6 September 2018

Donald Trump Anonymous Staffer Speaks Out – Treason Or A Public Service?

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Somebody say something.
Somebody say something. (EPA/Shawn Thew)
One of Donald Trump’s senior White House staff has made a truly unprecedented move against their ultimate boss. The staffer anonymously published an opinion piece in the New York Times, in which the individual described a dilemma: should the White House’s employees stand by and watch a president who they see as “a threat to the health of our republic”, or should they quietly work to resist what they see as Trump’s “amoralism” and “misguided impulses”? Trump reacted to the piece in his usual style, accusing the author of “treason” and demanding the New York Times hand over their name.

It is easy to see the op-ed and ensuing furore as just one more indicator of the abject state of the Trump presidency. But the incident also poses a much more profound dilemma: when the elected politician they serve is a liability to the public, should staffers speak out and challenge them publicly, or remain loyal and do their boss’s bidding?

Among commentators, researchers and staffers themselves, there are two major schools of thought. On one side are the loyalists, who take the view that staffers should be unquestioning servants. According to loyalists, since politicians are elected officials with popular mandates, their orders must be carried out. A staffer’s role, then, is to find the most effective and efficient way to do that.

On the other side are the lifesavers, who hold that staffers are obliged to save a politician from their own stupidity, thereby protecting both institutions and the public from their bosses’ irrational whims. Modern states are highly complex entities, they say, and to run them effectively, you need a large body of specialists with deep experience who can sustain institutions while elected officials come and go.

So who’s right? Many politicians, and Trump especially, want their staffers to be loyalists. But this is a grave mistake. It’s the lifesavers who will actually help a politician to achieve their objectives, or can at the very least avert a costly or catastrophic onmishambles. There are at least three reasons why.

Fight or flight 
First, politicians are often far less knowledgeable than their staffers. Most have little to no understanding of the issues they are dealing with, and are routinely given portfolios they have zero experience in: energy ministers who have never set foot in a power plant, transport ministers who don’t use public transport, ministers of justice without the first idea of how the prison system works. It often takes politicians a year or two to get to grips with their portfolio, by which time they are liable to be shuffled on to an entirely unrelated job.

The role of the staffer is to guide these clueless politicians through complex policy domains they don’t understand. Doing that frequently requires a staffer to tell a politician they can’t do something.

One of the roles of any staffer worth their salt is to regularly rain on an enthusiastic politician’s parade. Elected officials often get worked up about pet projects and cherished ideas; staffers need to force them to think critically. Even if a staffer is wrong, this process of challenge is likely to lead to more robust decisions. By voicing their doubts, lifesaving staffers can cut through the dangerous groupthink that can set government policy on a course to disaster.

A house divided against itself.
A house divided against itself. (EPA/Jim Lo Scalzo)
Finally, politicians should be pleased when their staffers speak up simply because it’s better than the alternative. Some time ago, the economist Albert Hirshmann pointed out there were three alternative courses of action an official could take when faced with a failing institution: remain loyal, leave, or speak out. Later researchers added a fourth option: to simply neglect their job and stop caring. So how should frustrated, demoralised or panicked employees decide what to do?

When faced with a failing policy, civil servants can remain loyal and get to work on the necessary turd polishing. That might make their masters feel good in the short term, but it can also drag everyone concerned deeper into a potentially disastrous course of action.

Leaving, meanwhile, might relieve the pressure on the individual staffer and make their political master happy, but simply pulling the pin is unlikely to fix the problem. Rather, some new staffer is likely to come along and make the same mistakes all over again. The upshot could be a revolving door of misfortune. And while staffers could also simply neglect their duties, the comfort that would offer them and their boss alike may well be offset by disastrous consequences for the public.

That only really leaves one option: to speak out.

Cooler heads prevail 
Staffers are likely to be punished for putting their heads above the parapet, and the politicians they serve are often disinclined to listen. But sadly, voice is one of the few ways that endemic problems get corrected before they terminate in disaster.

For any staffer looking to speak up, grave dangers lie ahead. But research suggests there are more or less effective ways of getting your point across. Studies conducted in large American corporates have found that the best way forward is to create underground resistance from the inside. The staff who do so have been described as “tempered radicals”.

Tempered radicals typically work by creating underground networks both inside and outside an organisation. These networks bring together people who care about an issue. They provide the platform for future action. Tempered radicals manage their heated emotions about the issue. They might be fuming, but they try to let rationality rather than passion lead them, using the values of their institution to push forward their claims.

If the people in charge value individual freedom, staffers trying to change course should use arguments about individual freedom to push their agenda forward. Finally, tempered radicals create behind the scenes actions which help to push their agenda forward. These are smaller actions which help to make people’s lives better. Over time, these modest interventions build up to bigger wins.

It’s true that in politics, loyalty is one of the most valued currencies. But being loyal doesn’t mean always saying yes to seniors; it also means staying committed to the values of an institution, even when that might mean questioning or challenging the person temporarily in charge. That can be hard. But it can also help save politicians from themselves.The Conversation

About Today's Contributor:
Andre Spicer, Professor of Organisational Behaviour, Cass Business School, City, University of London


This article was originally published on The Conversation. 

4 September 2018

"Downton Abbey: The Exhibition" Is Moving To Florida

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Downton Abbey: The Exhibition features several beloved rooms from the TV series, including the Crawleys’ glamorous dining room.
Downton Abbey: The Exhibition features several beloved rooms from the TV series, including the Crawleys’ glamorous dining room.
Following its widely acclaimed New York City run, which came to a close yesterday, NBCUniversal International Studios today revealed that Downton Abbey: The Exhibition will open in South Florida on Saturday, November 10, the Cultural Council of Palm Beach County is pleased to announce.
Downton Abbey: The Exhibition offers a fully immersive experience inside the world of Carnival Films' multi-award-winning global television phenomenon and recently announced feature film. It concluded its New York City run over Labor Day weekend and will now move to CityPlace in the heart of downtown West Palm Beach.
The enhanced exhibition will offer never-before-seen elements connecting fans to their favorite characters, costumes, locations and historic events of the era, as well as showcase exclusive footage. It will provide a fascinating look at all aspects of the post-Edwardian period in which the popular TV series is set and offer in-depth insight into the remarkable events which shaped the world. 
"Downton Abbey: The Exhibition"
"Downton Abbey: The Exhibition" (Image via DowntonExhibition.com)
From World War I to the Roaring Twenties, visitors will have the chance to learn about British society, culture and fashion.
Hailed by the New York Times as "a cleverly immersive experience mounted with the same exacting care as the show itself," Downton Abbey: The Exhibition received an overwhelming response, attracting vast crowds daily since opening its doors on November 18, 2017 in New York City.
"Our fantastic experience in New York City confirmed to us that the huge Downton Abbey audience love the opportunity to immerse themselves in the world created by Julian, Gareth and the Carnival team," said Sarah Cooper, COO, NBCUniversal International Studios. "With a movie in production and the Downton fan base more enthusiastic than ever, we're delighted to be moving to Florida and opening up our exhibition to an even wider audience."
"As we are about to start filming the Downton movie, it is an exciting time to announce that residents and visitors to Florida will soon be able to enjoy the amazing experience that is the Downton Abbey exhibition," said Gareth Neame, Producer of Downton Abbey and Executive Chairman of Carnival Films.
With an even larger footprint than its New York City counterpart, the South Florida exhibition will transport visitors on an incredible journey through the grand home of Downton Abbey and offer an inside look into the world of the Crawleys and those that served them below stairs. 
"Downton Abbey: The Exhibition"
"Downton Abbey: The Exhibition" (Image via DowntonExhibition.com)
From Mrs. Patmore's hectic kitchen and the gossip-fueled servants' quarters, to the family's glamorous dining room and Lady Mary's bedroom, fans will get the chance to walk through some of the series' most recognizable and beloved sets. 

Visitors will also get an up-close look at over 50 of the show's official costumes, worn by their favorite actors including Michelle DockeryHugh Bonneville and Dame Maggie Smith.
"We are most excited to have Downton Abbey: The Exhibition come to West Palm Beach after its New York City run," said West Palm Beach Mayor, Jeri Muoio. "Our legacy as an arts and culture destination paired with the popularity of this exhibition is sure to make for an exciting season here in West Palm Beach. We're grateful to our local partners – Discover The Palm Beaches, the Cultural Council of Palm Beach County, and CityPlace – for their support in helping bring this extraordinary attraction to our city."
Downton Abbey: The Exhibition will be located at CityPlace, 575 S. Rosemary AveWest Palm Beach, FL33401. It will open daily between 10 a.m. and 7 p.m., including Thanksgiving, Black Friday, Christmas Eve, Christmas Day and New Year's Day. Tickets will be priced at $35 and children under 14 will receive free admissionVIP packages and private hire options will also be available. Programming, promotions and hotel packages will be announced at a later date.
For more information on the exhibition, please visit downtonexhibition.com.
"Downton Abbey: The Exhibition"
"Downton Abbey: The Exhibition" (Image via DowntonExhibition.com)
About Downton Abbey:
Downton Abbey aired for six seasons on MASTERPIECE on PBS in the US and reached more than 26 million viewers in its final season, making it the highest-rated PBS drama series of all time. 

A Carnival Films/MASTERPIECE co-production, the series was written and created by Julian Fellowes and executive produced by Gareth NeameJulian FellowesLiz Trubridge and Nigel Marchant. The MASTERPIECE Executive Producers were Rebecca Eaton and Susanne Simpson. 

Downton Abbey is one of the largest UK drama exports of all time, seen in over 250 territories worldwide. With 15 wins and 69 nominations, it is the most nominated non-US show in the history of the Emmys. Also, the winner of three Golden Globes, a special BAFTA and four Screen Actors Guild Awards, the series has captured an extensive fan-base worldwide. 

Production on Downton Abbey the movie begins later this summer. The movie is a Carnival Films production, with Focus Features and Universal Pictures International distributing. 


SOURCE: Cultural Council of Palm Beach County

3 September 2018

Google At 20: How A Search Engine Became A Literal Extension Of Our Mind

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Google At 20: How A Search Engine Became A Literal Extension Of Our Mind
(Shutterstock)
We are losing our minds to Google. After 20 years, Google’s products have become integrated into our everyday lives, altering the very structure of our cognitive architecture, and our minds have expanded out into cyberspace as a consequence. This is not science fiction, but an implication of what’s known as the “extended mind thesis”, a widely accepted view in philosophy, psychology and neuroscience.

Make no mistake about it, this is a seismic shift in human psychology, probably the biggest we have ever had to cope with, and one that is occurring with breathtaking rapidity – Google, after all, is just 20 years old, this month. But although this shift has some good consequences, there are some deeply troubling issues we urgently need to address.

Much of my research spans issues to do with personal identity, mind, neuroscience, and ethics. And in my view, as we gobble up Google’s AI driven “personalised” features, we cede ever more of our personal cognitive space to Google, and so both mental privacy and the ability to think freely are eroded. What’s more, evidence is starting to emerge that there may be a link between technology use and mental health problems. In other words, it is not clear that our minds can take the strain of the virtual stretch. Perhaps we are even close to the snapping point.
Where does the mind stop and the rest of the world begin?
This was the question posed in 1998 (coincidentally the same year Google was launched) by two philosophers and cognitive scientists, Andy Clark and David Chalmers, in a now famous journal article, The Extended Mind. Before their work, the standard answer among scientists was to say that the mind stopped at the boundaries of skin and skull (roughly, the boundaries of the brain and nervous system).



But Clark and Chalmers proposed a more radical answer. They argued that when we integrate things from the external environment into our thinking processes, those external things play the same cognitive role as our brains do. As a result, they are just as much a part of our minds as neurons and synapses. Clark and Chalmers’ argument produced debate, but many other experts on the mind have since agreed.

Our minds are linked with Google 
Clark and Chalmers were writing before the advent of smartphones and 4G internet, and their illustrative examples were somewhat fanciful. They involved, for instance, a man who integrated a notebook into his everyday life that served as an external memory. But as recent work has made clear, the extended mind thesis bears directly on our obsession with smartphones and other devices connected to the web.

Growing numbers of us are now locked into our smartphones from morning until night. Using Google’s services (search engine, calendar, maps, documents, photo assistant and so on) has become second nature. Our cognitive integration with Google is a reality. Our minds literally lie partly on Google’s servers.

Extra memory
Extra memory. (Shutterstock)
But does this matter? It does, for two major reasons.

First, Google is not a mere passive cognitive tool. Google’s latest upgrades, powered by AI and machine learning, are all about suggestions. Google Maps not only tells us how to get where we want to go (on foot, by car or by public transport), but now gives us personalised location suggestions that it thinks will interest us.

Google Assistant, always just two words away (“Hey Google”), now not only provides us with quick information, but can even book appointments for us and make restaurant reservations.

Gmail now makes suggestions about what we want to type. And Google News now pushes stories that it thinks are relevant to us, personally. But all of this removes the very need to think and make decisions for ourselves. Google – again I stress, literally – fills gaps in our cognitive processes, and so fills gaps in our minds. And so mental privacy and the ability to think freely are both eroded.

Addiction or integration? 
Second, it doesn’t seem to be good for our minds to be spread across the internet. A growing cause for concern is so-called “smartphone addiction”, no longer an uncommon problem. According to recent reports, the average UK smartphone user checks his phone every 12 minutes. There are a whole host of bad psychological effects this could have that we are only just beginning to appreciate, depression and anxiety being the two most prominent.

But the word “addiction” here, in my view, is just another word for the integration I mentioned above. The reason why so many of us find it so hard to put our smartphones down, it seems to me, is that we have integrated their use into our everyday cognitive processes. We literally think by using them, and so it is no wonder it is hard to stop using them. To have one’s smartphone suddenly taken away is akin to having a lobotomy. Instead, to break the addiction/integration and regain our mental health, we must learn to think differently, and to reclaim our minds.The Conversation

About Today's Contributor:
Benjamin Curtis, Lecturer in Philosophy and Ethics, Nottingham Trent University


This article was originally published on The Conversation.

"At Vitoria": A Spanish City's Medieval Promise Between Christians and Sephardic Jews

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"At Vitoria" - front cover
"At Vitoria" - front cover (PRNewsfoto/Archway Publishing)
How could a medieval Jewish cemetery cause so much debate? 
"At Vitoria" by Marcia Riman Selz transports the reader from 1950's Bayonne, France back to medieval Spain and weaves a story of success, love, terror, tragedy, shame, and honor. 

The historical and cultural details make for an evocative narrative that draw the reader in and provide an engaging sense of realism.
"At Vitoria" introduces the reader to the CREVAGOS, a Jewish family that copes with adversity and trauma amid joy and daily needs, while living under the shadow of the Spanish Inquisition. Hard work, intelligence and clever spirit create a family of survivors. 

"At Vitoria" is also the story of how, in 1492 when Jews are expelled from Spain, the Christians of Vitoria, grateful to Jewish physicians for saving lives, take an oath to preserve the Jewish cemetery. 

Almost 500 years later, this promise draws raw emotions from both Christians and Jews.
"'At Vitoria' is based on actual historical events and has relevance for today's world," said Selz. "The medieval Christians and Jews of this novel and their descendants show that respect for individual differences, honor, and strength of spirit can generate very desirable results."
Kirkus Review calls the book "a well-constructed, highly informative historical novel."
"The novel's strength is in its descriptions of the traditions and daily living of a medieval Jewish family," stated a BlueInk Review.
"At Vitoria" is a heart wrenching, but ultimately heart-warming read, with a life-affirming message. It is sure to cause smiles, tears, and renewed pride in humanity.
Marcia Riman Selz
Marcia Riman Selz (Via marciarimanselz.com)
About the author:
Marcia Riman Selz, PhD has had a long career as a marketing consultant to financial institutions. However, after a vacation in Spain, she felt compelled to write about Vitoria and the extraordinary events surrounding the city's medieval Jewish cemetery. Selz is working on her next novel about growing up on the south side of Chicago
"At Vitoria: A City's Medieval Promise between Christians and Sephardic Jews" By Marcia Riman Selz is available at the Archway Publishing Online Bookstore, Amazon and Barnes & Noble
SOURCE: Archway Publishing

31 August 2018

Epic Level Entertainment Announces New Film "Charlie Says" and New Partner, Dana Guerin

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"Charlie Says"
"Charlie Says"  (Epic Level Entertainment)
Epic Level Entertainment announces Dana Guerin has joined the company as a producer, and that their first film together, Charlie Says, will premiere at the Venice Film Festival. 

Charlie Says, which recounts the story of the three female members of the Manson Family who were imprisoned for the notorious murders, is directed by Mary Harron and written by Guinevere Turner, the team behind American Psycho.
Guerin, whose entertainment career includes titles such as The VaultOutlaws and Angels, and The Taking of Deborah Logan, has been developing the Charlie Says project for the past six years, alongside Harron and Turner. 

She brought the film to Epic Level when she joined the company earlier this year.
"We are ecstatic to welcome Dana to Epic Level Entertainment," says producer John Frank Rosenblum. "I had the pleasure of working with Dana at On Track Entertainment in the 90s, where she was ahead of her time in the repurposing of new media properties for basic cable broadcasting. With her latest film, Charlie Says, she is telling the female perspective of a story that had previously been dominated by the male perspective, ensuring that it was also written, directed and primarily produced by women. Here again, Dana shows that she is ahead of the curve with what the public wants, and indeed now demands, from popular entertainment."
Charlie Says is a story about the three young women who were sentenced to death in the infamous Manson murder case, but when the death penalty was lifted, their sentence became life imprisonment.  

One young graduate student was sent in to work with them, and to help them understand the consequences of their actions. Through this prison counselor, Karlene Faith, we witness their transformations as they face the reality of their horrific crimes.

Epic Level Entertainment has historically focused on horror and genre entertainment. While these themes will remain a mainstay of the company's slate, Guerin's addition will expand their productions to include relevant contemporary themes aligned, for instance, with the #MeToo movement, among others.
"Epic Level Entertainment is excited to be part of the solution with three partner/producers who are female, including myself, Dana and Paige Barnett. Female driven films are more in demand than ever, and Epic Level Entertainment is bringing them to the forefront," says Cindi Rice, Producer.
"Charlie Says"
"Charlie Says" (Epic Level Entertainment)
⏩ Epic Level Entertainment is debuting Charlie Says at the Venice Film Festival on September 2nd.

Bonus Video:


30 August 2018

Elton John Enters The Rap Scene In New Snickers Ad

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Captain Fantastic Elton John ‘Hits Up’ The Rap Scene In New Snickers Ad
Captain Fantastic Elton John ‘Hits Up’ The Rap Scene In New Snickers Ad
Captain Fantastic Elton John, best known for captivating audiences with bittersweet ballads and world-conquering anthems, is back with a bang in a new Snickers ad – but not as you've seen him before. 

The clever new ad, out September 1, 2018, sees Elton venture into the hip hop genre as the personification of American artist, Boogie, amidst a rap battle, when he's lost his edge due to hunger.
The film kicks off at a house party with an MC battle featuring up-and-coming talent, Emarr Kuhomano and Monique Lawzbefore Sir Elton steps up to the plate wearing his iconic red glitter jacket and glasses. Out of place in a cipher, Elton lets rip one of his biggest hits "Don't Go Breaking My Heart," humorously cringing the crowd. 
Elton John And Eminem-Signed Rapper, Boogie, On Set Of New Snickers Ad
Elton John And Eminem-Signed Rapper, Boogie, On Set Of New Snickers Ad
Oxford-born UK rapper Femi Nylander takes matters into his own hands, getting the beat back on track by offering Elton a Snickers bar - wherein the real Boogie returns on form.
"Most people already know I've long been an advocate of hip hop and that's why I wanted be a part of this – I got to hang out with Boogie and some great hip hop talent from the UK too," said Elton John. "Moreover, I love the direction the new Snickers ads have humorously portrayed being off your game when you're hungry, but in a way that's current and relevant to young people, especially considering hip hop is one of the biggest music genres in the world today."
"Building on the 'You're Not You When You're Hungry' theme, which has connected so well with consumers, we're glad to see this latest installment take the story a step further," said Dale Green, Snickers Global Brand Director. "When we developed the rap battle concept, we knew Elton John would be the perfect fit to help bring this to life. His unique blend of music, style and humor is instantly recognizable around the world and works well with our Snickers brand."
Boogie, who is signed with Eminem Shady Records, says: "Working with Elton on the set of the new Snickers ad was everything I expected and more – he's generous with his time, funny and fantastically talented! Between him and fresh new hip hop talent like Femi Nylander, Emarr Kuhomano and Monique Lawz – it was an incredible coming together of multi-talented people."
The Snicker Ad:

This latest ad builds on the 'Locker Room' Snickers spot, which launched in 2012, featuring Joan Collins and Stephanie Beacham, and the 'Mr. Bean Kung-Fu Master' ad from 2014.

28 August 2018

[US] 20 Years of Harry Potter: Pottermore Publishing Offering Unlimited Access to Ebook in Public Libraries

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"Harry Potter and the Sorcerer's Stone" - Front Cover
"Harry Potter and the Sorcerer's Stone" - Front Cover (image via Rakuten OverDrive)
In celebration of the 20th anniversary of Harry Potter and the Sorcerer's Stone, Pottermore Publishing is offering fans unlimited access to Harry Potter and the Sorcerer's Stone ebook for two weeks from public libraries. From August 27 to September 10, fans across North America can read the ebook on Libby, the award-winning one-tap reading app from the library, with no cost, waitlists or holds.
"Pottermore Publishing is delighted to offer fans the chance to celebrate 20 years since the publication of Harry Potter and the Sorcerer's Stone via their local library," said Jennie McCann, Publishing Director at Pottermore Publishing. "We have worked with digital library distributors across the US to bring this to life and look forward to seeing the campaign unfold."
Harry Potter and the Sorcerer's Stone, the first book in one of the world's most popular series, introduces us to the stories of the Boy Who Lived and his first encounters with Hogwarts School of Witchcraft and Wizardry and the wizarding world. With over 500 million copies sold worldwide, the series has now been translated into over 80 languages and made into 8 blockbuster films. 
Readers can discover the magic of the wizarding world by downloading Libby and checking out the ebook through their local public library. All it takes is a library card; some libraries also have access to an Instant Digital Card which simply requires a cell phone number to sign up. This service is compatible with all major computers and devices, including iPhone, iPad, Android devices, Windows tablets, and Kindle [US libraries] without waitlists or holds. 
The title will automatically expire at the end of the lending period, and there are no late fees.
To get started, download Libby today from the iOS App Store, Google Play or Windows App Store. Libby is powered by Rakuten OverDrive, the leading digital reading platform for libraries and schools.
About Pottermore:
Pottermore Publishing is the global digital publisher of the Harry Potter and Fantastic Beasts series as well as other audiobooks and ebooks from the Wizarding World.  

It aims to lead the way in innovative digital publishing and to bring new generations of readers together with long-standing fans, celebrating and bringing to life the stories that first began with the Boy Who Lived.

About Rakuten OverDrive and Libby:
Rakuten OverDrive is the leading digital reading platform for libraries and schools worldwide. 

We are dedicated to "a world enlightened by reading" by delivering the industry's largest catalog of ebooks, audiobooks, magazines and other digital media to a growing network of 40,000 libraries and schools in 70 countries.

Named one of Google Play's Best Apps of 2017, Libby is the "one-tap reading app" for libraries. Founded in 1986, OverDrive is based in Cleveland, Ohio USA and owned by Tokyo-based Rakuten. 



27 August 2018

Explosive New Podcast "Fatal Voyage: The Mysterious Death Of Natalie Wood" Unearths New Evidence To Suggest Hollywood Icon Could Have Been Saved

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Podcast: "Fatal Voyage: The Mysterious Death Of Natalie Wood"
Podcast: "Fatal Voyage: The Mysterious Death Of Natalie Wood"
Hours before Natalie Wood's corpse was recovered off California's Catalina Island, the occupants of the boat moored next to the Hollywood legend's yacht said they heard a woman desperately crying for help.
That is the startling revelation to emerge from Chapter 7 of "Fatal Voyage: The Mysterious Death Of Natalie Wood," released today, the critically acclaimed true crime podcast that soared to the top of the iTunes chart and made worldwide headlines.
In a stunning exclusive interview with the makers of the 12-part audio documentary, earwitness Marilyn Wayne has finally told all about the anguished cries she heard that fateful night.
"We heard screams from a woman yelling for help," she told the "Fatal Voyage" investigative team for Chapter Seven, titled "The Night Of," which is now available for download on iTunes.
"Well, my son had a digital watch, that we had just given him so that's how we kept the time, minute by minute. I was up on the deck and heard a woman yelling, "Help me, somebody please help me, I'm drowning."
She added: "I would yell down to my boyfriend John, who was on the phone to Harbor Patrol, or trying to reach Harbor Patrol, he never did. Meanwhile, we would continue to ask my son what time is it? So we had a minute by minute history of the time frame and the yelling went on from 5 after 11 until 11:25 and then it stopped."
That time frame, of course, mirrors the believed duration during which the Oscar winner mysteriously vanished from her and her husband Robert Wagner's yacht, The Splendour, following a jealousy-filled two days at sea.
The couple was hosting Natalie's "Brainstorm" costar Christopher Walken aboard their boat.
The Splendour
The Splendour.
In a second blockbuster interview broadcast for the first time in Chapter 7, the former Los Angeles County Supervising Rescue Boat Captain who removed Natalie's body from the water declares: "Wagner could have saved his wife but he didn't."
Roger Smith, is a former Los Angeles County supervising rescue boat captain who headed a lifeguard team that helped in the search for Natalie that fateful morning nearly 37 years ago.
In this never-before-heard interview, Smith broke decades of silence and revealed shocking new details about the tragedy that has remained a mystery and is currently being reinvestigated.
At 5 a.m. on Nov. 29, 1981, rescue boat captain Smith and his team were asked to help in the search. When the empty dinghy was eventually found, a helicopter hovered nearby and spotted something beneath the water several hundred yards away.
It was Natalie, just below the water. Smith was nearby, and recalls the moment her body was gently lifted up and laid up on the deck.
"She still looked like she hadn't been gone, dead very long," Smith said. "In fact, when I took off her ring on her hand, her hands were still pliable. You know, so nothing is set in yet. No rigor mortis at all. And her facial, she looked, she looked like she hadn't been dead very long."
According to commentary in Chapter 7, rigor mortis begins to set in around four hours after death, and cold water could slow it even further. "If Roger Smith's account is accurate, there's a chance Natalie had survived in the water for quite some time prior to being found," explained Executive Producer, Kelly Garner.
In previous chapters of the series, the yacht's captain, Dennis Davern, described a harrowing two days of pettiness and rage from Wagner as he bristled over Natalie and Walken's friendship.
In the debut episode of "Fatal Voyage: The Mysterious Death Of Natalie Wood," a homicide detective from the Los Angeles County Sheriff Department labelled Wagner a "person of interest" in the unsolved case of Natalie's death, which they say has yielded considerable evidence suggesting foul play.
Here are other facts that have been uncovered to date:
  • Homicide Detective Ralph Hernandez explaining the bruising on Natalie's body suggests she was the victim of assault on the night of her death.
  • Natalie Wood being raped at the age of sixteen during an "interview" at Chateau Marmont.
  • 16 years old Natalie having an affair with a director more than 20 years her senior, with speculation of it being to ensure the lead female role in Rebel without a Cause.
  • Robert Wagner's alleged affair with a man.
  • Robert Wagner, fearing Natalie had fallen for Warren Beatty, showing up at Beatty's house with a gun intending to kill him.
  • Natalie Wood attempted to commit suicide by ingestion sleeping pills.
  • Natalie Wood's on-set chemistry with co-star Christopher Walken enrages RJ.
  • Lana Wood reveals Natalie Wood reunited with RJ because "it's better to be with the devil you know than the devil you don't."
  • Natalie Wood was ready to leave RJ for the second time.
  • Natalie Wood always made more money than RJ and paid off his debt when they remarried.
  • Dennis Davern reveals that after a day of tension where RJ began to act crazy, Natalie insisted on spending the first night of the weekend getaway on shore, away from him.
Fatal Voyage: The Mysterious Death Of Natalie Wood
Fatal Voyage: The Mysterious Death Of Natalie Wood
Episode 7 is available to download and listen for free in full via iTunes now, including more exclusive details and interviews as part of the reinvestigation.
Series Synopsis:
An A-List Hollywood Actress vanishes from a yacht and her body washes ashore the following morning. Her leading man husband, and a legendary actor who accompanied them on a pleasure cruise, claim she accidentally fell overboard. But questions, terrible ones, linger. A brutal argument. A skipper who overheard violence. A coroner who's ruling of "accidental drowning" is overturned, and Los Angeles homicide detectives who are still running the case to ground almost four decades later. 

'Fatal Voyage: The Mysterious Death Of Natalie Wood' is a 12-part audio documentary series produced by American Media Inc and Treefort.Media that intends to solve the mystery of Natalie Wood's death, once and for all. 
SOURCE: American Media, Inc.

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