L.A. TV News Pioneer, David Sheehan, To Be Awarded at Monaco International Film Festival

Los Angeles television's first and longest running entertainment reporter David Sheehan is being honored by the Monaco International Film Festival with its 2015 Lifetime Achievement Award Sunday December 6 in Monte Carlo.

With this year's festival and its Angel Film Awards being a celebration of non-violent movies, the David Sheehan tribute particularly honors his 44 years of campaigning against onscreen violence in his nightly reviews on KNBC-TV and KCBS-TV.

L.A. TV NEWS PIONEER HONORED IN MONTE CARLO 
(PRNewsFoto/David Sheehan)

The award is auspicious timing for Sheehan, coming just as the longtime TV broadcaster prepares to launch his "David Sheehan's Hollywood Icons" series of 12 half-hour shows spotlighting his over-the-years interviews with 27 major stars ranging from Johnny Depp and Tom Hanks and Meryl Streep to Tom Cruise and Clint Eastwood and Arnold Schwarzenegger. The series even includes visits during various decades with three stars no longer with us: Robin Williams, Paul Newman and Marlon Brando.

Beautiful Images Of Humanity And #ClimateChange To Be Projected Onto St. Peter's Basilica on Dec. 8

Morning rays burst through a window illuminating the brilliant reefs of Raja Ampat, Indonesia. Credit: Shawn Heinrichs (PRNewsFoto/Vulcan Inc.)

Public art projection featuring images of humanity and climate change to illuminate St. Peter's Basilica on the opening of the Extraordinary Jubilee of Mercy on Dec. 8

On Dec. 8, a humanitarian coalition comprised of Paul G. Allen's Vulcan Inc., the Li Ka Shing Foundation and Okeanos, in partnership with The Oceanic Preservation Society and Obscura Digital, and under the auspices of the World Bank Group's Connect4Climate initiative, will present a gift of contemporary public art entitled "Fiat Lux: Illuminating our Common Home" to Pope Francis on the opening day of the Extraordinary Jubilee of Mercy. 

Frankenstein Or Krampus? What Our Monsters Say About Us

By Natalie Lawrence, University of Cambridge

Two new monster movies are being released in the lead-up to Christmas, and each sports a very different kind of beast. There’s the man-made creation of Victor Frankenstein in the latest rendition of Mary Shelley’s gothic tale, a grotesque creature cobbled together from “the dissecting room and the slaughter-house”. And then there’s Krampus, an American re-working of the evil Austrian counterpart to Father Christmas.

Don't Buy The Stereotype: White Working-Class In England Are Not All Against Multiculturalism

By Harris Beider, Coventry University

Once upon a time white working-class people were seen as a political problem. Now they are back in fashion – celebrities such as Adele and David Beckham are proud to talk about their working-class roots and politicians are falling over themselves to win their support.Their votes have also been a key battleground in the Oldham by-election.

Political parties and politicians – albeit for different reasons – are keen to win the support of white working-class communities. This is partly the result of the rise of the right-wing UK Independence Party (UKIP) as a political force – despite only having one seat in the House of Commons, the party managed to secure 3.8m votes – and a disproportionate amount of coverage – in the May 2015 general election.

#COP21 - Al Gore: 'The Will To Act Is A Renewable Resource In Itself'

Al Gore lays some facts on the COP21 meeting. Reuters/Jacky Naegelen

By Ralph Sims, Massey University

With the main negotiations getting bogged down in such issues as whether to include a 1.5℃ target along with the accepted 2℃ goal (St Lucia and small island states say yes; Saudi Arabia and oil-exporting countries say no), much of the interest is found at the many side events going on at the same time.

One of them was today’s appearance by Al Gore – climate campaigner, former US vice-president, and winner of a Nobel Peace Prize shared with the Intergovernmental Panel on Climate Change.

Hitler At home: How The Nazi PR Machine Remade The Führer's Domestic Image And Duped The World

Walter Frentz photographed Adolf Hitler strolling with German diplomat Walther Hewel in the Berchtesgaden Alps, near the dictator’s mountain home. ww2gallery/flickr, CC BY-NC

By Despina Stratigakos, University at Buffalo, The State University of New York

On March 16, 1941 – with European cities ablaze and Jews being herded into ghettos – The New York Times Magazine featured an illustrated story on Adolf Hitler’s retreat in the Berchtesgaden Alps.

Adopting a neutral tone, correspondent C Brooks Peters noted that historians of the future would do well to look at the importance of “the Führer’s private and personal domain,” where discussions about the war front were interspersed with “strolls with his three sheep dogs along majestic mountain trails.”

For more than 70 years, we have ignored Peters’s call to take Hitler’s domestic spaces seriously. When we think of the stage sets of Hitler’s political power, we are more apt to envision the Nuremberg Rally Grounds than his living room.

Yet it was through the architecture, design and media depictions of his homes that the Nazi regime fostered a myth of the private Hitler as peaceable homebody and good neighbor.

In the years leading up to World War II, this image was used strategically and effectively, both within Germany and abroad, to distance the dictator from his violent and cruel policies. Even after the war began, the favorable impression of the off-duty Führer playing with dogs and children did not immediately fade.