1 September 2017

"Post-Truth’ Media Really Is Shifting The News Agenda – And More Subtly Than It Seems

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File 20170831 22561 few5ex
Proceed with caution. (Gil C via Shutterstock)
By Precious N Chatterje-Doody, University of Manchester


As stories of Russian “information warfare” in various Western countries continue to mount, governments, intelligence agencies and journalists are fretting over the influence of global media outlets funded by autocratic governments. But while these organisations are clearly meant to serve their sponsor governments’ agendas in various ways, is the West right to be so worried about them?

Information campaigning in various forms is as old as politics itself, and nor is it the sole province of political bogeymen. Research shows that democracies are better than autocracies at influencing foreign public opinion, and businesses, politicians and states all use the mass media strategically for their information campaigns.

Whether this is public relations, public diplomacy, or propaganda is a matter of perspective. But the names we give a particular information campaign not only reflect our inferences about its aims; they can in fact amplify its power and advance its goals.

A case in point is the Kremlin-funded international broadcaster RT, formerly Russia Today. The network has been sanctioned by media watchdogs for its “misleading” coverage, even as it gathered five Emmy nominations for its investigative reporting. It was even cited by Hillary Clinton in 2011 as an example of an “information war” she said the West was losing – unwittingly describing things to come in her own career.
The network’s PR strategy skilfully uses these criticisms to cater to the biases of an anti-establishment generation. Its motto encourages viewers to “Question More”, and its various advertising campaigns have successfully exhibited Western contempt and suspicion as a badge of honour.

Yet despite the concerns of high-ranking figures, the US State Department has claimed none of the US$80m recently allocated by Congress for informational countermeasures, and the bulk of the funds will expire if not claimed by the end of September 2017. Some fear that the US is reluctant to risk a Russian backlash by leading a counter-disinformation offensive, leaving the legwork to initiatives like the controversial new Hamilton 68 dashboard, which claims to track Russian-backed influence campaigns across the web and social media.

But just how much influence RT and similar outlets wield is very much open to question.

Flattering bias
While many in US intelligence and politics seem to take RT’s self-reported audience figures as read, the channel’s official data is optimistic compared to its externally verified viewing figures. And despite RT’s pride at being “the most watched news network on YouTube”, most of its views go to apolitical clickbait human interest stories and coverage of natural disasters.

Some argue that RT’s smaller political audience is self-selecting: those who mistrust the mainstream establishment and are partial to conspiracy theories. However, this is all guesswork: so far, there has been little scholarly attention to RT’s audience engagement, despite its social media advantage over its competitors during breaking news events. (The University of Manchester and Open University will soon address this knowledge gap with the Reframing Russia project, the first systematic examination of RT’s audiences, ethos and multiplatform output.)

While RT may have limited capacity to influence those not already sympathetic to its aims, its reach across social and traditional media, and freedom from any commitment to impartiality, equip it perfectly for an atmosphere of rumour and counter-rumour.

This brings us back to Donald Trump and his ongoing crusade against the mainstream media.


Trump echoes RT’s line that all news reporting is biased in some way, and his social media output clearly flatters the views of his followers and allies. Trump’s tweets are, intentionally or not, perfectly calibrated to exploit the same effect as RT: audiences seek out content that accords with their political beliefs, and ignore information that does not correspond to their biases.

This effect is even clearer where people have strong political beliefs and ideologically segregated social media networks, because algorithms lock our preferences into our social media experience. Counterintuitively, we’re most likely to enter into debate with people with similar views to our own, not those who we perceive as being different and who can offer an alternative world view.

Worst of all, if much of your social media following is made up of automated “bots” primed to repeat, circulate and amplify particular messages – as seems likely in Trump’s case – then the volume of echoes increases exponentially. The result? Political opinions are polarised, with completely fabricated stories more widely shared (and believed) than genuine news.

Playing the mainstream
These patterns are strongest among more ideologically motivated groups, especially those on the political “fringe”. While less partisan audiences still look to the mainstream media, the agenda of the mainstream media is nonetheless shifting in response to fringe groups’ online interactions. As mainstream outlets report on social media trends, they amplify stories that originated in fringe groups, particularly when the stories reflect their ideological stance.

But the effect is not uniform across the political spectrum. Research on the US media shows that conservative news websites are more likely than liberal ones to propagate fabricated stories, and conservative individuals are more likely to believe them – but that liberal media outlets are more likely to change their agenda in response.

Crucially, fact-checking disputed stories does not help. Fact-check articles are less influential than the stories they attack, and can actually help disseminate falsehoods to audiences who are prone to misremember them as fact. More than that, merely fact-checking articles on fringe topics only makes those topics objects of mainstream discussion.

Fears about particular outlets’ “propaganda” stories are misplaced, since those stories generally only influence self-selecting “fringe” groups. What’s really concerning is how these groups repeat and amplify their preferred messages, and how their efforts influence media agendas and shift the parameters of political debate. With trust in the media declining fast, people are increasingly consulting partisan alternatives.

The ConversationThat not only opens the field for players like RT, but polarises social discussion to the point of outright conflict. And as recent events in Charlottesville, Virginia prove, that conflict is not confined to the online world.

About Today's Contributor:
Precious N Chatterje-Doody, Post-doctoral Research Associate, Reframing Russia for the Global Mediasphere, University of Manchester

This article was originally published on The Conversation

Bonus Picture:
There is nothing like a war to divert media attention  So Mr Trump started a war with the media
Image via Trumpton Facebook Page

31 August 2017

Wanted: Star Wars Droid Inventors

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With the littleBits Droid Inventor Kit, kids can create their own custom Droid and bring it to life for the first time ever!
With the littleBits Droid Inventor Kit, kids can create their own custom Droid and bring it to life for the first time ever!
littleBits, the award-winning company that empowers kids to be inventors, today announced the launch of its Droid Inventor Kit, which enables kids to create their own Droid. An integral part of the global launch of Disney and Lucasfilm's Force Friday II, the Droid Inventor Kit brings Droids to life, inspiring imagination and invention for kids around the world. Kids can easily create and power up their own mechanical companion using littleBits electronic Bits--along with the free Droid Inventor app--to send their creation on more than 17 special Star Warsmissions, complete with authentic droid sounds from the Star Wars films. 
As they unlock new capabilities and level up their Droid Inventor skills, kids can also learn how to create their own custom R2 Units and experiences, combining play with real hands-on learning.
"Today we are continuing a global inventor movement that empowers young people to participate in a story that inspires them to be creators, not just consumers of technology," said Ayah Bdeir, founder & CEO of littleBits. "We've created a gender-inclusive product that celebrates kids' own self-expression and ingenuity, while showcasing the same characteristics of imagination, grit and invention that are embodied in the Star Wars franchise."
With invention at its core, the Droid Inventor Kit fosters creativity and problem-solving skills. In-app challenges encourage kids to reconfigure the littleBits technology in new and unique ways, in combination with household items, so they can create their own custom Droids such as a delivery Droid, a room guardian, and more.
The Droid Inventor Kit includes all the components needed for kids to create their very own Droid. A free app (iOS and Android) completes the experience, providing step-by-step instructions and how-to videos.
  • The app guides kids as they put together their Droid and control it in Drive Mode, Self-Nav, Force Mode, and more, making it the ultimate galactic sidekick.
  • After mastering their Droid Inventor skills, kids continue on to challenges that spark creativity and inspire them to create unique new Droids.
  • Each littleBits electronic block has a different function such as a power, motor, or sensor, which kids can use with their Droid in new and exciting ways.
  • Included stickers and in-app missions encourage kids to customize their Droid using crafts or household objects, giving their Droid its own special personality.
  • Kids will take pride in creating any Droid they imagine, and parents will love the endless play opportunities.
Using the littleBits Droid Inventor Kit and the free Droid Inventor app, kids will teach their R2 Unit new tricks and take it on 16+ missions.
Using the littleBits Droid Inventor Kit and the free Droid Inventor app, kids will teach their R2 Unit new tricks and take it on 16+ missions.
The company is committed to bringing more girls into STEM/STEAM by designing products that are gender-inclusive and celebrating female inventors. littleBits products currently see adoption by girls at around thirty-five percent--an industry high.
"The littleBits Droid Inventor Kit has the elements to be one of this year's hot toys," said Jim Silver, CEO and editor-in-chief of TTPM. "It combines the huge fandom of Star Wars, STEAM, and tons of creative fun. Its open-ended design and deep engagement will be particularly appealing for both kids and parents, ensuring long-lasting interest through repeat play."
The Droid Inventor Kit comes with 20 Droid parts, six Bits, three sticker sheets, as well as a free download of the littleBits Droid Inventor app. The Droid Inventor Kit retails for $99.95 and is available now at Walmart stores nationwide, Amazon, Apple Store, Disney Store, and littleBits.com. 
littleBits Droid Inventor Kit
littleBits Droid Inventor Kit
For more information and a complete list of global retail locations, please visit: littleBits.cc/starwars.

Source: littleBits

Bonus Video:

30 August 2017

White Supremacists Are On The March, But The Ku Klux Klan Is History

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A Klansman...
When you wash your best sheets for nothing. EPA/Erik S. Lesser

By Kristofer Allerfeldt, University of Exeter

When Donald Trump repeatedly equated the far-right activists who marched in Charlottesville, Virginia with the anti-fascist counter-protesters, the media’s reaction was swift and clear. The next covers of both the New Yorker and The Economist featured cartoons of Trump and a Ku Klux Klan hood. In one, the president guides a ship of state with a sail shaped like a hood; in the other, he shouts into a megaphone designed to look like the infamous white headpiece.

To many commentators, the Klan costume is now the perfect visual sleight with which to decry Trump’s cack-handed false equivalence. After all, hoods and burning crosses are the most potent icons of American white supremacy, an easy shorthand for racism and bigotry. But despite the scenes of extrovert white supremacists on the march with burning torches in Charlottesville, something important has changed: today, there is essentially no such thing as “the Klan”.




Its brand began to evaporate as long ago as 1944, when the Internal Revenue Service turned up an unpayable debt stemming from the organisation’s lucrative glory days in the 1920s. The debt was never repaid, meaning that those who would use the name today must settle it, which – thanks to compound interest – now stretches into the tens of millions.

The upshot is that today there are many different, equally horrible organisations designed to spread hate, all using the word “Klan”, but unable to call themselves simply the Ku Klux Klan. The Southern Poverty Law Centre, which tracks hate groups across the US, currently counts 130 such groups. They total some 5,000 to 8,000 members. Few have more than regional appeal; very few have statewide reach, and none are national.

Some groups share their anti-Semitic vitriol with neo-Nazi organisations, drawing on modern paganism, usually based around the neo-Norse mythologies. Some are militia-survivalists preparing for the Wagnerian denouement of US civilisation in a “race war”. Still others focus on what they call the “White Holocaust” of abortion, which they claim disproportionately targets Caucasian babies, or adhere to “traditional” white supremacy grounded in extreme white Anglo-Saxon protestant ideals.

The bad old days

Frightening though this may sound, this is far from a return to the KKK’s 1920s heyday. Back then, it was a true mass movement, pyramid-selling membership to millions of people in every state in the US and some of Canada; it even harboured ambitions of establishing “Klaverns” worldwide. Nor are we seeing a return to the Klans’ ultra-violent backlashes against civil rights in the 1870s or 1950s, when they commanded considerable, if localised, support.

The media should be careful about labelling far right groups or activists as “the Klan” just because they have associated views. This gives the oxygen of publicity to the ideological remnants of a group that hasn’t really existed for 70 years.

This was a different matter when the Klan was in full force. In 1921, the New York World famously ran 21 anti-Klan front-page articles, exposing the group’s awful activities day after day with large-point headlines – “Ku Klux Made Jews and Negroes Target for Racial Hatreds”, “Bitter Anti-Catholic Propaganda Peddled by Officials of Klan”.

These headlines spurred a full investigation by a House of Representatives committee, where the founder of the Klan, “Imperial WizardWilliam Joseph Simmons, successfully defended the order against claims of corruption, violence and bigotry. In a widely reported and memorable phrase, he argued his Klan was as “innocent as the breath of an angel”.
Thankfully, few if any believe such claptrap today. But that’s no reason for complacency. It should shock us that the Klans and their allies feel confident enough to take part in a public rally on the scale of Charlottesville, and that they feel others in the US might support them. Nevertheless, they almost certainly don’t have popular backing and there will not be a return to the dark days when the KKK enjoyed mass national membership, or regional sympathy.

Today, as always in the past, the Klans’ grab-bag ideology of hatreds and grievances contains the seeds of its own destruction. Publicity has the power to show “Klansmen” for what they really are: a collection of sad, dysfunctional, bigots who both celebrate their social exclusion and plot the downfall of those who exclude them.

The ConversationHistory shows us they will never be able to unite under one banner, at least not for very long. But it would be a tragedy if a lack of historical context in the coverage of current events gives the wrong impression, helping Klansmen to achieve any form of unity.

About Today's Contributor:
Kristofer Allerfeldt, Senior Lecturer in History, University of Exeter


This article was originally published on The Conversation. 

Star Photographer Markus Klinko, Modern Rocks Gallery Announce Auction To Benefit Red Cross Hurricane Harvey Relief

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BeyoncƩ by Markus Klinko
BeyoncƩ by Markus Klinko, Modern Rocks Gallery
Award-winning, international fashion and celebrity photographer Markus Klinko and Texas-based Modern Rocks Gallery today announced the launch of "Dangerously in Love with Houston: Modern Rocks Gallery / Markus Klinko Auction," an online auction of signed, first worldwide edition BeyoncĆ© photographs with proceeds benefiting the Red Cross and its Hurricane Harvey relief efforts. 
The online auction will feature three 16"X20" photographs of Houston-native BeyoncĆ© from the 2003 cover shoot of her debut solo album, Dangerously in Love, signed by Markus Klinko.
Fujifilm supports the auction with printing and mounting, while Broncolor will donate shipping of the photographs to auction winners. All money raised from the auctions will go to the Red Cross Houston and Gulf Coast relief efforts.
The auction is online at modernrocksgallery.com/hurricane-relief and begins at 2 pm CSTWed., Aug. 30 and closes at 2 pm CSTSat., Sept. 9, 2017.
"I met Beyonce first in 2000 as a member of Destiny's Child during a photo shoot for Vibe and later was hired to shoot the cover of BeyoncƩ's debut solo album, Dangerously in Love. The images in our Hurricane Harvey relief auction were shot at my Soho studio," said Klinko. "And, I remember this shoot as one of my favorite experiences. BeyoncƩ later shared that these photographs were her all-time favorites."

"It's a privilege to have the opportunity to support Hurricane Harvey relief efforts. The catastrophic impact on Houston and the Texas Gulf Coast will require months and years of recovery, relief and rebuilding. It's one way I can help raise funds and awareness for the people of Houston and the Texas Gulf Coast," added Klinko.
"We're grateful for Markus' tremendous generosity in this effort,Steven Walker, owner of Modern Rocks Gallery said. "Our heart aches for the people of Houston and the Gulf Coast, and we wanted to find a way to raise awareness and critical funds for the recovery and relief efforts there. Being able to feature these iconic images of Houston-born BeyoncĆ© in this auction make the effort even more special."

SOURCE: Modern Rocks Gallery

29 August 2017

"Planet of the Orb Trees": New Children's Dystopian Book Promotes Environmental Awareness

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Planet of the Orb Trees - Book Cover
Planet of the Orb Trees
Heartlab Press Inc. is pleased to announce the upcoming publication of Barton Ludwig's dystopian young reader's title, "Planet of the Orb Trees".
Written for a generation growing up in an era of environmental climate change, "Planet of the Orb Trees" takes place on a planet where natural disasters have pushed the last of humanity to the confines of an old amusement park. With unlimited rubus orbs for energy, unlimited roller-coaster rides, and unlimited distractions, everyone is happy. Everyone except Kai, a young boy who dreams of travelling beyond the stars.
Determined to get to Planet Ketera, Kai takes his knapsack—which can only carry 5 orbs and sets out to reach the largest rubus tree in search of more powerful orbs to fuel his flight. Beyond the comfort and safety of home, Kai learns of the value of thinking beyond immediate gratification, of thinking of his surroundings, and, most importantly, of thinking of other living beings.
Ludwig wrote this book with hopes to promote ecological awareness, conservation of resources and environmental action.  
"Planet of the Orb Trees," is an adventure dystopian book that encourages children not to take nature for granted.


  • The official release date of "Planet of the Orb Trees" is December 14, 2017. It will be available on Amazon as well as major retailers in print and digital formats.

SOURCE: Heartlab Press Inc.

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