24 May 2018

Versions Of Han Solo's Blaster Exist – And They're Way More Powerful Than Real Lightsabers Would Be

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Harrison Ford as Han Solo with his blaster in the old Star Wars triology.
Harrison Ford as Han Solo with his blaster in the old Star Wars triology.(BagoGamesFlickr, CC BY-SA)
People who think physics is boring couldn’t be more wrong. It can explain everything from spooky interactions on the tiny scale of atoms and particles to how the entire universe behaves. As if that wasn’t enough, it can also be used to assess how realistic futuristic technology in science fiction is. My area of expertise – plasma physics – can explain many aspects of both lightsabers and the Death Star within Star Wars lore, for example.

I’ve now worked out how feasible the blaster weapons used by, among others, the Star Wars character Han Solo are – and how they compare with lightsabers. In fact, real life versions of these weapons have already been developed. So with the prequel film Solo: A Star Wars Story being released, it seemed fitting to share this “research”.

The key to understanding Star Wars technology is plasmas – a so-called “fourth state of matter” (in addition to solids, liquids and gases). This comprises freely flowing electrically charged particles which naturally interact with electric and magnetic fields. Plasmas are common in space but they rarely exist naturally on Earth. However, it is possible to produce them in laboratories.

Powerful plasmoids
A common misconception about blasters is that they are laser weapons. But within the Star Wars canon, people realised that this wouldn’t make sense. Instead writers stated that a blaster wasany type of ranged weapon that fired bolts of intense plasma energy, often mistaken as lasers” and that it “converted energy rich gas to a glowing particle beam that could melt through targets”. This means that blaster bolts (glowing projectiles) are simply blobs of plasma – similar to a lightsaber flying through the air.


Han Solo’s BlasTech DL-44 heavy blaster pistol on display at Star Wars Launch Bay at Disney’s Hollywood Studios.
Han Solo’s BlasTech DL-44 heavy blaster pistol on display at Star Wars Launch Bay at Disney’s Hollywood Studios. (Quarax/wikipedia, CC BY-SA)

Coherent masses of plasma and their associated magnetic fields are known as plasmoids. Within the Earth’s protective shield in space – the magnetosphere – plasmoids are commonly generated by a poorly understood process called magnetic reconnection. This is an explosive reconfiguration of magnetic field lines that can take place wherever there is plasma present, in particular when plasmas are forced together. When this happens in our magnetosphere, charged particles are accelerated into the top of the atmosphere – causing the aurora, or northern lights. A huge amount of material is also ejected away from the Earth as plasmoids.

However, it isn’t easy to create plasmoids on Earth. Many of the demonstrations that we can do (unlike the ones in space) produce structures which quickly expand and dissipate in the air. The solution to this problem is to use magnets – their fields can contain the hot plasma.



However, blaster bolts are projectiles so it’s not possible to have an externally powered magnet present at all times during their rapid journey. Thankfully, though, there is a solution. As plasmas are highly conductive, it is possible to set up electrical currents within the plasmoid itself. These currents, like all currents, generate magnetic fields that can confine the plasma. Such arrangements are known as spheromaks and they have received renewed interest in plasma physics experiments over the last 20 years.

Real versions
One way to create a spheromak is to use a “plasma railgun”, a device which uses an external magnet to induce currents in the plasma as well accelerate it up to high speeds. In fact, speeds of 200 km/s have been achieved with these spheromaks lasting some hundreds of microseconds. This is very impressive and certainly within the realms of use as a weapon.

Indeed, from the 1970s onward, the SHIVA Star programme (named after the multi-limbed Hindu god) at the Air Force Research Laboratory in Albuquerque, New Mexico, conducted various “arms” of research into this kind of plasma physics. One of these, known as MARAUDER (magnetically accelerated ring to achieve ultrahigh directed energy and radiation), was one of several US government efforts to develop projectiles based on plasmas.

The weapon was able to produce doughnut-shaped rings of plasma and balls of lightning that exploded with devastating thermal and mechanical effects when hitting their target and produced a pulse of electromagnetic radiation that could scramble electronics. However, its status as of 1993 remains classified.

The temperatures achieved in such devices so far are up to a thousand times hotter than the surface of the sun. With enough plasma in each bolt these would cause huge amounts of damage, so the blaster as presented in the Star Wars films looks to be quite feasible indeed.



But how would these real life blaster weapons fare against the other iconic Star Wars weapon, the lightsaber? A blaster bolt is essentially equivalent to a lightsaber blade, just without the hilt. But as I’ve mentioned before, magnetic reconnection is unavoidable when two magnetically confined plasmas meet. This is the case when two lightsabers collide, causing explosive destruction of both the weapons and the people holding them. However, with a blaster you are far away from that explosion – leaving you totally unscathed.

So it turns out that Han Solo was right when he said “Hokey religions and ancient weapons are no match for a good blaster at your side.”

About Today's Contributor:
Martin Archer, Space Plasma Physicist, Queen Mary University of London


This article was originally published on The Conversation


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23 May 2018

46 Years After Notorious Skyjacking, D.B. Cooper's Identity Revealed At Last?

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1960 photograph of Walter Reca outfitted for a jump. Reca was a highly skilled skydiver and former U.S. Army Airborne paratrooper who served in the Korean War.
1960 photograph of Walter Reca outfitted for a jump. Reca was a highly skilled skydiver and former U.S. Army Airborne paratrooper who served in the Korean War. (Photo courtesy of Principia Media.)
Principia Media, a Grand Rapids, Michigan-based publisher, announced the believed identity of D.B. Cooper during a press conference held at the Amway Grand Plaza Hotel in downtown Grand Rapids, Michigan on May 17
D.B. Cooper is the infamous skyjacker who boarded a Boeing 727 in Portland, Oregon on Thanksgiving Eve, 1971, and escaped with a $200,000 ransom after jumping from 10,000 feet.
The infamous skyjacker was identified by Carl Laurin, one of Cooper's best friends. Evidence supports the announcement D.B. Cooper is a Michigan man and former military paratrooper named Walter R. Reca
3+ hours of audio tape detailing the events of the skyjacking, an eyewitness, a pair of long underwear worn during the jump, and the testimony of a relative all were shared during the press conference. 
⏩ Laurin is a military veteran, commercial airline pilot, skydiver, and entrepreneur, and wrote the memoir D.B. Cooper & Me: A Criminal, A Spy, My Best Friendwhich was also released.
'D.B. Cooper & Me: A Criminal, A Spy, My Best Friend' - Front cover
'D.B. Cooper & Me: A Criminal, A Spy, My Best Friend' - Front cover
An overview of the evidence, which was gathered by Laurin over a 20-year period and vetted by both Principia Media and Joe Koenig, a Certified Fraud Examiner and forensic linguist with more than 45-years of investigative experience, is below:
3+ hours of audio tape:
Laurin and Reca began speaking in 2000 and recorded their conversations concerning the skyjacking in 2008. The tapes describe many details, some of which were not known to the public prior to the FBI's release of information in 2015. Details include:  
  • Reca covered his fingertips with glue to obscure his fingerprints
  • Reca dictated instructions to the stewardess, who wrote down demands to give to the captain
  • Reca generously offered a "handful" of money to the stewardess before he jumped (an action which mimicked his behavior from a restaurant robbery committed earlier in his life)
  • Reca received help with the rear door from the stewardess
  • Reca ordered the window shades be pulled shut where he was sitting to protect against snipers
  • Reca insisted the stewardess bring both the money and the parachutes to him
  • Reca said the stewardess initially did not believe the plane was being hijacked
  • Reca told the stewardess she was "polite and kind" and addressed her as "young lady"
  • Reca told the stewardess to go into the cockpit before he jumped
  • Reca told the stewardess to tell the passengers "Happy Thanksgiving" and ordered meals for the flight crew for the flight
An eyewitness:
The night that Reca committed the skyjacking, he landed near Cle Elum, Washington, and walked to a nearby restaurant called the Teanaway Junction Cafe. Jeff Osiadacz, a former law enforcement official, interacted with Reca that evening within an hour of the jump. 
Osiadacz said he remembers seeing Reca because even though it was a cold, wet night, Reca was walking along the road with his raincoat bundled under his arm. The two men later interacted at the cafe, where Osiadacz gave Reca's friend directions over the phone to pick Reca up from the cafe. Reca thanked Osiadacz by paying for his coffee, and then left.
Koenig, a Certified Fraud Examiner, said this about Osiadacz's account: "I found it particularly significant that Jeff Osiadacz, aka Cowboy, his statement of events on the night of November 24, 1971, was identical to Walt's statement that he gave Carl five years earlier."
A pair of long underwear:
Laurin is in possession of Reca's insulated long underwear bottoms which Reca wore during the skyjacking to protect from the cold air as he jumped and observed by at least one eye witness.
A relative's testimony:
Lisa Story is Reca's niece. She exchanged many letters with Reca when she was a teenager and he was working in the Middle East. She then began seeing him regularly in 1999 after her grandmother passed away. Reca did not admit to being D.B. Cooper at first, though he did send her news articles about D.B. Cooper suspects and confessions with notes debunking their claims.
Then, in August 2013, Reca admitted for the second time that he was D.B. Cooper and asked Story to take him to a notary to sign his confession. Story would not, terrified her uncle would spend his last days in jail. 
What Joe Koenig said about the evidence:
"The audio tapes and transcripts and Walt's last testament, provided me with great evidence. My analysis told me Walt was not forced or coerced to make his statements to Carl, that he made the statements freely and voluntarily. The statements and last testament contain Walt's admissions to all the elements of robbery and hijacking constituting a very good confession that could be used in a criminal proceeding. Based on his confession and all the corroborating evidence, Walt, if still alive, would be prosecuted for the hijacking of Northwest 305. I believe that Walter Reca is D.B. Cooper."
Why now? 
Laurin asked for Reca's permission to share his story in 2010. Reca agreed and signed a notarized letter to that effect, although the story was not to be told until after his death. Reca passed away on February 17, 2014. 
Full audio and video of the press conference is now available in the Principia Media online press kit at principiamedia.com

About Principia Media:
Principia Media is an independent publishing and documentary film company based in Grand Rapids, Michigan. With a focus on storytelling, they balance professional production and marketing skills with intimate client relationships. Their capabilities include publishing fiction and nonfiction and investigative storytelling through feature-length documentaries. 

SOURCE: Principia Media

22 May 2018

US: The National Press Club Unveils Plan For Media Summit After Reporter Roughed Up At EPA Meeting

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EPA chief Scott Pruitt
EPA chief Scott Pruitt (Image via The Guardian)
The National Press Club and its Journalism Institute are renewing a call for dialogue between newsmakers and the news media following another incident in which officials of President Donald Trump's administration manhandled a reporter in a public building.
Hours after one of its reporters was blocked from covering a summit on water contamination, along with representatives of several other news organizations, the Associated Press reported receiving an apology Tuesday from the Environmental Protection Agency. According to the AP's account, guards had barred the wire service's reporter from passing through a security checkpoint, and when the reporter asked to speak with EPA public affairs personnel, shoved her out of the building.
EPA officials insisted in public statements, including emails to the Press Club, that they were merely trying to manage an overcrowded room. But the Press Club expressed concern about the decision to limit coverage at an event featuring EPA chief Scott Pruitt to 10 invited reporters and questioned the way that limit was enforced.
"Pushing reporters around is what happens in dictatorships, not in a democracy where the press's right to represent the public is enshrined in the Constitution," said Andrea Snyder Edney, president of the National Press Club. "And why were reporters being kept out of a meeting of major news significance at which a senior official was speaking on the public record? This is unacceptable."
⏩ This is not the first time since the Trump administration came to office that reporters have been manhandled by security guards while trying to do their jobs. Last May, the Press Club protested when one of its members, CQ Roll Call reporter John Donnelly, was forcibly prevented from questioning members of the Federal Communications Commission and then kicked out of FCC headquarters.
"It should go without saying that the press must be able to cover public events convened by a taxpayer-funded government agency--but apparently it needs to be said these days," said Barbara Cochran, president of the National Press Club Journalism Institute, the club's not-for-profit arm. "It is bad enough to bar the press in this way, but to use force to enforce such a misguided dictate just compounds the mistake."
In response to earlier outbreaks of hostility towards the press, including the international headlines that erupted when a reporter was attacked by a congressional candidate, the Press Club's Journalism Institute last summer hosted "Can We Talk," a conversation between members of the press and leaders of the institutions they cover about how to lower the temperature.
Funding has since been secured for an expanded version of this event that will feature more in-depth, intimate conversations among invited participants. Plans will be underway this summer for a fall summit.
"The National Press Club has traditionally been a place where news reporters and newsmakers meet," said Cochran. "We can think of no better place to convene and work on ground rules that will enable all of us to do a better job for the public we all serve."

NATIONAL PRESS CLUB LOGO
NATIONAL PRESS CLUB LOGO. ( (PRNewsfoto/National Press Club)
About the National Press Club:
Founded in 1908, the National Press Club is the world's leading professional organization for journalists. The Club has more than 3,100 members worldwide representing nearly every major news organization and fights for press freedom worldwide.

Through its Press Freedom Committee and the National Press Club Journalism Institute, the Club speaks out in defense of press freedom and transparency worldwide.

21 May 2018

Blumhouse's Truth Or Dare: Unrated Director's Cut Available Soon On Digital, Blu-Ray And DVD

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From Universal Pictures Home Entertainment: Blumhouse's Truth or Dare: Unrated Directors Cut
From Universal Pictures Home Entertainment: Blumhouse's Truth or Dare: Unrated Directors Cut
Blumhouse returns with another edge-of-your-seat horror movie with BLUMHOUSE'S TRUTH OR DARE.

Now with even more gore and intensity BLUMHOUSE'S TRUTH OR DARE: UNRATED DIRECTOR'S CUT arrives on Digital and the all-new digital movie app MOVIES ANYWHERE on July 3, 2018 and on Blu-ray, DVD and On Demand on July 17, 2018, from Universal Pictures Home Entertainment.

When a group of friends set out to enjoy their final spring break together, a harmless game of "Truth or Dare" turns deadly when someone—or something—begins to punish those who tell a lie—or refuse the dare. 

The children's game will never be the same after fans dare to watch the never before seen Unrated Director's Cut.
Lucy Hale ("Pretty Little Liars") and Tyler Posey ("Teen Wolf") lead the cast of friends who work together to try and end the terrifying game that follows them home in BLUMHOUSE'S TRUTH OR DARE
Produced by Jason Blum (Get Out, Split) and directed and executive produced by Jeff Wadlow (Kick-Ass 2) the horror-thriller follows co-stars Violett Beane ("The Flash"), Nolan Gerard Funk (Counterpart), Hayden Szeto (The Edge of Seventeen) and Sophia Taylor Ali (Famous in Love) as they all have their turn in choosing – Truth or Dare?
"Sorry, we can't come to the phone right now, we're literally tied up..." (Still from 'Truth or Dare')
"Sorry, we can't come to the phone right now, we're literally tied up..." (Still from 'Truth or Dare')
BONUS FEATURES on BLU-RAY and DVD:
  • Game On: The Making of Truth or Dare – Go behind the scenes with the cast and crew.
  • Directing the Deaths – An inside look at the most memorable death scenes.
  • Feature Commentary with Director Jeff Wadlow and Actress Lucy Hale
Blumhouse's Truth or Dare will be available on Blu-ray combo pack which includes Blu-ray, DVD and Digital, and Movies Anywhere.
FILMMAKERS: 
Cast: Lucy Hale, Tyler Posey, Violett Beane, Hayden Szeto, Landon Liboiron
Casting By: Terri Taylor, C.S.A, Sarah Domeier, C.S.A
Music By: Matthew Margeson
Costume Designer: Lisa Norcia
Edited By: Sean Albertson A.C.E
Production Designer: Melanie Paizis-Jones
Director of Photography: Jaques Jouffret
Executive Producers: Jeff Wadlow, Chris Roach, Jeanette Volturno, Couper Samuelson
Produced By: Jason Blum
Story By: Michael Reisz
Screenplay By: Michael Reisz, Jillian Jacobs, Chris Roach, Jeff Wadlow
Directed By: Jeff Wadlow


TECHNICAL INFORMATION BLU-RAY: 
Street Date: July 17, 2017
Copyright: 2018 Universal Pictures Home Entertainment
Selection Number: 61195902 (US) / 61195904 (CDN)
Layers: BD-50
Aspect Ratio: Widescreen 16:9 2.35.1
Rating: Rated PG-13 for violence and disturbing content, alcohol abuse, some sexuality, language and thematic material
Languages/Subtitles: English SDH, French Canadian and Latin American Spanish Subtitles
Sound: English DTS-HD Master Audio 5.1/ Dolby Digital 2.0, Spanish and French DTS Digital Surround 5.1
Run Time: 1 Hour, 39 minutes


TECHNICAL INFORMATION DVD: 
Street Date: July 17, 2017
Copyright: 2018 Universal Pictures Home Entertainment
Selection Number: 61195905 (US) / 61195901 (CDN)
Layers: DVD 9
Aspect Ratio: Anamorphic Widescreen 16:9 2.35:1
Rating: Rated PG-13 for violence and disturbing content, alcohol abuse, some sexuality, language and thematic material
Languages/Subtitles: English SDH, French Canadian and Latin American Spanish Subtitles
Sound: English Dolby Digital 5.1/ Dolby Digital 2.0, Spanish and French Dolby Digital 5.1
Run Time: 1 Hour, 39 Minutes


THE MOVIE'S TRAILER:

Reimagine Products to Ease Plastic Pollution, Says Sagentia

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Plastic waste
Plastic waste (Image via 'Breaking up with plastic')
Rethinking the way some consumer products are presented could significantly reduce plastic waste, according to Sagentia, a Science Group company.
The science and technology specialist also emphasises the need for a cohesive, cross-industry approach that openly acknowledges both the complexity of the issue and the important multifunctional role plastic often plays. Without a deeply-rooted and integrated approach, Sagentia cautions that gaps in the ability to replace, reduce or reengineer plastic packaging will remain unclosed. Consequently, plastic reduction initiatives will fail to properly address the issue.
In a move to help consumer industries tackle these problems, scientists and engineers at Sagentia have produced a white paper 'Breaking up with plastic'. Available for download free of charge, it outlines a three-phase technical framework to facilitate the reduction of plastic packaging.
Simon Norman, one of the paper's authors and applied science consultant at Sagentia, says that in some cases it will be necessary to change the way products are presented, prepared or consumed.
"Much of the time product development is considered separately to packaging development," he explains. "But with such a siloed approach there is less opportunity to get to the crux of issues that result in the need for plastic packaging. Whether it's pod coffee machine refills, shampoo bottles or disposable razors, different organisations and specialists need to work together to reduce single-use plastic.

Addressing this issue requires consumer insight and understanding of the manufacturing and distribution stream, combined with scientific knowledge of the products themselves and properties of various packaging materials. And crucially, the industry needs to find ways to cut plastic waste without compromising important factors such as food safety and consumer enjoyment."
Rethinking the way some consumer products are presented could significantly reduce plastic waste (Image via 'Breaking up with plastic')
⏩ Breaking up with plastic, Technical steps to rethink, replace and reduce plastic packaging is available here
SOURCE: Sagentia

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