Raelians Starting Negotiations With First Country To Consider Hosting An Embassy For Extraterrestrials

ET embassy landing pad

Thousands of Raelians worldwide will hold public events on March 31st – day that founder and spiritual leader of the Raelian Movement, Rael, declared "ET Embassy Day," in order to raise awareness about their major project: the building of an Embassy to welcome an extraterrestrial civilization to earth. 

"This year is very special,'' said Raelian Guide Daniel Turcotte, Rael's assistant for the ET Embassy Project. ''Up until now, several countries had shown a genuine interest for this very auspicious project, but this year, for the first time, a country has invited Raelian representatives to discuss this unique and enthusiastic project.'' 

"This week, the host country candidate has been handed an optional protocol to the Vienna Convention on Diplomatic Relations, provisionally titled the "Optional Protocol Concerning Embassies for Extraterrestrials," explained Turcotte. "The meeting also addressed the possibility for this country to hold the first international conference to discuss this protocol." 

Turcotte explained that the country granting a land, the necessary extraterritoriality, and the authorization for the ET Embassy to be built within its territory will not only benefit financially, but will also become the spiritual and scientific center of the planet for millennia to come, and happiness will prevail within its borders.

''Welcoming an extraterrestrial civilization isn't a mere fantasy the way it was viewed as in the 70s when Rael created the Raelian Movement with the mission of building an Embassy to welcome them," added Turcotte. "Since then, thousands of planets have been discovered including some with an atmosphere and all the necessary elements to sustain life. Not to mention that scientists now agree that the probability of intelligent life outside our solar system is very high, and millions of people have seen UFOs and know that an extraterrestrial civilization is showing interest in us, thus confirming this probability."

"The conditions for the general population to accept the idea of an official welcome are met, but violence on our planet is still so high that we need the wisdom of those who created us and who want to meet us again more than ever," concluded Turcotte.

ET embassy - scale model

Raelians believe that an extraterrestrial civilization created all life on Earth including human beings, and they believe it is a very peaceful and far more advanced civilization compared to ours, both scientifically and philosophically.

About Rael:

(Via rael.org)

"At the age of 27, on the morning of December 13, 1973, while he was still leading his successful racing-car magazine, RAEL had a dramatic encounter with a human being from another planet, at a volcano park in the center of France, known as "Puy de Lassolas". This extra-terrestrial gave him a new detailed explanation of our origins and information on how to organize our future, as recorded in the book: Intelligent Design. After six consecutive meetings in the same location, Rael accepted the mission given to him, to inform humanity of this revolutionary message and to prepare the population to welcome their Creators, the Elohim, without any mysticism or fear, but as conscious and grateful human beings. After a few months considering this huge task, Rael almost developed a stomach ulcer before finally deciding to give up his much loved career as a sports-car journalist and devote himself fully to the task assigned to him by Yahweh - the extra-terrestrial whom he met. Within the year following the encounter, he managed to print the book reporting about the event and appeared on two of the main TV and Radio shows in France, announcing a public conference. This first public conference held in Paris on September 19, 1974 attracted more than 2000 people. Shortly after, he founded the association MADECH - a group of people interested in helping him in his huge task- that would later become the Raelian Movement. By the end of the year 1974, the association counted 170 members. They are now more than 85,000 members in 107 countries.

On October 7th, 1975, he had a second encounter and was given additional information recorded on his second book, also part of Intelligent Design. Since that time, Rael has been touring the World, giving conferences and seminars on every continent, gathering those who share the desire to welcome our Creators.

He also authored several other books like Sensual Meditation which is a central part of his teachings, "Geniocracy" advocating for a more intelligent management of the planet and "Yes To Human Cloning" explaining the possibility of becoming eternal and the beautiful future one can expect thanks to Science.

Over the years, Rael has inspired several public actions from the promotion of the use of condoms in schools to the promotion of masturbation; from worldwide campaigns in support of minorities with the slogan "to tolerate differences is not enough, one should love differences" to the disturbing request to have all Religious books censured where they don't respect Human Rights; from the support of Human Cloning through the founding of Clonaid, to the promotion of GMO as the only chance for all human beings on Earth to have food; from the creation of Clitoraid, an association to help women who have been circumcised to have their clitoris repaired so that they can experience pleasure again to the call for the gathering of all African traditional chiefs to create the United States of Africa.

Rael has been a guest on most of the major TV programs worldwide like 60 minutes, CNN, FOX, and BBC news programs, as well as programs like Breakfast with Frost and Entertainment Tonight, to name a few. He has been invited to explain his vision of science to the American Congress and has been the guests of many leaders of this world, with the President Denis Sassou N'Guesso of Congo being the first to welcome him officially in 2000. Many artists acknowledged him as well like the French author Michel Houellebecq and Hugh Hefner.

In every culture on Earth, a messenger is expected, whether it is the Maitreya of the Buddhists, the Messiah of the Jews, the Paraclet of the Christians, or any other name that has been given by the many tribes around the world. This expected messenger, like all the previous ones, isn't supposed to please everyone, but to state what our Creators are expecting from us. This is what RAEL has been doing for more than 40 years now, traveling relentlessly while making the vow not to own anything, but to give everything towards welcoming our Creators in the Embassy they requested be built before 2035."

SOURCE: Raelian Movement

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New Exhibition Explores Lost And Censured Murals Of Los Angeles That Exposed Unequal Treatment Of Mexicans And Mexican Americans

"¡Murales Rebeldes! L.A. Chicano/a Murals under Siege" - poster (PRNewsfoto/California Historical Society)

Murals became an essential form of artist response and public voice during the Chicana/o Movement of the 1960s and 1970s. They were a means of challenging the status quo and expressing both pride and frustration at a time when other channels of communication were limited for the Mexican American community. Because they threatened established authority, Chicana/o murals were often censored, neglected, whitewashed, or destroyed. 

The California Historical Society presents its latest exhibition and companion publication, "¡Murales Rebeldes! L.A. Chicano/a Murals under Siege", which provides an important historical backdrop to issues of social justice that sparked outrage in California more than a half century ago and continue today and provides insight to similar injustice that plague today's socio-political environment.

"The historical context related to the issues of social justice that these murals so passionately portrayed decades ago are unfortunately painfully relevant today," said California Historical Society Executive Director Anthea Hartig.  "We are honored to bring this exhibition to San Francisco, particularly given the shared rich tradition of Chicano murals. We hope our visitors will gain insight on how these works of public art are relevant today and inspire hope and progress for future generations."

Through photographs, sketches, documents, film footage, and even rescued fragments, ¡Murales Rebeldes! tells the stories of eight murals -- by Barbara Carrasco, Yreina D. Cervántez and Alma López, Roberto Chavez, Ernesto de la Loza, Willie F. Herrón III, Sergio O'Cadiz Moctezuma, and East Los Streetscapers (David Botello, Wayne Alaniz Healy, and George Yepes) -- that were censored, neglected, whitewashed, and even destroyed. They are a small fraction of the hundreds of murals under siege. Their fates represent a larger issue: Without protection and advocacy, Chicana/o murals -- a cornerstone of California's cultural and historical heritage -- remain imperiled.

The exhibition examines these powerful murals that asserted Chicana/o history and identity in public spaces, challenged dominant norms, and provoked attempts to silence their poignant critiques. Examples include David Botello, Wayne Healy, and George Yepes of East Los Streetscapers, whose mural Filling up on Ancient Energies was destroyed without providing any notification to the artists. The lawsuit they won in favor of their mural has left a legal legacy for the protection of murals in Californiatoday. Barbara Carrasco's L.A. History: A Mexican Perspective was censored for depictions of Los Angeles's "controversial" histories even before it was painted.  

Today, after its 40 panels languished in storage for decades, Carrasco's mural is being featured in Los Angeles, in large part from the work initiated by this exhibition.  Murals by Ernesto de la Loza, Roberto Chavez, Yreina Cervántez and Alma López, Willie Herrón, and Sergio O'Cadiz, suffered similar outcomes—each a story of threats and loss that reveals the artists' resistance and resilience.

"Murals have played an important role in documenting the history, politics, fears, as well as the dreams and aspirations of historically marginalized populations," said Carrasco. "I am honored to be part of this important exhibition and to share my personal story along with the stories of my fellow muralists, particularly during today's turbulent times." 

¡Murales Rebeldes! was organized by the California Historical Society and LA Plaza de Cultura y Artes and made possible through lead grants from the Getty Foundation. Major funding is provided by the Annenberg Foundation and the Ratkovich Company.  The exhibition originated as part of the Getty initiative Pacific Standard Time: LA/LA.  The presenting sponsor was Bank of America. 

The exhibition, which just completed a six-month showing at LA Plaza de Cultura y Artes in Los Angeles, is curated by California Historical Society Director of Exhibitions Jessica Hough, in collaboration with LA Plaza Senior Curator Erin M. Curtis and Ohio State University associate professor Guisela Latorre.

"Telling these stories sheds light on censorship, the arts and how society as a whole responds to issues of free speech and social injustice," said Hough. "Through the showcasing of these works, the educational programming and lectures, we hope to provide historical context that is relevant in today's socio-political landscape."

¡Murales Rebeldes! will be on view at the galleries of the California Historical Society, located at 678 Mission Street in San Francisco, from April 7 to September 16, 2018.  The companion publication can be purchased online through the California Historical Society website or at its gallery bookstore and gift shop.  

Throughout the course of the exhibition, the California Historical Society will conduct a series of special programming, free public events and educational initiatives, including talks with artists, mural-making workshops, discussions about social justice issues, and visits with San Francisco artists and muralists.  

⏩ A free community celebration will take place on Saturday, April 14th from 11 am – 5 pm.

SOURCE: California Historical Society

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RiffTrax Makes Sci-Fi Sushi Out of 'Space Mutiny' in Movie Theaters Nationwide For Two Nights This June

RiffTrax Live: Space Mutiny

RiffTrax is set to kick off a sidesplitting summer in cinemas nationwide with 1988's "Space Mutiny." The film was panned by Eccentric Cinema as "quite possibly the worst science fiction/space adventure film made in English," which makes it ripe for the hilarious mocking of RiffTrax's Michael J. Nelson, Kevin Murphy and Bill Corbett (of Mystery Science Theater 3000 fame). In addition to the full feature, event attendees will be treated to one of RiffTrax's beloved shorts.

Tickets for "RiffTrax Live: Space Mutiny" can be purchased at FathomEvents.com or participating theater box offices.

Presented in more than 700 select cinemas by RiffTrax and Fathom Events, "RiffTrax Live: Space Mutiny" screens live on Thursday, June 14 at 8:00 p.m. ET / 7:00 p.m. CT / 7:00 p.m. MT / 8:00 p.m. PT with an encore presentation on Tuesday, June 19 at 7:30 p.m. local time, through Fathom's Digital Broadcast Network (DBN). For a complete list of theater locations, visit the Fathom Events website (theaters and participants are subject to change).

One of the funniest films featured on Mystery Science Theater 3000 in the Emmy Award nominated show's 11-year run, "Space Mutiny" is a hilariously bad sci-fi epic that's guaranteed to have you in stitches. Combine a wardrobe of spandex and tinfoil; a set boasting AstroTurf and spray-painted floor buffers; and special effects that, well, aren't so special, and you've got one of the most hysterical cheeseball movies to ever come out of the '80s. Grab your friends and have a riot with this underground cult hit. 

"Since 2009, RiffTrax has been creating hilarious and fun experiences for fans in movie theaters nationwide," said Fathom Events CEO Ray Nutt. "With 'Space Mutiny,' we know that Mike, Kevin and Bill will bring two nights of laughs to kick off the summer cinema season."

"We're excited to revisit 'Space Mutiny' because not only was it a favorite of the MST3K audience, it was a favorite of the writers," Michael J. Nelson of RiffTrax said. "And spending screen time with Reb Brown again will be like seeing an old friend. An old friend who wears shiny silver pants."

"RiffTrax Live: Space Mutiny" is the 27tth original title event broadcast to movie theaters since Fathom Events and RiffTrax began their partnership in 2009.

SOURCE: Fathom Events

London's O2 Chosen for World Premiere of the Heart of Hollywood Tour

The Heart of Hollywood World Tour is coming to London...

London is set to welcome a major piece of Hollywood history this summer, giving film fans a once-in-a-lifetime opportunity to soak up the glamour of the 'Golden Age' of movies.

The Heart of Hollywood World Tour premieres at The O2 in June where it will spend four weeks before visiting 60 cities over the next five years.

The centrepiece of the exhibition is the 'H' from the original Hollywood sign, which stands at the height of four double decker buses. There will also be an important collection of Hollywood memorabilia, including pieces that were owned by the likes of Marilyn Monroe and Elvis Presley, alongside costumes and other props from films, such as Gone with the Wind, Hello Dolly and The Wizard of Oz.

The man behind the tour is revered American artist Bill Mack who bought the original Hollywood sign in 2007. He painstakingly restored the 'H' and used the other panels as canvases for paintings of icons of the age, which will also be on display at the exhibition.

Bill Mack said: "We are really looking forward to launching the show in London. London is a fantastic first stop for us and we are excited to share this piece of history with those keen to soak up a little glamour of that unforgettable Golden Age.

The Hollywood sign is among the most famous structures in the world. This is a unique opportunity to see it, alongside the most iconic artefacts from the timeless movies we all hold close to our hearts."

Much of the memorabilia on display belongs to Mack, an avid Hollywood fan, with the rest being on loan from the likes of the Hollywood Museum.

This year marks the 40th anniversary since the original sign was replaced, with the tour culminating in 2023 and returning to a permanent home in Los Angeles, exactly 100 years since it first stood tall on the Hollywood Hills.

The event's partners include the Los Angeles Tourist Board and The Savoy. It is partnering up with the 'No Predators' campaign launched by London-based Boudica films in the wake of the #MeToo movement to support access to legal advice, advocate for equality in the industry, as well as mentor and provide employment opportunities for women in film. 

⏩ Tickets on sale from theo2.co.uk 21st June - 17th July.

SOURCE: The Heart of Hollywood World Tour

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Wild Animal Sanctuary Adds 9,004 Acres To Its Colorado Operation

The Wild Animal Sanctuary (images via The Wild Animal Sanctuary's site)

The Wild Animal Sanctuary has completed the purchase of a 9,004-acre ranch located in southeastern Colorado near the agricultural community of Springfield.

With more than 460 lions, tigers, bears, wolves and other rescued animals currently residing at the non-profit organization's facility near Keenesburg, Colorado, the need for additional space drove the organization to seek additional land to continue fulfilling its mission.  

Working with law enforcement agencies and other animal welfare groups within the United States and around the world, the organization had reached capacity at its 789-acre Sanctuary located just thirty miles northeast of Denver, CO.

Already considered the largest carnivore sanctuary in the world, the organization chose to purchase the large contiguous parcel near Springfield due to its size and abundant natural amenities. Consisting primarily of hills, canyons and rocky bluffs blanketed in various species of pine trees, as well as valleys and pastures flowing with native grasses, Sanctuary management says the property is well suited for hosting wildlife.

The additional land will allow The Wild Animal Sanctuary to continue rescuing and rehabilitating captive wildlife for many years to come. The organization says it has no plans to close its Keenesburg facility, since it continues to educate more than 150,000 visitors annually. The site also features a unique 1.5-mile long elevated walkway that holds the Guinness World Records award for Longest Footbridge.

According to The Humane Society of The United States (1), tigers, lions, and other big cat species have exploded in popularity in the exotic pet trade. There are an estimated 5,000 to 7,000 tigers in the United States, but fewer than 400 of them are in zoos accredited by the Association of Zoos and Aquariums. The Foreign Policy Group (2), and World Wildlife Fund (3), also recognize the Captive Wildlife problems within the United States that lead to so many tigers and other exotic animals needing sanctuary.

Last year marked the 38th year of rescuing exotic and endangered animals for the wildlife sanctuary. The 789-acre facility outside of Denver, Colorado had functioned as the primary facility for the organization, but now the larger and more natural tract near Springfield will become the main receiving facility for new rescues. 

The Sanctuary specializes in rehabilitating captive wildlife and releasing them to live and roam freely within large natural habitats. 

⏩ To learn more about The Wild Animal Sanctuary, visit wildanimalsanctuary.org

A lion  (image via The Wild Animal Sanctuary's site

Footnotes:

(1) humanesociety.org/issues/exotic_pets/facts/dangerous-exotic-pets-big-cats.html
(2) foreignpolicy.com/2016/04/11/there-are-more-domestic-tigers-in-the-u-s-than-wild-ones-in-the-jungle/
(3) worldwildlife.org/stories/more-tigers-in-american-backyards-than-in-the-wild

SOURCE: The Wild Animal Sanctuary (Rocky Mountain Wildlife Conservation Center)

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Center for Puppetry Arts Will Honor Caroll Spinney, Beloved Puppeteer of Sesame Street's Big Bird and Oscar the Grouch, At This Year's Benefit Stage Show and Dinner

The Jim Henson Company will host the Center for Puppetry Arts' fundraiser Puppets for Puppetry, a night of special and surprise performances celebrating all kinds of puppetry honoring Caroll Spinney.

The Center for Puppetry Arts proudly presents its second Puppets for Puppetry fundraising event on Saturday, May 5, 2018.  The dinner and show will be hosted by The Jim Henson Company on its historic Hollywood lot and presented with support from Sesame Workshop. 

Caroll Spinney

This year's event honors the beloved puppeteer Caroll Spinney, best known to fans around the world as the performer of the iconic Sesame Street characters Big Bird and Oscar the Grouch. The evening will be hosted again by Broadway's John Tartaglia (Avenue Q, Beauty and the Beast, Shrek) with additional special guests (human, feathered, and furry) to be announced soon.

The mission of the Center for Puppetry Arts is to inspire imagination, education, and community through the global art of puppetry. This Atlanta-based nonprofit is the nation's only resource of its kind, featuring an international puppetry collection, a vibrant theatre space, and workshops and performances that develop puppetry talent; it also houses more than 500 puppets and props donated by the family of Jim Henson and The Jim Henson Company in its permanent exhibit, The Jim Henson Collection. 

The Center's educational programs serve schools nationwide, complementing national curriculum standards in language arts, social studies, science, math, and other areas. In the Center's most recently-completed fiscal year, visitors came from all 50 states. The Center's Distance Learning program has also reached all 50 states and nine countries with live and interactive workshops and performances, delivered through videoconferencing.

"The Center for Puppetry Arts is grateful for the support of The Jim Henson Company and Sesame Workshop through the Puppets for Puppetry fundraiser. I'm thrilled that this year's honoree is Caroll Spinney, a dear friend both to me and the Center," said Vincent Anthony, The Barbara and Bill Wylly Executive Director at the Center for Puppetry Arts. "It is a privilege for us to honor such a talented puppeteer.  Caroll's exceptional legacy and the creative team behind this show are sure to make for a spectacular evening!"

Individual tickets start at $250, with tables and sponsorship packages beginning at $7,500.  Special pricing is available for members of the Center for Puppetry Arts and Puppeteers of America.

⏩ For additional information please visit: puppetsforpuppetry.com.

About the Center for Puppetry Arts 
The Center for Puppetry Arts is supported in part by: Fulton County Arts Council • City of Atlanta Mayor's Office of Cultural Affairs • Georgia Council for the Arts • The Jim Henson Company. 

⏩ For a complete list of the Center's major supporters, visit puppet.org/about/sponsors.

Center for Puppetry Arts is a unique cultural treasure – a magical place where children and adults are educated, enlightened, and entertained. 

Since 1978, the Center has introduced millions of visitors to the wonder and art of puppetry and has touched the lives of many through enchanting performances, curriculum-based workshops, and the hands-on Museum as well as Distance Learning and Outreach programs. 

Center for Puppetry Arts is a non-profit, 501(c)(3) organization and is supported in part by contributions from corporations, foundations, government agencies, and individuals. 

The Center is a member of Theatre for Young Audiences (TYA/USA/ASSITEJ) and also serves as headquarters of UNIMA-USA, the American branch of Union Internationale de la Marionnette, the international puppetry organization.

SOURCE: The Jim Henson Company

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