7 February 2017

Behind Enemy Lines: Will #Trump's America Become Hostile Territory For Journalists?

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Donald Trump’s campaign manager Corey Lewandowski allegedly grabbed former Breitbart reporter Michelle Fields as she asked Trump a question at the Trump National Golf Club in Jupiter, Florida.EPA/Jupiter police handout
By James Rodgers, City, University of London

It was high summer on the edge of Siberia and suddenly there came the hardest question of a tough assignment. I had travelled to Yekaterinburg for a story about the spread of HIV. The city’s location made it a crossroads for the trade in many goods, including heroin. As a result, HIV infection rates were rising frighteningly rapidly among drug users. The trip involved encounters with sources, many of whom were distressed – some of whom who were frankly scary. But it was questions from the journalism students who were with us that really stumped me.

The questions – including the size of my salary – were largely predictable. One was not: “What do you do when the governor does not like a story you have written?

The obvious answer from a Western reporter might have been something about the noble notion of the fourth estate speaking the truth to power. But I knew that such an answer would not work in the lawless Russia of the post-Soviet era. Journalists – especially those who uncovered incompetence or corruption among the powerful – could find themselves in serious, even mortal, danger. So I offered a reply which blended the ideal with a more realistic point about it being important, as a reporter, to manage one’s relationships.

Hostile environment
I was recently reminded of that day. Reuters editor-in-chief Steve Adler sent out a message to staff in which he outlined the challenges of working in countries where the “media is unwelcome and frequently under attack”. The message listed “places such as Turkey, the Philippines, Egypt, Iraq, Yemen, Thailand, China, Zimbabwe, and Russia, nations in which we sometimes encounter some combination of censorship, legal prosecution, visa denials, and even physical threats”.


His point was that experiences such as these would now prove useful in covering the United States under the presidency of Donald Trump. The administration is still in its first month, but this is hardly the kind of company in which the US would wish to find itself.

My own experience covering international news included being stopped from filming on many occasions in Russia: including even once during a British ministerial visit. The location was a rusting naval dockyard which the minister was visiting to see how funds allocated to make safe ageing nuclear reactors were being spent – and a man in a shiny suit demanded to see what the cameraman I was working with had shot.

On another occasion, a reporting trip to some glasshouses ended in a police station. The Federal Security Service, or FSB, detained my colleagues and me for filming flowers. The year-round rose-growing business was close enough (some 20km, as far as I remember) to a naval base to be off limits to foreigners.

Reporters will need to get used to separating truth from ‘alternative facts’. EPA/Michael Reynolds
Many international journalists could add plenty of anecdotes to that list: being stopped at roadblocks by heavily armed men in plain clothes; having their phones tapped or their equipment confiscated or damaged; being issued with threats – this especially applies to local people helping journalists from beyond its borders. The difference now is that Reuters journalists are being asked to draw on such experiences in a country which sees itself as leading “the free world”.

Dishonest people
Western coverage of the world is not perfect. It frequently provides fuel for its critics, journalists among them. Yet at a time when journalism is under all kinds of political and economic pressures, this is actually a chance for it to shine; to prove its worth.


Repressive governments often criticise the kind of “objective” journalism prized as a model in the Western world. They argue it is not, in fact, objective. State media in countries where dissent is discouraged howl that international news organisations are merely acting at the bidding of other “political demands”.

As a correspondent, I have covered armed conflict, political upheaval and refugee crises – but most of that was outside Western Europe. Now political uncertainty is shaking the Western world and with it come attacks on the media, may of them from the latest occupant of the White House. As Adler’s message to his staff noted: “It’s not every day that a US president calls journalists ‘among the most dishonest human beings on earth’ or that his chief strategist dubs the media ‘the opposition party’.

It is good to see organisations such as Reuters publicly reporting the situation for what it is. Historically, one of the influences which shaped ideas of objective journalism was economic. In capitalist economies, news had to sell – so offering a version of events which could be widely accepted made business sense. In a political and media world increasingly shaped by emotion and belief, this is arguably less important.

Reuters’ statement is valuable in another sense. For journalism is also about recognising era-defining change when it comes. Allies can become adversaries; good governments can give way to bad ones. Confrontation between political power and the press can become repression. When it does, or threatens to, that’s news wherever it happens. Journalists need to report it.

The Conversation
About Today's Contributor:
James Rodgers, Senior Lecturer in Journalism, City, University of London

This article was originally published on The Conversation



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Rainin Arts Real Estate Strategy Goes Online to Counter Displacement Threats to Arts and Cultural Organizations

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The arts drive vibrant and diverse communities and are critical to neighborhood health and well-being. Pictured here is Jen Lewin Studio's "The Pool" at Lafayette Square, New Orleans. Photo credit: Marcus Alfred.
There's an innovative solution for arts and cultural organizations facing displacement in cities and communities across the country—and a new online resource that shows how it works.
Today, the Kenneth Rainin Foundation launched the Rainin Arts Real Estate Strategy website to provide an accessible tool for exploring this cutting-edge approach to addressing an increasingly urgent problem. 

The collaborative strategy connects resources in the community to the real estate needs of arts and cultural nonprofits.
Shelley Trott, Rainin Foundation Director of Arts Strategy and Ventures, said, "This model is a game changer for protecting our most valued arts and cultural assets, and we're eager to share it with other communities."
Artists and cultural nonprofits are facing displacement at an alarming rate due to rising real estate values in many urban centers, along with city planning challenges and other pressures. Rents in the three US cities with the largest number of artists per capita—San Francisco, Los Angeles, and New York City—are skyrocketing.
The Rainin Arts Real Estate Strategy mobilizes a coalition of public and private partners, who team up to support long-term, sustainable solutions and create affordable, safe spaces for arts organizations. The new website offers a clear window into how the model works, and how it can benefit these nonprofits and the communities they serve. 

Now gaining momentum in the Bay Area, it makes creative use of existing financial tools to leverage public and private resources as a means to revitalize and sustain the cultural vitality of local communities.
Citing the success of two projects in San Francisco and a more recent initiative in Oakland, Trott is enthusiastic about the potential for this collaborative approach to find similar success elsewhere. 
"We're discovering what works," Trott says, "and a proven, replicable model like this couldn't be more timely."
At the center of the model is a real estate holding company like the San Francisco-based Community Arts Stabilization Trust (CAST). The first of its kind to serve the cultural sector, CAST is a nonprofit, stand-alone entity that works with multiple partners to purchase real estate on behalf of arts organizations, and to help strengthen their capacity to purchase and manage a facility of their own. 
Other key partners include a community development financial institution (CDFI), foundations and other donors, banks and other businesses, and local government agencies.
In 2013, a $5 million grant from the Rainin Foundation provided seed funding to create CAST in partnership the Northern California Community Loan Fund—a CDFI with a long history in community development projects.
The Rainin Arts Real Estate Strategy recognizes that the arts drive vibrant and diverse communities and are critical to neighborhood health and well-being. But cultural organizations' current business models do not provide the capitalization, flexibility, and organizational capacity needed to survive and sustain themselves in a rapidly changing real estate marketplace.
Trott described CAST's role this way, saying, "CAST freezes the cost of real estate when it purchases property, carving out an alternative market for nonprofit arts and culture organizations. When a cultural organization buys a property seven to ten years after it's purchased by CAST, it pays the original purchase price."
CounterPulse was among the first pilot projects to secure a lease with an option-to-buy agreement from CAST for their new home in San Francisco's Tenderloin District, which opened to the public in 2016. CounterPulse has raised more than half of their $6 million capital campaign to purchase their home and secure their operations. Once they complete their loan payments and own the property outright, CAST will redistribute the money to another nonprofit arts group in need of help finding a home.
CounterPulse Artistic Director Julie Phelps said, "Our partnership with CAST has enabled our organization to build capacity and contribute to the neighborhood's vibrancy without the threat of displacement. With an additional outpouring of generosity from people and businesses in San Francisco that recognize the value of the arts, we are truly elated to have a permanent home to create art with and for our community."
Shelley Trott agrees, "When we cement the valuable presence of artists and cultural spaces, the entire city benefits. We hope fellow funders, city governments and arts organizations are inspired by our success and explore our website to learn how their communities can leverage this strategy."

Visit the website and download the whitepaper report at:  krfoundation.org/artsrealestate

About the Kenneth Rainin Foundation
Kenneth Rainin Foundation is a family foundation that collaborates with creative thinkers in the Arts, Education and Health. At the Rainin Foundation, we believe in taking smart risks to achieve breakthroughs. We support visionary artists in the Bay Area, create opportunities for Oakland's youngest learners, and fund researchers on the forefront of scientific discoveries.

Since 2009, the Foundation has awarded over $20 million in funding to support small to mid-size arts organizations in the Bay Area that are pushing the boundaries of creative expression. More at krfoundation.org.


SOURCE: The Kenneth Rainin Foundation

6 February 2017

NUNE Short Film Rewards #LGBTQ Global Millennial Fan Base with Direct-To-Fan Digital Release

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A shy Nune Lusparian meets American Beauty in NUNE
LGBTQ, short film Nune by Ji Strangeway of GYATRi Media will be digitally released on VHX with a special offer of 99 cents for 3-day streaming on February 14, 2017, Valentine's Day.  VHX is a direct film distribution platform acquired by Vimeo.
Nune (pronounced noon-nay) tells the story of a 15-year-old Mexican-Armenian girl, who creates a fantasy world to escape the pain of social rejection and bullying. 
The arthouse film gained momentum on social networks, with a message that strikes a chord with queer-questioning millennials and their allies around the world.  Yet, fans eager to see the movie on VOD have waited over a year due to online distribution restrictions imposed on films under review by the film festivals.
After discovering the political agenda of film festival competitions and the oversaturation of films in the indie marketplace, the director deemed the prospective platform irrational and unfit for reaching Nune's true audience. She regrets not taking her movie direct-to-digital sooner.
"The festival route always felt wrong for my film. Direct-to-Fan streaming technology was at my fingertips," said Strangeway. "That's what all this amazing self-distribution technology is here for, so the independent artist can reach their audience. Yet, I didn't take full advantage. Instead, I stuck to the path of film festival exposure. I had forgotten my spirit of independence."
Brianna Joy Chomer and Jessica Lauren star in NUNE, an LGBTQ short film by Ji Strangeway
To reward the movie's growing fan base and to celebrate film independence, Nune will stream on VHX at a discount price of 99 cents for three-day rental (reg. $3.99) on February 14, 2017
Broad streaming options include computer, smart mobile devices, Apple TV, Chromecast, and VHX Roku channel.  Nune fans outside the USA (in countries, such as BrazilIndiaAustralia and various parts of South AmericaAsia, and Europe) often face sales restrictions imposed by providers, such as iTunes, Google Play, and Amazon. On the VHX platform, 
Nune will stream globally in the spirit of Valentine's Day, apropos for the story's theme of heroism and romance.
  • Nune 99 cent Valentine's Day special can be redeemed with this code: "IHEARTNUNE" at http://g-la.us/99
The Official Trailer:



SOURCE: GYATRi Media

5 February 2017

Let's Denounce Trump's Appointment of Steve Bannon!

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Image via Daily Kros
The following is another email I've received earlier on and, as usual, I'm very keen to share with you guys (and ladies)... It's from the peeps at Daily Kros and it's about a campaign regarding Donald Trump's having appointed  Steve Bannon (former CEO of the Breitbart "News" site and current unelected president of the US) on the National Security Council.

You probably know the drill by now: feel free to read the email and act accordingly.

Thanks in advance

Stay safe!

Loup Dargent

Bonus Piccy:
(Courtesy of The Loupster)
Click here to see post on Facebook

The Email:
"Loup, this is terrifying. President Trump just removed top military and intelligence officials from our National Security Council -- and appointed Steve Bannon in their place.

You read that right: Trump just gave a white nationalist unprecedented power over our national security.

SIGN ON: Condemn Trump’s appointment of white nationalist Steve Bannon.

Bannon is the mastermind behind Trump’s cruelest executive orders.

Grassroots pressure is the ONLY way to reverse this disastrous decision.

Will you demand Bannon's removal from the National Security Council immediately?

Add your name today and join DCCC in this fight to take Bannon OFF the National Security Council.

Keep fighting,Kimm Lett, Daily Kos

Paid for by DCCC."

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3 February 2017

Torture: Which Side Are You On?

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Image via BraveNewFilms.org
The following is an email I've received today from the peeps at BraveNewFilms.org.... 

Unfortunately, as I don't live in the US, I cannot help with their campaign as much as I would love to. But, if any of you reading this post do live in America (as this blog does get quite a lot of visitors from America, it's worth asking...), feel free to read the email and act accordingly.

Thanks in advance

Stay safe!

Loup Dargent

The Email:
"Loup,


Trump wants to bring back torture. Only your Members of Congress can stop him.  


Currently, torture is a felony in the U.S. under the anti-torture and war crimes statutes. And the Senate Torture Report's summary clearly says torture does not work. But Trump disagrees and is going to push to bring it back. 

Make sure your politicians know where you stand on this! 

Subject: Torture: Which side are you on?

As a constituent, I am concerned. President Donald Trump proposes to torture. Senator John McCain says he'll stop it. Torture has been a felony under the anti-torture statute and the war crimes statute in the U.S. Code since the Bill Clinton presidency. Presidential memos or "executive orders" purporting to ban and un-ban torture cannot alter that. As a member of the Convention Against Torture since the Ronald Reagan presidency, the United States is actually required to prosecute all complicity in torture. 

U.S. laws banning torture didn't begin in 2015. They include the Eighth Amendment to the Constitution, the Universal Declaration of Human Rights, the International Covenant on Civil and Political Rights, and the Geneva Conventions. If the U.S. does not enforce the law against U.S. torturers, other courts around the world can do so through universal jurisdiction.

President Trump says torture works. The Senate Torture Report's censored summary (and the full report according to Senator Dianne Feinstein who ought to put it into the Congressional Record to end the debate) -- as well as all other available evidence -- says torture does not work. That debate aside, torture degrades us. It proliferates to cases not even pretending to morally justify it. It tears down the rule of law. It's imitated by others. It generates false propaganda for war. And it generates anti-U.S. violence.

Will you put an end to torture now? What is your position? Please tell me.

Keep up the resistance!

In Solidarity,
Regina Clemente
Campaigns Director"



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2 February 2017

Donald Trump Has Just Been Hit Up in The Song Titled "Illegitimate President" From Del FunkBoy Music

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Donald Trump Has Just Been Hit Up in The Song Titled "Illegitimate President"
On Wednesday, February 1, 2017, the most controversial song since Tupac's Hit'em Up, 'Illegitimate President' was released worldwide by Platinum-selling and award winning music artist, Delray of Del FunkBoy Music, LLC. 

The song calls into question Donald Trump's legitimacy as president. Within its lyrics, Delray has cleverly woven a tale of Donald Trump's hypocrisies.  
From Trump's lack of military service to his claim of voter fraud, this song embodies everything that is wrong with Trump being the President of the United States:

Thank you, thank you for your applause, 
We got a illegitimate president y'all…. 
….he like to grab women by their vagina 
Without their permission, please just listen… 
Liar liar pants on fire Mr. Birther of fake news but now it's coming for you… 
"Illegitimate President"

"When he got drafted he was scared to fight
He said he had a splint heel(coward)
but got the nerve to talk about soldiers who suffered for real 
from post traumatic stress syndrome…
he even said that the system was rigged 
but now that he's president, 
forget about that please
Corruption-ruption what's your function he
got some new tricks and we love those nude pics… 
He even encouraged the Russians to hack his own government 
and stood behind the podium lovin it…
"Illegitimate President"


With a hip beat and a sound that can rock a club, the words have the most impact.  This song is well worth a listen to, as it stands for truth and what is wrong with Donald Trump.  Whether a supporter or not, Delray's song is well researched and cannot be denied.  

While so much current music has no message, nor does it make us to think intellectually, this song will definitely strike a chord in everyone. 


Delray has been named co-writer next to some of the biggest names in hip-hop history like Tupac, Eminem, Dr. Dre, 50 CentMelle Mel and The Game.

The Video:


SOURCE: Del FunkBoy Music, LLC


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1 February 2017

Actor Morgan Freeman Receives AARP's Movies For Grownups Career Achievement Award

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Morgan Freeman on the Cover of AARP The Magazine's February/March Issue
At age 79, Morgan Freeman continues to draw the attention of audiences around the world with his radiant voice, gifted performances and unparalleled talent.  In an exclusive interview with AARP The Magazine (ATM), Freeman offers a pictorial history of some of his life's most intimate moments while discussing his early life, his career, and the people and places he's encountered along the way. 
Freeman's success in film came relatively late in life, at age 50, with his Oscar-nominated role in Street Smart and a critically acclaimed performance in the off-Broadway production of Driving Miss DaisyUntil then, Freeman had begun to fear that his career was stagnating after portraying characters like Easy Reader in 700 episodes of The Electric Company.  But soon, he'd land his second Oscar nomination for the film version of Daisy, and go on to be nominated twice more, winning the Academy Award for his supporting role in Million Dollar Baby  
He's played God and the President of the United States, and his performances in films such as The Shawshank Redemption, The Bucket List, and Invictus have landed him a place among the most respected figures in modern cinema. His movies have collectively grossed more than $4 billion, ranking him the third-highest-grossing actor of all time. 
On February 6, 2017Morgan Freeman will receive Movies for Grownups highest honor – AARP's 2017 Movies for Grownups Career Achievement Award.
The following are excerpts from AARP The Magazine's February/March 2017 cover story featuring Morgan Freeman, available in homes starting February and available online now at aarp.org/magazine

Selections from Morgan Freeman AARP The Magazine February/March Issue
On his stint in the United States Air Force
"I went into the Air Force with the idea of being a fighter pilot, but they made me a radar mechanic. I'm about as mechanical as a doorknob, and my test scores qualified me to be an electronic countermeasures operator, but they weren't having that. As I understand it, General Curtis LeMay didn't want anybody black in there. Eventually, I decided my attraction to being a fighter pilot was all movie stuff, so I said 'Never mind.'"


On his early work studying dance
"I came out to Los Angeles and started taking classes at L.A. City College. A teacher said, 'You move very well, so you should really study dance, because actors who sing and dance are what they call triple threats.' This was 1962, and I danced until about 1967. I was in a production of West Side Story. I danced at the 1964 World's Fair. With dance, you have to be all in. On The Electric Company, in the mid-'70s, they wanted me to do some ballet move and I almost wrecked myself. You can't just throw your legs up in the air."


On The Electric Company 
"I did more than 700 episodes of The Electric Company over five years. This was Season 1, because Bill Cosby did only the first season, and, yeah, I was as shocked as everyone by the recent news about him. We all got along great, but by the third year, I began to hate myself for not having the gumption to quit. I was on my way to becoming Captain Kangaroo. No, no, no.  I'd come home and my wife would hand me a glass full of scotch and water. One day, she said, 'You need to quit this."


On his relationship with his mother
"Mama was born in Itta Bena, Mississippi. She had four boys and one girl. Mama was a rolling stone. She liked to go. She had a very strong moral streak: 'Do unto others as you would have them do unto you.' I'm a mama's boy, but I got in trouble with her a lot, usually for doing something neglectful. I remember we were living close to the bone in this Chicago tenement, and she made banana pudding. I lit the oven and never took the pie out. Let's just say I can still hear her hollering."


On breaking into Hollywood
"I'm 50 years old, playing off-Broadway opposite the incredible Dana IveyDriving Miss Daisy changed everything. We heard Warner Bros. was making the movie, but they never hire New York actors. When the movie's director, Bruce Beresford, came backstage, I said, 'So, do I get the job?' he said, 'You're kinda young.' He wanted Sidney Poitier. But when they went to Sidney, Sidney said, 'Go with the kid."


On playing POTUS
"Some people thought Hollywood wasn't ready for a black president, but I didn't consider it.  I'm not a professional black actor; I'm a professional actor. I can remember only once in the movies playing black, and that was Driving Miss Daisy."


On the current political landscape
"As for politics today, I supported Hillary in the election, and now it feels like we are jumping off a cliff. We just have to find out how we land. I'm not scared, though. I'm holding out hope that Donald Trump has to be a good president. He can't not be. What I see is a guy who will not lose."


On that Oscar win
"The truth? It was anticlimactic. I was up for best actor three times. The Oscar for Million Dollar Baby was for best supporting. I keep the statue at home in a little room in Mississippi that has tchotchkes in it, and all of the high-end awards are there: the Screen Actors Guild, the People's Choice, Golden Globe. I've stopped waiting for the best actor Oscar, because you get to a point where it's better to be nominated over and over. It's more fun that way. You get to stay in that crowd."


On the comforts of home 
"… I own this blues club called Ground Zero in Clarksdale, Mississippi, where I live. We needed good music there because the place has everything else: It's beautiful. It's quiet. It's green. I started going to Mississippi in the 1970s, after my folks moved back there. I couldn't do New York anymore – living in a cave, concrete everywhere. I get to have a normal life in Mississippi. Nobody bothers me. I stay home. I golf with friends. I go have dinner. I survived inner-city South Side of Chicago, which was a hellhole, and worked hard over the years. I figure I owe it to myself to have some peace at this point in life."


On Nelson Mandela
"I'd been trying to make a movie about Madiba [Nelson Mandela] for 15 years. When his book Long Walk to Freedom was published and someone asked who should play him in the movies, he called me out. So we got in touch and stayed in touch. I went to his house in Johannesburg. I said, 'If I'm going to do this, I need to get to know you. I need to be able to touch you.' I would go and watch him and listen to him until I could capture that Madiba spirit. One day, his assistant, Zelda, came to the Invictus set. She said, 'How did he get here before me?' She thought I was Mandela. What did I take away from him? Well, yes, he's a hero, but he's also just a guy. He has all this courage, and that's what it takes to be Mandela. You can do anything with enough kindness and compassion."


On his AARP Movies For Grownups Career Achievement Award
"At a certain point in life, if you've had some success, awards start to fall from the sky. But the Movies for Grownups® Achievement Award really means something. I started my movie career at the age of 50, and some of the best years have happened since then. I get a lot of pats on the back – they're all over the place – but this one's more than fun. It's priceless."


About AARP The Magazine 
With more than 37 million readers, AARP The Magazine is the world's largest circulation magazine and the definitive lifestyle publication for Americans 50+. AARP The Magazine delivers comprehensive content through health and fitness features, financial guidance, consumer interest information and tips, celebrity interviews, and book and movie reviews. 
AARP The Magazine was founded in 1958 and is published bimonthly in print and continually online.. 

SOURCE: AARP


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