New Survey Shows America Celebrates Post-COVID With In Home Disco Parties [Infographic]

New Survey Shows America Celebrates Post-COVID With In Home Disco Parties (Photo by Tima Miroshnichenko)

L.O.L. Surprise! has new research showing more US families have turned to kitchen dance parties with 65 percent of households enjoying more in-home discos - complete with dad-dancing and wooden spoons for microphones - over the last year than ever before and 49 percent of the 2000 Americans polled saying a kitchen disco is now a regular weekend occurrence.

The new research celebrating the launch of the new L.O.L. Surprise! Dance Dance Dance toy line reveals several interesting details about these at home discos:

• Saturday night at 6pm is the most popular time for families to shake their booties.
• The number one song on the kitchen disco list is Queen's iconic anthem, Bohemian Rhapsody (35 percent).
• In second place is Justin Timberlake's funky Can't Stop the Feeling (33 percent), followed by the uplifting Ain't No Mountain High Enough by Marvin Gaye (30 percent)
• 89 percent of households confess they can't get enough of dancing together in the kitchen during the weekend.
• 29 percent admit that they try to keep their parents up to date on the latest music and how to bust a move - but it's just no use.
• Three in 10 parents are being introduced to the wonders of TikTok, with U Can't Touch This by MC Hammer the number one dance taught to parents by their children (33 percent), followed by Savage Love by Jason Derulo (32 percent), and Toosie Slide by Drake (30 percent).

Isaac Larian, CEO and Founder of MGA Entertainment, conducted the research as part of the L.O.L. Surprise! Dance Dance Dance toy launch, said, "Dancing is always something that has brought people together from around the globe. We love that our toys have inspired our fans, parents and children, to find escape and joy together in kitchen disco parties, and that they have embraced dance as a way to connect no matter what is happening in the world around them."

New Survey Shows America Celebrates Post-COVID With In Home Disco Parties (Photo by cottonbro)

The survey found that 42 percent of kids still think dad's moves are embarrassing and 37 percent claim mom's moves are just as bad. However, 67 percent say that despite this, they still love to have a dance with their parents at home, although 26 percent wouldn't be caught dancing with them in public.

As for the parents, two thirds (64 percent) said dancing with their kids had lifted their spirits over the last year, with 82 percent agree being able to bust some moves together always cheers them up and helps improve their mood, and over half having used dance parties as a fun way to let off steam (55 percent). 

• Plus, 26 percent of families are taking things to the next level and have pulled out all the stops to turn the kitchen into a home disco, complete with flashing lights and decorations to bring the party to life.

New Survey Shows America Celebrates Post-COVID With In Home Disco Parties (Photo by KoolShooters)

The 20 Greatest Kitchen Disco Songs Of All Time According To Americans:

1. Bohemian Rhapsody - Queen (35%) 
2. Can't Stop the Feeling - Justin Timberlake (33%)
3. Ain't No Mountain High Enough - Marvin Gaye (30%)
4. Happy - Pharell Williams (28%)
5. Uptown Funk - Mark Ronson and Bruno Mars (28%)
6. Shake If Off - Taylor Swift (27%)
7. Crazy in Love - Beyonce (26%)
8. Hey Ya - Outkast (25%)
9. Dancing Queen - Abba (23%)
10. I Want to Dance with Somebody - Whitney Houston (23%)
11. Believe - Cher (21%)
12. Wannabe - Spice Girls (20%)
13. I will Survive - Gloria Gaynor (18%)
14. Don't Worry Be Happy - Bobby McFerrin (18%)
15. Sweet Child O' Mine - Guns and Roses (18%)
16. Buffalo Soldier - Bob Marley and the Wailers (18%)
17. My Name is - Eminem (18%)
18. Gin & Juice - Snoop Dogg (18%)
19. Toxic - Britney Spears (16%)
20. Staying Alive - the BeeGees (15%)

The Infographic:

L.O.L. Surprise! shows US families are turning to kitchen dance parties celebrating post-COVID!

SOURCE: MGA Entertainment

[Blog Tour] 'A Matter of Conscience: Henry VIII, The Aragon Years' (Book one of The Henrician Chronicle) By Judith Arnopp #HistoricalFiction

'A Matter of Conscience: Henry VIII, The Aragon Years' - Tour banner

The Book:

A Matter of Conscience: Henry VIII, The Aragon Years
(Book one of The Henrician Chronicle)
By Judith Arnopp

• Publication Date: February 2021
• Publisher: Feed a Read
• Page Length: 335 pages
• Genre: Historical Fiction

The Blurb:

‘A king must have sons: strong, healthy sons to rule after him.’

On the unexpected death of Arthur Tudor, Prince of Wales, his brother, Henry, becomes heir to the throne of England. The intensive education that follows offers Henry a model for future excellence; a model that he is doomed to fail.

On his accession, he chooses his brother’s widow, Catalina of Aragon, to be his queen. Together they plan to reinstate the glory of days of old and fill the royal nursery with boys.

But when their first-born son dies at just a few months old, and subsequent babies are born dead or perish in the womb, the king’s golden dreams are tarnished.

Christendom mocks the virile prince. Catalina’s fertile years are ending yet all he has is one useless living daughter, and a baseborn son.

He needs a solution but stubborn to the end, Catalina refuses to step aside.

As their relationship founders, his eye is caught by a woman newly arrived from the French court. Her name is Anne Boleyn.

A Matter of Conscience: the Aragon Years offers a unique first-person account of the ‘monster’ we love to hate and reveals a man on the edge; an amiable man made dangerous by his own impossible expectation

• Buy Links: Amazon UK ✔ Amazon US ✔

 'A Matter of Conscience: Henry VIII, The Aragon Years' - Front cover

'A Matter of Conscience: Henry VIII, The Aragon Years' - Excerpt:

1527 – Henry’s courtship of Anne Boleyn gathers pace

We are in the garden when she accidentally dislodges her hood. I pick it up, but before offering it back to her, I reach out for a glossy, dark strand that is not as dark as I first thought. She stands, stock still beneath my touch and does not move when I untie her coif and bare her head.

“Beautiful,” I breathe, running my hands over her hair, barely touching yet making her hair crackle and rise magically to meet my palm. It is not raven black nor merely brunette but a mixture of shades: enlivened highlights of red and gold.

“George says it looks Rusty,” she says, in her dismissive way.

“No, he is wrong. Shall I have him thrown in the tower, just to please you?”

When she laughs, she throws back her head, and my greedy eyes fasten on her throat, so long and white. I want to kiss her Adam’s apple, nibble the softness between neck and shoulder, inhale her fragrance, and tangle my fingers in her hair.

Instead, I chastely kiss her knuckles, clutch her hand close to my heart.

“Mistress Anne, would you …”

She withdraws her hand and places it on my chest as if it is a defensive rampart keeping me from her.

“Sire, please … do not ask it of me. I can never be your mistress.”

I blink in surprise. “It – it is usually considered an honour.”

“I know, I know it is, Your Majesty, a great honour and I love you above all others but I – I have a dream of marriage, children, a house in the country. I would marry for love.”

“Surely you are not still pining for Percy.”

The name issues in a sneer, as if he is some peddling player and not the son of the most powerful magnate in the north. She shakes her head with a pained expression.

“No, no. I am quite recovered from that but …I still harbour hopes of a loving marriage.”

Silence falls. I wonder if he had her. Shortly after she arrived from France her name was linked with Northumberland’s son but Wolsey, who had other plans for Anne, put paid to that as I later put paid to his plans for her marriage with Ormonde.

I watch her pluck a leaf from the hedge and begin to shred it with her nails. I had not expected a refusal, even from her. Nobody ever denies me. I frown, clear my throat, to explain it further.

“As my official mistress, you’d be the highest lady at court, bar the queen.”

“I’d be a whore, Your Majesty. A royal whore but a whore nevertheless.”

She spins away, repeating the word over and over as if to offend me but surely …even Anne would not go so far as to purposely goad me.

I am never sure what she will say or do next; perhaps that unpredictability is her charm. I follow her along the path.

“Not a whore, a royal companion, a helpmeet. Think of the good you could do, the people you could help, the scholars you could encourage…”

She halts, turns back.

“What do you mean? Scholars?”

She thinks I know nothing of her Lutheran leanings but there is little that escapes me in this court. My spies are everywhere, and I have discovered there are already many who resent Anne for her radical ideas.

“I know you are curious about the new learning. You could meet some of the best scholars in Europe face to face. Tindale is here in England now, you know.”

She frowns, shakes her head.

“But that would be against the law … your law!”

“I know.” I snatch up her hand again. “I’d be prepared to turn a blind eye if you were to become my mistress.”

I should not have to stoop so low. In truth, I do not mean it. It is a snare to know her price, to test if she can be bought.

I kiss her fingers, one by one, my ardour increasing each time my lips meet her flesh.

“The queen would never let that happen,” she says, and she is right. Kate detests the new learning; Heresy, she calls it and for once we are in agreement.

“The queen,” I lie softly. “Does as she is told.”

Anne’s laughter is high and mocking.

“She’d never meekly accept an official mistress endorsing the new religion, Your Majesty. Every one of her ladies that have ended up in your bed have ceased to enjoy the queen’s favour. I have no doubt that no sooner had you bedded me, I’d find myself sent back to Hever in disgrace.”

“But Anne …”

I follow her along the path, back toward the hall. At the door we encounter Brandon and my sister, arm in arm, about to take the air. They halt, bow their heads.

“Your Majesty. A lovely day,” Brandon says, while I kiss my sister.

“You know this lady, Mistress Anne Boleyn?” I open my arm to draw her forward and while Brandon bows stiffly over her hand, Mary sniffs and looks the other way.

“Yes,” she says, as if I am introducing her to a snake. “I have had that pleasure. A fine day.”

Judith Arnopp

Author Bio:

A lifelong history enthusiast and avid reader, Judith Arnopp holds a BA in English/Creative writing and an MA in Medieval Studies.

She lives on the coast of West Wales where she writes both fiction and non-fiction based in the Medieval and Tudor period. Her main focus is on the perspective of historical women but more recently is writing from the perspective of Henry VIII himself.

Her novels include:

• A Matter of Conscience: Henry VIII, the Aragon Years
• The Heretic Wind: the life of Mary Tudor, Queen of England
• Sisters of Arden: on the Pilgrimage of Grace
• The Beaufort Bride: Book one of The Beaufort Chronicle
• The Beaufort Woman: Book two of The Beaufort Chronicle
• The King’s Mother: Book three of The Beaufort Chronicle
• The Winchester Goose: at the Court of Henry VIII
• A Song of Sixpence: the story of Elizabeth of York
• Intractable Heart: the story of Katheryn Parr
• The Kiss of the Concubine: a story of Anne Boleyn
• The Song of Heledd
• The Forest Dwellers
• Peaceweaver

Judith is also a founder member of a re-enactment group called The Fyne Companye of Cambria and makes historical garments both for the group and others. She is not professionally trained but through trial, error and determination has learned how to make authentic looking, if not strictly HA, clothing. You can find her group Tudor Handmaid on Facebook. You can also find her on Twitter and Instagram.

• Connect with Judith: Website • Blog • Twitter • Instagram

'A Matter of Conscience: Henry VIII, The Aragon Years' - Tour schedule

IMAX Stomps to Biggest Domestic Opening in Over a Year with $4.5 Million for "Godzilla vs. Kong" [Trailer Included]

IMAX Stomps to Biggest Domestic Opening in Over a Year with $4.5 Million for "Godzilla vs. Kong"

IMAX scored its biggest domestic opening weekend in more than a year as "Godzilla vs. Kong" earned $4.5 million on 284 screens. Over 1,000 domestic IMAX shows were sold-out over the 5-day opening, nearly 25% of all IMAX showtimes over that period. 

• Globally, the Warner Bros. and Legendary Pictures' monster hit continued to smash expectations, earning $13 million this weekend across all markets.

IMAX Stomps to Biggest Domestic Opening in Over a Year with $4.5 Million for "Godzilla vs. Kong" (screengrab)

"'Godzilla vs. Kong' has emerged as a symbol of the enduring strength of the theatrical experience for blockbuster filmmaking, delivering great box office even with many theatres still closed and significant capacity restrictions," said Rich Gelfond, CEO of IMAX. "Make no mistake — this film has become a global event because it received a global theatrical release, and the phenomenal pipeline of tentpole films ahead have the chance to capitalize on the same opportunity."

Despite capacity limitations of up to 25% in North America, a particularly challenging environment for IMAX given its theatre design, and a day-and-date release on streaming, "Godzilla vs. Kong" now stands as IMAX's best domestic opening since January 2020. IMAX screens accounted for 9.3% of the overall weekend box office domestically. Notably, many capacity restrictions including the 25% limit in California are planned to be eased in the coming weeks.

MAX Stomps to Biggest Domestic Opening in Over a Year with $4.5 Million for "Godzilla vs. Kong" (screengrab)

The film continued its success globally, earning another $6.5 million since Wednesday in China while reaching a 10-day cume of $18 million, over 13% of the nationwide box office and the highest 10-day cume of the Godzilla and Kong franchise ever for IMAX in China. The China cume to-date is already nearly double the final IMAX China box office for "Kong: Skull Island" and "Godzilla: King of the Monsters".

The impressive results follow a pandemic-best opening internationally for the film last week, with some markets increasing their IMAX box office over last weekend's openings. IMAX has earned $28 million across all markets globally for the film to-date, 10% of the overall total.

TheTrailer:

• "Godzilla vs. Kong" will continue its run in IMAX through April 21 in domestic markets and mid-to-late April in most international markets including China, with openings in Brazil and Japan, scheduled for April 29 and May 14, respectively.

MAX Stomps to Biggest Domestic Opening in Over a Year with $4.5 Million for "Godzilla vs. Kong" (screengrab)

About "Godzilla vs. Kong":

(Via IMDb)

"With the world still shaken from the battle between Ghidorah and Godzilla, humanity has begun to try and co-exist with the Titans. But after Godzilla begins his own reign of terror, humanity must call on another legend to stop him: Kong. Not everything is as it seems when Monarch travel to Skull Island, where a mysterious young girl known to communicate with Kong must warn him of the impending danger. As Godzilla rages across nations, destroying everything in his path, the fate of the world in the hands of these two legendary Titans as both Kong and Godzilla battle for the right of King, and to stop the real threat that faces them..."

• Click here to read more about "Godzilla vs. Kong"

SOURCE: IMAX Corporation

7 Reasons Why Raising your Self-Worth is Important [Video Included]

7 Reasons Why Raising your Self-Worth is Important (Photo by Matilda Wormwood)

Having a healthy sense of self-worth can change the way you feel about your life. Positive self-worth sets you up to have the energy and confidence to be your best you, to take on challenges and seize opportunities when they come up. Self-worth means you can have your best possible life.

The basis of self-dignity is an honest appraisal of your strengths and weaknesses. That allows you to capitalize on your strengths and to be objective, not defensive about your weaknesses. It gives you the tools to take control of your life.

Having a happy, successful life and feeling good about yourself is not a matter of luck. Positive self-worth is a fundamental part of the Law of Attraction - if you feel good about yourself and believe you deserve to be happy or wealthy or have good relationships, you will attract those things into your life. The experiences we’ve had in our lives, starting from a very early age, alter our self-dignity, either improving it or eroding it.

• The good news is we can do something about it if we want to have a stronger self-worth. Although it isn’t always pleasant, it’s well worth the time and effort to raise your self-worth.

7 Reasons Why Raising your Self-Worth is Important (Photo by Matilda Wormwood)

Here are some key aspects of the positive role self-worth can have in your life:

1. You will be more satisfied with life because you will naturally see the good things in life, rather than focusing on the things that are disappointing.
2. You won’t be undermining yourself with negative self-talk. The Inner Critic will always be there, but you will know how to keep it in check and how to harness that analytical capability to keep increasing your self-awareness.
3. Self-knowledge is a key part of good leadership. You are more likely to be successful at work when you have a healthy sense of self. You will be able to deal with problems before they get out of proportion, for example.
4. You will be less needy, less reliant on other people’s good opinion of you. You will be strong enough in your self-worth not to compare yourself with others.
5. Your relationships will be stronger and more fulfilling because you'll be building them with honesty and self-knowledge.
6. It will be easier for you to be flexible when situations change. The result is that fewer external circumstances impact your happiness.
7. You will be more compassionate with yourself and others. When you make mistakes, you’ll be able to view them as lessons rather than failures.

The Video:

'Star Trek' Production Illustrator John Eaves to Receive a Lifetime Achievement Award at the 25th Annual Art Directors Guild Awards

Production Illustrator John Eaves to be honored with the Lifetime Achievement Award by the Art Directors Guild at the 25th Annual ADG Awards on April 10, 2021.

Concept Artist John Eaves, known for his iconic illustrations and designs for the Star Trek series and for the numerous science fiction realms he created, will receive the Art Directors Guild (ADG, IATSE Local 800) Lifetime Achievement Award from the Illustrators and Matte Artists (IMA) at the 25th Annual ADG Awards. 

Herman Zimmerman, Emmy-nominated Production Designer for the Star Trek franchise, will be presenting the award to Eaves. 

• The event will celebrate Eaves' artistic contribution to the many space vehicles, sets, and concepts that have become classics in the Marvel, Star Trek and Sci-Fi worlds that we know today.

The Awards ceremony, set for Saturday, April 10, 2021, will break with tradition in response to the COVID-19 pandemic and will be presented on a virtual platform, streaming to a worldwide and more inclusive audience. This is the final of four Lifetime Achievement Awards to be announced by the Art Directors Guild. 

• The event is free to everyone, but registration is required at adgawards25.com.

"For the past 36 years, John's work as a Production Illustrator has been an integral part of over 100 films and television shows. From props, to sets, to vehicles, to gadgets, and, most prominent and recognizable, a small fleet of starships for the Star Trek franchise, John has inspired many and left an amazing mark on our industry. We celebrate his creativity, talent, and contributions to the Craft and honor him with this year's Lifetime Achievement Award," said Tim Wilcox, ADG Illustrators & Matte Artists Council Chair.

John Eaves has worked as a concept artist on many of Hollywood's most successful franchises, creating iconic Sci-Fi images of futuristic worlds, vehicles, spaceships, and otherworldly designs that have become the foundations and concepts of over 100 award-winning motion picture franchises. These include four Star Trek movies; Captain America: The Winter Soldier; Pirates of the Caribbean: On Stranger Tides; Spider-Man: Homecoming; Guardians of the Galaxy Vol. 2 and Iron Man 3.

His talented prop designer and diverse model maker skills are on display in Godzilla: King of the Monsters, Ant-Man and The Wasp, Ant-Man, Captain America: The Winter Soldier, Iron Man 2, Batman Forever, Toys, Die Hard 2, RoboCop 2 and The Hunt for Red October, among many others.

Eaves' groundbreaking work has garnered him numerous awards, including four previous ADG awards. As a child, John was fascinated with aircraft and science fiction and how films came together, a fascination that continued into adulthood and which led to a highly successful 36-year career and still counting.

The event is free to everyone, but registration is required at adgawards25.com

As previously announced, Ryan Murphy, one of television's most successful award-winning writers-directors-producers whose shows have consistently reflected the highest quality of production design, will receive the esteemed Cinematic Imagery Award, presented by actor Matt Bomer, star of Ryan's "American Horror Story," "Glee," "American Crime Story," "The Normal Heart" and, most recently, "The Boys in the Band."

Academy Award- and Emmy-winning Production Designer Stuart Wurtzel, ADG, known for his work on Hannah and Her Sisters and "Angels in America," will receive the ADG Lifetime Achievement Award from the Production Designers and Art Directors Council (AD). Martha Johnston, ADG, dynamic artist best known for her over 60 movie and television design credits, is set to receive the ADG Set Designers & Model Makers (SDMM) Lifetime Achievement Award. 

Scenic Artist Patrick DeGreve, ADG, best known for his prolific backings, sets and props for shows created at CBS TV City over the past 45 years, will receive the ADG Lifetime Achievement Award from the Scenic, Title & Graphic Artists (STG). 

• A complete list of past honorees can be found on ADG's website. #iwillbethere #adgawards

• Producer of this year's ADG Awards (#ADGawards) is Production Designer Scott Moses, ADG. 

Final online voting will be held through April 7, 2021, and winners will be announced at the virtual gala ceremony on Saturday, April 10, 2021. ADG Awards are open only to productions when made within the U.S. by producers signatory to the IATSE agreement. Foreign entries are acceptable without restrictions. 

The Invite - Art Directors Guild (IATSE, Local 800)

SOURCE: Art Directors Guild (IATSE, Local 800)

AAPI Celebrities Rally Community for Social Change in #StopAsianHate Music Video [Video Included]

AAPI Celebs Dante Basco, Lisa Ling, Simu Liu Stand Strong with Director Johnny Lee in New Music Video "Tonight #StopAsianHate" to Unite Community

Asian American artist Johnny Lee hopes his latest music video inspires Americans to stand together again. Lee last directed "Stand Up/Stand N Rock #NoDAPL," earning him an MTV Video Music Award in 2017 for "Best Fight Against the System." Now, the message in his latest music video hits even closer to home.

Following a weekend of nationwide rallies in support of Asian American Pacific Islander communities, Lee's music video "Tonight #StopAsianHate" showcases solidarity for AAPI, BLM, and LGBTQIA+ lives. Joining Lee in this #StopAsianHate anthem and calling for racial unity and social change are notable AAPI personalities, including journalist Lisa Ling of CNN and actors Simu Liu, Dante Basco, Kelly Hu, and Hayden Szeto.

"Tonight #StopAsianHate" (screengrab)

"There's a long history of Asian discrimination in America, but there's an equally long history of Asian American activism," said Liu, known for his role as "Jung Kim" in Kim's Convenience and appearing next as "Shang-Chi" in Marvel Studio's Shang-Chi and the Legend of the Ten Rings. "It's our responsibility to continue that fight and that legacy."

Basco, whose recent film "The Fabulous Filipino Brothers" premiered at SXSW, noted, "The song 'Tonight' is a reminder to stand together, tonight and every night, against fear, hate, and violence."

Also appearing in the music video are young actors Michael Campion, Christian Isaiah, and Cade Michael, musicians Henry Fong, KLAXX, and Kaleena Zanders, youth dancers of Mighty Shock L.A., reality TV's Kevin Kreider, Kelly Mi Li, and Kane Lim of "Bling Empire," and members of Lee's family.

"Tonight #StopAsianHate" (screengrab)

In response to the staggering increase of anti-Asian sentiment and violence in the last year, Lee hopes all people will speak out. The music video shares community resources and ends with a call-to-action to report all hate crimes or incidents.

"What began as an anthem to support #BlackLivesMatter has evolved into uplifting the AAPI community and the LGBTQIA+ community – really, empowerment for all people," said Lee, who wrote, recorded, and performed "Tonight" as one half of the DJ/EDM duo The Hotel Lobby.

Developed and produced by an Asian American team, "Tonight #StopAsianHate" is directed and edited by Johnny Lee with producers Jessica del Mundo, Gilbert Le, and David Christopher Lee. 

• All proceeds from digital purchases of "Tonight" will go towards StopAAPIhate.org.

 "Tonight #StopAsianHate" - The Video:

About Johnny Lee:

Johnny Lee is a Vietnamese American artist with decades of experience in the entertainment industry as a composer, musician, and award-winning director. In 2017, his work as director of "Stand Up/Stand N Rock #NoDAPL" by Taboo of the Black Eyed Peas, featuring Shailene Woodley and the "Magnificent Seven" Native American artists, earned him an MTV VMA in the cause-related category of "Best Fight Against the System." Lee appears in "Tonight" with A'shanti as DJ/EDM duo The Hotel Lobby. 

"Tonight #StopAsianHate" (screengrab)

• For more information, follow @TheHotelLobby on Instagram or visit johnnyleefilms.com.

SOURCE: Johnny Lee

[Blog Tour] ‘The Colour of Evil’ (The Ninth Sebastian Foxley Medieval Murder Mystery) By Toni Mount #HistoricalFiction

‘The Colour of Evil’ - Tour Banner

The Book:

The Colour of Evil
By Toni Mount

• Series: The Sebastian Foxley Medieval Murder Mysteries
• Publication Date: 25 March 2021
• Publisher: Madeglobal.com
• Page Length: 334 Pages
• Genre: Historical Fiction / Mystery

The Blurb:

‘The Colour of Evil’

Every Londoner has money worries, and talented artist and some-time sleuth, Seb Foxley, is no exception.

When fellow craftsmen with debts to pay are found dead in the most horrid circumstances, fears escalate. Only Seb can solve the puzzles that baffle the authorities.

Seb’s wayward elder brother, Jude, returns unannounced from Italy with a child-bride upon his arm. Shock turns to dismay when life becomes more complicated and troubles multiply.

From counterfeit coins to deadly darkness in London's worst corners. From mysterious thefts to attacks of murderous intent, Seb finds himself embroiled at every turn. With a royal commission to fulfil and heartache to resolve, can our hero win through against the odds?

Share Seb Foxley’s latest adventures in the filthy streets of medieval London, join in the Midsummer festivities and meet his fellow citizens, both the respectable and the villainous.

‘The Colour of Evil’ - Cover

Praise for Colour of Evil:

Samantha Willcoxson, author & historian:
“Toni Mount is simply brilliant. If you love CJ Sansom’s Matthew Shardlake – and I do – you will love Toni’s Sebastian Foxley. From learning how a 15th century scrivener created illuminated manuscripts to venturing within the dank tunnels beneath the Tower of London, Toni is an artist who completely immerses the reader in another time and place and always leaves one eager for the next book.”

Stephanie Churchill, author of historical fiction and epic fantasy:
“Leave it to Seb to unravel another international spiderweb of intrigue, betrayal, murder, and deceit. Our flawed, loveable hero has done it again. And at the end of it all, his future is looking brighter than ever. I cannot wait to find out what happens to him next!”

Sharon Bennet Connoly, author and medieval historian:
“A beautifully crafted mystery that brings the dark, dangerous streets of medieval London to life. Toni Mount is a magician with words, weaving a captivating story in wonderful prose. The Colour of Evil is, to put it simply, a pleasure to read.”

Kathryn Warner, medieval historian and author of numerous books about the fourteenth century, including biographies of Edward II and Isabella of France:
“The ninth instalment of Toni Mount's popular Seb Foxley series is sure to delight Seb's many fans. Mount puts her deep knowledge of late medieval England to good use once again, and takes us on another exciting adventure, this time with Seb's older brother Jude, returned from Italy, in tow. Mount's detailed world-building, as always, brings fifteenth-century London to life.”

Buy Links:

• 'The Colour of Evil' is on Kindle Unlimited
• Universal Link  
• Amazon UK
• Amazon US 
• Amazon CA 
• Amazon AU 
• Amazon IT
• Barnes and Noble
• Waterstones

‘The Colour of Evil’ - Excerpt:

The Prologue (pp. 1-4)

If ever there was a hell-on-earth, this was it, in the city’s very heart.

In the rats’ nest of alleyways south of Tower Street, Furnace Court was more noisome than most. Sunlight never dared trespass among the soot-encrusted walls, nor tip-toed into the confines where fire burned, smoke choked and the din of metal on metal rang out, assaulting the ears. Yet a man made his livelihood here. Bare-armed and brawny, smut-covered, the smith toiled at his anvil in the near darkness, working by the flickering light of the devil’s flames. Sweating, he hammered and quenched, re-heated and shaped, forcing his will upon the metals at his mercy. No iron could resist his power.

But such heavy labours were not his sole employment. Elsewhere, in the secret darkness beneath the streets, he had a second, smaller furnace. A more lucrative trade was to be had here, furtive and treasonous, undermining the prosperity of a kingdom. Hamo cared not a jot. In supposed-silver coins, struck with a die stolen from the nearby Tower Mint, there was money to be made – literally.

As the instigator, the greedy genius behind this crime, spread more of the gleaming, underweight groats and pennies throughout the city, strangers began to notice. Such coins undermined their livelihood and must be traced back to the source.

Thus it was that two men, speaking English with a foreign sound, came to a shop, just as the owner was closing the shutters at day’s end, demanding to be told the origin of the coins at fault. When no answer was forthcoming, the pair resorted to torture: a thousand small cuts, none fatal, but each draining the victim’s strength a little more. Every time they paused, removing the rag from the victim’s mouth, they repeated the question:

‘Who makes these coins?’

The victim did not know the answer. He had but borrowed them to pay what he owed. Exchanging a debt to one for a debt to another.

The cuts continued until the strangers were certain the victim spoke true by which time only death awaited but they would not deliver the fatal cut. Time would do that. But it was necessary that a clear message be left. And it could not be spoken by the victim. For fear he might name them, they split his tongue in twain – to warn the devious serpent lurking behind the counterfeiting business that they would hunt him down. Then, to show how much they knew of it, they covered the victim’s right hand – the guilty hand that passed the fake coins – in shiny pigment, brought for the purpose. And to end the message: that there was no escaping their retribution, they nailed the dying victim’s hand to his workbench and left a bag of the false money behind.

The new-minted coins, used to pay debts to the strangers, shone even brighter than silver: the colour of evil.

**

Friday, the eleventh day of June in the year of Our Lord 1479

The Foxley House in Paternoster Row in the City of London

I returned home with my purchases of quills and ink, Gawain at my heel. I could have asked Kate or Nessie to buy them, although, in truth, such items were not needed in the workshop. The errand was simply a means of escape. I entered the kitchen but the sense of something – someone – missing assailed me, like an icy hand clutching my heart, as it always did these days.

Rose sat stitching a pair of gloves of lavender-dyed kid leather, her work so delicate, the stitches were nigh invisible. Little Dickon was at her feet, playing some unknown game with a bunch of straws and a few twigs. Nessie stood at the board chopping fresh sage from the garden, the kitchen filled with its earthy scent. ’Twas a scene of domestic tranquillity, yet utterly amiss.

My Emily was not there.

I could not get used to the lack – a black hole in my soul that I feared naught would ever fill entirely.

I lifted Dickon from the floor. He laughed, showing off his few perfect white teeth.

‘Does my little man fare well?’ I asked him. A string of dribble down my jerkin was the answer to my query.

‘He does very well,’ Rose said. ‘Dickon, show your Papa how you can play at peep-boo.’

The child put his fists over his eyes then took them away of a sudden, shrieking with delight. I took up a table napkin to assist his game, covering my face with it. He pulled it aside, shouting ‘Boo!’ It was a merry jest indeed and one he seemed unlikely to tire of in the near future. I had work to do but what of that? Merriment was hard to come by of late. Thus, I would play with my son a while. He would attain the first commemoration of his birth date in the week to come: the first significant day in his life thus far. I prayed daily that he would see many, many more, as so many infants do not.

‘Mercy is coming to dinner,’ Rose said, ‘That you may see Julia.’

I nodded.

Julia was my daughter, born two months since upon that most sorrowful of days. The widow, Mercy Hutchinson, was the infant’s wet nurse but having three sons of her own, including Edmund who was a little older than Julia, she had taken the new babe to live with her in Distaff Lane, until she was weaned. Mercy’s other children were Simon, a scholar at St Paul’s School, and that scamp Nicholas – a toddling who was trouble upon two legs. I remained uncertain of the wisdom of having Nicholas visit too often, fearing Dickon might copy the elder child’s bad habits – biting people being his most recent undesirable trait. But Mercy and my kinsman Adam were betrothed, so I had to make the best of it: Nicholas would one day become a member of the family.

Neither was I able to determine for certain quite how I felt about Julia. Born too soon, she was the cause of my beloved Emily’s death. Yet she was an innocent.

Toni Mount

Author Bio:

Toni Mount earned her Master’s Degree by completing original research into a unique 15th-century medical manuscript. She is the author of several successful non-fiction books including the number one bestseller, Everyday Life in Medieval England, which reflects her detailed knowledge in the lives of ordinary people in the Middle Ages. Toni’s enthusiastic understanding of the period allows her to create accurate, atmospheric settings and realistic characters for her Sebastian Foxley medieval murder mysteries. Toni’s first career was as a scientist and this brings an extra dimension to her novels. It also led to her new biography of Sir Isaac Newton. She writes regularly for both The Richard III Society and The Tudor Society and is a major contributor of online courses to MedievalCourses.com. As well as writing, Toni teaches history to adults, coordinates a creative writing group and is a member of the Crime Writers’ Association.

Connect with Toni Mount:

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• Fantastic Fiction

‘The Colour of Evil’ - Tour Schedule

International Star Sofia Carson Releases New Single & Music Video "Fool's Gold" [Video Included]

Sofia Carson “Fools Gold” - Cover Art

Igniting a bold and bright chapter, gold-selling and chart-topping singer, songwriter, actress, and activist Sofia Carson returns with a new single and music video entitled "Fool's Gold".

With production by Grammy Award-winning duo Stargate [Rihanna, Beyoncé] and Jeff Jones, the song marks a major evolution for the international star. On the track, a soulful funk guitar wraps around a pulsating bass line as her captivating voice sings a melody that embraces and transports you.

Sofia Carson “Fools Gold” (screengrab)

The visual story of the record is told through the concept of Fire. Directed by Hannah Lux Davis [Ariana Grande, Drake], the music video bottles Sofia's undeniable energy as she metaphorically "plays with fire" in the game of love. With bold and striking visuals, Sofia's electric performance brings the song to life.

About the song and video, she commented, "This is the beginning of a story I'm sharing with the world. We meet a girl who's at the cusp of falling heart-first into a love that feels too good to be true. Before she falls, she can't seem to quiet that voice in her head that keeps singing 'are you for real or Fool's Gold?'"

• Gearing up for a monumental year, Sofia Carson was recently named UNICEF's newest US Ambassador, while she's set to star, produce and write the soundtrack for the film Purple Hearts.

"Fool's Gold" - The Music Video:

• Get "Fool's Gold" Here Via Hollywood Records.

Sofia Carson “Fools Gold” (screengrab)

About Sofia Carson:

No matter what Sofia Carson does, she writes her own story. She has carved out a singular path in music, film, television, and philanthropy. As an award-nominated singer and songwriter, she's garnered nearly 1 billion streams and 2 billion-plus views, reached #1 on the Billboard Top 200, and launched a dynamic catalog, including two gold-selling albums and four gold-selling singles thus far. As an actress, she has starred in NETFLIX's Feel The Beat, Michael Bay's Songbird, Pretty Little Liars: The Perfectionists, and the upcoming Purple Hearts. As a philanthropist, she stands out as UNICEF's newest US Ambassador, the first global ambassador of the Latin GRAMMY Cultural Foundation and a member of the first-ever Ambassadors Council for The House of Blues Music Forward Foundation. Sofia is an honorary board member of WE DO IT TOGETHER, a nonprofit production company created to produce films, tv and new media content dedicated to the empowerment of women. As a style icon, Sofia is Global Brand Ambassador for beauty leader REVLON and has launched her own makeup collection. A Teen Vogue cover story by Priyanka Chopra Jonas summed her up best, "Sofia Carson has the grace of a pro." In 2021, she continues to define herself with the fiery and fierce new single "Fool's Gold" produced by Stargate [Rihanna, Beyoncé] and Jeff Jones, a story that hints at more to come from Sofia in 2021.

Sofia Carson “Fools Gold” (screengrab)

For more information on Sofia Carson, visit:

Twitter ✔ Instagram ✔ Facebook ✔ YouTube ✔

SOURCE: Hollywood Records

Michael Douglas Shares Life Lessons About His Career, Family, Fatherhood, and the Future in AARP The Magazine's April/May Issue

Michael Douglas Shares Life Lessons About His Career, Family, Fatherhood, and the Future in AARP The Magazine's April/May Issue (original picture via AARP)

With an award-winning career in entertainment spanning 50-plus years, Michael Douglas is an icon, but he also holds important titles as a father, grandfather, husband, friend and mentor. 

The Hollywood vet recalls powerful advice, pivotal college moments and more in his AARP The Magazine cover story. After a year of what Douglas calls "couch potato-ing," the 76-year-old is looking forward to getting back to work, with no plans to retire anytime soon.

• Currently, Douglas plays an acting coach who is past his prime, grappling with the question of what actually matters in the long run of life in the Netflix comedy "The Kominsky Method." The first two seasons are streaming now, with the third season in progress.

The following are excerpts from ATM's April/May 2021 cover story featuring Michael Douglas available in homes starting in April and available online now at www.aarp.org/magazine.

Michael Douglas Shares Life Lessons About His Career, Family, Fatherhood, and the Future in AARP The Magazine's April/May Issue (screengrab from video)

On the importance of honesty:

"If you lie, people lose faith in you and it just makes everything more difficult."

On being mentored by Karl Maiden:

"Those days, when you were the second banana on a police show, usually you were a step or two behind the lead because the focus couldn't hold both actors. Karl was the first guy who said to me, "Come on up." He shared the spotlight, cared about others, said I was the son he never had. A good mentor can save you a lot of pain."

On the lessons he'd like to pass on to his children and grandchildren:

"A work ethic. Courtesy to your fellow human beings. And kindness. Which are traits you have to work at and rehearse."

On collaborating with women:

"My mother was an actress. I spent a lot of time with her backstage at the theater. So I've never been threatened by formidable women. I'm proud that for nearly every woman I've worked with, it's been one of her best roles. Kathleen Turner, Geneviève Bujold way back in Coma, Glenn Close in Fatal Attraction, Annette Bening, Sharon Stone. I try to make the environment as comfortable as possible, give them respect and protection. This season of "The Kominsky Method" will be my fourth time working with Kathleen and there is a wonderful comfort in that."

On continuing to work into his 70s:

"Work keeps you going, keeps you sharp. Of course, these days I'm looking around the set, like, I'm the oldest person here, man. Where did the time go? But I love the whole process. We're not doing brain surgery; we're showbiz."

Michael Douglas Shares Life Lessons About His Career, Family, Fatherhood, and the Future in AARP The Magazine's April/May Issue (image via AARP)

SOURCE: AARP