20 January 2016

Knopf To Publish Book By Journalist Nancy Jo Sales About Teenage Girls And Social Media

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Knopf to Publish Book by Journalist Nancy Jo Sales about Teenage Girls and Social Media
Next month Knopf will release a new book about social media and its impact on the lives of today's youth. Written by Nancy Jo Sales, and based on reporting she has done over the past 30 months, AMERICAN GIRLS: Social Media and the Secret Lives of Teenagers, will go on sale February 23 with a first printing of 150,000 copies. It will also be available as an eBook and from Random House Audio. First serial rights have been sold to Time Magazine.

17 January 2016

Jason Rezaian Released From Iranian Prison After 544 Days

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Jason Rezaian Released From Iranian Prison After 544 Days (PRNewsFoto/National Press Club)
[Good news are, and will always be, our favourite kind of news, here at LoupDargent.info... Enjoy!]
Members of the National Press Club and journalist around the world are overjoyed at the news our colleague Washington Post reporter Jason Rezaian who has been in prison for 544 days for simply doing his job has been released, and will now be reunited with his family and friends.

14 January 2016

Canada's History Marks The 100th Anniversary Of Women's Suffrage

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Canada's Great Women (CNW Group/Canada's History)
Canada's History Society marks the 100th anniversary of women's suffrage with special editions of Canada's History and Kayak: Canada's History Magazine for Kids.
For Canada's History, a special panel – including former Governor General Adrienne Clarkson and bestselling author Charlotte Gray – selected "20 Great Women" from Canada's political, business, artistic, and activist history.

12 January 2016

Bowie's Greatest Gift? Even His 'Failures' Will Echo Through The Ages

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Reuters/Charles Platiau
The second single from David Bowie’s iconic 1973 album, Aladdin Sane, was called Drive-in-Saturday. Part science-fiction ballad, part-vignette of a young marriage – and all lyrical and musical tour de force, it’s a song Bowie utterly owned on record and in its rare live outings. His TV performance of the song on the Russell Harty Plus show shifted between boyish raunch, fey knowingness and majestically queer authority.

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