30 March 2016

Who Cares About Batman Vs Superman? Wonder Woman Finally Steals The Show

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© Warner Brothers
By Amanda Potter, The Open University

Batman Vs Superman: The Dawn of Justice has received a frosty critical reception, to say the least. Despite this, I found myself coming away from the cinema filled with hope. Certainly not for either of the titular characters – who have never been less inspiring. Instead, the future finally seems bright for superwomen. Although Wonder Woman (Gal Gadot) is given far less screen time than her male counterparts (and is not even referred to as Wonder Woman), she steals the show when she appears in superhero costume for the finale.

Wonder Woman initially appears as a nameless beautiful woman of mystery, dressed in a succession of slinky backless dresses and gold jewellery – including what could turn out to be her signature bullet-stopping bracelets. Gadot is also known for being Miss Israel, linking her with former beauty pageant winner, Miss World Lynda Carter, who played Wonder Woman in the 1970s television series.

Rather than concentrating on this link, however, interviews have been keen to play up Gadot’s two years' military service as a suitable grounding for a superheroine. Gadot’s Wonder Woman is admired by Ben Affleck’s Batman, but she is not cast as his love interest.
Not-too-subtle clues are given to Wonder Woman’s identity, and they are grounded in the world of Greek mythology. She first appears at a party where villain Lex Luthor is making a speech about Prometheus and Zeus. Her second appearance is in a museum, looking at a (fake) sword used by Alexander the Great to cut the Gordian knot. We learn from a flight attendant that her name is Miss Prince, and she tells Batman that she has avoided the world of men for 100 years, but returns to help in the end. This is a Wonder Woman who likes to go her own way.

Amazon origins
The character of Wonder Woman was originally conceived by US psychologist William Moulton Marston in 1941 for what would become DC Comics. Wonder Woman, known by her alias Diana Prince, is Princess Diana of the Amazons, a tribe of women living on Paradise Island.

According to Greek mythology, the Amazons were warrior women who lived in the Black Sea area, on the edges of the ancient Greek known world. They would take local men as lovers for the purpose of procreation, but would only keep female children.

Unlike Greek women, they hunted and fought battles. In literature and art they are often used to epitomise the opposite of what it meant to be Greek and civilised. Archaeological evidence has been found in the modern Ukraine of women from the sixth to fourth centuries BCE buried with horses and weapons. It is now believed that nomadic Scythian women who lived in the Eurasian Steppes did in fact hunt and fight, leading to the origins of the myth of the Amazons.

Diana Price. © Warner Brothers

In the comics and in the Warner Bros Wonder Woman television series that aired from 1975-1979, starring Lynda Carter, Wonder Woman’s potential as a female superhero is impaired by romance. In the original story, she falls in love with US military intelligence officer Steve Trevor, whose plane crashes on the island, and returns with him to 1940s America, where she helps to fight the Nazis and other criminals. Her romantic relationship with Trevor holds her back.

This positioning in relation to a male hero is also a defining feature of the Amazons from Greek mythology. Although seen as brave warriors, skilled at fighting, they ultimately exist to be defeated, conferring heroic status on the male heroes who kill or pacify them. Heracles (Hercules) takes the belt of Hippolyte, the Queen of the Amazons, as one of his labours. Theseus abducts an Amazon Queen (either Antiope or Hippolyte). Achilles defeats Penthiselea in the Trojan War, falling in love with her at the moment she dies at his hands.

None of this for Wonder Woman. © Warner Brothers

I feared that the latest incarnation of Wonder Woman would be similarly defined in relation to men. But Wonder Woman’s latest incarnation is confident and self-sufficient. In a film where the other female characters, Lois Lane and Martha Kent, are used and cast in the roles of female victims who need to be saved, the appearance of a Wonder Woman who is more than a match for the male superheroes leaves me with hope that finally we will see a female superhero who can live up to her potential. Let’s just hope that the Wonder Woman feature (to be released in 2017) does the same.

The Conversation
About Today's Contributor
Amanda Potter, Visiting Research Fellow, The Open University



This article was originally published on The Conversation

'World of Warcraft: Traveler', A New Book Series For Children Based On The Global Bestselling Game Franchise, To Be Launched Soon

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Scholastic & Blizzard Entertainment Announce World of Warcraft(R): Traveler, a New Children's Book Series Based on the Bestselling Video Game Franchise. Image Credit: Blizzard Entertainment (PRNewsFoto/Scholastic)
Scholastic, the world's largest publisher and distributor of children's books, and internationally acclaimed game developer and publisher Blizzard Entertainment have announced today a collaboration on a new book series for kids ages 8-12 based on Blizzard's popular World of Warcraft game franchise. World of Warcraft: Traveler will launch simultaneously in the U.S., the U.K.,AustraliaNew Zealand, and Canada, with the first hardcover book scheduled for release in November 2016, followed by the second title in November 2017

Set in the breathtaking land of Azeroth, this epic action-adventure series features a young cast of Warcraft characters discovering the mysteries and majesty of the world around them. 
Written by celebrated comic book author and animation writer Greg Weisman, the first book will include full-page sketches created by Blizzard artist Samwise Didier, and a full-color cover illustration by Blizzard artist Stephane Belin.
"World of Warcraft is a captivating fantasy universe that lends itself to many imaginative and innovative storytelling possibilities. When Blizzard initially approached us about creating an original series for kids, we were not only intrigued but immediately mesmerized," said Debra Dorfman, Vice President and Publisher, Global Licensing, and Media Consumer Products, Scholastic. "This has truly been a fantastic collaboration and we look forward to sharing this thrilling adventure with boys and girls everywhere."
"We're excited to be collaborating with Scholastic on a series that will bring Azeroth to life for a whole new audience," said Chris Metzen, Senior Vice President of Story and Franchise Development at Blizzard Entertainment. "And Greg Weisman is an accomplished writer who's really gotten to the heart and soul of Warcraft with the characters he's developed here—we're thrilled with the work he's done on World of Warcraft: Traveler."
The video

About World of Warcraft: Traveler 
It's been years since twelve-year-old Aramar Thorne, a clever boy who is never without his precious sketch book, has seen his father. So when Captain Greydon Thorne comes ashore and asks his son to join him at sea, it feels as if someone has redrawn Aram's entire world. Before he knows it, Aram is aboard the Wavestrider with Lakeshire fading to a distant dot on the horizon. But the thrill of adventure quickly fades, as Greydon relentlessly schools Aram on how to handle his cutlass and how to relate with the strange and diverse creatures of Azeroth. In addition, Aram struggles to get along with the Wavestrider's crew—especially second mate Makasa, a tough teenaged girl who has been reluctantly placed in charge of him. Just as Aram starts to get his head above water, a band of vicious pirates attack the Wavestrider, turning his world upside down once again. As Aram tries to find his way home with his father's compass in hand, he'll travel across Azeroth's beautiful and hostile terrain, encountering creatures both terrible and wondrous. He'll seek to understand Azeroth's denizens as he draws them in his sketchbook, forming unlikely friendships along the way. But the journey is hindered by Greydon's compass, which never points north. If the compass isn't leading Aram and Makasa home--to safety--to what destiny is it leading them?
Image Credit: Blizzard Entertainment
About Greg Weisman
Greg Weisman has been a storyteller all his life. He's best known as the creator of Disney's Gargoyles and as a writer-producer on multiple animated series, including Young Justice, Star Wars Rebels, and W.I.T.C.H., and Marvel's The Spectacular Spider-Man. He's written multiple comic book series and two young adult novels, Rain of the Ghosts and Spirits of Ash and Foam. Greg lives in Los Angeles, California.

SOURCE: Scholastic

29 March 2016

Hypnotist Richard Barker Shows How #Trumpnosis, Donald Trump's Form of Covert Hypnosis, Affects Millions Around the World

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Hypnotist Richard Barker has just released research surrounding mass hypnosis and has coined the phrase "Trumpnosis"... 
Covert hypnosis means having access to people's subconscious mind and altering the way they behave and think in a disguised or somewhat hidden way. Some popular covert hypnosis techniques used to align someone's behavior and thoughts to the desired outcome of the hypnotists are displayed during mass hypnosis. 

Barker typically refers to mass hypnosis as "Trumpnosis", since he states, 
"Mr. Trump displays it so well".

The media have also made comments regarding the Hypnotizing of a nation and questioned what is happening to America. Through the words and actions of an individual, can we influence and suggest a nation to think a certain way? Richard Barker who is known as the 'Incredible Hypnotist' thinks so.


Barker said, "Everything we do and see must first start with a thought process. We don't see the world; we think it. If your thoughts are influenced by a master Hypnotist to think in a certain way on a mass level, this is 'Trumpnosis'".
Richard Barker, Incredible Hypnotist  (PRNewsFoto/Richard Barker)
Mass Hypnotism can apply to everything and be everywhere – in families, in schools and in politics. The influence and use of repetition on crowds is identified through Mr. Trump's speeches and is seen to influence even the most enlightened minds. The power is due to the fact that the repeated statements are embedded in those profound regions of our subconscious mind.

Donald Trump successfully uses techniques such as pacing and leading, anchoring, verbal confusion, repetition and so on. He successfully bypasses the critical factor in minds of some people and has the ability to turn off the rational thinking. 


By using certain words and behavior, a speaker can very quickly establish a rapport with an audience. Repeated exposure to the same speaker can result in them being viewed with admiration, bordering on worship. Every word uttered is accepted as the complete truth.


"Through the words he has used, both now and in the past, he has placed others into a hypnotic state without them knowing," says Barker. "Trump's speeches contains hypnosis techniques of hypnotic anchoring, pacing and leading, critical factor bypass and so on."
Hypnotist Richard Barker insists, "All you need to remember is that most people's needs are based on their instincts. Understanding people's instincts, especially in a mass gathering, is one of the key goals of mass hypnosis. Trumpnosis is a vehicle for enabling large groups of people to have an altered belief system."

Visit Trumpnosis.com for more info about "Trumpnosis" and a free copy of Richard Barker's report...

The Video

How Astronomers Could Find The 'Real' Planet Krypton

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Planets orbiting a red dwarf, much like Krypton’s star Rao. (NASA/JPL-Caltech)
By Martin Archer, Queen Mary University of London

The search for exoplanets, worlds orbiting stars other than our own, has become a major field of research in the last decade – with nearly 2,000 such planets discovered to date. So the release of Batman v Superman: Dawn of Justice got me thinking: does Superman’s home planet of Krypton actually exist? Or at least a planet very much like it?

We don’t know a huge amount about Krypton. Since the very earliest Superman comic strips, it has been depicted as a rocky planet similar to Earth, but much older. In the film Man of Steel, it was said to be about 8.7 billion years old with intelligent life, Kryptonians, having existed for hundreds of thousands of years – comparable to the amount of time humans have existed on Earth.

Map of the planet Krypton from the Superman comics. (WP:NFCC#4/wikimedia)

Start with the red stars
In order to find Krypton, the first thing we’d need to do is identify its star, or at least its type. For a long time, all we knew was that, unlike the sun, Krypton’s star Rao is red. There are three classes of stars which are red in colour: red dwarfs, red giants and red super giants. While they are very different in size, their red colour tells us that they are some of the coolest stars in existence, with surface temperatures of only just over 3,200°C, about half that of the sun.

Batman v Superman. (Naruto full fighters/Youtube)

Red dwarfs are by far the most common stars – around 75% of the stars in the vicinity of the solar system are of this type. As the name suggests, they are quite small compared to the sun, being between 7.5% and 50% of the sun’s mass.

Meanwhile, our sun will one day become a red giant, as it runs out of its hydrogen fuel – ballooning in size so that it consumes the orbit of the Earth. But that’s nothing compared to a red supergiant – stars which would extend all the way out to the orbit of Saturn.

While depictions of Krypton’s star have varied between these three types over the years, what we see of Rao in Man of Steel points towards it being a red dwarf.

Destination LHS 2520
In 2012, it seemed that the matter was settled when astrophysicist Neil deGrasse Tyson was invited to choose Rao’s real location. He picked a star known as LHS 2520, a red dwarf star in the southern constellation of Corvus. Our searches for planets around this star have so far proved fruitless, but that doesn’t mean it’s not there.

To find an Earth-like exoplanet around a red dwarf star, a good approach would be to use the “radial velocity method” or the “doppler technique”, measuring the small movement a star makes as it responds to the gravitational tug of an orbiting planet.
How to find exoplanets such as Krypton.
So far, we only have a handful of data from this star, taken by the High Accuracy Radial velocity Planet Searcher (HARPS). This means that currently we can only rule out any orbiting gas giants, as those would be the only ones big enough to produce easily noticeable changes in the star’s velocity. A more detailed investigation, however, could still reveal a Krypton-like, rocky “super Earth”.

But even if that isn’t the case, our understanding of how planetary systems form out of clouds of gas, dust and rocks clumping together under gravity seems to suggest that there should always be more than one planet orbiting a star. So if we find one of Krypton’s brothers and sisters, perhaps with more observations we would be able to infer its existence.

To infinity and beyond
But if we fail to find any planets around LHS 2520, we can always look elsewhere. Luckily, searching for planets around red dwarf stars is a major area of research right now.

For instance, Pale Red Dot is an international campaign being coordinated by researchers in the UK searching for Earth-like planets around our nearest stellar neighbour – Proxima Centauri. The discovery of such a world essentially on our doorstop would be momentous, raising hopes that (with advances in space technology) we could one day visit it. The CARMENES project also will be looking at some 300 red dwarf stars over the next three years in search of Earth-like worlds.

Whether any of the worlds we find harbour life, intelligent or otherwise, is another hurdle to tackle – the conditions are likely to be very different from those on our own world. But despite the small probabilities involved, the vast number of red dwarfs out there mean that the existence of a Krypton-like planet is still a possibility.

The Conversation
About Today's Contributor
Martin Archer, Space Plasma Physicist, Queen Mary University of London


This article was originally published on The Conversation

28 March 2016

#BreakFree - "Empire's" Jussie Smollett Guest Stars in Critically Acclaimed Hit Series "Underground"

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Jussie Smollett as Josey in WGN America's "Underground." (PRNewsFoto/WGN America)
"Empire's" Jussie Smollett will guest star in WGN America's critically acclaimed hit series "Underground," marking the first time in 20 years that Smollett will appear in the same series as his younger sister Jurnee Smollett-Bell (Rosalee). Smollett will play Josey, a wild-eyed runaway, in the upcoming episode, "Firefly," premiering Wednesday, March 30 at 10:00 p.m. (ET/PT) on WGN America.
In the all-new fourth episode of "Underground," John and Elizabeth Hawkes come face-to-face with Josey in a traumatic confrontation and test of wills. The Macons realize Noah and Rosalee are missing and enlist August Pullman to help find the runaways. Meanwhile, Ernestine tries to cope with her daughter's absence and the others debate whether they should run. Cato enacts a daring plan that has immediate repercussions on the plantation, while Pearly Mae makes an extremely difficult personal decision.

The Trailer:

From creators and executive producers Misha Green and Joe Pokaski, and executive producer and Academy Award-winner John Legend, the 10-episode, hour-long program tells the unflinching story of a group of courageous men and women who band together for the fight of their lives – for their families, their future and their freedom...


"Underground" features an acclaimed cast including: 
  • Jurnee Smollett-Bell ("True Blood," "Friday Night Lights") as Rosalee 
  • Aldis Hodge ("Straight Outta Compton") as Noah 
  • Christopher Meloni ("Sin City: A Dame to Kill For") as August Pullman 
  • Alano Miller ("Jane The Virgin") as Cato ‎
  • Jessica de Gouw ("Arrow," "Dracula") as Elizabeth Hawkes 
  • Marc Blucas ("Buffy the Vampire Slayer") as John Hawkes ‎
  • Adina Porter("The 100") as Pearly Mae 
  • Mykelti Williamson ("Justified," "24") as Moses ‎
  • Amirah Vann ("Girls," "And So It Goes") as Ernestine 
  • Johnny Ray Gill ("Rectify") as Sam 
  • Chris Chalk ("Gotham") as William Still 
  • Reed Diamond ("Agents of S.H.I.E.L.D.") as Tom Macon 
  • Theodus Crane ("The Walking Dead") as Zeke 
  • Renwick Scott ("Treme") as Henry 
  • James Lafferty ("One Tree Hill") as U.S. Marshall Kyle Risdin 
  • Jussie Smollett("Empire") as Josey.

Produced by Sony Pictures Television and Tribune Studios, "Underground" is created by Misha Green ("Sons Of Anarchy," "Heroes") and Joe Pokaski ("Daredevil," "Heroes,") who executive produce alongside Academy Award-winner Akiva Goldsman ("A Beautiful Mind," "I Am Legend") of Weed Road Pictures; and Joby Harold ("King Arthur," "Edge of Tomorrow") and Tory Tunnell ("King Arthur," "Holy Rollers") of Safehouse Pictures.  

Visionary artist and producer John Legend, an Academy Award, Golden Globe and multi-Grammy Award winner, and his Get Lifted partners Mike Jackson and Ty Stiklorius, executive produce. Additionally, Get Lifted oversees all elements of the show's music.  

Anthony Hemingway ("The Wire," "Treme") directs and serves as executive producer for the first four episodes. 

Amirah Vann as Ernestine in WGN America's "Underground." (PRNewsFoto/WGN America)

"Underground" Cast on Twitter:

  • Jurnee Smollett-Bell @jurneesmollett
  • Aldis Hodge @AldisHodge
  • Christopher Meloni @Chris_Meloni
  • Alano Miller @AlanoMiller
  • Jessica de Gouw @jessdegouw
  • Amirah Vann @amirahvann
  • Marc Blucas @marcblucas
  • Reed Diamond @reeddiamond
  • Johnny Ray Gill @JohnnyRayGill
  • Theodus Crane @theoduscrane
  • Mykelti Williamson @mykeltiwmson
  • Adina Porter @AdinaPorter
  • Jussie Smollett @jussiesmollett 
  • Christopher Backus @_cbackus
  • PJ Marshall @ThePJMarshall
  • James Lafferty @ThisIsLafferty 
  • Chris Chalk @chalkchris

"Underground" Creative Team on Twitter:
  • John Legend @johnlegend
  • Misha Green @mishatrillXXL
  • Joe Pokaski @JoePokaski
  • Anthony Hemingway @shinybootz
  • Akiva Goldsman @AkivaGoldsman
  • Mike Jackson @mikemjackson312
  • Ty Stiklorius @tystiklorius

WGN America Logo (PRNewsFoto/WGN America)

SOURCE: WGN America

Can We Replace Politicians With Robots?

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A robot for an MP – who’d vote for that? (Shutterstock/Mombo)
By Frank Mols, The University of Queensland and Jonathan Roberts, Queensland University of Technology

If you had the opportunity to vote for a politician you totally trusted, who you were sure had no hidden agendas and who would truly represent the electorate’s views, you would, right?

What if that politician was a robot? Not a human with a robotic personality but a real artificially intelligent robot.

Futures like this have been the stuff of science fiction for decades. But can it be done? And, if so, should we pursue this?

Lost trust
Recent opinion polls show that trust in politicians has declined rapidly in Western societies and voters increasingly use elections to cast a protest vote.

This is not to say that people have lost interest in politics and policy-making. On the contrary, there is evidence of growing engagement in non-traditional politics, suggesting people remain politically engaged but have lost faith in traditional party politics.

More specifically, voters increasingly feel the established political parties are too similar and that politicians are preoccupied with point-scoring and politicking. Disgruntled voters typically feel the big parties are beholden to powerful vested interests, are in cahoots with big business or trade unions, and hence their vote will not make any difference.

Another symptom of changing political engagement (rather than disengagement) is the rise of populist parties with a radical anti-establishment agenda and growing interest in conspiracy theories, theories which confirm people’s hunch that the system is rigged.

The idea of self-serving politicians and civil-servants is not new. This cynical view has been popularised by television series such as the BBC’s Yes Minister and the more recent US series House of Cards (and the original BBC series).

We may have lost faith in traditional politics but what alternatives do we have? Can we replace politicians with something better?

Machine thinking
One alternative is to design policy-making systems in such a way that policy-makers are sheltered from undue outside influence. In so doing, so the argument goes, a space will be created within which objective scientific evidence, rather than vested interests, can inform policy-making.

At first glance this seems worth aspiring to. But what of the many policy issues over which political opinion remains deeply divided, such as climate change, same sex marriage or asylum policy?

Policy-making is and will remain inherently political and policies are at best evidence-informed rather than evidence-based. But can some issues be depoliticised and should we consider deploying robots to perform this task?

Those focusing on technological advances may be inclined to answer “yes”. After all, complex calculations that would have taken years to complete by hand can now be solved in seconds using the latest advances in information technology.

Such innovations have proven extremely valuable in certain policy areas. For example, urban planners examining the feasibility of new infrastructure projects now use powerful traffic modelling software to predict future traffic flows.

Those focusing on social and ethical aspects, on the other hand, will have reservations. Technological advances are of limited use in policy issues involving competing beliefs and value judgements.

A fitting example would be euthanasia legislation, which is inherently bound up religious beliefs and questions about self-determination. We may be inclined to dismiss the issue as exceptional, but this would be to overlook that most policy issues involve competing beliefs and value judgements, and from that perspective robot politicians are of little use.

Moral codes
A supercomputer may be able to make accurate predictions of numbers of road users on a proposed ring road. But what would this supercomputer do when faced with a moral dilemma?

Most people will agree that it is our ability to make value judgements that sets us apart from machines and makes us superior. But what if we could program agreed ethical standards into computers and have them take decisions on the basis of predefined normative guidelines and the consequences arising from these choices?

If that were possible, and some believe it is, could we replace our fallible politicians with infallible artificially intelligent robots after all?

The idea may sound far-fetched, but is it?

Robots may well become part of everyday life sooner than we think. For example, robots may soon be used to perform routine tasks in aged-care facilities, to keep elderly or disabled people company and some have suggested robots could be used in prostitution. Whatever opinion we may have about robot politicians, the groundwork for this is already being laid.

A recent paper showcased a system that automatically writes political speeches. Some of these speeches are believable and it would be hard for most of us to tell if a human or machine had written them.

Politicians already use human speech writers so it may only be a small step for them to start using a robot speech writer instead.

The same applies to policy-makers responsible for, say, urban planning or flood mitigation, who make use of sophisticated modelling software. We may soon be able to take out humans altogether and replace them with robots with the modelling software built into itself.

We could think up many more scenarios, but the underlying issue will remain the same: the robot would need to be programmed with an agreed set of ethical standards allowing it to make judgements on the basis of agreed morals.

The human input
So even if we had a parliament full of robots, we would still need an agency staffed by humans charged with defining the ethical standards to be programmed into the robots.

And who gets to decide on those ethical standards? Well we’d probably have to put that to the vote between various interested and competing parties.

This bring us full circle, back to the problem of how to prevent undue influence.

Advocates of deliberative democracy, who believe democracy should be more than the occasional stroll to a polling booth, will shudder at the prospect of robot politicians.

But free market advocates, who are more interested in lean government, austerity measures and cutting red-tape, may be more inclined to give it a go.

The latter appear to have gained the upper hand, so the next time you hear a commentator refer to a politician as being robotic, remember that maybe one day some of them really will be robots!

The Conversation
About Today's Contributors
Frank Mols, Lecturer in Political Science, The University of Queensland and Jonathan Roberts, Professor in Robotics, Queensland University of Technology


This article was originally published on The Conversation

27 March 2016

Holy Infographic, Batman! - Wayne Manor Vs Fortress of Solitude

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For decades (since they both first appeared in comics, really), people have been debating over who is better, Batman or Superman... 

Today's (quite funny and full of interesting info) infographic is taking the debate to a brand new level by asking "who has the best home?"

Our friends at Cast Iron Radiators 4u have put themselves into the mind of a realtor in the DC Comics universe to try and figure out which of these two giants of the comic book world has the coolest bachelor pad. 


To do this they’ve looked at the history of the Fortress of Solitude and Wayne Manor (and the Batcave, obviously) to see which has the most impressive features, the best location, and the most potential for the non-superhero buyer.

Enjoy...

Loup Dargent


Batman's Manor (and Batcave) Vs Superman's Fortress of Solitude

The Infographic
Wayne Manor vs Fortress of Solitude by Cast Iron Radiators 4u

"LONDON HAS FALLEN" Original Motion Picture Soundtrack Album Released on Back Lot Music

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Album Includes New Music by Emmy-Winning Composer Trevor Morris
Back Lot Music has now released the soundtrack album to Gramercy Pictures' London Has Fallen, the sequel to Olympus Has Fallen, via all major digital and select physical retailers. Like its predecessor, the movie's soundtrack album features a new score by two-time Emmy Award-winning composer Trevor Morris.

When discussing his score for London Has Fallen and working with director Babak Najafi, Morris says,
"When I started to collaborate with Babak, the process was instant and effortless. It really felt like we had worked together on many movies before this, despite having just met. Babak has a very immediate response to music and how it works with the narrative. I would send him scenes or reels, and get the e-mail back from him: 'You made me very happy today.' As a composer, that's the moment, that's the reward for me in my process: knowing that you told a great story through music, and that you and your director are in sync."

Morris has composed the music for more than 15 feature films, 25 prime-time television series and 5 interactive game titles. He is largely known for his period TV work on such shows as The Tudors, The Borgias and, presently, Vikings; the first two earned him Emmy Awards for Outstanding Original Main Title Theme Music. He is currently working on Of Kings and Prophets for ABC as well as Emerald City for NBC. He recently completed the third installment of the Dragon Age video game franchise for EA, which was awarded Video Game of the Year in 2015. Morris also conducts his own scores, including London Has Fallen, at the iconic Abbey Road studios in London.

About the Film
The sequel to the worldwide smash hit Olympus Has Fallen, London Has Fallen is a non-stop, suspenseful action thriller that delivers high-octane excitement through a heightened sense of authenticity. The visceral intensity springs from a timely premise: after the British Prime Minister passes away, his funeral becomes a target of a terrorist organization to destroy some of the world's most powerful leaders, devastate the British capital, and unleash a terrifying vision of the future. The only hope of stopping it rests on the shoulders of the President of the United States (Aaron Eckhart) and his formidable Secret Service agent (Gerard Butler), and a British MI-6 agent (Charlotte Riley) who rightly trusts no one. Morgan Freeman also stars as the Vice President of the United States. MPAA-rated "R."
For more info/details, visit: www.londonhasfallen.com | www.trevormorris.com

The Trailers:

Track List (all tracks by Trevor Morris):
1.) London Has Fallen
2.) Spotting Barkawi
3.) Bourbon and Poor Choices
4.) Nursery
5.) Scotland Yard
6.) President Arrives in the UK
7.) Motorcade / Marine One Lands
8.) London Attacked
9.) London Goes Dark
10.) Marine One Crash
11.) Jacobs' Death
12.) Not Much of a Talker
13.) How Bad Is It?
14.) I'm Not Going to Die on YouTube
15.) Don't Jinx Me
16.) Right Under Our Noses
17.) Rescuing Asher
18.) Hand Fight and Hand Grenade
19.) Let's Get Outta Here
20.) I Hate Funerals 
21.) Traitor
22.) Reciprocity
23.) Resignation Letter
24.) End Titles / Credits

SOURCE: Back Lot Music

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