9 February 2017

Stop #Trump's Marriage Made In Hell [Petition]

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Image via Avaaz.org
Dear friends,

This is urgent! Trump is ready to bless a merger between chemical giants Monsanto and Bayer to create a $100 billion agribusiness beast designed to dominate our earth's food system.

It's not only bad business to allow one company to grow this huge, it's against the law. And two little known regulators in the US and Europe can stop the deal. The problem is they're being pounded by lobbying from two of the world’s most powerful corporations and a President hell-bent on seeing the deal succeed. 

Only a massive movement like ours can counter the assault.

We beat Monsanto twice last year in exactly this way, but this time we need unprecedented numbers to show the regulators people everywhere want to stop a megaplan backed by President Trump. Add your name:  
>> Click to stop this monster marriage made in hell
Monsanto and Bayer combined would dominate global crops and pesticides, and control our food system! And these are companies that have poisoned bee populations, river water, food and created seeds that die after one generation so that small farmers remain loyal customers under crippling debt. 

Bayer and Monsanto met with Trump before he took office and he released a statement afterwards taking credit for large pieces of the merger megaplan. But luckily the EU’s competition commissioner still has the power to block the deal and the US antitrust chief can file a lawsuit if they decide it goes against the public interest. 

Both regulators are under massive pressure to waive the deal through. But we've foiled this kind of contract before. Let's build a call so strong that these public defenders move to protect the common good:   
>> Click to stop this monster marriage made in hell
We already blocked the license renewal of Monsanto's biggest product, glyphosate, and helped ban one of Bayer's bee-killing pesticides in Europe. Let's show them that even if they try to team up, we will stand up and fight together for our health, our food, our farms, and our earth.

With determination,

Loup Dargent


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7 February 2017

Behind Enemy Lines: Will #Trump's America Become Hostile Territory For Journalists?

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Donald Trump’s campaign manager Corey Lewandowski allegedly grabbed former Breitbart reporter Michelle Fields as she asked Trump a question at the Trump National Golf Club in Jupiter, Florida.EPA/Jupiter police handout
By James Rodgers, City, University of London

It was high summer on the edge of Siberia and suddenly there came the hardest question of a tough assignment. I had travelled to Yekaterinburg for a story about the spread of HIV. The city’s location made it a crossroads for the trade in many goods, including heroin. As a result, HIV infection rates were rising frighteningly rapidly among drug users. The trip involved encounters with sources, many of whom were distressed – some of whom who were frankly scary. But it was questions from the journalism students who were with us that really stumped me.

The questions – including the size of my salary – were largely predictable. One was not: “What do you do when the governor does not like a story you have written?

The obvious answer from a Western reporter might have been something about the noble notion of the fourth estate speaking the truth to power. But I knew that such an answer would not work in the lawless Russia of the post-Soviet era. Journalists – especially those who uncovered incompetence or corruption among the powerful – could find themselves in serious, even mortal, danger. So I offered a reply which blended the ideal with a more realistic point about it being important, as a reporter, to manage one’s relationships.

Hostile environment
I was recently reminded of that day. Reuters editor-in-chief Steve Adler sent out a message to staff in which he outlined the challenges of working in countries where the “media is unwelcome and frequently under attack”. The message listed “places such as Turkey, the Philippines, Egypt, Iraq, Yemen, Thailand, China, Zimbabwe, and Russia, nations in which we sometimes encounter some combination of censorship, legal prosecution, visa denials, and even physical threats”.


His point was that experiences such as these would now prove useful in covering the United States under the presidency of Donald Trump. The administration is still in its first month, but this is hardly the kind of company in which the US would wish to find itself.

My own experience covering international news included being stopped from filming on many occasions in Russia: including even once during a British ministerial visit. The location was a rusting naval dockyard which the minister was visiting to see how funds allocated to make safe ageing nuclear reactors were being spent – and a man in a shiny suit demanded to see what the cameraman I was working with had shot.

On another occasion, a reporting trip to some glasshouses ended in a police station. The Federal Security Service, or FSB, detained my colleagues and me for filming flowers. The year-round rose-growing business was close enough (some 20km, as far as I remember) to a naval base to be off limits to foreigners.

Reporters will need to get used to separating truth from ‘alternative facts’. EPA/Michael Reynolds
Many international journalists could add plenty of anecdotes to that list: being stopped at roadblocks by heavily armed men in plain clothes; having their phones tapped or their equipment confiscated or damaged; being issued with threats – this especially applies to local people helping journalists from beyond its borders. The difference now is that Reuters journalists are being asked to draw on such experiences in a country which sees itself as leading “the free world”.

Dishonest people
Western coverage of the world is not perfect. It frequently provides fuel for its critics, journalists among them. Yet at a time when journalism is under all kinds of political and economic pressures, this is actually a chance for it to shine; to prove its worth.


Repressive governments often criticise the kind of “objective” journalism prized as a model in the Western world. They argue it is not, in fact, objective. State media in countries where dissent is discouraged howl that international news organisations are merely acting at the bidding of other “political demands”.

As a correspondent, I have covered armed conflict, political upheaval and refugee crises – but most of that was outside Western Europe. Now political uncertainty is shaking the Western world and with it come attacks on the media, may of them from the latest occupant of the White House. As Adler’s message to his staff noted: “It’s not every day that a US president calls journalists ‘among the most dishonest human beings on earth’ or that his chief strategist dubs the media ‘the opposition party’.

It is good to see organisations such as Reuters publicly reporting the situation for what it is. Historically, one of the influences which shaped ideas of objective journalism was economic. In capitalist economies, news had to sell – so offering a version of events which could be widely accepted made business sense. In a political and media world increasingly shaped by emotion and belief, this is arguably less important.

Reuters’ statement is valuable in another sense. For journalism is also about recognising era-defining change when it comes. Allies can become adversaries; good governments can give way to bad ones. Confrontation between political power and the press can become repression. When it does, or threatens to, that’s news wherever it happens. Journalists need to report it.

The Conversation
About Today's Contributor:
James Rodgers, Senior Lecturer in Journalism, City, University of London

This article was originally published on The Conversation



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Rainin Arts Real Estate Strategy Goes Online to Counter Displacement Threats to Arts and Cultural Organizations

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The arts drive vibrant and diverse communities and are critical to neighborhood health and well-being. Pictured here is Jen Lewin Studio's "The Pool" at Lafayette Square, New Orleans. Photo credit: Marcus Alfred.
There's an innovative solution for arts and cultural organizations facing displacement in cities and communities across the country—and a new online resource that shows how it works.
Today, the Kenneth Rainin Foundation launched the Rainin Arts Real Estate Strategy website to provide an accessible tool for exploring this cutting-edge approach to addressing an increasingly urgent problem. 

The collaborative strategy connects resources in the community to the real estate needs of arts and cultural nonprofits.
Shelley Trott, Rainin Foundation Director of Arts Strategy and Ventures, said, "This model is a game changer for protecting our most valued arts and cultural assets, and we're eager to share it with other communities."
Artists and cultural nonprofits are facing displacement at an alarming rate due to rising real estate values in many urban centers, along with city planning challenges and other pressures. Rents in the three US cities with the largest number of artists per capita—San Francisco, Los Angeles, and New York City—are skyrocketing.
The Rainin Arts Real Estate Strategy mobilizes a coalition of public and private partners, who team up to support long-term, sustainable solutions and create affordable, safe spaces for arts organizations. The new website offers a clear window into how the model works, and how it can benefit these nonprofits and the communities they serve. 

Now gaining momentum in the Bay Area, it makes creative use of existing financial tools to leverage public and private resources as a means to revitalize and sustain the cultural vitality of local communities.
Citing the success of two projects in San Francisco and a more recent initiative in Oakland, Trott is enthusiastic about the potential for this collaborative approach to find similar success elsewhere. 
"We're discovering what works," Trott says, "and a proven, replicable model like this couldn't be more timely."
At the center of the model is a real estate holding company like the San Francisco-based Community Arts Stabilization Trust (CAST). The first of its kind to serve the cultural sector, CAST is a nonprofit, stand-alone entity that works with multiple partners to purchase real estate on behalf of arts organizations, and to help strengthen their capacity to purchase and manage a facility of their own. 
Other key partners include a community development financial institution (CDFI), foundations and other donors, banks and other businesses, and local government agencies.
In 2013, a $5 million grant from the Rainin Foundation provided seed funding to create CAST in partnership the Northern California Community Loan Fund—a CDFI with a long history in community development projects.
The Rainin Arts Real Estate Strategy recognizes that the arts drive vibrant and diverse communities and are critical to neighborhood health and well-being. But cultural organizations' current business models do not provide the capitalization, flexibility, and organizational capacity needed to survive and sustain themselves in a rapidly changing real estate marketplace.
Trott described CAST's role this way, saying, "CAST freezes the cost of real estate when it purchases property, carving out an alternative market for nonprofit arts and culture organizations. When a cultural organization buys a property seven to ten years after it's purchased by CAST, it pays the original purchase price."
CounterPulse was among the first pilot projects to secure a lease with an option-to-buy agreement from CAST for their new home in San Francisco's Tenderloin District, which opened to the public in 2016. CounterPulse has raised more than half of their $6 million capital campaign to purchase their home and secure their operations. Once they complete their loan payments and own the property outright, CAST will redistribute the money to another nonprofit arts group in need of help finding a home.
CounterPulse Artistic Director Julie Phelps said, "Our partnership with CAST has enabled our organization to build capacity and contribute to the neighborhood's vibrancy without the threat of displacement. With an additional outpouring of generosity from people and businesses in San Francisco that recognize the value of the arts, we are truly elated to have a permanent home to create art with and for our community."
Shelley Trott agrees, "When we cement the valuable presence of artists and cultural spaces, the entire city benefits. We hope fellow funders, city governments and arts organizations are inspired by our success and explore our website to learn how their communities can leverage this strategy."

Visit the website and download the whitepaper report at:  krfoundation.org/artsrealestate

About the Kenneth Rainin Foundation
Kenneth Rainin Foundation is a family foundation that collaborates with creative thinkers in the Arts, Education and Health. At the Rainin Foundation, we believe in taking smart risks to achieve breakthroughs. We support visionary artists in the Bay Area, create opportunities for Oakland's youngest learners, and fund researchers on the forefront of scientific discoveries.

Since 2009, the Foundation has awarded over $20 million in funding to support small to mid-size arts organizations in the Bay Area that are pushing the boundaries of creative expression. More at krfoundation.org.


SOURCE: The Kenneth Rainin Foundation

6 February 2017

NUNE Short Film Rewards #LGBTQ Global Millennial Fan Base with Direct-To-Fan Digital Release

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A shy Nune Lusparian meets American Beauty in NUNE
LGBTQ, short film Nune by Ji Strangeway of GYATRi Media will be digitally released on VHX with a special offer of 99 cents for 3-day streaming on February 14, 2017, Valentine's Day.  VHX is a direct film distribution platform acquired by Vimeo.
Nune (pronounced noon-nay) tells the story of a 15-year-old Mexican-Armenian girl, who creates a fantasy world to escape the pain of social rejection and bullying. 
The arthouse film gained momentum on social networks, with a message that strikes a chord with queer-questioning millennials and their allies around the world.  Yet, fans eager to see the movie on VOD have waited over a year due to online distribution restrictions imposed on films under review by the film festivals.
After discovering the political agenda of film festival competitions and the oversaturation of films in the indie marketplace, the director deemed the prospective platform irrational and unfit for reaching Nune's true audience. She regrets not taking her movie direct-to-digital sooner.
"The festival route always felt wrong for my film. Direct-to-Fan streaming technology was at my fingertips," said Strangeway. "That's what all this amazing self-distribution technology is here for, so the independent artist can reach their audience. Yet, I didn't take full advantage. Instead, I stuck to the path of film festival exposure. I had forgotten my spirit of independence."
Brianna Joy Chomer and Jessica Lauren star in NUNE, an LGBTQ short film by Ji Strangeway
To reward the movie's growing fan base and to celebrate film independence, Nune will stream on VHX at a discount price of 99 cents for three-day rental (reg. $3.99) on February 14, 2017
Broad streaming options include computer, smart mobile devices, Apple TV, Chromecast, and VHX Roku channel.  Nune fans outside the USA (in countries, such as BrazilIndiaAustralia and various parts of South AmericaAsia, and Europe) often face sales restrictions imposed by providers, such as iTunes, Google Play, and Amazon. On the VHX platform, 
Nune will stream globally in the spirit of Valentine's Day, apropos for the story's theme of heroism and romance.
  • Nune 99 cent Valentine's Day special can be redeemed with this code: "IHEARTNUNE" at http://g-la.us/99
The Official Trailer:



SOURCE: GYATRi Media

5 February 2017

Let's Denounce Trump's Appointment of Steve Bannon!

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Image via Daily Kros
The following is another email I've received earlier on and, as usual, I'm very keen to share with you guys (and ladies)... It's from the peeps at Daily Kros and it's about a campaign regarding Donald Trump's having appointed  Steve Bannon (former CEO of the Breitbart "News" site and current unelected president of the US) on the National Security Council.

You probably know the drill by now: feel free to read the email and act accordingly.

Thanks in advance

Stay safe!

Loup Dargent

Bonus Piccy:
(Courtesy of The Loupster)
Click here to see post on Facebook

The Email:
"Loup, this is terrifying. President Trump just removed top military and intelligence officials from our National Security Council -- and appointed Steve Bannon in their place.

You read that right: Trump just gave a white nationalist unprecedented power over our national security.

SIGN ON: Condemn Trump’s appointment of white nationalist Steve Bannon.

Bannon is the mastermind behind Trump’s cruelest executive orders.

Grassroots pressure is the ONLY way to reverse this disastrous decision.

Will you demand Bannon's removal from the National Security Council immediately?

Add your name today and join DCCC in this fight to take Bannon OFF the National Security Council.

Keep fighting,Kimm Lett, Daily Kos

Paid for by DCCC."

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