19 December 2016

Jay Baruchel Joins Forces With Captain Canuck On Free Comic Book Day 2017!

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Jay Baruchel joins forces with Captain Canuck on Free Comic Book Day 2017! (CNW Group/Chapterhouse Publishing)
Jay Baruchel (Goon, Goon-Last of the Enforcers, This is the End, Man Seeking Woman, How to Train Your Dragon) joins the Captain Canuck team to co-write the Free Comic Book Day edition of Captain Canuck: Year One for Chapterhouse Comics with Editor in Chief and series writer Kalman Andrasofszky.
"Captain Canuck is a true Canadian icon and it is a humble honour to be involved in helping to shape the next generation of Canuck sagas for a new generation of readers and fans, as well as the die-hards that have followed Cap on his journey from the beginning", says Baruchel. "Chapterhouse is doing very awesome stuff as they breathe new life into the world of Canadian comics. I am proud to be joining their ranks in this incredible adventure as we work hard to bring exciting stories and classic heroes to life for readers across Canada."
"The Captain's ranks keep growingsays Fadi Hakim, President of Chapterhouse and Captain Canuck Incorporated, "and we're simply overjoyed to have a consummate talent and Canadian like Jay on board as we march forward!"
Canuck creator Richard Comely echoes Hakim's sentiment: "Jay is one of the most prolific, well-spoken people I've met in this industry - I know the Captain is in good hands!"
The first of the three part series is drawn by Canadian superstar Marcus To (The Flash, Red Robin, Joyride) and features a cover by David Finch (Batman: The Dark Knight, Avengers, Ultimate X-Men). 
The issue also includes an 8-page backup story - Die Kitty Die: Summer Beach Party created, written and illustrated by Dan Parent and Fernando Ruiz of Archie Comics fame.

About Captain Canuck
Created and launched by Richard Comely in 1975 with over 250,000 copies sold worldwide, Captain Canuck was rebooted in 2013 beginning with an Animated Web Series starring Kris Holden-Ried (Lost Girl), Tatiana Maslany (Orphan Black), Laura Vandervoort (Smallville) and Paul Amos (Assassin's Creed)
The comic, published by Chapterhouse Comics was released with over 80,000 copies in May of 2015.
Free Comic Book Day is May 06 2017.

SOURCE: Chapterhouse Publishing

18 December 2016

US Climate Heroes: Bypass Trump! [Petition]

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Image via Avaaz.org
Dear friends,

One man could destroy our future in 34 days. Yep, Donald Trump. 

He doesn’t even need the nuclear codes -- he just needs to keep his promise to pull out of the Paris climate agreement, and have massive polluters like India or Russia follow suit! 

But we’ve got a silver bullet: bypass Trump.  

New York, California and Google have raised their climate ambitions after Trump's election -- if we get them to build a coalition of US cities, states and businesses to collectively meet the US climate target, the Paris agreement can hold. Let's send a million voices directly to their doorsteps!  

>> Click here to sign!

This really could work. Key cities, states and firms are already stepping up, with Google committing to 100% clean energy by next year!  

Add giant states like New York and California to giant cities like Chicago and Philadelphia, and experts say you might not even need the US Federal government to meet the US climate target! The Paris agreement can be saved. 

Avaaz has already been pushing this idea with insiders, who say that a big public push from our movement could help catalyze the leadership we need from climate heroes. Let's take millions of global voices to Mayors, Governors and CEOs across the US:  

>> Click here to sign!

Leaders change, facts do not. And that’s why our movement is so important. We can keep accelerating on the road towards a safe climate future, no matter who is in power. In the era of Trump’s denialism, let's help bring together the coalition we need to save the world.

With hope,

Loup Dargent
On behalf of Christoph, Alice, Nick, Risalat, Martyna, Ricken and the rest of the Avaaz team 

MORE INFORMATION


More Donald Trump Related Stories
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17 December 2016

Tell Colleges: Don't Let Milo Yiannopoulos Harass Your Students [Petition]

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Alt-Right's poster boy, Milo Yiannopoulos - image via Wikipedia
The following is an email I've received from Media Matters earlier on... as the subject of that email is Milo (I have written a post about the deluded Breitbart/alt-right's poster boy, quite a while ago), I definitely have no problem whatsoever sharing it on here.

Stay safe!

Loup Dargent

The Email:
Harassment is not a part of the marketplace of ideas. Campuses need to be places where ideas can be debated vigorously, and sometimes that debate will become uncomfortable or controversial. But when discussion devolves into outright harassment of students, it is time to draw a line.

When failed tech entrepreneur and Breitbart editor Milo Yiannopoulos spoke at a Wisconsin university in December, he used the opportunity to harass a transgender woman. According to a local report, Yiannopoulos "named and showed a picture of the student to his audience, and accused the student of being a man trying to find his way into women's bathrooms." Yiannopoulos added "The way you know he's failed is I can still bang him."1


Yiannopoulos is defined by his harassment. He is a champion of the "alt-right," a coalition of white supremacists and misogynists that have consistently used online platforms to organize harassment.

In October, the Anti-Defamation League found a drastic uptick in anti-Semitic tweets sent to journalists.2 A conservative writer connected them to the "alt-right" and Yiannopoulos personally.3 Twitter banned Yiannopoulos in July for what the organization described as "participating in or inciting targeted abuse of individuals."4 The ban was widely understood as a reaction to the harassment campaign Yiannopoulos led against African-American actress Leslie Jones.5 This approach can be traced back to "Gamergate," where conspiracy theorists engaged in sustained harassment of women, including directing threats of violence against them.6 Yiannopoulos was a key figure in that as well.7

>> Tell Colleges: Don't Let Milo Yiannopoulos Harass Your Students
Colleges are rightfully reluctant to ban speakers based on their viewpoint. But they should not shy from taking a stand against people with a lengthy track record of harassment, especially those who have demonstrated a willingness to target and harass students.

Campuses have a simple way to prevent Yiannopoulos from harassing students on campus: They should require him to contractually agree to avoid such behavior before they permit him to speak on campus. If Yiannopoulos is truly interested in participating in an exchange of ideas, he should have no trouble agreeing to this. Campuses would also be doing their due diligence to protect their status as an open forum.

It's time to draw a line, and we need you to add your voice.

Erin Fitzgerald
LGBT Program Director, Media Matters

--------------------
[1] Herzog, Karen. (2016, December 15). Breitbart writer targets transgender UWM student Milwaukee-Wisconsin Journal Sentinel.
[2] ADL's Task Force on Harassment and Journalism. (2016, October 19). ADL Report: Anti-Semitic Targeting Of Journalists During The 2016 Presidential Campaign Anti-Defamation League.
[3] Pesca, Mike. (2016, November 23). The Alt-Right Is Using Trump Slate.
[4] Ohlheiser, Abby. (2016, July 21). Just how offensive did Milo Yiannopoulos have to be to get banned from Twitter? The Washington Post.
[5] Singal, Jesse. (2016, November 4). Twitter Exile Has Not Been Good for Milo’s Brand New York.
[6] Jeong, Sarah. (2016, December 14). If we took ‘Gamergate’ harassment seriously, ‘Pizzagate’ might never have happened The Washington Post.
[7] Biddle, Sam. (2014, October 20). The D-List Right-Wingers Who've Turned Gamergate Into Their Loser Army Gawker.

16 December 2016

Rogue One: The Latest Star Wars Film Fuels Resistance And Protest

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It’s all happening. © 2016 Lucasfilm Ltd.
By Oli Mould, Royal Holloway

This year, by most accounts, has been tumultuous. Notwithstanding the rise of far-right extremism, “Brexitrump” and the horrors of Aleppo, there have been strikes, anti-government protests and discord on the streets of many cities around the world.

The political legacies of the Arab Spring, Occupy and the 2011 UK riots are bearing fruit, and resistance to the perceived injustices of state power are intensifying. Indeed, subversive and activist groups, such as guerrilla skateboarders, an ever-growing number of anti-gentrification cells in London and the army of humanitarian volunteers in places like the Calais Jungle are proliferating. Is it any wonder then that rebellion, resistance and protest strike such a chord in contemporary popular culture?

The latest offering in the Star Wars franchise, Rogue One, gives us such a narrative. It is the first of (what will no doubt be many) “spin-off” films from the Star Wars universe. It tells the story – alluded to in the first Star Wars film in 1977 – of how a group of resistance fighters stole the plans to the Death Star from under the noses of the Galactic Empire.

AN JOr. © 2016 Lucasfilm Ltd.

Rogue One
Being once removed from the Star Wars saga, Rogue One had the freedom to dispense with the tired platitudes, cheesy star-wipe edits and homogeneous good versus evil, dark versus light tropes of the core films. With Godzilla and Monsters director Gareth Edwards at the helm, the film feels far grittier and somewhat more macabre. Edwards even had the licence to bring in, albeit briefly and somewhat unnecessarily, his trademark of a slimy, tenticular monster.

The story revolves around our hero Jyn Erso (ably played with a battle-hardened sobriety by Felicity Jones), who we see as a little girl in the prologue escaping capture from the Empire. As an older woman she is urged into joining the rebellion. She then leads a band of mercenaries on an against-all-odds heist mission to steal the plans to the Death Star and save the galaxy from the totalitarian Empire and their weapon of planetary destruction (leading some to label the film, somewhat unfairly, as “Ocean’s 11 in space”).

Edwards has skilfully produced a less cliched Star Wars film (and in the hilariously sarcastic droid K-2SO, produced the best non-human Star Wars character since Yoda), but kept the faithful happy with subtle references and the reintroduction of Darth Vader’s malevolence and fear-inducing power. One climatic scene in particular rolls back the years and rekindles some of the terror that gave Vader the accolade of the ultimate cinematic villain.

What the film does not compromise on are the spectacular visuals. Battle scenes set against tropical beaches give a World War II feel to it, and the CGI reincarnation of Peter Cushing’s Moff Tarkin is breathtaking. How the film links back into the first is done extremely skilfully, building to a quite chilling finale.

© 2016 Lucasfilm Ltd.

The faces of resistance
So Edwards has kept within the confines of the Star Wars canon, but created a narrative that complicates the clear distinction between good and evil, right and wrong. We see this particularly with the infighting among different factions of the Rebellion. After Erso’s father is taken away, she is raised by Saw Gerrera, an “extremist” who even the Rebellion have disowned. The broad spectrum of political thought that characterises subversion from and protest against contemporary state power is reflected here. Pseudo-spirituality, comical cynicism, personal grievances and lifelong idealistic struggle are all represented in the band of fighters Erso corrals to the cause.

The aesthetic alignment of the Empire (and its reincarnation of The First Order in The Force Awakens) with Nazism is proving to make the Star Wars films sadly far more prescient than they should be. The fact that Rogue One has been released now, at the end of 2016, and pits a political eclectic bunch of rebellious ideologues against a totalitarian and fascist regime, I’m sure is coincidental. But cinema, far more than any other medium, has the power to tap into, probe and catalyse tacit feelings within a society.

Rogue One stirs themes of resistance, empowerment and activism in the face of large-scale injustices, but also speaks to the political difficulties of enacting this. The amalgamation of diverse activist practice into a single political movement is fraught with difficulties: ideological differences between different groups, emotional and physical burnout, the lure of stardom and selling out, and many other pitfalls.

This is why, for me, cinema is an important resource in maintaining these practices. It can act as a shot-in-the-arm of hope and inspiration (much like Denis Villeneuve’s Arrival did, released as it was the week of Trump’s victory in the US election).

Rogue One plays on this directly with the repeated refrain that “rebellions are built on hope”. This is an important truth, one that will no doubt proliferate as the events of 2016 unfold in the coming years. Rogue One has tapped into that masterfully; and to do so in the confines of a hyper-commercialised Disney profit-fest, is an impressive feat indeed.
The Conversation

About Today's Contributor:
Oli Mould, Lecturer in Human Geography, Royal Holloway


This article was originally published on The Conversation. 

15 December 2016

"Yu-Gi-Oh! THE DARK SIDE OF DIMENSIONS" Movie Tickets Now On Sale In The US

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4K Media Inc., the Konami Digital Entertainment, Inc. subsidiary that manages the global Yu-Gi-Oh! brand outside of Asia, has announced that advance tickets for Yu-Gi-Oh! THE DARK SIDE OF DIMENSIONS are now on sale in the U.S. via yugiohtickets.com.
Additionally, the company announced the winners of three (3) Voiceover Contests held this past year; giving six (6) winners the unique opportunity to be voice-actors in the upcoming feature film.  
The film is set to be released for a limited-time engagement by 4K Media with Screenvision Media, a national cinema advertising leader, to over 500 theatres across the United States and Canada on January 27, 2017.
Kristen Gray, SVP of Operations and Business & Legal Affairs at 4K Media, said, "We're very excited to offer Yu-Gi-Oh! fans the opportunity to purchase their movie tickets in advance, to insure their ability to see this limited release film while in theatres.  We are also happy to share that theatres will be distributing an exclusive promotional Yu-Gi-Oh! trading card to fans as they enter the theatre, while supplies last."
"Anticipation for the new Yu-Gi-Oh! film is very high," added Darryl Schaffer, EVP Operations & Exhibitor Relations for Screenvision Media.  "By making tickets available in advance of the release dates, fans can rest assured that they'll be able to experience Yu-Gi-Oh! THE DARK SIDE OF DIMENSIONS without the fear of theaters being sold out."
The six winners of The Yu-Gi-Oh! THE DARK SIDE OF DIMENSIONS Voiceover Contests held at the following three events are:
  • The 2016 Yu-Gi-Oh! TRADING CARD GAME World Championship in Orlando,FL winners: Tyler Schmauch (Policeman) and Lindsay Victoria Granduke (Lab Technician A).
  • The 2016 New York Comic Con winners: Luis Alfonso (Engineer) and Brooke Stocken (Bakura Fan Girl).
  • The 2016 Yu-Gi-Oh! TRADING CARD GAME Championship Series in Minneapolis, MN winners - Ted Kong Yang, (Sanpei) and Bethany Cardinal (Lab Technician B)
In Yu-Gi-Oh! THE DARK SIDE OF DIMENSIONS, the stakes have never been higher; the rivalries never as fierce; the risks never so great. One wrong move—one card short—and it's game over for good. A decade in the making, Yu-Gi-Oh! THE DARK SIDE OF DIMENSIONS features new designs and an all-new story from the original creator of the global phenomenon, Kazuki Takahashi
His masterful tale features anime's most beloved characters in their long-awaited return: Yugi Muto, Seto Kaiba and their faithful friends Joey WheelerTristan Taylor, TĆ©a Gardner and Bakura. It's the most highly anticipated re-YU-nion ever!
In addition to the Yu-Gi-Oh! TRADING CARD GAME, video games and feature films, the brand also includes the Yu-Gi-Oh! animated franchise, with over 700 episodes spanning from the first series "Yu-Gi-Oh!" DUEL MONSTERS, followed by "Yu-Gi-Oh! GX," "Yu-Gi-Oh! 5D's," "Yu-Gi-Oh! ZEXAL" and "Yu-Gi-Oh! ARC-V." 

SOURCE: 4K Media Inc.

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