"Redemption Room" World Premiere on February 27, 2021 - a new live online theatrical thriller experience
"With the world still locked down, Secret Theatre look to unite us all in a live, online, immersive horror experience that can be streamed from anywhere in the world. And we can't wait."-- BBC RADIO 1
Making its World Premiere on February 27th, Redemption Room is a new live online theatrical experience where the virtual-studio audience gets to judge six disgraced celebrities as they seek redemption for their societal crimes.
Presented by Secret Theatre, this original innovative experience will go live across the world in a Zoom studio from six major cities, including Hong Kong, London, Singapore, Mumbai, Sydney and New York, where the celebrities are located.
A truly immersive format, Redemption Room takes a thrilling twist after an evil entity is awakened into the proceedings. Who will survive? Who will get their redemption? The virtual-studio audience will decide, voting on how far to push the celebrity's fears. But be warned, every-night one audience member will be asked to compete along with the celebrities. The virtual experience allows audiences to vote, judge, contact the celebrities directly and impact their outcome.
To get the full theatrical experience, turn off the lights, light a candle and be prepared for the unexpected. For those with paranormal fears, please prepare accordingly. If Ouija boards are your taste, there will be a moment when you can get involved.
Also, wearing black can summon demons – you have been warned.
The Trailer:
Secret Theatre are pioneers in global immersive events and have produced shows in 7 cities across the globe. Redemption Room is created and directed by Richard Crawford, who has been Artistic Director of Secret Theatre for over 10 years with many immersive credits to his name. He was responsible for directing the immersive Edward Scissorhands in New York, the immersive Project Mayhem in London and Hong Kong, and the immersive Hell Hath No Fury in Singapore.
Shows go live on February 27th and run through March 14th, 2021 and can be viewed on any device that supports Zoom.
Screening dates and times vary across the US, including a special scary Midnight show (PST) on March 13th.
"Redemption Room" a new online immersive thriller experience goes live from 6 cities around the globe beginning February 27, 2021
The team behind the popular The Hero's Journal today announced that its newest offering, The Hero's Journal: Istoria Magic Academy, is now live on Kickstarter, where they reached 100% of their funding goal in under 9 minutes.
The Hero's Journal launched in 2019 via a successful Kickstarter campaign. Over the past two years, a vibrant community of journalers has formed organically on social media to share stories and seek advice.
"Thanks to our first Kickstarter, The Hero's Journal quickly transformed from a simple idea to a community of 25,000 journalers," said Nick Vitellaro, the 27-year-old co-founder.
He added: "During the past year, we learned a lot about what our fans like about the Journal and how it helps them achieve their goals. Today, we're excited to go back to Kickstarter, where it all started, to release a new edition that incorporates feedback and suggestions from our amazing community."
During 2020, the team witnessed firsthand how the Journal is helping people cope during the pandemic. For example, one community member commented: "I've been feeling pretty scatterbrained since quarantine started, but this journal has really helped create more structure in my daily life, in the most fun and thoughtful way."
Daily Artwork Helps Inspire the Imagination and Make Every Day of Journaling Unique
The Hero's Journal: Istoria Magic Academy is based on a story about magic. The process of learning something new, working through failure, and discovering the ordinary magic of changing the world around you through words and actions.
"We expect that the new edition will resonate with our current community as well as with a new group of journalers who are looking to embark on a new adventure during a uniquely challenging time," said Nick.
The Video:
About The Hero's Journal:
Stories are the oldest form of human communication. From the earliest books ever written to the latest box office hit, humans are hardwired to communicate in the form of narrative. And there is no narrative more important to the core of each of us than the story we tell about ourselves. We set out to create a journal that would combine the power of self-narrative with the psychology of goal setting. The result? The Hero's Journal—now used by thousands of heroes around the world. From brainstorming the journal in 2018 to launching a kickstarter in 2019 to quitting our full-time jobs in the beginning of 2020, we've been blown away by the support of a community that keeps selling out every single one of our production runs.
Hip Hop Public Health Launches #CommunityImmunity Vaccine Literacy Effort (PRNewsfoto/Hip Hop Public Health)
Hip Hop Public Health (HHPH) the national nonprofit organization dedicated since 2004 to fostering positive health behavior change through the power of science and hip hop music, today launched Community Immunity: A Rap Anthology about Vaccines. A suite of free resources aimed at increasing COVID-19 vaccine coverage in communities of color by fighting fear with facts, this animated rap anthology deconstructs vaccine literacy in a series of five animated videos, beginning with What Are Vaccines and Why Do They Work?. Featuring the voice of Grammy-winning rapper and HHPH Advisory Board member Darryl DMC McDaniels of Run-DMC, with award-winning producer Artie Green and singer-songwriter Gerry Gunn, Community Immunity: A Rap Anthology About Vaccines is the latest COVID-19 public information campaign from Hip Hop Public Health. The organization's trilogy of high-impact music video PSAs – 20 Seconds or More, 20 Segundos o Más and Behind the Mask – have been viewed and shared by millions, and become a part of the vernacular around the coronavirus with universal messages of love and safety since launching at the height of the pandemic in New York City in spring 2020.
What Are Vaccines and Why Do They Work? - The Video:
Each 60-second video in the Community Immunity anthology features a common underlying hip hop track with a unique rap verse that incorporates vaccine literacy content and a universal hook about the benefits of community immunity, which is repeated and sung in each video. The goal of the series is not only to inform, but also to turn receiving the vaccine into a social norm.
Each video in the series will be launched over the next several weeks through March 2021, beginning withWhat Are Vaccines and Why Do They Work? (launching 2/11), followed by Are Vaccines Safe and How Do I Know This? (launching 2/18); What are the Common Vaccine Myths, Misperceptions? (launching 2/25); What Can I Expect if I Take the Vaccine? (launching 3/4); and, Getting a Vaccine is Better than Getting Infected with COVID-19 (launching 3/11).
"COVID-19 is the most urgent global challenge we face today, and if we can encourage 80% of the population to get vaccinated, we can achieve the community-wide immunity we need for social activities to return to normal" says Dr. Olajide Williams, Founder of Hip Hop Public Health, tenured Professor of Neurology at Columbia University, and Chief of Staff of the Department of Neurology at NewYork-Presbyterian/Columbia University Irving Medical Center. "As the coronavirus continues to ravage communities of color, the long-standing distrust that many feel towards medical science has proven to be an even greater challenge. Our goal with the Community Immunity anthology is therefore to increase vaccine literacy by demonstrating three critical points of fact: one, the vaccine is safe; two, no scientific shortcuts were taken in the development of the vaccine; and three, being vaccinated is an act of community service."
"While we must work to fill knowledge gaps, we also recognize that knowledge alone does not motivate behavior change. To meet the challenge of COVID-19, we need to truly connect, culturally and emotionally," adds Dr. Williams. "This is why HHPH developed the Multisensory Multilevel Health Education Model, which leverages the power of culture and art to motivate people to live healthier lives."
"Hip Hop Public Health is committed to providing accessible, culturally relevant resources, free of charge to empower underserved communities about critical health issues ," says Lori Rose Benson, Executive Director and CEO of Hip Hop Public Health. "With recent studies showing that more than half of African American adults are hesitant to get the COVID-19 vaccine, it is essential that we create and widely disperse messages to dispel myths and reduce anxiety around the vaccine with the goal of creating Community Immunity as the ultimate act of love – love of self, love of family and love of the community – to inspire and drive action."
A recent national study (Szilgayi et al, JAMA December 2020) revealed that the self-reported likelihood of getting a COVID-19 vaccine declined from 75% in April 2020 to 56% in December 2020, despite extensive media coverage beginning in November showing high efficacy for both Pfizer and Moderna vaccines. The lowest likelihood of vaccination was found among Black individuals and those with lower educational backgrounds, two groups that bear the highest burden of illness, hospitalization, and death from COVID-19. The APM Research Lab has found that Covid-19 has killed 1 out of every 645 Black Americans, and according to the journal PLOS Medicine, Black people, ages 35 to 44, have been dying at nine times the rate of white people the same age.
"These findings make HHPH's novel approach to vaccine hesitancy a critical item on the menu of initiatives designed to increase vaccine coverage," Dr. Williams concludes.
Hip Hop Public Health Launches #CommunityImmunity Vaccine Literacy Effort
The videos will also be widely distributed across multiple social media channels in collaboration with local faith-based organizations, community media outlets and national and local radio platforms. In addition, Community Immunity will be part of a larger program used in company settings as a tool to educate essential workforces and answer pointed questions about the vaccine. In partnership with 40 West Advisors, HHPH's innovative and customized tools will allow direct access to the answers employees need to make informed decisions about the vaccine. Finally, the public is invited to engage directly with Dr. Williams and Dr. Monique Hedmann-Maxey, HHPH Advisory Board member who also appears in the videos, through #AskTheHipHopDocs. This interactive social media initiative is designed to answer questions and help dispel misperceptions when tagged in real-time.
"Communities of color carry the heaviest burden from the pandemic, and in order to stop the virus in its tracks, we need to increase vaccine literacy, change behavior and get vaccinated," says Darryl DMC McDaniels. "By harnessing the power of hip hop, we hope to connect with communities of color in a way they can relate to and encourage folks to get vaccinated. I am honored to lend my voice to this vital campaign – get the shot y'all!"
Hip Hop Public Health Launches #CommunityImmunity Vaccine Literacy Effort (screengrab)
The five videos in the Community Immunity series are focused on the following topics:
What Are Vaccines and Why Do They Work? Highlights the power of vaccines, which have all but eliminated diseases that once sickened, crippled or killed millions of people every year, including smallpox and polio. The two current COVID-19 vaccines are more than 90% effective at protecting the recipient (9 of 10 people won't get sick if they get both doses of the vaccine).
Are Vaccines Safe and How Do I Know This? Despite the speed of vaccine development (which has prompted many to question whether a vaccine for COVID-19 is safe and effective), very strict science, regulations, and transparency was enforced during vaccine development and data safety monitoring. Even after a COVID-19 vaccine is approved, the FDA, CDC, healthcare systems and vaccine developers will continue to monitor the safety and effectiveness of the vaccine for years.
What are the Common Vaccine Myths, Misperceptions? Addresses misinformation and how this has affected people's trust, and addresses fears with facts. "This is not just a moment of truth; it is a moment for truth."
Getting a Vaccine is Better than Getting Infected with COVID-19Which puts you at risk of severe infection, protracted illness, and death. This video also emphasizes that one of the most important tools to save Black lives right now is vaccination.
What Can I Expect if I Take the Vaccine? Describes transient reactions to vaccination and emphasizes the importance of returning for the second shot (for the two currently approved Pfizer and Moderna vaccines in the United States) for community immunity. Defines herd immunity as community immunity. Getting both shots is not just about me, it is also about us.
"We have been locked in a life or death battle against COVID for nearly a year, and with the vaccine now in hand, we finally have the weapon that will win this war, but it will only be as effective as our willingness to use it," said New York Secretary of State and Co-Chair of New York's Vaccine Equity Task Force Rossana Rosado. "The sad truth about COVID is it hasn't only attacked our health, it's brought to light the structural racism, injustices and inequities that have contributed towards the distrust and skepticism people feel towards the health care system and the vaccine itself, especially in communities of color. The fact is it is safe, it is reliable and if we are truly to get back to normal, we need everyone to have confidence in it – that's why the work Hip Hop Public Health is doing is so important. By finding new and creative ways to instill confidence in the vaccine, they are getting information about the vaccine's efficacy to those who need it in an easily digestible and understandable format. Hip Hop Public Health has been a tremendous partner to New York's Vaccine Equity Task Force from the very beginning and on behalf of Governor Cuomo and all New Yorkers, I thank them for this critically important public service."
The Community Immunity: A Rap Anthology about Vaccines series was produced by Artie Green. The video animation was created by Mylo The Cat and Cartuna. Medical oversight was provided by HHPH Founder, Dr. Olajide Williams, Dr. Melissa Stockwell and HHPH Advisory Board member Dr. Monique Hedmann-Maxey. Philanthropic support for the initiative has been provided by The Skoll Foundation, Columbia University Vagelos College of Physicians and Surgeons, the Dalio Center for Health Justice at NewYork-Presbyterian, and Columbia Community Service.
Based in New York City, Hip Hop Public Health was founded in Harlem in 2004 with the mission to empower youth around the country – and the globe— with the knowledge and skills to make healthier choices, reducing preventable health conditions and the rising tide of childhood obesity.
Through a research-driven developmental process created by Columbia University Neurologist Dr. Olajide Williams (a.k.a. the "Hip Hop Doc"), Hip Hop Public Health works with socially conscious artists and musicians to create scalable, highly engaging, culturally relevant music and multimedia "edutainment" tools designed to improve youth health literacy and promote health equity. HHPH used validated models of behavior change and evidenced-based research to develop original content and are committed to an iterative cycle of program evaluation, academic research and resource refinement. We aim to make the healthy choice the cool choice.
The Hip Hop Public Health team, led by physical education veteran and public health leader Lori Rose Benson, is a collective comprised of not only health and education professionals (including nutritionists, public health researchers, teachers, physicians, behavioral scientists, and a student advisory board), but also proven-successful multi-media professionals and A-list iconic rap stars and pop artists including Doug E. Fresh, Chuck D, DMC of Run DMC, Ashanti, Jordin Sparks, as well children's television writers/producers (formerly of Sesame Street).
HHPH is proud to partner locally, regionally and internationally to empower health focused organizations and stakeholders to adopt and adapt Hip Hop Public Health resources and infuse them into youth health and wellness programming and initiatives. All HHPH music, videos, comic books, video games and guidance documents are available for free and can be accessed on its online resource repository.
Steven Spielberg Announced as the 2021 Genesis Prize Laureate (screengrab)
The Genesis Prize Foundation today announced film director, producer, and philanthropist Steven Spielberg as the 2021 Genesis Prize Laureate.
The annual $1 million Genesis Prize, dubbed the "Jewish Nobel" by TIME magazine, honors extraordinary individuals for their outstanding professional achievement, contribution to humanity, and commitment to Jewish values.
The award recognizes Spielberg's outstanding achievement as one the most influential filmmakers in the history of cinema; his social activism and prolific philanthropy; and his principled stance against anti-Semitism and all forms of intolerance.
The Prize also recognizes his extraordinary work to preserve the memory of the Holocaust and prevent future genocides through film, public advocacy and philanthropy.
For the first time in the history of the Genesis Prize, the voice of global Jewry was a major factor in Laureate selection. Two hundred thousand Jews on six continents cast their votes for the 2021 Laureate; millions more engaged on social media. While the Prize Committee had the ultimate discretion about the selection of the recipient of this prestigious award, the fact Spielberg received the most votes was a major determining factor.
"The Genesis Prize celebrates Steven Spielberg's unique talent, his commitment to making the world a better place, and his unparalleled contribution to teaching the post-war generations about the horrors of the Holocaust," said Stan Polovets, Co-Founder and Chairman of GPF. "We are delighted to welcome Steven Spielberg to the distinguished family of Genesis Prize honorees, which includes such luminaries as Justice Ruth Bader Ginsburg, Natan Sharansky, and Michael Bloomberg."
This is the latest in a series of prominent awards bestowed on Spielberg, which among others include the Presidential Medal of Freedom, the highest civilian award of the United States; Legion d'Honneur, the highest order of the French Republic, and Germany's Federal Cross of Merit.
"Spielberg is a great Jewish visionary and storyteller," said the legendary human rights activist Natan Sharansky, who was awarded the Genesis Prize in 2020. "Key Jewish themes are often woven into his narratives: importance of identity and belonging, maintaining humanity in a ruthless world, caring for the other, and honoring the moral obligation to do the right thing. His talent makes them universal: told by Spielberg, these stories come alive in people's hearts across the globe."
Steven Spielberg becomes the 9th Genesis Prize honoree. All previous Laureates chose to direct the $1 million Prize award to philanthropic causes about which they were passionate. Sharansky, who preceded Spielberg as the Genesis Prize Laureate, directed his $1 million award to support individuals and organizations working to alleviate the Covid-19 health crisis and prevent future pandemics.
"Congratulations to Steven Spielberg on this important Jewish award," said Isaac Herzog, Chairman of the Jewish Agency for Israel and Chairman of the Genesis Prize Selection Committee. "He is an example of great Jewish talent, whose extraordinary work in film and philanthropy is infused with the values of his people – a quest for justice, compassion, humanism, and a heartfelt desire to make the world a better place."
Steven Spielberg is widely considered to be the most successful film director in the history of cinema. His films grossed $10bn and his imagination has captivated tens of millions of people around the world. After establishing his reputation with blockbuster films such as Jaws, ET, Jurassic Park and Indiana Jones, he began to explore serious topics such as justice, slavery, women's rights, corruption, and morality of war in films such as Saving Private Ryan, Lincoln, The Color Purple, The Post, Munich and Bridge of Spies.
His films also have delivered compelling narratives of Jewish history and present day events – the Holocaust, terrorism, and the maturing of the State of Israel. Spielberg's 1993 masterpiece Schindler's List has had a profound impact on humanity's perception and awareness of the Holocaust. Fifty years after the Shoah, Spielberg's film fostered a strong emotional connection with this tragedy for a vast, global audience – touching the post-war generations in a way that no other medium could. Spielberg channeled all of his proceeds from Schindler's List to fund philanthropic causes – both Jewish and non-Jewish. In 1994, he established the USC Shoah Foundation, dedicated to preserving Holocaust survivor testimonies. Concerned with prevention of genocide, the Foundation also works to preserve the memory of other 20th century genocides – in Cambodia, Armenia and Rwanda. Over 55,000 survivor testimonies have been recorded to-date.
Spielberg and his wife Kate Capshaw founded the Righteous Persons Foundation, which has made more than $100 million in grants to various Jewish organizations. Through the Wunderkinder Foundation, Spielberg has given extensively to health, arts, youth and education.
About the Genesis Prize and Prior Laureates:
The Genesis Prize is a global award that celebrates Jewish achievement and contribution to humanity. Launched in 2013, the Prize is financed through a permanent endowment of $100 million established by The Genesis Prize Foundation.
Previous Genesis Prize laureates are former New York City Mayor and philanthropist Michael Bloomberg (2014); actor, producer and peace activist Michael Douglas (2015); Itzhak Perlman, virtuoso violinist and advocate for individuals with special needs (2016); sculptor and advocate for the rights of refugees Sir Anish Kapoor (2017); Oscar-winning actress and social activist Natalie Portman (2018); owner of New England Patriots and founder of the leading foundation to combat anti-Semitism Robert Kraft (2019); and legendary Jewish leader and human rights activist Natan Sharansky (2020). In 2018, the Genesis Prize Foundation honored U.S. Supreme Court Justice Ruth Bader Ginsburg with its inaugural Lifetime Achievement Award for her contribution to social justice and equal rights.
15th Annual Festival of the Arts Boca to Reach Global Audience with Star-Studded Virtual Performances & Interactive Discussions with Award-Winning Authors
Festival of the Arts Boca will go forward in 2021, with virtual performances by Florida-based artists from iconic locations throughout Boca Raton from March 6 – 14, 2021. Each program will stream once only on the Festival of the Arts Boca website.
Access is free with advance registration.
"Our 15th installment will celebrate the tremendous talent in South Florida, showcase the beauty of Boca from various venues and honor the legacy of our co-founder, Charlie Siemon," said Joanna Marie Kaye, Executive Director of Festival of the Arts Boca. "Charlie would have been thrilled to see that paradoxically, we have the opportunity to reach our biggest audience ever in 2021 with all of our events filmed and broadcast worldwide.
Nadine Sierra
The Festival will open on Saturday, March 6 with Boca native and Metropolitan Opera star soprano Nadine Sierra and friends, in concert at Signature Flight Services at the Boca Raton Airport.
James Ehnes
On Sunday, March 7, the Festival will welcome Grammy Award-winning Florida-based violinist James Ehnes, from the Boca Raton Innovation Campus.
On Saturday, March 13, tune in for an evening with the Festival All-Stars featuring Constantine Kitsopoulos, Festival Music Director, and musicians from the Festival Orchestra.
The Festival will close on Sunday, March 14 with Grammy-Award winning South Florida favorite, jazz flautist Nestor Torres, and his band at the Boca Raton Resort and Club.
This season's Authors & Ideas program will include interactive discussions with three authors, Admiral James Stavridis, Sonia Shah and Bruce Feiler, via Zoom.
On Monday, March 8 at 7 p.m., Admiral James Stavridis author and retired four-star U.S. Naval officer, will talk about leadership.
On Tuesday, March 9 at 7 p.m., Bruce Feiler will discuss his latest book, a top 10 New York Times bestseller, Life Is In the Transitions: Mastering Change at Any Age, a collection of hundreds of life stories, exploring how we can navigate life's growing number of transitions to live with more meaning, purpose, and joy.
On Thursday, March 11 at 7 p.m., the Festival will welcome Sonia Shah, science journalist and prize-winning author of the heavily lauded, The Next Great Migration: The Beauty and Terror of Life on the Move, that explores our centuries-long assumptions about migration through science, history, and reporting, predicting its lifesaving power in the face of climate change.
For more information visit festivalboca.org or call (561) 571-5270
Patrick Page's "All The Devils Are Here: How Shakespeare Invented The Villain"Now Streaming
All the Devils Are Here: How Shakespeare Invented the Villain, written by and starring Tony nominee Patrick Page, begins streaming today. It's the first ever online-only production from Shakespeare Theatre Company in Washington, D.C.
In the show, Page traces the evolution of Shakespeare's most diabolical characters, through a series of monologues and scenes. Filmed under strict health and safety protocols onstage at Sidney Harman Hall by Joo Kno Media, All the Devils Are Here illustrates the growth of Shakespeare's characters from stock archetypes to fully developed three-dimensional characters unlike anything that had come before.
Patrick Page, (Credit: Nathan Johnson)
About Patrick Page:
Beloved on Broadway and in Washington, D.C., Page has portrayed an astonishing array of bad guys. In 2019, Page was nominated for a Tony Award for his role as Hades in Hadestown.Other notable Broadway credits include Julius Caesar (with Denzel Washington), Saint Joan, Casa Valentina, Spring Awakening, Cyrano de Bergerac, The Lion King, and Dr. Seuss' How the Grinch Stole Christmas! The Musical. At STC he received a Helen Hayes Award for his portrayal of Iago to Avery Brooks' Othello, and has also starred as Claudius in Hamlet, Prospero in Tempest, and the lead roles in Macbeth and Coriolanus.
"Patrick understands Shakespeare's works as only a seasoned actor can," STC Artistic Director Simon Godwin shares. "Shakespeare was a playwright and an actor, and Patrick can get under the skin and into the minds of the most devilish creations ever to grace a stage."
All the Devils Are Here: How Shakespeare Invented the Villain is sponsored by KPMG. CoStar is the streaming sponsor for the 2020/21 season. This production is a component of Shakespeare Everywhere, which is made possible by the visionary support of the Beech Street Foundation.
Glass Portrait of VP Kamala Harris Presented by National Women's History Museum, Chief & BBH NY Celebrates Her Shattering of Historic Glass Ceiling. (Photo by Shannon Finney /Getty Images for National Women's History Museum & Chief)
A dramatic glass portrait honoring Vice President Kamala Harris has been unveiled in front of the Lincoln Memorial today, celebrating Harris as America's first woman vice president.
The exhibit, which will be on display through Feb. 6th, commemorates this seminal achievement for women in America and celebrates an incredible woman leader with many "firsts" to her name – including the first woman vice president, first Black vice president, first South Asian vice president and first vice president to graduate from a Historically Black College and University.
The installation to honor Harris' shattering of this monumental "glass ceiling'' is presented by the National Women's History Museum – the nation's leading women's history museum and the most recognized institution dedicated to uncovering, interpreting, and celebrating women's diverse contributions to society, in partnership with Chief, a private network focused on connecting and supporting women leaders.
The one-of-a-kind broken glass medium used by the artist Simon Berger to create the portrait uniquely embodies Harris' glass-shattering achievement. The installation was created by creative agency BBH New York, with production partnership from M ss ng P eces.
"Representation matters, especially at the ballot box, and the inauguration of Kamala Harris as the first woman, and first woman of color, to serve as vice president of the United States is a landmark moment in American history," said Holly Hotchner, President and CEO of the National Women's History Museum.
"Today's progress is built on the legacy of the women who came before – the trailblazers, like Kamala, who raised their voices, marched for their rights, and ran for elected office; the women who cracked glass ceilings so that other women could shatter them," Hotchner said. "It is a true honor to join BBH and Chief as partners in this remarkable installation honoring this critical turning point in the fight for representation, Vice President Harris, and the numerous women throughout history who demanded a seat at the table."
"Chief's mission is to drive women into positions of power and keep them there – we exist to support ascendant women to break glass ceilings, retain their seats at the table, and create lines of succession for future women leaders," said Lindsay Kaplan, who co-founded Chief in 2019 with Carolyn Childers. "This artwork not only celebrates Vice President Kamala Harris, a woman who embodies this mission, but it recognizes the women who came before her and those who'll come after. Today, only 23% of executive roles are held by women. We hope this exhibit will show women of all backgrounds that they can change that percentage, assert their voices, and open doors as they shatter barriers."
Set against the historic and scenic backdrop of the reflecting pool and Washington Monument, the installation will include a plaque featuring a QR code which viewers can scan to take them to an Instagram Spark AR. This will provide an augmented reality experience that immerses the observer in Harris' glass-breaking moments.
The campaign also includes a companion website and film.
"We hope that women – of all ages and backgrounds – will see their own strength and potential reflected in the portrait of our first woman vice president," said Amani Duncan, President of BBH New York. "This incredible work of art featuring interactive elements is a rallying moment for all organizations to work together to advance gender equity and address the issues facing women and other marginalized genders."
Based on a color photo of Harris taken by photographer Celeste Sloman (represented by ATRBUTE, New York), the artwork measures 6.5 feet x 6.5 feet and was crafted by artist Simon Berger (represented by Artstübli Gallery, Basel). To create these unique works of art, Berger delicately taps a hammer on large sheets of laminated safety glass, making tiny cracks and fissures that, when viewed together, coalesce to create an incredible, 3-D-style likeness .
Glass Portrait of VP Kamala Harris Presented by National Women's History Museum, Chief & BBH NY Celebrates Her Shattering of Historic Glass Ceiling. (Photo by Shannon Finney /Getty Images for National Women's History Museum & Chief)
About National Women's History Museum:
Founded in 1996, theNational Women's History Museum is the nation's leading women's history museum and the most recognized institution dedicated to uncovering, interpreting, and celebrating women's diverse contributions to society. A renowned leader in women's history education, the Museum brings to life the countless untold stories of women throughout history, and serves as a space for all to inspire, experience, collaborate, and amplify women's impact—past, present, and future. The Museum is a nonpartisan, nonprofit 501(c)3.
Chief is the future of women in the workplace. Created to drive more women into positions of power and keep them there, Chief is a private network designed specifically for women executives to strengthen their experience in the C-suite, cross-pollinate power across industries, and effect change from the top-down. Co-founders Carolyn Childers and Lindsay Kaplan launched in Chief in 2019, and have grown to nearly 4,000 of the most formidable senior leaders in the United States, representing over 3,000 companies. Chief is headquartered in New York City, with membership open in Los Angeles, Chicago, Boston, and San Francisco.
Helmed by the trio of President Amani Duncan, Chief Creative Officer Rafael Rizuto and Head of Planning Tom Callard, BBH NY "zags" where other agencies "zig," making ambitious ideas for ambitious clients. Leveraging the power of creativity for outsized impact on culture and business growth, BBH NY works with some of the most innovative marketers in the world, including Google, Marvel, Brighthouse Financial, and Samsung.
m ss ng p eces is the new wave production and entertainment partner for content and immersive experiences that inspire culture. As the industry shifts and evolves through new mediums and new demands, we bring the missing pieces to the table to make content and immersive experiences with diverse creatives across storytelling, technology and physical experiences – all supported by world-class integrated production. With offices in NY & LA, we produce globally recognized work for agencies, brands, and studios, and have been named to the Ad Age Production Company A-List for the past 4 years in a row.
No-one has visited the Moon since 1972. But with the advent of commercial human spaceflight, the urge to return is resurgent and generating a new space race. Nasa has selected the private company SpaceX to be part of its commercial spaceflight operations, but the firm is also pursuing its own space exploration agenda.
To enable flights to the Moon and beyond, both Nasa and SpaceX are developing new heavy lift rockets: SpaceX’s Starship and Nasa’s Space Launch System.
But how do they differ and which one is more powerful?
Starship
Rockets go through multiple stages to get into orbit. By discarding spent fuel tanks while in flight, the rocket becomes lighter and therefore easier to accelerate. Once in operation, SpaceX’s launch system will be comprised of two stages: the launch vehicle known as Super Heavy and the Starship.
Super Heavy is powered by theRaptor rocket engine, burning a combination of liquid methane and liquid oxygen. The basic principle of a liquid fuel rocket engine is that two propellants, – a fuel such as kerosene and an oxidiser such as liquid oxygen – are brought together in a combustion chamber and ignited. The flame produces hot gas under high pressure which is expelled at high speed through the engine nozzle to produce thrust.
The rocket will provide 15 million pounds of thrust at launch, which is approximately twice as much as the rockets of the Apollo era. Atop the launcher sits the Starship, itself powered by another six Raptor engines and equipped with a large mission bay for accommodating satellites, compartments for up to 100 crew and even extra fuel tanks for refuelling in space, which is critical to long duration interplanetary human spaceflight.
Super Heavy separating from Starship. (wikipedia, CC BY-SA)
The Starship is designed to operate both in the vacuum of space and within the atmospheres of Earth and Mars, using small moveable wings to glide to a desired landing zone.
Once over the landing area, the Starship flips into a vertical position and uses its on-board Raptor engines to make a powered descent and landing. It will have sufficient thrust to lift itself off the surface of Mars or the Moon, overcoming the weaker gravity of these worlds, and return to Earth – again making a powered soft landing. The Starship and Super Heavy are both fully reuseable and the entire system is designed to lift more than 100 tons of payload to the surface of the Moon or Mars.
The spacecraft is maturing rapidly. A recent test flight of the Starship prototype, the SN8, successfully demonstrated a number of the manoeuvres required to make this work. Unfortunately, there was a malfunction in one of the Raptor engines and the SN8 crashed on landing. Another test flight is expected in the coming days.
Nasa’s Space Launch System
The Space Launch System (SLS) from Nasa will be taking the crown from the discontinued Saturn V as the most powerful rocket the agency has ever used. The current incarnation (SLS block 1) stands at almost 100 metres tall.
The SLS core stage, containing more than 3.3 million litres of liquid hydrogen and liquid oxygen (equivalent to one-and-a-half Olympic size swimming pools), is powered by four RS-25 engines, three of which were used on the previous Space Shuttle. Their main difference from the Raptors is that they burn liquid hydrogen instead of methane.
Stages of the SLS. (Nasa)
The core stage of the rocket is augmented by two solid rocket boosters, attached to its sides, providing a total combined thrust of 8.2 million pounds at launch - about 5% more than the Saturn V at launch. This will lift the spacecraft to low Earth orbit. The upper stage is intended to lift the attached payload – the astronaut capsule – out of Earth’s orbit and is a smaller liquid fuel stage powered by a single RL-10 engine (already in use by ATLAS and DELTA rockets) which is smaller and lighter than the RS-25.
The Space Launch System will send the Orion crew capsule, which can support up to six crew for 21 days, to the Moon as part of the Artemis-1 mission– a task that current Nasa rockets are currently not capable of performing.
It is intended to have large acrylic windows so astronauts can watch the journey. It will also have its own engine and fuel supply, as well as secondary propulsion systems for returning to the Earth. Future space stations, such as the Lunar Gateway, will serve as a logistical hub, which may include refuelling.
The core stage and booster rockets are unlikely to be reusable (instead of landing they will drop in the ocean), so there is a higher cost with the SLS system, both in materials and environmentally. It is designed to evolve to larger stages capable of carrying crew or cargo weighing up to 120 tonnes, which is potentially more than Starship.
NASA’s SLS and SpaceX’s Starship, on the right, could both get us to the Moon and beyond. (Ian Whittaker/NASA/SpaceX, Author provided)
A lot of the technology being used in SLS is so-called “legacy equipment” in that it is adapted from previous missions, cutting down the research and development time. However, earlier this month, a test fire of the SLS core stage was stopped a minute into the eight-minute test due to a suspected component failure. No significant damage occurred, and the SLS program manager, John Honeycutt, stated: “I don’t think we’re looking at a significant design change.”
And the winner is…
So which spacecraft likely to reach carry a crew to the Moon first? Artemis 2 is planned as the first crewed mission using SLS to perform a flyby of the Moon and is expected to launch in August 2023. Whereas SpaceX has no specific date planned for crewed launch, they are running #dearMoon – a project involving lunar space tourism planned for 2023. Musk has also stated that a crewed Martian mission could take place as early as 2024, also using Starship.
Ultimately it is a competition between an agency that has had years of testing and experience but is limited by a fluctuating taxpayer budget and administration policy changes, and a company relatively new to the game but which has already launched 109 Falcon 9 rockets with a 98% success rate and has a dedicated long-term cash flow.
Whoever reaches the Moon first will inaugurate a new era of exploration of a world which still has much scientific value.
COVID-19 Movie 'Songbird' is a Disaster – We Need Better Pandemic Stories (Image via STX Films)
If the reality of COVID-19 were not enough, you can now watch Songbird, a new blockbuster movie which pictures the world in 2024 trying to deal with the ravages of COVID-23, a new mutation of the coronavirus. As one reviewer writes, the film combines “a Romeo & Juliet-lite love story with a sub-Contagion thriller”. Hailed as the first feature film about the pandemic, released during the pandemic, Songbird has not received the warm welcome its producers might have hoped for.
'Songbird' (screengrab)
One of the most generous reviews is from The Guardian, which described the film as “a fascinating historical document of how some creatives found their way around the rules during an impossible time for a struggling industry”. In contrast, Canada’s Globe and Mail, cautioned viewers to “physically distance” themselves from Songbird, which it described as “crass and gimmicky”. Other reviewers also saw the film as a “schlocky and opportunistic” production. Viewers, meanwhile, have criticised it as being in bad taste for trying “to bank on the current times and failing just about every step of the way”.
The range of these responses tellingly reveals the complexity of the bigger questions behind the film, namely: what role does culture play when it comes to disasters? This question is not new. Yet the seemingly never-ending current global health crisis gives it a sense of urgency.
Cultural representations of disasters can show ways to make sense of crises. Whether it’s the allegorical painting of the 1755 Lisbon earthquake, HBO’s Chernobyl, or Beasts of the Southern Wild (2012), a magical realist response to Hurricane Katrina, these cultural representations act as social commentaries. They anticipate political action, shape and express environmental ethics, and – most importantly – they can help us to imagine what a possible future could look like.
Not in the same boat
Films, TV series and books about disasters show, again and again, that there is no one way of experiencing any disaster. Zadie Smith’s recently published Intimations, an essay collection of pandemic reflections, describes this in clear terms: “The misery is very precisely designed, and different for each person.” As the disproportionate impact of COVID-19 clearly demonstrates, we are all not in the same boat. This has been captured by poetry, and confirmed by research.
The pandemic has not struck with the same force nor at the same time. What COVID-19 has revealed is ever-starker socioeconomic divides. The pandemic is having a disproportionate impact on certain demographic and labour groups. It has cut a swath through the most vulnerable populations, the elderly and those with pre-existing health conditions as well as the key workers who are keeping the cities, hospitals, and schools running. In short, the impact of the pandemic (and we’re only seeing the tip of the iceberg) is contingent on pre-existing, long-term, and sustained vulnerability.
'Songbird' (screengrab)
In response to the profound suffering and disruption to all aspects of our lives, many yearn for some, even small, return to “normal life”. Yet, it is precisely this “normal” – the reality of fatal inequalities, racial violence, injustice, and disenfranchisement – that is the problem.
No return to the pre-pandemic conditions is possible, nor should it be wished for. Rather, post-pandemic recovery has to work to address and repair these long-term structures of injustice, racism, and political, social and cultural marginalisation. Good artistic works aim to recover these hidden narratives and voices, voices that need to be central to any long-term recovery processes.
Starting slowly
The future starts slowly. How it will look depends on long-term community efforts and – even more so – on policy changes and political decisions. Yet waiting for these might mean waiting too long. In the meantime, artists, neighbourhood groups, mutual aid and solidarity groups forge their way through the crisis, start this slow labour of recovering, already pointing towards what alternative futures, in a small way, might look like.
The future starts with listening to the discordant experiences of those most affected by the impact of the pandemic. For Nobel Prize winner Svetlana Alexievich, reflecting on writing in the aftermath of the Chernobyl disaster, it soon became clear that “the book that I’m going to write will take years”. Indeed, her novel Chernobyl Prayer took ten years to complete. This “novel of voices”, as she calls it, captures precisely those discordant meanings, ongoing sense of irreparable loss and confusion.
Understanding what the current pandemic means and what its real impact is will also take years. Undoing long-term vulnerabilities will take even longer. Yet this work has to start now and continue day in, day out. For British philosopher Nigel Warburton, Albert Camus’s The Plague (1947) provides inspiration, with its depiction of “ordinary people rising to an occasion and doing extraordinary things”.
Whether an artistically uninspiring, ethically problematic contagion-themed love story where the pandemic is exploited as a jumping-off point can capture the many voices of the pandemic experience, sketch a horizon of post-COVID-19 life, or provide an inspiration for such ordinary work of slow healing and recovery, is highly unlikely. Tellingly, for one viewer of Songbird, in order to enjoy the film, one must “ignore what’s happening” in real life.
While seeking an escape might not in itself be bad, as film scholar Alfio Leotta reminds us: “The kind of escape we seek matters.” It is thanks to the other worlds offered by books, films, that we can gain a better, more critical, but also more courageous, imaginative, view of the present we are in and, not least, of what can the future hold.
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