Showing posts with label UK Related. Show all posts
Showing posts with label UK Related. Show all posts

9 April 2021

Finding Her Voice: New Documentary Sees Danielle (Nolli) Waterman Speak out on Gender Equality in Sport and Her Experience of Online Abuse [Video Included]

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Finding Her Voice: New Documentary Sees Danielle (Nolli) Waterman Speak out on Gender Equality in Sport and Her Experience of Online Abuse [Video Included]
HSBC, title partner of the HSBC World Rugby Sevens Series, releases its latest sports documentary, Finding Her Voice, with Danielle Waterman
HSBC, title partner of the HSBC World Rugby Sevens Series, releases its latest sports documentary, Finding Her Voice. This film captures the reality of being a female in the sports industry. Danielle 'Nolli' Waterman is arguably one of rugby's greatest ever fullbacks, a former world champion and a pioneer of the women's game.
  • In the documentary, Nolli speaks about her experience of swapping a rugby ball for a microphone to forge a new career in the world of sports commentary. Nolli takes us on an emotional journey, sharing the highs and lows of being a woman working in sports media.
Nolli said: "When HSBC first asked me if they could share my story in a documentary, I never imagined that they would invest so much time and energy in creating something so awesome. It was quite emotional watching the final edit for the first time and although it was a little overwhelming, it has been a real privilege to tell my story and be open about the highs and lows I have experienced along the way.

When people ask what should be done to improve the opportunities for women in sport, for me it's things like this documentary. It provides the opportunity to help bust myths and begin to change the narrative of what is possible
."
Finding Her Voice: New Documentary Sees Danielle (Nolli) Waterman Speak out on Gender Equality in Sport and Her Experience of Online Abuse [Video Included]
HSBC, title partner of the HSBC World Rugby Sevens Series, releases its latest sports documentary, Finding Her Voice, with Danielle Waterman
HSBC has been a partner of the HSBC World Rugby Sevens Series for over 10 years and in that time, has been committed to driving meaningful change across the series, playing a crucial role in the coming together of the men's and women's series to position rugby sevens as a leader in gender equality in sport. The global rugby grassroots programme has opened up opportunities for tens of thousands of girls to pick up a rugby ball and play the game, often for the very first time.
Jonathan Castleman, Group Head of HSBC Brand and Brand Partnerships commented: "Opportunities should be available to everyone, regardless of gender, race or background. This remains at the very heart of our business and we're proud to be able to help Nolli tell her story. Like Nolli, our ambition through our partnerships is to inspire the next generation of girls and women to believe they can follow in her footsteps, and we remain committed to supporting a greater voice for women in sport to help drive positive change."
The documentary was produced by female sports journalist and producer Laura-Jane (LJ) Jones, CEO of Blonde Ambition Media. LJ commented: "I truly believe the themes and topics in the documentary will resonate with so many women, and the balance with which Nolli delivers it will only help to educate as well."

Finding Her Voice - The Video:

The film was produced for HSBC by the Sports department at H+K Strategies, one of the UK's leading Public Relations agencies and Blonde Ambition Media.
  • To learn more, follow @HSBC_Sport on Twitter and Instagram and HSBC Sport on Facebook.
SOURCE: HSBC

7 April 2021

[Blog Tour] 'A Matter of Conscience: Henry VIII, The Aragon Years' (Book one of The Henrician Chronicle) By Judith Arnopp #HistoricalFiction

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[Blog Tour] 'A Matter of Conscience: Henry VIII, The Aragon Years' (Book one of The Henrician Chronicle) By Judith Arnopp #HistoricalFiction
'A Matter of Conscience: Henry VIII, The Aragon Years' - Tour banner

The Book:

A Matter of Conscience: Henry VIII, The Aragon Years
(Book one of The Henrician Chronicle)
By Judith Arnopp
  • Publication Date: February 2021
  • Publisher: Feed a Read
  • Page Length: 335 pages
  • Genre: Historical Fiction
[Blog Tour] 'A Matter of Conscience: Henry VIII, The Aragon Years' (Book one of The Henrician Chronicle) By Judith Arnopp #HistoricalFiction

The Blurb:

‘A king must have sons: strong, healthy sons to rule after him.’

On the unexpected death of Arthur Tudor, Prince of Wales, his brother, Henry, becomes heir to the throne of England. The intensive education that follows offers Henry a model for future excellence; a model that he is doomed to fail.

On his accession, he chooses his brother’s widow, Catalina of Aragon, to be his queen. Together they plan to reinstate the glory of days of old and fill the royal nursery with boys.

But when their first-born son dies at just a few months old, and subsequent babies are born dead or perish in the womb, the king’s golden dreams are tarnished.

Christendom mocks the virile prince. Catalina’s fertile years are ending yet all he has is one useless living daughter, and a baseborn son.

He needs a solution but stubborn to the end, Catalina refuses to step aside.

As their relationship founders, his eye is caught by a woman newly arrived from the French court. Her name is Anne Boleyn.

A Matter of Conscience: the Aragon Years offers a unique first-person account of the ‘monster’ we love to hate and reveals a man on the edge; an amiable man made dangerous by his own impossible expectation

[Blog Tour] 'A Matter of Conscience: Henry VIII, The Aragon Years' (Book one of The Henrician Chronicle) By Judith Arnopp #HistoricalFiction
 'A Matter of Conscience: Henry VIII, The Aragon Years' - Front cover

'A Matter of Conscience: Henry VIII, The Aragon Years' - Excerpt:

1527 – Henry’s courtship of Anne Boleyn gathers pace

We are in the garden when she accidentally dislodges her hood. I pick it up, but before offering it back to her, I reach out for a glossy, dark strand that is not as dark as I first thought. She stands, stock still beneath my touch and does not move when I untie her coif and bare her head.

“Beautiful,” I breathe, running my hands over her hair, barely touching yet making her hair crackle and rise magically to meet my palm. It is not raven black nor merely brunette but a mixture of shades: enlivened highlights of red and gold.

“George says it looks Rusty,” she says, in her dismissive way.

“No, he is wrong. Shall I have him thrown in the tower, just to please you?”

When she laughs, she throws back her head, and my greedy eyes fasten on her throat, so long and white. I want to kiss her Adam’s apple, nibble the softness between neck and shoulder, inhale her fragrance, and tangle my fingers in her hair.

Instead, I chastely kiss her knuckles, clutch her hand close to my heart.

“Mistress Anne, would you …”

She withdraws her hand and places it on my chest as if it is a defensive rampart keeping me from her.

“Sire, please … do not ask it of me. I can never be your mistress.”

I blink in surprise. “It – it is usually considered an honour.”

“I know, I know it is, Your Majesty, a great honour and I love you above all others but I – I have a dream of marriage, children, a house in the country. I would marry for love.”

“Surely you are not still pining for Percy.”

The name issues in a sneer, as if he is some peddling player and not the son of the most powerful magnate in the north. She shakes her head with a pained expression.

“No, no. I am quite recovered from that but …I still harbour hopes of a loving marriage.”

Silence falls. I wonder if he had her. Shortly after she arrived from France her name was linked with Northumberland’s son but Wolsey, who had other plans for Anne, put paid to that as I later put paid to his plans for her marriage with Ormonde.

I watch her pluck a leaf from the hedge and begin to shred it with her nails. I had not expected a refusal, even from her. Nobody ever denies me. I frown, clear my throat, to explain it further.

“As my official mistress, you’d be the highest lady at court, bar the queen.”

“I’d be a whore, Your Majesty. A royal whore but a whore nevertheless.”

She spins away, repeating the word over and over as if to offend me but surely …even Anne would not go so far as to purposely goad me.

I am never sure what she will say or do next; perhaps that unpredictability is her charm. I follow her along the path.

“Not a whore, a royal companion, a helpmeet. Think of the good you could do, the people you could help, the scholars you could encourage…”

She halts, turns back.

“What do you mean? Scholars?”

She thinks I know nothing of her Lutheran leanings but there is little that escapes me in this court. My spies are everywhere, and I have discovered there are already many who resent Anne for her radical ideas.

“I know you are curious about the new learning. You could meet some of the best scholars in Europe face to face. Tindale is here in England now, you know.”

She frowns, shakes her head.

“But that would be against the law … your law!”

“I know.” I snatch up her hand again. “I’d be prepared to turn a blind eye if you were to become my mistress.”

I should not have to stoop so low. In truth, I do not mean it. It is a snare to know her price, to test if she can be bought.

I kiss her fingers, one by one, my ardour increasing each time my lips meet her flesh.

“The queen would never let that happen,” she says, and she is right. Kate detests the new learning; Heresy, she calls it and for once we are in agreement.

“The queen,” I lie softly. “Does as she is told.”

Anne’s laughter is high and mocking.

“She’d never meekly accept an official mistress endorsing the new religion, Your Majesty. Every one of her ladies that have ended up in your bed have ceased to enjoy the queen’s favour. I have no doubt that no sooner had you bedded me, I’d find myself sent back to Hever in disgrace.”

“But Anne …”

I follow her along the path, back toward the hall. At the door we encounter Brandon and my sister, arm in arm, about to take the air. They halt, bow their heads.

“Your Majesty. A lovely day,” Brandon says, while I kiss my sister.

“You know this lady, Mistress Anne Boleyn?” I open my arm to draw her forward and while Brandon bows stiffly over her hand, Mary sniffs and looks the other way.

“Yes,” she says, as if I am introducing her to a snake. “I have had that pleasure. A fine day.”

[Blog Tour] 'A Matter of Conscience: Henry VIII, The Aragon Years' (Book one of The Henrician Chronicle) By Judith Arnopp #HistoricalFiction
Judith Arnopp

Author Bio:

A lifelong history enthusiast and avid reader, Judith Arnopp holds a BA in English/Creative writing and an MA in Medieval Studies.

She lives on the coast of West Wales where she writes both fiction and non-fiction based in the Medieval and Tudor period. Her main focus is on the perspective of historical women but more recently is writing from the perspective of Henry VIII himself.

Her novels include:
  • A Matter of Conscience: Henry VIII, the Aragon Years
  • The Heretic Wind: the life of Mary Tudor, Queen of England
  • Sisters of Arden: on the Pilgrimage of Grace
  • The Beaufort Bride: Book one of The Beaufort Chronicle
  • The Beaufort Woman: Book two of The Beaufort Chronicle
  • The King’s Mother: Book three of The Beaufort Chronicle
  • The Winchester Goose: at the Court of Henry VIII
  • A Song of Sixpence: the story of Elizabeth of York
  • Intractable Heart: the story of Katheryn Parr
  • The Kiss of the Concubine: a story of Anne Boleyn
  • The Song of Heledd
  • The Forest Dwellers
  • Peaceweaver
Judith is also a founder member of a re-enactment group called The Fyne Companye of Cambria and makes historical garments both for the group and others. She is not professionally trained but through trial, error and determination has learned how to make authentic looking, if not strictly HA, clothing. You can find her group Tudor Handmaid on Facebook. You can also find her on Twitter and Instagram.

[Blog Tour] 'A Matter of Conscience: Henry VIII, The Aragon Years' (Book one of The Henrician Chronicle) By Judith Arnopp #HistoricalFiction
'A Matter of Conscience: Henry VIII, The Aragon Years' - Tour schedule

29 March 2021

[Blog Tour] ‘The Colour of Evil’ (The Ninth Sebastian Foxley Medieval Murder Mystery) By Toni Mount #HistoricalFiction

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[Blog Tour] ‘The Colour of Evil’ (The Ninth Sebastian Foxley Medieval Murder Mystery) By Toni Mount #HistoricalFiction
The Colour of Evil’ - Tour Banner

The Book:

The Colour of Evil
By Toni Mount
  • Series: The Sebastian Foxley Medieval Murder Mysteries
  • Publication Date: 25 March 2021
  • Publisher: Madeglobal.com
  • Page Length: 334 Pages
  • Genre: Historical Fiction / Mystery

The Blurb:

‘The Colour of Evil’

Every Londoner has money worries, and talented artist and some-time sleuth, Seb Foxley, is no exception.

When fellow craftsmen with debts to pay are found dead in the most horrid circumstances, fears escalate. Only Seb can solve the puzzles that baffle the authorities.

Seb’s wayward elder brother, Jude, returns unannounced from Italy with a child-bride upon his arm. Shock turns to dismay when life becomes more complicated and troubles multiply.

From counterfeit coins to deadly darkness in London's worst corners. From mysterious thefts to attacks of murderous intent, Seb finds himself embroiled at every turn. With a royal commission to fulfil and heartache to resolve, can our hero win through against the odds?

Share Seb Foxley’s latest adventures in the filthy streets of medieval London, join in the Midsummer festivities and meet his fellow citizens, both the respectable and the villainous.

[Blog Tour] ‘The Colour of Evil’ (The Ninth Sebastian Foxley Medieval Murder Mystery) By Toni Mount #HistoricalFiction
‘The Colour of Evil’ - Cover

Praise for Colour of Evil:

Samantha Willcoxson, author & historian:
Toni Mount is simply brilliant. If you love CJ Sansom’s Matthew Shardlake – and I do – you will love Toni’s Sebastian Foxley. From learning how a 15th century scrivener created illuminated manuscripts to venturing within the dank tunnels beneath the Tower of London, Toni is an artist who completely immerses the reader in another time and place and always leaves one eager for the next book.”
Stephanie Churchill, author of historical fiction and epic fantasy:
Leave it to Seb to unravel another international spiderweb of intrigue, betrayal, murder, and deceit. Our flawed, loveable hero has done it again. And at the end of it all, his future is looking brighter than ever. I cannot wait to find out what happens to him next!
Sharon Bennet Connoly, author and medieval historian:
A beautifully crafted mystery that brings the dark, dangerous streets of medieval London to life. Toni Mount is a magician with words, weaving a captivating story in wonderful prose. The Colour of Evil is, to put it simply, a pleasure to read.
Kathryn Warner, medieval historian and author of numerous books about the fourteenth century, including biographies of Edward II and Isabella of France:
The ninth instalment of Toni Mount's popular Seb Foxley series is sure to delight Seb's many fans. Mount puts her deep knowledge of late medieval England to good use once again, and takes us on another exciting adventure, this time with Seb's older brother Jude, returned from Italy, in tow. Mount's detailed world-building, as always, brings fifteenth-century London to life.”

Buy Links:

‘The Colour of Evil’ - Excerpt:

The Prologue (pp. 1-4)

If ever there was a hell-on-earth, this was it, in the city’s very heart.

In the rats’ nest of alleyways south of Tower Street, Furnace Court was more noisome than most. Sunlight never dared trespass among the soot-encrusted walls, nor tip-toed into the confines where fire burned, smoke choked and the din of metal on metal rang out, assaulting the ears. Yet a man made his livelihood here. Bare-armed and brawny, smut-covered, the smith toiled at his anvil in the near darkness, working by the flickering light of the devil’s flames. Sweating, he hammered and quenched, re-heated and shaped, forcing his will upon the metals at his mercy. No iron could resist his power.

But such heavy labours were not his sole employment. Elsewhere, in the secret darkness beneath the streets, he had a second, smaller furnace. A more lucrative trade was to be had here, furtive and treasonous, undermining the prosperity of a kingdom. Hamo cared not a jot. In supposed-silver coins, struck with a die stolen from the nearby Tower Mint, there was money to be made – literally.

As the instigator, the greedy genius behind this crime, spread more of the gleaming, underweight groats and pennies throughout the city, strangers began to notice. Such coins undermined their livelihood and must be traced back to the source.

Thus it was that two men, speaking English with a foreign sound, came to a shop, just as the owner was closing the shutters at day’s end, demanding to be told the origin of the coins at fault. When no answer was forthcoming, the pair resorted to torture: a thousand small cuts, none fatal, but each draining the victim’s strength a little more. Every time they paused, removing the rag from the victim’s mouth, they repeated the question:

‘Who makes these coins?’

The victim did not know the answer. He had but borrowed them to pay what he owed. Exchanging a debt to one for a debt to another.

The cuts continued until the strangers were certain the victim spoke true by which time only death awaited but they would not deliver the fatal cut. Time would do that. But it was necessary that a clear message be left. And it could not be spoken by the victim. For fear he might name them, they split his tongue in twain – to warn the devious serpent lurking behind the counterfeiting business that they would hunt him down. Then, to show how much they knew of it, they covered the victim’s right hand – the guilty hand that passed the fake coins – in shiny pigment, brought for the purpose. And to end the message: that there was no escaping their retribution, they nailed the dying victim’s hand to his workbench and left a bag of the false money behind.

The new-minted coins, used to pay debts to the strangers, shone even brighter than silver: the colour of evil.

**

Friday, the eleventh day of June in the year of Our Lord 1479

The Foxley House in Paternoster Row in the City of London

I returned home with my purchases of quills and ink, Gawain at my heel. I could have asked Kate or Nessie to buy them, although, in truth, such items were not needed in the workshop. The errand was simply a means of escape. I entered the kitchen but the sense of something – someone – missing assailed me, like an icy hand clutching my heart, as it always did these days.

Rose sat stitching a pair of gloves of lavender-dyed kid leather, her work so delicate, the stitches were nigh invisible. Little Dickon was at her feet, playing some unknown game with a bunch of straws and a few twigs. Nessie stood at the board chopping fresh sage from the garden, the kitchen filled with its earthy scent. ’Twas a scene of domestic tranquillity, yet utterly amiss.

My Emily was not there.

I could not get used to the lack – a black hole in my soul that I feared naught would ever fill entirely.

I lifted Dickon from the floor. He laughed, showing off his few perfect white teeth.

‘Does my little man fare well?’ I asked him. A string of dribble down my jerkin was the answer to my query.

‘He does very well,’ Rose said. ‘Dickon, show your Papa how you can play at peep-boo.’

The child put his fists over his eyes then took them away of a sudden, shrieking with delight. I took up a table napkin to assist his game, covering my face with it. He pulled it aside, shouting ‘Boo!’ It was a merry jest indeed and one he seemed unlikely to tire of in the near future. I had work to do but what of that? Merriment was hard to come by of late. Thus, I would play with my son a while. He would attain the first commemoration of his birth date in the week to come: the first significant day in his life thus far. I prayed daily that he would see many, many more, as so many infants do not.

‘Mercy is coming to dinner,’ Rose said, ‘That you may see Julia.’

I nodded.

Julia was my daughter, born two months since upon that most sorrowful of days. The widow, Mercy Hutchinson, was the infant’s wet nurse but having three sons of her own, including Edmund who was a little older than Julia, she had taken the new babe to live with her in Distaff Lane, until she was weaned. Mercy’s other children were Simon, a scholar at St Paul’s School, and that scamp Nicholas – a toddling who was trouble upon two legs. I remained uncertain of the wisdom of having Nicholas visit too often, fearing Dickon might copy the elder child’s bad habits – biting people being his most recent undesirable trait. But Mercy and my kinsman Adam were betrothed, so I had to make the best of it: Nicholas would one day become a member of the family.

Neither was I able to determine for certain quite how I felt about Julia. Born too soon, she was the cause of my beloved Emily’s death. Yet she was an innocent.

[Blog Tour] ‘The Colour of Evil’ (The Ninth Sebastian Foxley Medieval Murder Mystery) By Toni Mount #HistoricalFiction
Toni Mount

Author Bio:

Toni Mount earned her Master’s Degree by completing original research into a unique 15th-century medical manuscript. She is the author of several successful non-fiction books including the number one bestseller, Everyday Life in Medieval England, which reflects her detailed knowledge in the lives of ordinary people in the Middle Ages. Toni’s enthusiastic understanding of the period allows her to create accurate, atmospheric settings and realistic characters for her Sebastian Foxley medieval murder mysteries. Toni’s first career was as a scientist and this brings an extra dimension to her novels. It also led to her new biography of Sir Isaac Newton. She writes regularly for both The Richard III Society and The Tudor Society and is a major contributor of online courses to MedievalCourses.com. As well as writing, Toni teaches history to adults, coordinates a creative writing group and is a member of the Crime Writers’ Association.

Connect with Toni Mount:

[Blog Tour] ‘The Colour of Evil’ (The Ninth Sebastian Foxley Medieval Murder Mystery) By Toni Mount #HistoricalFiction
‘The Colour of Evil’ - Tour Schedule

22 March 2021

[Blog Tour] 'Ropewalk; Rebellion. Love. Survival' (The Ropewalk Series, Book 1) By H D Coulter #HistoricalFiction

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[Blog Tour] 'Ropewalk; Rebellion. Love. Survival'  (The Ropewalk Series, Book 1)  By H D Coulter #HistoricalFiction
'Ropewalk; Rebellion. Love. Survival' - Blog Tour Banner

The Book:

Ropewalk; Rebellion. Love. Survival
(The Ropewalk Series, Book 1)
By H D Coulter
  • Publication Date: 23rd November 2020
  • Publisher: Independently Published
  • Page Length: 243 Pages
  • Genre: Historical Fiction

The Blurb:

The North of England, 1831.

The working class are gathering. Rebellion is stirring, and the people are divided.

Beatrice Lightfoot, a young woman fighting her own personal rebellion, is looking for an opportunity to change her luck. When she gains the attention of the enigmatic Captain Hanley, he offers her a tantalising deal to attend the May Day dance. She accepts, unaware of the true price of her own free will.

Her subsequent entanglement with Joshua Mason, the son of a local merchant, draws all three into a destructive and dangerous relationship, which threatens to drag Beatrice, and all she knows into darkness.

Now, Beatrice must choose between rebellion, love and survival before all is lost, and the Northern uprising changes her world forever.
Buy Links: 
Amazon UK ✔ Amazon US ✔ Universal Link to other bookshops ✔

  • 'Ropewalk; Rebellion. Love. Survival.' can be bought for only 0.99 during the tour and signed copies of the paperbacks are also available on the author’s website 
[Blog Tour] 'Ropewalk; Rebellion. Love. Survival'  (The Ropewalk Series, Book 1)  By H D Coulter #HistoricalFiction
'Ropewalk; Rebellion. Love. Survival' - Book Front Cover

'Ropewalk; Rebellion. Love. Survival.' Excerpt:

Chapter 4

Bent over the old wooden table, Bea sprinkled out a second dusting of flour before pulling and stretching the stringy wholemeal dough to make the bread for the evening meal. The house was quiet; her brothers were out working with her Da, and her eldest sister Beth was a housemaid over on Southergate. Holly and Rowan sat playing with their wooden toys by the fire as Bea placed the dough in a bowl in front of the grate, covered it with a cloth and allowed it to prove. She made a start on the rabbit stew with the animal she caught yesterday in one of her Da's traps. She peeled the potatoes and chopped the cabbages she had dug out of the small vegetable patch earlier that morning, finishing with a handful of the dried thyme and rosemary which hung in bunches over the hearth, throwing them in to the pot.

With the stew bubbling away above the fire, Bea placed the bread in the small oven inset to the right of the grate. The front door rattled open, abruptly disturbing the peace, as Mrs Lightfoot strutted into the seat in front of the fire.

"Come on girls, move out the way." She kept nudging them until she could sit down. They looked up at Bea, who gestured with her eyes for them to play at the other end of the table.

"How is Mrs Dent faring?" Bea asked politely. Mrs Dent had a nasty turn at the same time every morning, roughly about the time Mr Lightfoot left for work.

"Oh, she is just fine now," her mother remarked with no interest.

"How's dinner comin' by? Anythin' else you need to do? Your father and brothers will be home soon."

Bea continued in silence, turning her back on her Mam and smiling towards the girls. This seemed to vex her Mam once more. She raised her voice a notch higher.

"Your Father can't be expected to always. . ."

A knock echoed across the room, putting a stop to her complaint. Bea let out the breath she had been holding in. Like a Greek player with two masks, Mrs Lightfoot quickly substituted her frown for a large smile. She stood up and smoothed down her dress, rushing hastily to the door.

"Good day, Captain Hanley! Please, come in!"

Without thinking, Bea ducked down and hid by the girls behind the kitchen table. She couldn't imagine what he had come for; it had been a week since their last encounter and the awkwardness she had felt then suddenly came flooding back.

"Good day, Mrs Lightfoot, forgive the intrusion," he greeted her as he stepped into the room, scanning his surroundings quickly.

"Tea?" Her Mam grabbed a grimy tin from the top shelf of the dresser and dusted off the small china teapot given to her as a wedding gift. She hovered over the precious leaves, counting out each spoonful.

"Please." He took off his hat and placed it on the table alongside a large paper parcel.

"If you don't mind me being so bold, Captain Hanley, what do you have there?" She offered the Captain a beaming smile, attempting to convince him it was meant for her. With relief, Bea realised, her Mam had no intention of making her presence known.

"Is Miss Beatrice around?" he enquired, ignoring Mrs Lightfoot’s question.

Mrs Lightfoot paused. So did Bea, mid-breath. Holly looked down at her sister with a delighted smile and bellowed, "Here, Bea is HERE!" She covered her mouth for a second, and then descended into a fit of giggles. Bea's cheeks became hot, feeling like a child herself, caught hiding with the young ones. Rowan joined in with Holly's laughter. Bea stood up slowly, keeping her eyes low.

"Good day Miss Beatrice, I have brought you a little something, which I hope you will like.” Hanley smiled, indicating the parcel.

"I… thank you…?" She hesitated, unsure how to receive such a gift, or if she should receive it at all. She stepped out from behind the security of her sisters and moved towards the Captain.

"Please - open it." His voice held a hint of pride.

The brown wrapping paper was closed with a golden ribbon. Without thinking, she stroked the satin material with her fingers, tugging at the tails, and in doing so, sealed her acceptance. The ribbon fell away gracefully on to the table, and the paper cracked as it gave way to yards and yards of stunning silk cloth which glowed like her beloved early dawns down at the harbour. A couple of seconds passed, and no one uttered a word.

"Do you like it?" Hanley knew it had already worked its magic.

"Thank you, Captain, it is beautiful. . . but I cannot accept this". She folded the brown paper back over, concealing the temptation inside.

"Now Miss Lightfoot, it is merely a simple gift - I came across it through a friend, for half the selling price, and thought you could make good use of it with the dance coming up."

He opened it up again, luring her in. She did not recognise it from Johnson’s, she was certain of that. So where had he obtained it? From his connections with the smugglers, being a sailor? He might be a smuggler himself, for all she knew. Regardless, it must have cost him a shilling a yard, if not more, even at half the price. There must be at least twenty yards sat on the kitchen table. She felt a reckless tightness in her chest. The sound of his voice brought her back into the room.

"Will you do me the honour of accepting it?" His soft voice was low and clear.

"Sir – Captain - it is too much; I’ve done nothing to deserve…" Her heart was a marching drum in her chest. She had never, would never, be able to afford such a quantity of beautiful fabric in her life. It would give her the dress she wanted, allow her to attend the May Day ball which would please Alice - and herself, if she was honest. But what would she owe him in return?

"Forgive me, but I saw how you looked at the fabrics in Johnson's, the other day," he looked at her in a way that made her feel they were the only two in the room, "and by coincidence I came across this similar silk at a lower price only hours later. It was meant for you."

Bea felt the words pulling her in. His hand slowly crept towards hers across the oak boards.

"Isn't that lovely Beatrice?" Mrs Lightfoot exclaimed in a shrill voice, breaking the spell. "You didn't tell me you saw Captain Hanley the other day? And to think, 'e has bought you such a lovely gift!" Bea pulled back her hand and took a step away from the parcel, looking at the door. She wanted to escape, to bring this ordeal to an end.

"What if we perform a simple exchange?" He felt her attention return to him. "If you accept this small gift, in return I ask for the first two dances at the May Day Ball?" Bea's eyes widened, and she looked at him earnestly, inspecting as best she could the meaning in his words, the truth behind the smile. She knew the implications if she said yes.

Glancing at her mother, she saw an unpleasant look on her face, a mixture of frustration, envy and resentment, her hands twisting her apron into a funnel, like a dishcloth. Bea's finger graced the top of the fabric. It reminded her of the creaminess of a rose petal. She would be a golden rose. It would make her beautiful. The equal to any of the other ladies, for one night only, to know what it was like to have opportunities. Her heart cried out for her to say yes; for the price of the first two dances, how could she refuse.

"Captain, I will accept your offer."

Hanley looked triumphant. "I am pleased to hear this. I look forward to seeing the dress you create from the silk, and to have the honour of the first two dances." He made his way without ceremony to the door.

"Thank you…" Bea nodded her head at no one in particular, dazed.

A wide smile filled his face, and he gave Bea a deep bow. Turning on his heels, he faced Mrs Lightfoot.

"Thank you for the hospitality, as always, ma'am," and tilted his head with a curt nod. In two steps he was out of the door, leaving behind a chipped cup full of untouched tea, and a silent kitchen.

Ropewalk: Rebellion. Love. Survival.

Copyright: ©H D Coulter


Author Bio:

Hayley was born and raised in the lake district and across Cumbria. From a young age, Hayley loved learning about history, visiting castles and discovering local stories from the past. Hayley and her partner lived in Ulverston for three years and spent her weekends walking along the Ropewalk and down by the old harbour. She became inspired by the spirit of the area and stories that had taken place along the historic streets.

As a teacher, Hayley had loved the art of storytelling by studying drama and theatre. The power of the written word, how it can transport the reader to another world or even another time in history. But it wasn't until living in Ulverston did she discover a story worth telling. From that point, the characters became alive and she fell in love with the story.
Connect with 
Hayley:

[Blog Tour] 'Ropewalk; Rebellion. Love. Survival'  (The Ropewalk Series, Book 1)  By H D Coulter #HistoricalFiction
'Ropewalk; Rebellion. Love. Survival' - Tour Schedule


3 March 2021

[Audio Blog Tour] 'State of Treason' (Book 1, William Constable Spy Thrillers) By Paul Walker #HistoricalFiction #audio

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[Audio Blog Tour] 'State of Treason' (Book 1, William Constable Spy Thrillers) By Paul Walker #HistoricalFiction #audio
'State of Treason' - Tour Banner

The Book:

State of Treason
(Book 1, William Constable Spy Thrillers)
By Paul Walker
  • Narrator: Edward Gist
  • Publication Date: February 2021
  • Publisher: Audible Studios
  • Page Length: 317 pages
  • Genre: Historical Fiction
[Audio Blog Tour] 'State of Treason' (Book 1, William Constable Spy Thrillers) By Paul Walker #HistoricalFiction #audio
'State of Treason' -Front Cover

The Blurb:

London, 1578

William Constable is a scholar of mathematics, astrology and practices as a physician. He receives an unexpected summons to the Queen’s spymaster, Sir Francis Walsingham in the middle of the night. He fears for his life when he spies the tortured body of an old friend in the palace precincts.

His meeting with Walsingham takes an unexpected turn when he is charged to assist a renowned Puritan, John Foxe, in uncovering the secrets of a mysterious cabinet containing an astrological chart and coded message. Together, these claim Elizabeth has a hidden, illegitimate child (an “unknowing maid”) who will be declared to the masses and serve as the focus for an invasion.

Constable is swept up in the chase to uncover the identity of the plotters, unaware that he is also under suspicion. He schemes to gain the confidence of the adventurer John Hawkins and a rich merchant. Pressured into taking a role as court physician to pick up unguarded comments from nobles and others, he has become a reluctant intelligencer for Walsingham.

Do the stars and cipher speak true, or is there some other malign intent in the complex web of scheming?

Constable must race to unravel the threads of political manoeuvring for power before a new-found love and perhaps his own life are forfeit.
Buy Links: Amazon Audio: Amazon UKAmazon US
  • This book can be read for free with #KindleUnlimited subscription.
[Audio Blog Tour] 'State of Treason' (Book 1, William Constable Spy Thrillers) By Paul Walker #HistoricalFiction #audio
'State of Treason' - Audio Cover

The Audio Excerpt:


The Author Bio:

Paul Walker is married and lives in a village 30 miles north of London. Having worked in universities and run his own business, he is now a full-time writer of fiction and part-time director of an education trust. His writing in a garden shed is regularly disrupted by children and a growing number of grandchildren and dogs.

Paul writes historical fiction. He inherited his love of British history and historical fiction from his mother, who was an avid member of Richard III Society. The William Constable series of historical thrillers is based around real characters and events in the late sixteenth century. The first three books in the series are State of Treason; A Necessary Killing; and The Queen’s Devil. He promises more will follow.
[Audio Blog Tour] 'State of Treason' (Book 1, William Constable Spy Thrillers) By Paul Walker #HistoricalFiction #audio
Paul Walker

[Audio Blog Tour] 'State of Treason' (Book 1, William Constable Spy Thrillers) By Paul Walker #HistoricalFiction #audio
'State of Treason' - Tour Schedule

23 February 2021

Phone Call Anxiety: Why So Many Of Us Have It, And How To Get Over It

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Phone Call Anxiety: Why So Many Of Us Have It, And How To Get Over It
Many people feel anxious when receiving a phone call. (Photo: Sergey Mironov)

Staying in touch with loved ones without seeing them in person has become even more important during the pandemic. But for some people, making or receiving calls is a stressful experience. Phone anxiety – or telephobia – is the fear and avoidance of phone conversations and it’s common among those with social anxiety disorder.

Having a hatred of your phone doesn’t necessarily mean you have phone anxiety, although the two can be related. There are, of course, many people who dislike making or receiving calls. But if this dislike causes you to experience certain symptoms, you may have phone anxiety.

Some emotional symptoms of phone anxiety include delaying or avoiding making calls because of heightened anxiety, feeling extremely nervous or anxious before, during and after the call and obsessing or worrying about what you’ll say. Physical symptoms include nausea, increase in heart rate, shortness of breath, dizziness and muscular tension.

If you feel like this, you’re not alone. A 2019 survey of UK office workers found 76% of millennials and 40% of baby boomers have anxious thoughts when their phone rings. Because of this, 61% of millennials would completely avoid calls, compared with 42% of baby boomers. If you suffer from these symptoms, there are some things you can do to make it easier.

Avoiding phone calls

Talking on the phone can be daunting because we’re limited to just the sounds of our voices. In the absence of all other social cues – including gestures, body language and eye contact – we can often feel self-conscious of the sound of our own voices and our choice of words.

Thanks to technology, we can often go days, weeks or even months without directly speaking to others on the phone. One study found anxious people prefer texting over phone calls, rating it a superior medium for expressive and intimate contact.

Some people opt for texting because it gives them time to think about the wording of their messages, providing the opportunity to be informal. In some cases, they develop a different personality separate and in contrast to their real-life, more reticent, self.

Phone Call Anxiety: Why So Many Of Us Have It, And How To Get Over It
Many people prefer texting to phone calls. (Photo: Tero Vesalainen)

Research also suggests phone anxiety is related to a preoccupation with what the other person thinks of them. By eliminating the immediate reaction of others in spoken conversations, text messaging may offer those with phone anxiety a way of making social contact without the fear of rejection or disapproval.

Another reason phone calls can sometimes feel overwhelming is the pressure that comes with being someone else’s focus. In face-to-face conversations, we have several distractions in our environment; like gazing out of the window or, ironically, checking the missed call notifications on our phones. This can make the interaction feel more casual and the conversation flow naturally. On a call, there are no external distractions, so it can feel like the spotlight is on us to answer questions straight away.

Pauses can feel extremely uncomfortable too. In person, you can see when someone is distracted or thinking but on the phone brief silences can feel awkward. We’re also becoming accustomed to being able to review emails, texts and social media posts before hitting the send button, so a phone conversation can feel impulsive and risky.

It’s easy to put off or completely avoid calls when you’re feeling anxious, but the more you procrastinate, the worse the anxiety is likely to get. The good news is you don’t need to suffer in silence, or over text messages. There are several useful techniques that may help you break the pattern.

Pick up the phone

One of the most effective ways to overcome phone anxiety is to expose yourself to more phone calls. The more you do it, the less overwhelming it becomes. It’s also likely that your phone anxiety is linked to a lack of experience. The more practice you have, the less anxious and more confident you’ll feel.

You can start this process by making a list of the people you need to speak to on the phone, such as friends or colleagues, and go through each one by reflecting on what it is about the call that makes you anxious. For example, it might be making a mistake or feeling judged. When the call is over, acknowledging your success will help you stay motivated for the next call.

If you’ve tried to combat your phone anxiety or you think you might benefit from seeking professional help, counselling is a great option and there are a number of talking therapies available. Cognitive behavioural therapy is a very effective treatment for social anxiety, and there’s an online option that might be a suitable alternative if you feel a bit nervous about speaking to someone in person.

About Today's Contributor:

Ilham Sebah, Teaching Fellow in Psychology, Royal Holloway

This article is republished from The Conversation under a Creative Commons license. 

18 February 2021

Secret Theatre Presents 'Redemption Room' - The Live Online Thriller Experience Makes its World Premiere on February 27th [Trailer Included]

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Secret Theatre Presents 'Redemption Room' - The Live Online Thriller Experience Makes its World Premiere on February 27th [Trailer Included]
"Redemption Room" World Premiere on February 27, 2021 - a new live online theatrical thriller experience
"With the world still locked down, Secret Theatre look to unite us all in a live, online, immersive horror experience that can be streamed from anywhere in the world. And we can't wait."-- BBC RADIO 1
Making its World Premiere on February 27th, Redemption Room is a new live online theatrical experience where the virtual-studio audience gets to judge six disgraced celebrities as they seek redemption for their societal crimes.
Presented by Secret Theatre, this original innovative experience will go live across the world in a Zoom studio from six major cities, including Hong Kong, London, Singapore, Mumbai, Sydney and New York, where the celebrities are located.
A truly immersive format, Redemption Room takes a thrilling twist after an evil entity is awakened into the proceedings. Who will survive? Who will get their redemption? The virtual-studio audience will decide, voting on how far to push the celebrity's fears. But be warned, every-night one audience member will be asked to compete along with the celebrities. The virtual experience allows audiences to vote, judge, contact the celebrities directly and impact their outcome.
To get the full theatrical experience, turn off the lights, light a candle and be prepared for the unexpected. For those with paranormal fears, please prepare accordingly. If Ouija boards are your taste, there will be a moment when you can get involved.

Also, wearing black can summon demons – you have been warned.

The Trailer:


Secret Theatre are pioneers in global immersive events and have produced shows in 7 cities across the globe. Redemption Room is created and directed by Richard Crawford, who has been Artistic Director of Secret Theatre for over 10 years with many immersive credits to his name. He was responsible for directing the immersive Edward Scissorhands in New York, the immersive Project Mayhem in London and Hong Kong, and the immersive Hell Hath No Fury in Singapore.

  • Shows go live on February 27th and run through March 14th, 2021 and can be viewed on any device that supports Zoom.
  • Screening dates and times vary across the US, including a special scary Midnight show (PST) on March 13th.
Secret Theatre Presents 'Redemption Room' - The Live Online Thriller Experience Makes its World Premiere on February 27th [Trailer Included]
"Redemption Room" a new online immersive thriller experience goes live from 6 cities around the globe beginning February 27, 2021

SOURCE: Secret Theatre

16 February 2021

[Blog Tour] "The North Finchley Writers’ Group" by Richard Tearle, with Helen Hollick #ContemporaryRomance

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[Blog Tour] "The North Finchley Writers’ Group" by Richard Tearle, with Helen Hollick #ContemporaryRomance
The North Finchley Writers’ Group - Blog Tour banner

The Book: 

The North Finchley Writers’ Group
:By Richard Tearle, with Helen Hollick
  • Publication Date: 2nd February 2021
  • Publisher: Taw River Press
  • Page Length: 142 pages
  • Genre: Contemporary Romance

The Blurb:

When a group of north London writers meet each month for a chat, coffee, and cake – what else is on their agenda? Constructive criticism? New Ideas? An exciting project? And maybe, more than one prospective romance...?

Eavesdrop on the monthly meetings of the North Finchley Writers' Group, follow some ordinary people with a love of story writing, and an eagerness for success. Discover, along with them, the mysteries of creating characters and plot, of what inspires ideas, and how real life can, occasionally, divert the dream...
[Blog Tour] "The North Finchley Writers’ Group" by Richard Tearle, with Helen Hollick #ContemporaryRomance
The North Finchley Writers’ Group - Front cover
Buy Links: Amazon

The North Finchley Writers’ Group - Excerpt:

LET ME INTRODUCE MYSELF

My name – my personal and professional name – is Rob Taylor and I'm a writer.

It is rather strange to state that as a fact after years of scribbling, despair at rejections tempered by moments of high elation when one of my stories was accepted by a respected magazine. But I can state it as a truth now, for I write regularly for several publications, and my first compilation has recently been published with a fixed contract for two more to follow. At the moment, I write short stories, but more than a few friends have encouraged me with prompts such as “You have a novel in you, you know,and, “A short story has the potential to be a novel writ long.” I am working on the idea.

But enough of that.

About a year or so ago, I was unexpectedly made redundant. Jobless, but with a good-enough redundancy bank balance to keep me going for a bit, and a determination to do what I wanted to do – write – I took the plunge and converted the spare bedroom into a study. I started writing full time and joined the North Finchley Writers' Group, where I met some lovely people who, one way or another, gave me the encouragement to develop my ideas.

All to my satisfaction, but my wife's dismay.

The members of our writers’ group are a very mixed bunch, as you will find out. We meet every month at a different house and whoever is the host gets to provide tea and coffee – often with cake or ‘light snacks’ – and chooses a topic for discussion. We talk, voice opinions and yes, sometimes we argue. But it is all forgotten when we walk away into the night.

Mostly.

They've had quite a turnover of members over the years. Some who came for a couple of meetings and then disappear. Some who weren't really writers but 'dabble' and think that attending a writers' group meeting makes them one. They never last long. Some have moved along and, sadly, one or two have passed on to the great Library in the Sky. Nowadays we have about a dozen or so regulars. There are one or two who are deliberately obstructive. Outspoken. Single minded. Cantankerous.

Some are shy and introvert and, in truth, offer little. But they listen and learn, and that is what we are all there for. To learn from others, be they best sellers or unpublished writers. Because, whatever our differences, we stick together and, if anyone is down, we stand by them and offer encouragement. If someone is on a high, then we enthuse in their success.

Most of us, anyway.

We do have a few Best Sellers. Angela Knight, for example, and Zak Nichols. Charlotte Caroll is more than adept at Regency romances, (not my bag, but, well, credit where credit's due) and Jean Hart uses her history degree to good effect, as does Hilary Jackson, albeit covering a different period of time.

I'll introduce them all properly as we go along...

[Blog Tour] "The North Finchley Writers’ Group" by Richard Tearle, with Helen Hollick #ContemporaryRomance
Richard Tearle

A Word From Richard Tearle:

To the writing community, whether they be traditionally published, indie or aspiring.

You make the rocking world go round...Writers are such a wonderful community – supportive, helpful and ever willing to give their time and expertise to one humble chap such as I. Thank you all from the bottom of my heart. Thank you. Thank you. Thank you
.”

Richard – December 2020

[Blog Tour] "The North Finchley Writers’ Group" by Richard Tearle, with Helen Hollick #ContemporaryRomance
Helen Hollick

A Word From Helen Hollick:

It was with great enthusiasm that I encouraged Richard to write this, his first novel. His enjoyment of creating a good story, I felt, should be shared to readers and writers, everywhere. Unfortunately, at the editing stage, Richard became ill, involving hospitalisation. In discussion with his son, rather than abandon the project or put it on hold, we decided that the best course of action was for me to continue with getting this book published on his behalf. The characters, plot – the story – are all Richard’s immense talent, I merely tidied up and added the final polish, coming in as ‘painter and decorator’ to Richard’s main role as architect, designer, and builder.
[Blog Tour] "The North Finchley Writers’ Group" by Richard Tearle, with Helen Hollick #ContemporaryRomance
The North Finchley Writers’ Group - Tour Schedule

1 February 2021

Education Policies in England Overlook Bullying of LGBT+ Pupils

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Education Policies in England Overlook Bullying of LGBT+ Pupils
Education Policies in England Overlook Bullying of LGBT+ Pupils (photo via spixel)

Nearly half of LGBT+ pupils are bullied in school because of their gender or sexual orientation. In fact, LGBT+ bullying is the most common type of bullying in schools. Just 27% of secondary school pupils believe it would be safe to come out as LGBT+ in their schools.

Despite this, a 2020 report shows that only one-fifth of secondary school students report learning about LGBT+ identities and homophobic, biphobic and transphobic bullying.

While schools are now required to teach LGBT+ content as part of Relationships and Sex Education, guidance from the Department of Education leaves it up to schools how and when they approach this content. There is no specific mention of the need to tackle bullying aimed at LGBT+ pupils as part of the curriculum.

The content of LGBT+ education needs to be standardised across schools, and a more explicit stance needs to be taken against anti-LGBT+ bullying.

Taking care

Protecting the wellbeing of young people is hugely important, and teenagers from sexual minorities are more likely than their peers to suffer from mental health problems. The experience of discrimination at a young age can have long-term implications for people’s mental health. In the short term, being bullied in school affects pupils’ attendance and educational performance.

Education Policies in England Overlook Bullying of LGBT+ Pupils
Bullying can affect students’ school performance. (photo via wavebreakmedia)

However, funding for LGBT+ anti-bullying projects in English schools, provided by the Government Equalities Office, was withdrawn in March 2020. Since September 2020, Relationships Education is a compulsory subject in primary schools, while Relationships and Sex Education is compulsory in secondary schools. Schools are required to teach “LGBT content” as part of this new curriculum.

The explicit reference to LGBT+ content is laudable, given that the previous curriculum does not mention this at all. But the curriculum guidance leaves it up to schools to determine how and when they teach LGBT+ content. The only specification is that it must be taught at a “timely point”. The guidance continues to make allowances for religious schools to teach in accordance with their faith perspectives.

In principle, then, a school could get away with teaching very little about LGBT+ inclusivity, on the basis that it was not timely nor appropriate to do so with their pupils. For example, the Catholic Education Service’s Model Curriculum for Secondary Schools, which has been cited as an example of good practice by Nick Gibb, the minister of state for School Standards, merely discusses the need to teach about diversity in sexual attraction and developing sexuality, but makes no mention of LGBT+ content.

We cannot assume that all schools will offer comprehensive teaching on LGBT+ identities, especially when the guidance is vague. A further issue is that some teachers still feel they need more support to teach LGBT+ inclusive relationships and sex education.

A missing focus

Also, while the new curriculum guidance makes some reference to anti-bullying education, the emphasis falls mainly on cyberbullying, rather than LGBT+ bullying. Schools are required to identify any homophobic incidents and to deal with them appropriately. But beyond this, there is no specific mention of the need to tackle homophobic, biphobic or transphobic bullying as part of the curriculum.

The Government Equalities Office has claimed that it is “misleading” to state that the government has de-prioritised anti-LGBT+ bullying, because the Department for Education has awarded £750,000 to three charitable organisations for anti-bullying projects. The three organisations are the Diana Award, the Anne Frank Trust and the Anti-Bullying Alliance, none of which are LGBT-specific.

The lack of suitable emphasis on LGBT+ content, coupled with the withdrawal of funding for anti-bullying projects in schools that are specific to LGBT+ students, reflects a deliberate stance on the part of the government to sit on the fence, perhaps due to the contentious nature of the subject matter.

In 2019, parental protests erupted over the “No Outsiders” programme – which aimed to teach children about the protected characteristics under the Equality Act 2010 (including, but not limited to, sexual orientation). The government’s lack of clarity on their expectations for schools’ teaching on LGBT+ topics was highlighted by the National Association of Head Teachers.

LGBT+ anti-bullying projects are needed alongside LGBT+ education under the new relationships and sex education curriculum in order to truly embed short and long-term positive changes for the LGBT+ pupils. The government can no longer afford to take a back seat on this

About Today's Contributor:

Rachel Heah, Lecturer in Law, Lancaster University

This article is republished from The Conversation under a Creative Commons license. 

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