26 March 2016

What Would Brexit Really Mean For The UK's Fishing Industry?

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Pitamaha / shutterstock
By Bryce Stewart, University of York and Griffin Carpenter, Oxford Brookes University

Fish is as tasty and popular as ever, but no one seems to like the policies that regulate the industry behind it. For decades, European management of fisheries has been lambasted by fishers, conservationists and scientists, including us.

The centrepiece of this system, the EU’s Common Fisheries Policy, is particularly unpopular. Some scientists even argue it is designed to fail. Opponents blame it for not only mismanaging Europe’s highly productive seas, but also for giving away “our fish”, with the subject recently taking centre stage in an unlikely viral Brexit campaign video.

You might think that the chance to take back control of the fish in UK seas would be one of the most solid reasons to vote “Out” in June’s referendum on EU membership. So what’s the catch?

First, the idea that fish in British waters have been fished into near-extinction by pesky foreign boats simply doesn’t match up with reality. At least not anymore.

Yes, fish numbers aren’t what they were in the time of Moby Dick. However, a recent analysis of 118 years of statistics revealed the vast majority of the decline occurred prior to the Common Fisheries Policy’s implementation in 1983. In fact, the policy is now overall helping, not harming, the country’s fisheries.

Since EU policy was reformed in 2002, the health of many fish stocks has improved. By 2011 the majority of assessed fisheries were considered to be sustainably fished. Take the case of North Sea cod: once the “poster child” for overfishing and all that was wrong with European policy, it is now recovering strongly and likely to be certified as sustainable next year.

The EU is now phasing out the discarding of unwanted fish and setting quotas more in line with scientific advice. The aim is to ensure maximum sustainable yield of all stocks by 2020.

Who actually owns “our” fish?
Ownership of UK fishing quotas is controversial and often misunderstood. After total EU fishing limits are decided by the Council of fisheries ministers, it is up to each member state to distribute its share among its own fleet.

The Cornelis Vrolijk catches a good portion of the UK’s entire fish quota.(AlfvanBeem)

This is not an EU decision. The fact that a single giant Dutch-owned vessel nets a quarter of the English quota (6% of the UK total) might be shocking, especially considering the UK’s quota is in theory shared between more than 6,000 vessels, but the UK government could easily change how it allocates fish. In fact, the alternative allocation systems suggested by some pro-Brexit groups are already in place elsewhere in Europe.

Your plaice or mine?

Britain has to share with its neighbours. (Inwind / wiki)

Another common argument for Brexit is that it would give the UK sole control of the fish in its waters. However, these fish are not “British”; they don’t respect national boundaries. 
Mackerel, herring, cod and other commercial species are all highly mobile, and move easily across borders, especially in places such as the North, Celtic and Irish Seas, where “exclusive economic zones” are jammed together like sardines in a can.

So unlike more isolated countries such as Iceland and Norway, the UK was always going to have to share its fish with its neighbours, especially as we moved into an era of global maritime regulation.

Fencing out foreign fishermen
A post-Brexit UK might still have to agree quotas with its neighbours, but could it prevent foreign boats from fishing in its waters? Maybe. But only with huge investment in monitoring and control public bodies such as the Marine Management Organisation (MMO) – organisations which are being cut at present.

Whether the UK would want this sort of escalation is a different question, as it would also mean British boats could no longer fish in the waters of other European nations. This is a major concern in the fishing industry as 20% of the fish caught by the UK fleet is landed elsewhere in the EU.

Dutch herring fleet in the North Sea, c1700, protected by a naval vessel. (Pieter Vogelaer)

The reality is that a Brexit would require a complete re-negotiation of fishing rights, with uncertain outcomes. Some of these rights extend back to the Middle Ages and banning foreign vessels from UK waters may well be incompatible with international law.

Such negotiations may harm trading relationships with Europe. At present the UK exports around 80% of its wild-caught seafood, with four of the top five destinations being European countries.

Remaining in the EU also has big benefits for the marine ecosystems that the fishing industry ultimately relies on. The Habitats Directive protects key habitats and species such as reefs and Atlantic salmon, while the Water Framework Directive and Marine Strategy Framework Directive commit EU members to restore and protect the environment. It seems unlikely that the UK’s current Conservative government, at least, would continue similarly progressive measures after a Brexit.

It’s no surprise the “In” campaign is gaining support from a range of environmental groups – the weight of evidence is on their side. In contrast, many fishermen have strong feelings about the EU, but the main industry organisations and decision makers are remaining neutral.

We’ve come a long way since the bad old days of excessive quotas and widespread illegal fishing. As things become more sustainable, fish numbers are rebounding, leading to increasing UK fishing quotas and growing profits (now the highest in the EU).

The history of the EU’s fishing policy is one of criticism and improvement. It is therefore unclear why the UK would want to abandon ship at this point.

The Conversation
About Today's Contributors
Bryce Stewart, Lecturer in Marine Ecosystem Management, University of York and Griffin Carpenter, Visiting Lecturer in Environmental Economics, Oxford Brookes University


This article was originally published on The Conversation

25 March 2016

Ex-Britain's Got Talent Star Connie Talbot Turns Stunning Singer-Songwriter With New Album Out Now

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Britain's Got Talent child star Connie Talbot's stunning transformation (PRNewsFoto/Evolution Ltd.)

Connie Talbot's fifth album Matters To Me coming today March 25 under Evolution Music Group label with over half of the songs written or co-written by her.

Connie Talbot makes a comeback with her jaw-dropping transformation from the gap-toothed 6-year-old on Britain's Got Talent to a stunningly beautiful, talented singer-songwriter.
Britain's Got Talent child star Connie Talbot recording in 2007 (PRNewsFoto/Evolution Ltd.)
Connie, now 15, releases her fifth album Matters To Me on March 25th, 2016. Connie takes a major role in writing this career-defining album which shows her musical diversity and development as a singer, songwriter and musician.
The co-written song Shut Up (Move On) has created a buzz from fans and media across Asia, where Connie has a huge following.
Last week, Connie delivered another powerful and teary performance of the original song I'm Over You, written solely by Connie herself. The heartfelt and emotional MV went viral in UK media, all in amazement of how grown up Connie is now. 

Video-Clip: "I'm Over You"

The rest of the 13 songs on the album include Dream Out Loud, co-written with hit songwriter/producer Toby Gad (co-writer of All of MeIf I Were A Boy), an Afro-electronic rendition of Katy Perry's smash hit Roar, a solemn and touching original ballad This is Home, and a crisp acoustic rendition of Friends theme I'll Be There For You. The album packs a load of surprises and reveals the hard work Connie puts into her natural gift of music.
It looks like we can have great expectations for the album and for Connie to become the next-generation singer-songwriter.
Connie Talbot releases her fifth studio album Matters To Me (PRNewsFoto/Evolution Ltd.)

Track List:
  1. Shut Up
  2. Roar
  3. I'm Over You
  4. Dream Out Loud
  5. Those Days
  6. When I Fall In Love
  7. Inner Beauty
  8. Teenage Chemistry
  9. I'll Be There
  10. Gravity
  11. Vincent
  12. Matters To Me
  13. This Is Home
  14. P.S. (iTunes only)

Connie Talbot - Online

SOURCE: Evolution Ltd.

24 March 2016

Leonard Cohen: Une Brèche en Toute Chose / A Crack in Everything - Musée d'Art Contemporain de Montréal

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Exhibition presented in collaboration with the Society for the Celebration of MontrƩal's 375th Anniversary
The Musée d'art contemporain de Montréal (MAC) is pleased to announce Leonard Cohen: Une brèche en toute chose / A Crack in Everything, an exhibition of international scope presented as part of the festivities for Montréal's 375th anniversary, which will take place in fall 2017.

Through his poems and his music and lyrics, Cohen touches a huge audience and influences countless artists across all disciplines and generations around the world. The exhibition is an homage to this global star and touchstone of MontrƩal culture.

Created exclusively for the MAC for the occasion, this multidisciplinary exhibition will allow the MusƩe to offer the public a collection of brand-new works commissioned from and created by local and international artists who were inspired by the great master's style and recurring themes. These artists represent the visual arts, performance art, music, the written word and film, thus providing visitors with a dynamic, participative and immersive experience. Leonard Cohen will be part of the programming for the celebration of MontrƩal's 375th anniversary.

The MAC is thrilled about Leonard Cohen's support of this project, which will allow the MusƩe to delve deep into his career in order to present an innovative and original exhibition.

As MAC Director and Chief Curator John Zeppetelli explained, "Leonard Cohen has filled our collective imagination with thoughts and songs on a number of topics that touch us all as human beings. One of the major themes of Cohen's work, the imperfection of the human condition, is clearly evoked in the exhibition's subtitle, A Crack in Everything. This expression comes from Anthem, one of Cohen's most famous songs. Immediately after those words, the artist suggests that there is always room for redemption and hope, because that very crack is what lets in the light that allows life to grow."

   Il y a une brĆØche en toute chose
   c'est ainsi qu'entre la lumiĆØre.

     There is a crack in everything
     That's how the light gets in

Hymne, Leonard Cohen, 1992
         - Anthem, Leonard Cohen, 1992 
"The exhibition Leonard Cohen will be a great source of pride for all Montrealers, including myself, as this icon of poetry, literature and music has been an incredible global ambassador for the City of MontrƩal. Fittingly, this exhibition will go on to be presented at a number of museums around the world, celebrating MontrƩal's creativity and know-how," announced MontrƩal Mayor Denis Coderre today.
"The government is proud to be associated with the exhibition Leonard Cohen, which will shine a light on our city, just as this MontrƩal icon himself has done. The MusƩe d'art contemporain will thus contribute to the successful celebration of MontrƩal's 375th anniversary, generating tourism and economic benefits," said Minister of Municipal Affairs and Land Occupancy, Minister of Public Security, and Minister responsible for the MontrƩal region Martin Coiteux.
"As an artist, Leonard Cohen is larger than life," noted Gilbert Rozon, Commissioner for Celebrations of MontrƩal's 375th anniversary. "By celebrating his multidisciplinary talent, we celebrate MontrƩal's creativity. The MAC could not have found a better example of our city's vitality."

MusƩe d'art contemporain de MontrƩal
Located in the heart of the Quartier des Spectacles, the MusƩe d'art contemporain de MontrƩal makes today's art a vital part of MontrƩal and QuƩbec life. For more than fifty years, this vibrant museum has brought together local and international artists, their works and an ever growing public. It is a place of discovery, offering visitors experiences that are continually changing and new, and often unexpected and stirring. The MusƩe presents temporary exhibitions devoted to outstanding and relevant current artists who provide their own, particular insight into our society, as well as exhibitions of works drawn from the museum's extensive Permanent Collection. Every form of expression may be featured: digital and sound works, installations, paintings, sculptures, ephemeral pieces, and more. In addition to its wide range of educational activities familiarizing the general public with contemporary art, the MusƩe also organizes unique artistic performances and festive events. It is a window onto a myriad of avant-garde expressions that increase exposure and awareness of art throughout the city and beyond.


For more information, visit 375mtl.com and macm.org.

SOURCE: SociƩtƩ des cƩlƩbrations du 375e anniversaire de MontrƩal

How To Inoculate People Against Donald Trump's Fact Bending Claims

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Is it possible to combat disinformation spread by Donald Trump? EPA/Erik S. Lesser
By John Cook, The University of Queensland and Margaret Crane, The University of Queensland

A potential Donald Trump presidency terrifies people worldwide. His racism, bullying, and enthusiasm for violence are a great concern for onlookers.

But we see a positive in Trump’s candidacy: We can improve our critical thinking by using him as an example of how people spread misinformation.

And there is no shortage of material to work with, given Trump’s firehose of falsehoods.
Politifact found that 78% of Trump’s statements were Mostly False, False, or “Pants on Fire” (the most extreme form of false). Fact-checking websites, parody videos, and even a debunking speech by former governor Mitt Romney have highlighted his misinformation.

But pundits and political scientists are mystified that this hasn’t hurt his level of support, with fact-checking efforts sometimes helping Trump and energising his supporters.

When facts aren’t enough
Psychologists are quite familiar with the fact that die-hard supporters of an idea aren’t swayed by contrary evidence, which can backfire and strengthen preexisting attitudes. Indeed, trying to change the minds of headstrong Trump supporters may be largely futile.

Communicating to the larger majority who are still open-minded to facts is more effective. Psychological research on science denial provides a model for how to reduce Trump’s influence on the general populace: inoculation theory.

This uses the metaphor of vaccination. Vaccines stop viruses from spreading through inoculation, which is when when healthy people are injected with a weak form of a virus and then build immunity to the virus.

The inoculation theory applies the same principle to knowledge. Research has found we can make people “immune” to misinformation using the Fact-Myth-Fallacy approach. In this method, we first explain the facts, then introduce a related myth, and then explain the technique the myth uses to distort the facts. By understanding the technique used to create the myth, people are exposed to a “weakened form” of the misinformation.

Science deniers use five techniques to distort facts: fake experts, logical fallacies, impossible expectations, cherry picking evidence, and conspiracy theories. The acronym FLICC is an easy way to remember these techniques.


FLICC: Fake experts, Logical fallacies, Impossible expectations, Cherry picking, Conspiracy theories. John Cook

FLICC away Donald Trump
Let’s take a look at some examples of Trump’s FLICC-laden arguments.

Fake Experts
The fake expert strategy occurs when people claim to be experts despite having little or no relevant expertise.

Trump has negligible relevant expertise to be President. However, Trump believes that presidents must be smart. He elegantly demonstrates his intelligence level in the following video:
Donald Trump comments on his level of education, and having “the best words”.
Logical Fallacies
Logical fallacies cover a variety of techniques, from distracting red herrings to Trump’s favourite, ad hominem attacks, i.e. attacking a person’s character rather than their ideas (you’ll find many examples on Twitter and in his speeches).

A common fallacy from Trump is over-simplification: proposing overly simplistic solutions to wickedly complex problems. Trump’s explanation for how Mexico will pay for his infamous wall between the US and Mexico demonstrates this fallacy:
Trump’s oversimplifies how to convince Mexico to pay for the wall
Impossible Expectations
Impossible expectations involves demanding unrealistic or unreasonable standards of proof.

For example, while the planet has been warming for decades, that doesn’t mean winter will stop happening or that places will no longer experience cold periods. Arguing that cold weather disproves global warming is like arguing that feeling full after a large meal disproves global hunger.


Trump tweets disbelief in global warming after experiencing cold weather. Twitter

Cherry Picking
Cherry picking paints a misleading picture by selecting a few facts that support an idea and ignoring the larger body of evidence. Trump cherry picks isolated examples of Hispanic supporters to cover the fact that the vast majority of surveyed Hispanics disapprove of him.
Trump demonstrates that he has at least one Hispanic supporter
Conspiracy Theories
Conspiracy theories are a common feature of science denial. Deniers claim that the large group of people who disagree with them are part of a conspiracy. Trump often uses this logic to justify why the media speaks poorly about him.
Trump’s justification of his negative media coverage
Both climate science denialists and Trump are known to entertain a variety of conspiracy theories. For example, Trump has been a big proponent of the birther theory about Obama’s birthplace).

An example of Trump inoculation
Now that we understand the techniques Trump uses to spread information, let’s look at an example of inoculation using the Fact-Myth-Fallacy approach used by inoculation theory:
Donald Trump is highly unpopular among Hispanics. This should come as no surprise given his constant refrain for a wall along the Mexican border, as well as his characterisation that Mexicans crossing the border are drug traffickers and rapists. 
A recent Gallup survey found 77% of Hispanics view Trump unfavourably. This is the highest disapproval rating among all Presidential candidates. 
Contradicting these statistics, Trump falsely claims that Latinos love him. At one rally, Trump brought an enthusiastic Colombian woman on stage to share her support
Trump uses the cherry picking technique to distort the facts. He paints a misleading picture by highlighting a single example and ignoring contradicting information.
This inoculation approach gives people the critical thinking skills to assess arguments and determine what information to believe.

Is this the solution to stop Trump?
Given similarities between science denial and Trump support, could we apply inoculation theory to stop Trump? It’s difficult to say.

Inoculation research has mainly been applied to areas of knowledge that are quite different to the complicated political arena. Trump’s support is not as simple as distinguishing between a fact and a myth.

When it comes to voting patterns, political affiliations interact with ideology, religion and many other factors, including dissatisfaction with the political establishment — a dominant theme in this election cycle.

Promisingly, inoculation has been found to be effective in neutralising political attack messages. But whether inoculation would prevent Trump’s influence from spreading beyond his core followers is an unanswered question.

Even if examining Trump’s arguments using the inoculation approach has a minimal effect on the political landscape, at least Trump’s candidacy can help strengthen our critical thinking skills.

The Conversation
About Today's Contributors 
John Cook, Climate Communication Research Fellow, Global Change Institute, The University of Queensland and Margaret Crane, Research and Innovation Officer, The University of Queensland


This article was originally published on The Conversation

23 March 2016

Elaborate Banksy Exhibition in New Museum in Amsterdam

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BANKSY 'TORTOISE HELMET STEEL' 55 X 75 CM 2009 (PRNewsFoto/Moco Museum)
New museum on Museum Square in Amsterdam opens its doors with exhibitions of Banksy and Warhol
Moco / Modern Contemporary Museum will open its doors to the public the beginning of April. The opening exhibition will combine works of art by Pop Art-protagonist Andy Warhol and Street Art-legend Banksy. 
BANKSY 'CORRUPTED OIL - JERRY' 50 X 60 CM 2003 (PRNewsFoto/Moco Museum)
The new museum for modern and contemporary art located on the Museum Square in Amsterdam wants to reach out to a wide, international and young audience. During the exhibition there will be more than eighty works of art from both artist, among which the 3 x 4 meters painting "Beanfield" by Banksy, which was showcased last in 2009. A very important canvas that characterises Banksy as an activist artist.
BANKSY 'BEANFIELD' 250 X 350 CM 2009 (PRNewsFoto/Moco Museum)
Moco museum is a private initiative by Lionel and Kim Logchies, owners of LionelGallery on the Spiegelstraat in Amsterdam. For more than eighteen years the couple has worked with works of art by renowned names within the international art scene. From Picasso to Koons, from Hirst to Basquiat.
BANKSY 'FOUR MONKEYS' 75 X 75 CM 2001 (PRNewsFoto/Moco Museum)
The couple now gives Banksy, who has been at the top of the art world for more than two years, the unauthorised exhibition he deserves. Before the artist was known to secretly place his works of art in museums.
By establishing the Moco Museum they are able to show the top pieces of art which would normally stay outside the reach of the general public. Many artworks are given on loan to the museum by an international network of initiators.
WARHOL 'MARYLIN' 90 X 90 CM 1967 (PRNewsFoto/Moco Museum)
Moco Museum :
Exhibitions Banksy 'Laugh now' & Warhol 'Royal'
Address: Honthorststraat 20 / Museumplein, Amsterdam. The Netherlands


SOURCE: Moco Museum

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