

• Website ✔ Blog ✔ Facebook ✔ Twitter ✔ Book Bub ✔ Amazon Author Page ✔ Goodreads ✔

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[Book Tour] 'Chateau Laux' By David Loux #HistoricalFiction

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The Book:

Chateau Laux
By David Loux

• Publication Date: April 6, 2021
• Publisher: Wire Gate Press
• Page Length: 292 Pages
• Genre: Historical/Literary Fiction

The Blurb:

A young entrepreneur from a youthful Philadelphia, chances upon a French aristocrat and his family living on the edge of the frontier. Born to an unwed mother and raised by a disapproving and judgmental grandfather, he is drawn to the close-knit family. As part of his courtship of one of the patriarch’s daughters, he builds a château for her, setting in motion a sequence of events he could not have anticipated.

• Buy Links: Amazon UK ✔ Amazon US ✔ Amazon CA ✔ Amazon AU ✔ Barnes and Noble ✔ Kobo ✔

Chateau Laux - Front Cover

'Chateau Laux' - Excerpt:

Excerpt from Chateau Laux, starting on Chapter TWELVE, Page 95 . . .

Long before Martin Luther, Jean Calvin, and the Protestant Reformation, there were a number of groups, in addition to Catholics, who called themselves Christians, and while their beliefs differed in fundamental ways, one of the problems they all shared was explaining how a just, all-powerful God could countenance evil in the world. The Cathar solution was simple. According to them, there were two gods—a New Testament god of goodness and light, and an Evil One, who ruled the physical world, where unholiness prevailed. Pierre may have reached the point where he no longer wished to think of himself as a religious man, because he had witnessed firsthand the malevolence of the followers of a so-called loving god, be they Catholic, Protestant, or otherwise. But his mother had been a devoutly religious woman, whether he liked it or not. He could reject her Catharism. But he couldn’t reject her love, no matter how problematic it seemed, and the seed of her faith followed him to the New World, where all things were not as new as he might have hoped.

Little prepared him for that desperate ocean passage into what was then still largely an unknown. People left the European ports and but precious few came back, and at the age of thirteen, Pierre found himself on a ship crammed with hollow-eyed men, huddled women, and sickly children. In extremis, a person needs a sustaining thought, something to hold onto, and he thought of horses. The manoir had had a stable and he remembered the smell of them, their sighs and shuddering vocalizations, their settlings and shufflings. As a young child, he would press his cheek against the massive velvet noses and breathe the same air they breathed, imagining he was running with them through lush green fields. He dreamed he was one of them, heart to heart and soul to soul, and on the rolling and tossing ship to the New World, the word for them was the first that he learned in English.

His teacher was a Norman boy who worked as a deckhand and whom he would meet on the bow, where the fresh breezes blew. The Norman had a blistered, brick red face and blue eyes pale as water.

“You talk funny,” the Norman said.

“If that’s what you think, then you should hear yourself. I can hardly understand a word you say.”

The Norman gave a snort.

“You’re kind of quiet, aren’t you, and now maybe I know why. If people can’t figure out what you’re saying, then why say anything at all? Right?”

The Norman laughed at his own joke, but both boys knew it was not always easy for one person to understand another. In the land they were from, residents of one village struggled to talk to the residents of another, and a person from as far away as another valley was sometimes impossible to understand. The fact that the boys could speak to each other at all was due to Pierre’s education—which was not at all a common thing—and his familiarity with the language of the Far Court, as his father had called it.

“So, tell me,” the Norman said, shaking his head. “With all of the English words that I know and could tell you about, why do you want to know about horses? I’ve never had a horse—have you? Only rich people ride horses, and you don’t look any richer than I am. You’re not rich, are you?”

This was a challenge that could not go unanswered, as Pierre’s friendship with the Norman was based on what they had in common, not what set them apart. What they had in common was youth and proximity, the sense that they were impoverished vagabonds in a world that loomed large. What would set them apart was anything one had that the other lacked.

“I just like them,” Pierre said. He felt the weight of the pouch of gold coins under his shirt, against his skin, and knew that he had to guard its secret well.

“If you like them so much, why are you here? Why not just be a stable boy and spend your life cleaning up turds?”

“Let’s change the subject.”

“I’m just having some fun with you,” the Norman chided. His eyes softened and his chin relaxed, as he eased into his role as teacher. “Eh bien,” he said. “C’est ce que vous voulez. Pour le cheval, le mot en anglais, c’est horse. Ha-oh-are-ess. Ho-arse. Horse.”

“Seriously?” Pierre said, in his native Occitan.

“Quoi?” the other boy said, in his Norman French.

“It’s such an abrupt, ugly word for such a noble animal,” Pierre said.

“Mais oui, vous avez parfaitement raison,” the Norman said, grinning. “You can only know the true spirit of something in your own language, n’est-ce pas?”

“Yes,” Pierre said, nodding and thinking the statement profound. Indeed, he had already come to the realization that he might never hear his own language again, that the lyricism of his youth was gone forever.

David Loux

Author Bio:

David Loux is a short story writer who has published under pseudonym and served as past board member of California Poets in the Schools. Chateau Laux is his first novel. He lives in the Eastern Sierra with his wife, Lynn.

• Connect with David Loux: Website ✔ Twitter ✔ Goodreads ✔ Amazon Author Page ✔

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[Blog Tour] 'The Shadows of Versailles' (An Affair of the Poisons, Book One) By Cathie Dunn #HistoricalFiction #HistoricalMystery

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The Book:

The Shadows of Versailles
(An Affair of the Poisons Book One)
By Cathie Dunn

• Publication Date: November 20th, 2020
• Publisher: Ocelot Press
• Page Length: 251 (ebook) / 277 (pb)
• Genre: historical fiction / mystery

The Blurb:

Dazzled by Versailles. Broken by tragedy. Consumed by revenge.

When Fleur de La Fontaine attends the court of King Louis XIV for the first time, she is soon besotted with handsome courtier, Philippe de Mortain. She dreams of married life away from her uncaring mother, but Philippe keeps a secret from her.

Nine months later, after the boy she has given birth to in a convent is whisked away, she flees to Paris where she mends gowns in the brothel of Madame Claudette, a woman who helps ‘fallen’ girls back on their feet.

Jacques de Montagnac investigates a spate of abducted children when his path crosses Fleur’s. He searches for her son, but the trail leads to a dead end – and a dreadful realisation.

Her boy’s suspected fate too much to bear, Fleur decides to avenge him. She visits the famous midwife, La Voisin, but it’s not the woman’s skills in childbirth that Fleur seeks.

La Voisin dabbles in poisons.

Will Fleur see her plan through? Or can she save herself from a tragic fate?

Delve into The Shadows of Versailles and enter the sinister world of potions, poisoners and black masses during the Affairs of the Poisons, a real event that stunned the court of the Sun King!

• Buy Links: Universal Link ✔ Amazon UK ✔ Amazon US ✔ Amazon CA ✔ Amazon AU ✔

Shadows of Versailles - Front Cover

 'The Shadows of Versailles' - Excerpt:

(From Chapter Two:)
Châtelet, Paris

Jacques de Montagnac approached the gate of the Grand Châtelet. The stench of blood and carcasses from the streets lingered in the air, even though it was late evening. The lack of street lighting, recently introduced in the finer quarters of Paris, made walking through the streets around the headquarters of the new police force treacherous. He didn’t want to leave a trace on his worn leather boots of where he had been.

His hood drawn deep over his face, he looked around but found no proof of anyone following him. He slipped through the gateway that let into an inner courtyard. Cries and moans from prisoners locked up in the many oubliettes reached him. The poor devils. Jacques had seen the maze of small cells, and they weren’t a pretty sight. Many a man never left them alive.

Taking a deep breath, which he regretted instantly, he turned to the far side, towards the door to the offices of the Lieutenant General of the police, Gabriel Nicolas de La Reynie. This wasn’t Jacques’ first visit. In fact, he’d long lost count of the number of times he reported back to his superior. Ever since he’d joined La Reynie’s extensive spy network five years earlier.

He’d been so naïve! Aged nineteen, and with a confidence far exceeding his diminished funds, he’d presented himself to the Lieutenant General. Jacques grinned as he climbed the stairs two at a time. On La Reynie’s request, he’d had to prove himself by blending into the underworld of Paris. But he’d had to work hard for it.

“Good evening,” a fellow officer greeted him in passing. “He’s awaiting your company.”

Jacques nodded. Eventually, outside de la Reynie’s office, he pulled back his hood and straightened.

At his knock on the door, he heard the gruff voice of his superior. “Come in!”

Around him, the corridor was deserted. Still, it was worth to check. His life depended on secrecy. He slipped inside the office and lowered his head. “Lieutenant General.”

“Jacques, please sit.” La Reynie never wasted time with polite conversation so beloved by the nobility.

Jacques sat as bid and waited until his superior had placed a note into a file, then moved it to a shelf behind him.

“I’ve not seen you in over a week. Has something happened?”

The man’s sharp eyes met his. Nothing seemed to escape him.

“Yes, sir.” Jacques leaned forward, placing his elbows on his legs. “There is trouble brewing.”

La Reynie laughed. “There always is. Tell me something new!”

Jacques remained serious. “Some of the charlatans are getting devious. There has been a rise in abductions of infants.”

The Lieutenant General leaned back in his seat and folded his hands in his lap. “I’ve learned about the disappearance of several babies. Continue.”

“They are alive when they’re taken, sir. Many women in the quartiers around the former Court of Miracles worry about this. I’ve spoken to six new mothers who were told their baby had been stillborn, yet they could hear a child’s whimper when the midwives took them away.”

“Is it one particular midwife, or do they work hand in hand?”

“Oh, most definitely more than one. I have no names as yet, but I’ll get them for you.”

“Thank you. Do you think it is intentional? They deceive the mothers, removing their children against their will?”

Jacques nodded. “Yes. The men in charge of the thieves and cutpurses brush off any questions about it. I believe they have a hand in it, or at least know who does.”

La Reynie stood and walked to the window overlooking the River Seine. “We have problems finding out the truth from that quartier. You’re one of the few men on the inside, and I'm aware of the danger you put yourself into every day is real.” He turned to face Jacques, his mouth in a thin line. “We lost Etienne two weeks ago. I have no idea what gave him away.”

Jacques nodded faintly. “Ah. I’d been wondering if something had happened to him.”

“His body floated in the Seine,” La Reynie said drily. “My men fished him out last Sunday morning. His throat was cut.”

Jacques hung his head. “I’m sorry, sir.” He hadn’t particularly liked Etienne, but the man had been a comforting presence in the den of cut-throats, thieves and scheming alchemists. It confirmed his suspicion that he must look over his shoulder all the time.

“Do you know what he was working on last?”

“Not in detail.” Jacques shook his head, meeting his superior’s gaze. “When I last spoke to him, he said he’d uncovered something linked to black masses. But he didn’t share his findings with me.”

“But you think the black masses are linked to the missing children?”

“It makes sense. But it has to be a fairly important person to demand such a risky sacrifice. I’d imagine a high price.”

“Like courtiers.”

Jacques nodded. “Yes.”

“But no names came up?”

“No. I’ve heard of several persons having visited herbalists, or whatever they like to call themselves, but they’re very secretive, often sending servants in their place. That reminds me, how goes the search for the Marquise de Brinvilliers? Rumour has it she is in the Spanish Netherlands.”

A sly smile played on La Reynie’s lips. “She might be. Or in England. We are on her trail, although she tries to trick us by moving around various nunneries.”

“The news should send some people in the quartiers scurrying into their dens,” Jacques mused.

“And that’s why you, Jacques, are best placed to discover who these rats are that are going into hiding.”

Jacques didn’t like the smug look on La Reynie’s face, his thin smile and challenging glance. Everything the Lieutenant General did served a purpose. He did not waste time. “What would you like me to do?”

“There is a specific priest Desgrez has been watching, but he might be aware of it. Abbé Guibourg. There is something about him, but we have no proof of wrongdoing so far. Here is the address.” La Reynie handed Jacques a note, and he slid it into his inner coat pocket. “Keep your ears open to any gossip!”

“I shall. And what about the stolen babies?”

“Yes, keep digging. I want to discover who organises those black masses – and who attends them. People would pay a lot of money for them.” De la Reynie returned to his seat and leaned forward, elbows on his large desk. “Who knows – these incidences are likely linked.”

“That’s what I think, sir. Is that all?”

“It is, for today. Report back to me by next Monday if you can.” The Lieutenant General gave him a sharp nod, then picked up a file on his right.

Jacques stood and took his leave. As he opened the door, La Reynie said, “And Jacques?”

He turned, pulling his hood up. “Sir?”

“Be careful!”

Cathie Dunn

Author Bio:

Cathie Dunn writes historical fiction, mystery, and romance.

Cathie has been writing for over twenty years. She studied Creative Writing, with a focus on novel writing, which she now teaches in the south of France. She loves researching for her novels, delving into history books, and visiting castles and historic sites.

Her stories have garnered awards and praise from reviewers and readers for their authentic description of the past.

Cathie is a member of the Historical Novel Society and the Alliance of Independent Authors.

After nearly two decades in Scotland, she now lives in the historic city of Carcassonne in the south of France with her husband, two cats and a rescue dog.

Connect with Cathie Dunn:

Website ✔ Twitter ✔ Facebook ✔ Instagram ✔ Pinterest ✔
BookBub ✔ Amazon Author Page ✔ Goodreads ✔

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The Race Epidemic Documentary Featuring Rob Bonta, John Chiang, Judy Chu Premieres At CAAMFest [Trailer Included]

The Race Epidemic Documentary Featuring Rob Bonta, John Chiang, Judy Chu Premieres At CAAMFest (Screengrab)

The Race Epidemic documentary is a significant film of our time as innocent Asian American and Pacific Islanders (AAPIs) are being attacked and murdered on America's streets. The documentary tells the story of AAPIs and their unique history in the broader context of racism in America. Racism is America's epidemic – it has plagued the American nation since its inception. It attacks different groups more intensely at different times, but it always persists.

• The Race Epidemic features interviews with CA Attorney General Rob Bonta, Congressmember Judy Chu (CA-27), Speaker of the CA Legislature Anthony Rendon, Assemblymember David Chiu (AD-17), Assemblymember Evan Low (AD-28), Thomas Saenz, Esq. of Mexican American Legal Defense & Educational Fund (MALDEF) and other scholars and elected leaders. (Full cast list here).

CA Attorney General Rob Bonta says in the film: "A lot of people see the anti-immigrant rhetoric in action from the Federal Administration as a Latino issue, it is not simply a Latino issue, it is a human issue for sure but also very much an Asian issue. Our community is under attack with this anti-immigrant rhetoric."

Ultimately, the film seeks to heal America through understanding, compassion, and knowledge. "A deep understanding of each other's history and struggles is fundamental to us coming together as a nation. Unfortunately, in times of economic uncertainty and fear race has been used to divide us. This film can help people understand we are all in this together, and when one of us is attacked we all suffer," said Ronald Wong, writer and producer of the documentary.

The documentary's release comes amid widespread reports of discrimination and violence against AAPIs during the coronavirus outbreak, 32% of Asian adults say they have feared someone might threaten or physically attack them – a greater share than other racial or ethnic groups. The vast majority of Asian adults (81%) also say violence against them is increasing, far surpassing the share of all U.S. adults (56%) who say the same, according to a new Pew Research Center survey released just this week.

The Race Epidemic Documentary Featuring Rob Bonta, John Chiang, Judy Chu Premieres At CAAMFest (Screengrab)

The time is right for this film and its important message. In selecting The Race Documentary for inclusion in CAAMFest the selection committee said: "It's an incredibly relevant film due to the rise of anti-Asian hate crimes. It was nice to see you connect the historical legacy of hate with what's happening now. We think your film would be perfect for our festival."

While recent attacks on AAPIs have tragically risen, this is not a new story, as it has played out throughout America's history. The Chinese Exclusion Act was preceded by riots in both San Francisco and Los Angeles Chinatowns where Chinese laborers were murdered and millions of dollars in property were destroyed because of the perceived threats and public health dangers the Chinese community posed.

However, this film is much more than just documenting history; it is also meant to stir emotions and actions. "I learned about the perceptions of Asian Americans through film. When I was growing up in Southern California, I was routinely ridiculed and bullied based on negative perceptions of AAPIs on the big screen. Negative stereotypes and demeaning portrayals of us has real effects on our community and the psyche of AAPIs," said Tony Shyu, director and writer of The Race Epidemic.

• The documentary is being produced under the auspices of the Asian Pacific American Leadership Foundation (APALF), a nonprofit 501(c)(3) organization. APALF's mission is to engage the AAPI community in active civic participation by creating, supporting, building and strengthening the local community infrastructure to help prepare and train qualified AAPI leaders for public service. The documentary will be used as part of an overall curriculum to help respond to bias, discrimination, and violence against AAPIs.

The Race Epidemic is about another outbreak caused by COVID-19: An epidemic of hate based on race against Asian Americans and Pacific Islanders (AAPIs)

• The Race Epidemic Documentary will be viewable at CAAMFest from May 13 to May 23. For more information visit caamfest.com/2021/movies/the-race-epidemic

The Trailer:

Production Team:

Ronald W. Wong, Producer & Writer - Founder of the Asian Pacific American Leadership Foundation and President of Imprenta Communications Group, an award-wining public affairs, ethnic marketing, and advertising firm. Ron serves as producer & writer and oversees the production and management of the documentary.

Ron has been involved in politics and political campaigns for the past 30 years. He has won nearly 100 awards for his creative work including the production of commercials, public service announcements (PSAs), and traditional and digital advertising, including recognition from the California State Legislature Asian Pacific Islander Caucus, among many others.

A master storyteller, Ron is a recognized expert in politics, communications, and advertising targeting diverse communities. He served as a political appointee in President Clinton's Administration at the U.S Department of Justice Community Relations Service, where he worked on hate crime policies, racial reconciliation, the President's Initiative on Race, and developed the "One America Dialogue Guide."

The Race Epidemic is the culmination of Ron's work in politics, social justice, and the political empowerment of diverse underrepresented communities for the last 35 years. Ron has been involved and committed to the civic and political engagement and empowerment of AAPIs for nearly four decades.

Tony Shyu, Director & Writer - is a noted director and award-winning screenwriter. Tony serves as director & producer of The Race Epidemic. Tony spent many years in Asia creating award-winning commercials for major brands such as Avon, Volvo, and Visa. He won the Taiwan Times award, which is Asia's equivalent of a Clio award. The PSA he directed for API Vote starring George Takei, John Cho, and Constance Wu won the 2016 Videographer award.

Tony is also currently in production on an all-Asian American cast show for Bravo TV and in development for an all-Asian cast TV show for Netflix. His award-winning screenplay Macau Omen, has been translated into a novel and now is being developed into a feature film. His short film, Macau Twilight (2008) was an official selection at the BFI London Film Festival. Tony also wrote, directed, and produced a feature film, Tequila Body Shots (1999), which was distributed by Lionsgate.

Tony received his B.A. and M.F.A. in film from the renowned Art Center College of Design in Pasadena, which is known for creating visual story tellers. His classmates at Art Center included famed award-winning directors Michael Bay, Zack Snyder, and Tarsem Singh among many others.

Johnnie Giles is an Executive Producer and previously served as Executive Director of External Affairs for Comcast Corporation and Vice President of External Affairs for Comcast Cable, in this role he was the principal interface between Comcast and the national AAPI community organizations and working with the Congressional Asian Pacific American Caucus. He has been active within the AAPI community for nearly three decades. He previously served on the executive board of the Center for Asian American Media, and was a founding member of Asian Americans for Good Government PAC, which supports AAPI candidates for elected office. Johnnie also was the founding board chairman for the California Asian Pacific American Chamber of Commerce, and he has also served on the boards of a number of organizations serving the AAPI community including AAJC, APIAVote, APALC, APAPA, JACL, ACE, OCA, and APAICS C4.

John & Sarah Kobara serve as Executive Producers. John is a social entrepreneur who has been advancing social change and the issues of the AAPI communities through a variety of positions of influence. He has been leading workshops for Asian American leaders for 30 years. John and Sarah have raised three young Asian-American leaders who are all pursuing for-purpose careers. John and Sarah have devoted their lives to sustaining the dream of their immigrant ancestors by helping others build a more joyful, equitable, just, and compassionate world. They actively support the Japanese American National Museum, Center for Asian Americans for Self Empowerment (CAUSE), the US Japan Council, MLK Community Hospital Foundation, Coro and Defy Ventures.

• Social media: Facebook ✔ Twitter ✔ Instagram ✔

The Race Epidemic Documentary Featuring Rob Bonta, John Chiang, Judy Chu Premieres At CAAMFest (Screengrab)

About APALF:

The Asian Pacific American Leadership Foundation was founded in 2004 as a non-partisan, nonprofit 501(c)(3) organization designed to help prepare and better equip Asian Pacific American (APA) leaders for public service and civic involvement.

About CAAMFest:

CAAMFest celebrates the world's largest showcase for new Asian American and Asian film, food, and music programs.

About CAAM:

For over 40 years, the Center for Asian American Media (CAAM) has been dedicated to presenting stories that convey the richness and diversity of Asian American experiences to the broadest audience possible. As a nonprofit organization, CAAM funds, produces, distributes, and exhibits works in film, television, and digital media. 

• For more information about CAAM, please visit CAAMedia.org.

SOURCE: Asian Pacific American Leadership Foundation

[Blog Tour] 'Under the Light of the Italian Moon' By Jennifer Anton #HistoricalFiction #ItalyWWII

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The Book:

Under the Light of the Italian Moon

By Jennifer Anton

• Publication Date: 8th March 2021
• Publisher: Amsterdam Publishers
• Page Length: 394 Pages
• Genre: Historical Fiction/Biographical Fiction

The Blurb:

A promise keeps them apart until WW2 threatens to destroy their love forever

Fonzaso Italy, between two wars

Nina Argenta doesn’t want the traditional life of a rural Italian woman. The daughter of a strong-willed midwife, she is determined to define her own destiny. But when her brother emigrates to America, she promises her mother to never leave.

When childhood friend Pietro Pante briefly returns to their mountain town, passion between them ignites while Mussolini forces political tensions to rise. Just as their romance deepens, Pietro must leave again for work in the coal mines of America. Nina is torn between joining him and her commitment to Italy and her mother.

As Mussolini’s fascists throw the country into chaos and Hitler’s Nazis terrorise their town, each day becomes a struggle to survive greater atrocities. A future with Pietro seems impossible when they lose contact and Nina’s dreams of a life together are threatened by Nazi occupation and an enemy she must face alone…

A gripping historical fiction novel, based on a true story and heartbreaking real events.

Spanning over two decades, Under the Light of the Italian Moon is an epic, emotional and triumphant tale of one woman’s incredible resilience during the rise of fascism and Italy’s collapse into WWII.

• Buy Links: Amazon ✔ Barnes & Noble​  ✔ Waterstones ✔ Bookshop.org (U.S. only) ✔ I am Books Boston ✔

'Under the Light of the Italian Moon' - Front Cover

'Under the Light of the Italian Moon'  - Excerpt:

November 1914 Nina Argenta stared at the altar, trying to concentrate on the Mass since there was no chance of escape. The warm fragrance of incense surrounded her, and the priest’s recitations combined with the candlelit sanctuary made it hard to keep herself awake. It was Sunday, and like every Sunday of her ten years on Earth, she sat dutifully, bored by the teachings of the ancient text that is the Roman Catholic Holy Bible.

Under the vaulted ceiling of the Chiesa della Natività di Maria, the Madonna statue at the side of the church watched her. Candlelight illuminated the blue veil and gentle expression of the Blessed Virgin casting a shine, like polish, on one side of her face and leaving the other in shadow. Nina shivered, tugging her sweater around her shoulders. The yarn, thick under her fingertips, made her feel secure. It had been a gift from her mother on Nina’s birthday two weeks before – the birthday they shared.

“We are born on the cusp of two moons, passionate and loyal. A gift for my gift,” her mother had said when she gave Nina the present, blue to match her light eyes. It covered the once-white dress she wore that had belonged to her older sister. She leaned against the solid wood of the pew and studied the colours in the paintings of Frigimelica and Forabosco hanging on the grand church walls. Garments of rich burgundies like dried blood, sparkling golds, skin on a flat canvas painted to project luminescence and curve. It was easy to distract yourself from Mass when surrounded by such intricacy.

The women of her family sat to her right: seven of them in the row behind the nuns, a place of honour. The Argenta women occupied the same pew every Sunday. Onorina, four years her senior, perfect and pious, kept her eyes closed and prayed with a sparkling rosary threaded through her clasped hands, oblivious to the three youngest sisters who fretted next to their mother. Her father and younger brother, Vante, sat in front with the other men. Men in front, women in back, separated by the nuns. Nina’s older brother, Antonio, had not joined them today. At breakfast, tension had hung between him and their mother, which she assumed was why he missed Mass. The priest would surely notice. Mamma would be disappointed. Nina knew how it felt to let her down.

The chapel veil sitting atop her head slipped as she looked up at the imposing crucifix that stabbed down above the altar. Adjusting the lace, she missed a prayer response, causing her mother to look over with a lifted eyebrow. Adelasia Dalla Santa Argenta was not a woman to make angry, especially not during Mass. Her wooden spoon would be waiting at home to beat your culo if you weren’t good. She had a reputation for sternness not only with her family but with the entire town.

As the only trained midwife in Fonzaso and the villages surrounding, she had delivered every child Nina knew and had earned the nickname, La Capitana, The Captain. It was said even the priest feared her.

Nina could see her father, Corrado Argenta, through the heads and habits as he shifted from side to side. His eyelids drooped in boredom, but he glanced back from time to time to check on his wife and mother, both of whom he feared as much as the children did. Nonna Argenta, small and severe in her black dress and head covering, was the only one besides Onorina entirely consumed by the Mass. Nonna looks just like a strega, thought Nina, missing only a broom to fly away on.

Nina let out a relieved sigh when it was time for Communion. At last! Mass would be over soon, and she couldn’t wait to be by the fireplace, reading her book after helping Mamma and Nonna prepare the polenta for supper. She walked up the marble aisle, inching forward behind the nuns, then knelt at the altar and held out her tongue, awaiting the body of Christ. Receiving the wafer, she gave the sign of the cross and stood to head back to her seat. The taste of creamy paper stuck to the roof of her mouth and she contemplated why God would want children to have sore knees and numb bottoms to get into Heaven.

Passing rows of men knelt to pray after Communion, she saw the large Pante family filling two benches in the front of the church. Pietro, one of her sister’s classmates, leaned unceremoniously in the pew, trying to help his tiny brother fix his shoelaces, tied together so he would trip. A messy redhead crouched in the seat behind them was the likely culprit of the prank. The Pante boy finished helping his brother, then sat back on the pew, catching Nina’s eye and giving her a quiet smile. She hesitated before returning it. The Madonna was still watching her. I should be praying after receiving the body of Christ. She returned to her seat, then knelt again, bruised knees on cold wood, to await the end of the Mass.

“Fratelli e sorelle, ” Don Segala proclaimed after he had completed the liturgy. “I would like to ask for a special prayer today. Another group is leaving tomorrow for America. They will travel to Genoa and take a long ship ride. Signori, please join me here on the altar.” The pews squeaked, echoing in the church as a group of five men and three boys walked to the front. To Nina’s surprise, the Pante boy was one of them. Was it possible such a young boy was going on that voyage? There was an earnestness in the way he stood next to the other men who were a head taller than he was; his face was sombre. He stuck out a proud, lifted chin, smooth, unlike the others. A patched brown jacket, cut too wide, hung on his slender physique. I wonder how many brothers have worn that jacket before him.

The priest called out each of the men’s names. “Lord, please bless these men and give them a safe journey to America. Allow them to prosper there and, if it is your will, bring them safely home to their families here in Fonzaso.”

The parishioners united in an “Amen”. As Pietro returned to his seat, he peered back towards the Argenta pew, gave a wry smile, and nodded. Nina tried to see if he was looking at her or her sister, but Onorina was quick to bow her head again. The Madonna was watching her, too.

Nina knew many men were leaving Fonzaso to find work abroad. She had overheard her father mentioning it to her mother – the emigranti – but she never imagined such young people going. It unsettled her, and her heart raced as questions filled her head. Pietro Pante, who lived with his family a few streets down, who went to school with her sister, was leaving for America.

America!

The furthest she had travelled was to Padua with her mother, and Bergamo once. How exciting! What will happen to him? What would it be like to sail on a ship, miles away, to a new country? To start life over far away from Fonzaso? The Mass ended and the parishioners rose in song. Nina lent her voice with fervour and when she looked again at the Blessed Virgin, it seemed the Madonna was smiling at her.

Jennifer Anton

Author Bio:

Jennifer Anton is an American/Italian dual citizen born in Joliet, Illinois and now lives between London and Lake Como, Italy. A proud advocate for women's rights and equality, she hopes to rescue women's stories from history, starting with her Italian family.

Connect with Jennifer Anton:

Website ✔ Twitter ✔ Facebook ✔ Instagram ✔ Pinterest ✔ Book Bub ✔

Amazon Author Page ✔ Goodreads ✔ Youtube ✔

'Under the Light of the Italian Moon' - Tour Schedule

[Audio Blog Tour] 'The Assassins' By Alan Bardos (Audiobook Narrated By Jack Bennett) #HistoricalFiction #Thriller

'The Assassins' - Audio Blog Tour Banner

The Book:

'The Assassins' 
By Alan Bardos
Audiobook narrated by Jack Bennett

• Series: Johnny Swift Thrillers
• Publication Date: (current edition) 15th February 2021
• Publisher: Sharpe Books
• Page Length: 376 Pages
• Genre: Historical Thriller

The Blurb:

1914.

Tensions are reaching boiling point in Europe and the threat of war is imminent.

Johnny Swift, a young and brash diplomatic clerk employed by the British embassy is sent to infiltrate the ‘Young Bosnians’, a group of idealistic conspirators planning to murder Franz Ferdinand. The heir to the Austro-Hungarian throne, in a bid to liberate their country from the monarchy’s grip.

Swift has been having an affair with his employer’s wife, Lady Elizabeth Smyth. Sir George Smyth dispatches the agent on the dangerous mission, believing that it will be the last he will see of his young rival.

The agent manages to infiltrate the Young Bosnian conspirators’ cell, helped by Lazlo Breitner, a Hungarian Civil Servant.

However, Swift soon realises that he may be in over his head. His gambling debts and taste for beautiful women prove the least of his problems as he struggles to survive on his wits in the increasingly complex - and perilous - world of politics and espionage.

Desperate to advance himself and with the lives of a royal couple unexpectedly in his hands, Swift tries to avert catastrophe.

'The Assassins' By Alan Bardos - Front Cover

Praise for 'Assassins':

‘A cracking read, highly recommended’ - Roger A Price

‘Written with polished panache, it kept me gripped from the first to last. Five stars from me!’ - A.A. Chaudhuri

‘Part historical fiction, part thriller and part love story, this is a compelling and entertaining read’ - Gary Haynes

Buy Links: Amazon UK ✔  Amazon US  ✔ 

• This book is available to read for free with #KindleUnlimited subscription.

Audiobook Excerpt:

Audiobook Buy Links: US Audible ✔ UK Audible ✔ US Amazon ✔ UK Amazon ✔

Alan Bardos

Author Bio:

Alan Bardos is a graduate of the MA in TV Script Writing at De Montfort University, he also has a degree in Politics and History from Brunel University. Writing historical fiction combines the first great love of his life, making up stories, with the second, researching historical events and characters. Alan currently lives in Oxfordshire with his wife… the other great love of his life.

Despite the amount of material that has been written about the twentieth century there is still a great deal of mystery and debate surrounding many of its events, which Alan explores in his historical fiction series using a certain amount of artistic license to fill in the gaps, while remaining historically accurate. The series will chronicle the first half of the twentieth century from the perspective of Johnny Swift, a disgraced and degenerate diplomat and soldier; starting with the pivotal event of the twentieth century, the Assassination of Archduke Franz Ferdinand, in ‘The Assassins’.

Connect with Alan Bardos:

• Instagram ✔ Facebook ✔ Twitter ✔ Goodreads ✔ BookBub ✔ Amazon Author Page ✔ 

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